Архитектура

From the towering Sagrada Família to the shimmering, textured façade of Casa Batlló and the enchanting landscape of Park Güell, it’s easy to see why Antoni Gaudí (1852–1926) gained the epithet “God’s architect.” With fluid forms and mathematical precision, his work extols the wonder of natural creation: columns soar like tree trunks, window frames curve like flowering branches, and ceramic tiling shimmers like scaly, reptilian skin.

With this outstanding attention to natural detail, his inspirations from both neo-Gothic and Orientalist aesthetics, and a lifelong commitment to Catalan identity, Gaudí created a unique brand of the Modernista movement which transformed, and defines, Barcelona’s cityscape.

With seven of Gaudí’s projects listed as UNESCO World Heritage Sites, this book introduces the architect’s extraordinary vision and unique legacy, exploring the influences and the details which allow his buildings to impress, inspire, and amaze, one century after their construction.

About the series:

Each book in TASCHEN’s Basic Architecture series features:

- an introduction to the life and work of the architect 
- the major works in chronological order
- information about the clients, architectural preconditions as well as construction problems and resolutions
- a list of all the selected works and a map indicating the locations of the best and most famous buildings
- approximately 120 illustrations (photographs, sketches, drafts, and plans)

TASCHEN's 25th anniversary - Special edition!

Anyone who visits Barcelona today will come across the works of Antoni Gaudí—the architect who has attracted art-lovers from all over the world to Spain. It was here, in the capital of Catalonia, that the famous master of architecture produced nearly all of his works, including villas for the well-to-do bourgeoisie, the expansive Güell Park (which today is open to the public), and the famous church designed in honour of the Holy Family—a project which was begun over 100 years ago and has yet to be completed. Antoni Gaudí's life was full of contradictions. As a young man he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life he devoted himself completely to the construction of one single church. As a young man Gaudí had a liking for the glamour of social life and the looks of a dandy; in old age, on the other hand, he lived a spartan life. Gaudí never married and devoted his life entirely to his art: architecture. His works have been acclaimed as "soothing oases in a desert of functional buildings," as "precious gems in the uniform grey of rows of houses," and the master himself was acclaimed as the "Dante of architecture". This book provides a sweeping study of his entire career, presenting his complete works via texts and illustrations.

Посмотреть русскоязычное издание книги Gaudi - The Complete Buildings - Гауди. Жизнь, посвященная архитектуре

The Complete Gaudí. Freedom of form with the “Dante of architecture”

Antoni Gaudí merged Orientalism, natural forms, and new materials into a unique Modernista aesthetic that put Barcelona on the global architecture map. With brand-new photography, plans and drawings by Gaudí himself, as well as an extensive appendix of all his works including furniture and unfinished projects, this book takes us through the Catalonian’s fantastical universe like never before.

The life of Antoni Gaudí (1852–1926) was full of complexity and contradictions. As a young man, he joined the Catalonian nationalist movement and was critical of the church; toward the end of his life, he devoted himself completely to the construction of one single spectacular church, La Sagrada Família. In his youth, he courted a glamorous social life and the demeanour of a dandy. By the time of his death in a tram accident on the streets of Barcelona, his clothes were so shabby that passersby assumed he was a beggar.

Gaudí’s incomparable architecture channels much of this multifaceted intricacy. From the shimmering surface textures and skeletal forms of Casa Batlló to the Hispano-Arabic matrix of Casa Vicens, his work merged the influences of Orientalism, natural forms, new materials, and religious faith into a unique Modernista aesthetic. Today, his buildings enjoy global popularity and acclaim; his magnum opus, the Sagrada Família, is the most-visited monument in Spain and seven of his works are UNESCO World Heritage Sites.

Packed full of expert texts and hundreds of full-colour illustrations, including new photography, this book presents Gaudí’s complete oeuvre. Like a personal tour through Barcelona, we explore his residential, religious, and public projects. We see how the “Dante of architecture” was a builder in the truest sense of the word, crafting extraordinary constructions out of minute and mesmerizing details, transforming fantastical visions into realities on the city streets.

The author:

Rainer Zerbst studied modern languages at the University of Tübingen and in Wales from 1969 to 1975. From 1976 to 1982 he worked as a research assistant in the Department of English at the University of Tübingen. Since completing his doctorate in 1982, Zerbst has been active as a critic in the fields of art, literature, and theatre.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

В лице Гауди родился выдающийся художественный гений, который с самых первых шагов своей профессиональной деятельности обладал неповторимым стилем. Многие считали его сначала интересным, а позднее - просто невероятным. Недостаточно сказать, что Гауди внес свой вклад в развитие архитектуры. Он пошел намного дальше и коренным образом изменил ее стиль и структуру. Он работал, не думая об оригинальности или о ниспровержении существующих эстетических норм, а лишь подчиняясь безудержному порыву своей творческой одаренности. Воинствующие мастера-авангардисты XX века, например Аполлинер, Бретон, Дали, Мэн Рей, Элюар, преклонялись перед творчеством Гауди и после его смерти провозгласили архитектора сюрреалистом.
Антонио Гауди, всю жизнь проповедовавший свободу в своей профессии и никогда не принадлежавший ни к одному из художественных сообществ, так и не удостоился почестей и наград от какой-либо академии и в отличие от многих своих коллег никогда не примыкал к какой-либо политической организации. Он был выдающимся самобытным художником, который работал с невероятной четкостью, даже если она, казалось бы, порождалась безудержным воображением. Плоды этого воображения и через 80 лет после смерти архитектора продолжают оставаться главными достопримечательностями Барселоны, где сосредоточены наиболее значительные и самые прекрасные творения удивительного и всеобъемлющего таланта Гауди.
Появление такого феномена, как Антонио Гауди, положило начало беспрецедентному этапу в развитии не только искусства Каталонии, но и всего мира. Подлинное значение творчества архитектора было осознано лишь несколько десятилетий спустя.

Посмотреть русскоязычное издание книги Gaudi: Complete Works 1852-1900 (2 vol) - Гауди: Полное собрание работ в 2-х томах

The first monograph on the work of renowned twentieth-century British decorator and antiques dealer Geoffrey Bennison.

Geoffrey Bennison (1921–1984) ranks among England’s most influential designers, defying conventional notions of style to conjure up magnificent settings for discerning clients who loved his theatrical and romantic sensibility. The master of the layered look, he used antique textiles with his own fabrics to achieve a complex mix of scale, pattern, and color in inventive shades such as his evocative Red Riding Hood Red and Prussian Blue. His talent for combining eclectic objects, his unerring eye, and his deep knowledge of antiques earned him a reputation for sophisticated originality equaled by very few. Even today, leading designers turn to Bennison for inspiration.

This lavish volume opens with an illuminating text about Bennison’s fascinating history — from his early days at the Slade School of Art and his work as an antiques dealer in London during the swinging sixties to his later career as an interior designer.

All of Bennison’s interiors are showcased, from magnificent country estates and retreats to elegantly appointed apartments and townhouses filled with priceless French and English furniture and curiosities, making this book a must-have for design lovers.

About the Author

Gillian Newberry worked at British Vogue, David Bailey’s photographic studio, and the Royal College of Art’s fashion school prior to assisting Bennison at his antiques shop and with the production of his fabrics. After Bennison’s death, Newberry and her husband founded Bennison Fabrics in 1985. Sir John Richardson is an eminent art historian and Picasso biographer.

According to popular wisdom, beauty is within. But nothing is said about how to get it out, or what on earth you can do with it. In this book, the Belgian decorator Geoffroy Van Hulle demonstrates how it can be seen: beauty, on the inside of a house but also on the inside of a life.

Photographer Raf Ketelslagers captures this vision in incredible images, capturing inspirational interiors, while writer and TV presenter Jo De Poorter describes things that can be beautiful, compelling and imposing outside the walls of the house: from the Académie Francais, the Frick Collection, Dusty Springfield and Levi's jeans to a handful of brioches, Bree Van Der Camp, two or three requiems, Viagra, and the holy virgin Mary herself, in the form of a piece of soap.

Geoffroy Van Hulle is a decorator. He decorates houses, apartments and restaurants in the Benelux, the United Kingdom, France and the United States. His style is contemporary eclectic with baroque and classical influences. He is not afraid of color, character and a stuffed crane here and there. As significant sources of inspiration he mentions Leonardo Da Vinci, Tony Duquette, Saint Nicholas and his mother.

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Посмотреть избранные развороты книги Geoffroy Van Hulle. The Beauty Within

Vicente Guallart, pioneer of new media, examines the technological, social and cultural changes in our information society for new urban building. Presenting the last 15 years of his work, this book investigates architecture’s ability to construct systems for inhabitable environments in diverse environmental, social, and economic conditions. He crosses boundaries through collaborations in geology, sociology, engineering, economics, software and interface design. His projects follow a "natural" logic, referring to components originating in nature, as well as to environmental systems. A logic that connects nature with the transformations of urban spaces, social organizations, and the digital world.

Whilst Soviet modernist buildings in Georgia have ­enjoyed worldwide recognition for several decades, the art for architecture from that era – monumental decorative mosaics – still await discovery and appreciation from an international audience. Then, as now, these richly coloured mosaics were an independent, yet inextricable part of Georgia’s architecture: they ­underlined a building’s use, structured its façade, or merged into an elaborate whole. Today, how­ever, many of these works, which were far more than just state propaganda, are under threat of destruction. 

For the first time, this volume documents these unique remnants of Soviet history alongside their precise locations. Using vivid photos and detailed texts, Nini Palavandishvili and Lena Prents guide the reader through a diverse selection of mosaics that distinguish themselves from those of the other Soviet Republics. By drawing attention to this artistic legacy of a bygone era, and in the process revealing its beauty and cultural significance, the authors highlight the importance of protecting and preserving it for the future.

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В то время как здания в стиле советского модернизма, расположенные в Грузии, являются признанными архитектурными достопримечательностями уже на протяжении нескольких десятилетий, примеры монументального искусства тех времен всё еще ждут того часа, когда широкая аудитория откроет их для себя и оценит по достоинству. Яркие, изумительные мозаики, украшающие многие здания, являются полноценными произведениями искусства, и в то же время – неотъемлемой частью архитектуры: они были призваны указывать на предназначение здания, определяли структуру его фасада или полностью покрывали его. В книге впервые задокументированы эти уникальные фрагменты советской истории искусства с указанием их точного географического положения. При помощи ярких фотографий и детальных описаний Нини Палавандишвили и Лена Пренц надеются привлечь внимание публики к художественному наследию. Они указывают на необходимость защищать и сохранять эти произведения искусства, которые представляют собой гораздо больше, чем просто элементы государственной пропаганды.

Об авторах:

Нини Палавандишвили – куратор и графический дизайнер. Изучала коммуникацию в социальном и экономическом контексте в Берлине; работает в Грузии, участвует в международных проектах, посвященных советскому наследию.

Лена Пренц – историк искусства и куратор. Училась в Минске и Берлине. Исследовательские интересы: история архитектуры, искусство и культура Восточной Европы в эпоху социализма.

Henrietta Spencer-Churchill brings the practical comfort of twenty-first-century living to the elegant and timeless classical proportions of eighteenth century design.

This inspiring and invaluable book showcases some of Henrietta Spencer-Churchill’s favourite projects. Whether working with authentic Georgian interiors, apartments or newly-built homes, Lady Henrietta brings her perfectionist talent to the task of marrying comfort and practicality to the spirit of eighteenth-century elegance and timeless classical proportions.

Georgian Style and Design for Contemporary Living is lavishly illustrated with specially commissioned photographs from the author’s portfolio of work, and contains insights into how the design process works at a practical level. With chapters looking at each room in the home individually, from the dining room to the home office and media room, discover Henrietta’s secrets for achieving the ultimate blend of Georgian style with the needs of a modern home.

This is the classic design template for twenty-first-century living.orary living. Applying classic design principles to indoor/outdoor lifestyles and eco-friendly living is also discussed.

Lady Henrietta Spencer-Churchill is the elder daughter of the 11th Duke of Marlborough, whose family home is Blenheim Palace. Her interest in interior design began when at the age of 16 she traveled to study fine art and languages in Florence and Paris. Later she returned to England to finish her formal studies at the world-famous Inchbald School of Design

Soccer in Germany - that means Bundesliga action between Bayern Munich and Schalke 04 or Hertha BSC Berlin against Hamburger SV. It also means the Champions League and UEFA Cup, as well as the international games between the national teams. Soccer in Germany - it means social places where local identity and social history crystallize. Modern stadiums are architectural masterpieces focused on research, logistics, statics, flexibility and emotion. Stadiums of this magnitude must be capable of admitting thousands of spectators within just a few minutes, they must ensure the safety of the giant structural surfaces in all kinds of weather, and, at the same time, they must provide visitors with the feeling of optimism, pride and a connection with the stadium. Last but not least, soccer stadiums are probably the last remaining places in which all social classes meet. Laborers, students, retirees, politicians, CEOs, entrepreneurs - all are united on the stadium stands. Including all 12 stadiums which are scene of the FIFA World Championship 2006, presented under the architectural focus. Plans and sketches are enclosed as well as an index of the designers and architects.

Berlin ist bis in die jüngste Vergangenheit hinein eine Stadt mit bewegter Geschichte und jede Epoche, jedes Gesellschaftssystem hat Spuren im städtischen Erscheinungsbild hinterlassen. Mitte des 13. Jahrhunderts erstmals urkundlich erwähnt, machte Berlin bald Karriere als Hauptstadt des Kurfürstentums Brandenburg, des Königreichs Preußen, des Deutschen Kaiserreichs und der Weimarer Republik, des Dritten Reichs, der DDR und seit 1990 wieder als Hauptstadt Gesamtdeutschlands. Entsprechend vielfältig, oft auch widersprüchlich ist das architektonische Vermächtnis: Es reicht von Residenzen und Palais über Mietskasernen, die Musterbauten der Avantgarde und das Olympiastadion bis hin zur (ehemaligen) Stalin-Allee. Nach zwei Weltkriegen, Teilung und Wiedervereinigung wird die Stadt langsam wieder zur Metropole, die sie einmal war. Das umstrittene Sony-Center und das neue Regierungsviertel sind die jüngsten Marksteine auf dem Weg dorthin. Für sein neues Photobuch Berlin stellte Gerrit Engel eine Typologie von 170 Berliner Bauten zusammen. Wie schon in seinem 2006 bei uns erschienen Band Manhattan New York geht er auch hier chronologisch vor: Angefangen mit dem ältesten erhaltenen Bauwerk Berlins, der Nikolaikirche von 1230, und endend in der unmittelbaren Gegenwart, David Chipperfields Umstrukturierung der Museumsinsel, werden die historischen Brüche und Verwerfungen ebenso sichtbar wie der oft hilflose Umgang mit einer übermächtigen Stadtgeschichte.

A photographic typology of major Berlin buildings in chronological order and a testimony of the city’s controversial history: from Prussian palaces through to the Bauhaus architecture of the Weimar Republic, the Nazi Olympic Stadium, the Cold War Soviet classicist Stalin Allee, and today’s post-Wall architecture such as the controversial Sony Center.

When German photographer Gerrit Engel moved to New York in 1994 to study architecture, he combed through bookstores in search of a book documenting the city’s most important buildings—not just some eccentric details but each edifice as a whole from the street level to the roof; no fancy photographic distortions but captured as the structures present themselves to the ordinary pedestrian. Having
searched in vain he decided to do it himself. Documenting prefabricated housing estates in East Berlin neighborhood of Marzahn, and Buffalo grain elevators, he knew what he was looking for. What he came up with is no less than a typology of Manhattan architecture: 150 buildings in chronological order of their creation between 1793 and 2005, complete with names of the architects and locations. Engel’s brilliant color photographs present a survey of the mix of styles that make Manhattan a unique architectural environment. We now get what Gerrit Engel had been looking for.

Gert Wingardh (*1951) is Sweden s leading architect. His clever and imaginative spatial creations are remarkable in economic as well as ecological and sociological terms. The focus of his designs is always on the needs of the future users. This monograph analyzes the principal aspects of his work in seminal essays by renowned architecture critics and uses text and images to document all the important buildings of his thirty-year career. Editor Mikael Nanfeldt is curator of the Röhss Museum of Design and Applied Arts in Göteborg, the opening venue for a large exhibition of Wingardh s work that then moves on to the Swedish Museum of Architecture in Stockholm before going on to tour internationally. Wingardh s most remarkable projects include prizewinning laboratory buildings in Sweden and the United States, the Swedish embassies in Berlin and Washington, numerous villas, and the Müritzeum, a recently opened visitor center in Waren, Germany.

This is the first book in over two decades devoted to the most important garden designer of the twentieth century.

Gertrude Jekyll (1843–1932) laid the basis for modern garden design and is credited with popularizing an informal, naturalistic look in counterpoint to the rigid, formal landscapes of the Victorian era. Her collaboration with Edwin Lutyens produced seminal garden masterpieces of the Arts & Crafts movement, including Hestercombe and Folly Farm.

Also known as a prolific and influential writer, Jekyll contributed more than a hundred articles to Country Life and designed three gardens for the publication’s founder, Edward Hudson. As a result, the Country Life archive has an unrivalled record of her work.

This book includes a combination of both archival black-and-white and contemporary colour photographs highlighting a selection of the more than 350 gardens Jekyll created.

The book is organized in four sections and then concludes with an extensive bibliography and index.

Introduction: Biographical overview: family, training, early influences, travel, homes; Accomplishments as an artist, gardener, designer, and writer; Circle of friends: artists, gardeners, architects, and writers; importance of their personal gardens, such as Gravetye Manor and Warley Place; Relationship with Country Life, Hudson, E. T. Cook, Robinson, Tipping, Weaver, Hussey; Importance of GJ's articles, books, and editorial activities related to Country Life Home and Garden: Discussion of Munstead Wood: its design, development, role of Lutyens, role played in Jekyll's books and articles for Country Life; visuals b/w, autochromes, and new color. Gardens of Lutyens and Jekyll: Discussion of their working and personal relationship; Jekyll's style with Lutyens design; progression of their partnership; Examples include: Orchards (1899), Tigbourne Court (1899), Goddards (1899), Deanery (1901), Bois des Moutiers (1904), Millmead (1905), Marsh Court (1905), Folly Farm (1906), Lambay (1907), Hestercombe (1908), Lindisfarne (1911), Gledstone (1925), Queen's Dolls' House (1924) Gardens for Small Country Houses: Jekyll's garden design style, her work with other architects, gardens she wrote about in Country Life, and influence on other designers; Examples include: Owlpen Manor, Little Boarhunt and Durford Edge (Triggs); Mounton House (Tipping); Hurtwood House and Westbrook (Turner); Manor House at Upton Grey (Newton), Townhill Park (Guthrie); Valewood Farm, Woodhouse Copse, (Oliver Hill) Garden Ornament: common features in period gardens drawn from Jekyll's books Wall and Water Gardens, Gardens for Small Country Houses, and Garden Ornament, with her comments; Examples of pergolas, arbors, water features, garden houses, ornament, etc., such as Iford, Easton, (Peto); Deanery, Heywood, Marsh Court (Lutyens); Mathern and Mounton (Tipping); Leasowes and other Cotswold houses (Gimson et al); Little Boarhunt (Triggs), and more.

One of England's most respected and influential architects, James Gibbs was born in Scotland, studied in Rome, and left a legacy of design the world will treasure forever. His legendary 1728 folio, a sprawling gallery of Gibbs's magnificent drawings, perspectives, and blueprints, is a brilliant testimony to his remarkable talent.

Profusely illustrated, the volume features such notable commissions as London's St. Martin in the Fields—the inspiration for many steeple churches of the colonial period in America; St. Mary le Strand, his first public building; Marybone Chapel; The Church of Allhallows in Derby; plus Gibbs's first commission, an addition for King's College at Cambridge. His most outstanding accomplishment may be the circular Radcliffe Library at Oxford, for which he received a Master of Arts. Also included here are detailed floor plans, plus fine drawings of decorative marble cisterns, ornamental iron gates, stately funeral monuments, and much more. Essential for an understanding of classic architecture, this stunning edition should grace the bookshelf of every architect, as well as architectural students, teachers, and historians.

Reprint of A Book of Architecture, London, 1728.