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Louise Bourgeois, who has produced art since the 1930s, began in the 1990s to use her clothes and the clothes of her loved ones as components in her sculptures and drawings. It is as much a reincarnation of her past and her childhood as a confirmation of her relationship with memory. Her visual approach to fabrics transforms decorative accessories into emotional and personal references which, especially in her Cells and later in her drawings, create representations of a tormented and at the same time powerful womanhood. Further development of the artist’s work began in 2002: exploiting the iridescent colours and formal structural properties of pieces of her clothing, she created “The Fabric Drawings,” astonishing works alternating between floral figurative pieces and chromatic abstractions.

This set of images is collected here in its entirety for the first time, constituting the closest thing yet to a general catalogue.

• This collection of pictorial and sculptural images is brought together in this anthology in a unique and exhaustive way.
• The publication is a means of approaching her distinctive iconographic and visual explosions and adding to our knowledge of the artist herself.
• Bourgeois’s emotional and figurative strength, translated into compositions of colour and form, is further testimony to her important contribution to the history of modern and contemporary art.

Embrace female empowerment with J. J. Martin, founder of world–renowned Milanese lifestyle brand LaDoubleJ, in the ultimate insider’s guide to Italy and her magic.

After moving from Manhattan to Milan 20 years ago, with no job, no friends, and no patience for the Italian way of life, J. J. Martin realized she had no option but to surrender to the vibrant but slow-paced lifestyle. In so doing, she discovered more joy (and success) than she could ever have imagined. In this uplifting volume, Martin invites us to jump on board and join her on her journey – an outsider’s evolution through life, love, loss, creativity, and magic – to today’s beloved ‘Milano’. Dive into the delights of Italian fashion, food, and good living; meet some of Italy’s leading female tastemakers (the ‘LaDoubleJ Babes’); tap into Martin’s spiritual secrets for unleashing inner creativity and wisdom; and more – all with a dash of LaDoubleJ vintage chic and oodles of Italian style. This feel-good book is a celebration and a creation story – both of a brand and of becoming your own woman, the Italian way.

Each copy is bound in one of three LaDoubleJ fabrics. Orders will be fulfilled with one of the fabrics available, selected at random.

About the Author:

J.J. Martin is a Los Angeles–born editor turned entrepreneur and founder of the hugely successful Milanese lifestyle brand La DoubleJ — now a global phenomenon. Having spent years scoping out the very best of Italian fashion and design as a contributing editor for publications including Harper’s Bazaar and Wallpaper*, Martin launched La DoubleJ in 2015 as a shoppable magazine selling vintage clothing and jewelry. The brand soon expanded into a full lifestyle label offering new fashion made with archival prints, cool home design, and rare vintage — all distilled through a lens of pure joy and eye-popping print — and championing Italian talent. With collections sold in more than 200 stores worldwide, La DoubleJ’s first flagship store opened in Milan’s high-end fashion district in 2021, complete with a dedicated floor offering a spiritual haven for shoppers and venue for female empowerment workshops. Martin lives in Milan.
 

The eagerly anticipated first monograph to celebrate the fifty-years-and-counting career of decorating legend Mario Buatta. Influenced by the understated elegance of Colefax and Fowler and the doyenne of exuberant American decor, Sister Parish, Buatta reinvented the English Country House style stateside for clients such as Henry Ford II, Barbara Walters, Malcolm Forbes, and Mariah Carey, and for Blair House, the President’s guest quarters. The designer is acclaimed for his sumptuous rooms that layer fine antiques, confectionary curtains, and sublime colorations, creating an atmosphere of lived-in opulence. This lavishly illustrated survey — filled with images taken for the foremost shelter magazines as well as many unpublished photographs from the designer’s own archive — closely follows Buatta’s highly documented career from his professional start in the 1950s working for department store B. Altman & Co. and Elisabeth Draper, Inc. to his most recent projects, which include some of the country’s finest residences. Buatta shares exclusive insights into his process, his own rules for decorating, and personal stories of his adventures along the way.

About the Author:

Mario Buatta is an internationally acclaimed interior designer known for his English Country House style. He has brought the refinement, comfort, and beauty of his designs to a long list of clients from the worlds of entertainment, business, fashion, and high society. Emily Evans Eerdmans received her master’s degree in fine and decorative arts from Sotheby’s Institute of Art in London and is a leading authority on antique furniture and interior design. She has authored The World of Madeleine Castaing and Regency Redux. Paige Rense is the editor emeritus of Architectural Digest, where she served as editor-in-chief from 1975 to 2010.

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In the large cities and metropolitan areas, very few building plots remain in central locations. This is precisely why the development, expansion and new construction of roof levels and attics are an expedient and popular form of redensification. Existing buildings are expanded vertically and designed and adjusted to meet contemporary desires and requirements based on their specific uses.

Masterpieces: Roof Architecture + Design presents contemporary projects from around the world, successful symbioses of existing structure and new attic design, that enliven the city and creatively enhance the urban cityscapes. All projects have one thing in common – they respond to a longing of the residents and users to experience unlimited freedom above the rooftops.

From the contents:

_Nomiya in Paris, France (Pascal Grasso with Laurent Grasso)
_Tehama Grasshopper in San Francisco, USA (Fougeron Architecture)
_Moritzburg Museum, Germany (Nieto Sobejano)
_Argo Egota in Tokyo, Japan (Suppose Design Office)
_Ozulama Residence in Mexico-City, Mexiko (Architects Collective)

Decorating in black and white is perennially popular and eternally chic. Hilary Robertson demonstrates how, whether used alone or together, these contrasting shades can create dramatic effects at home, from the classic to the eclectic.

Sought-after interiors stylist Hilary Robertson celebrates the stylish simplicity of the monochromatic home — elegant interiors in black, white, and every shade of grey in between. In the first chapter, The Monochrome Palette, Hilary analyzes five different monochrome schemes, providing moodboards for different effects: In Black and White, Grey Matters, Shades of Pale, Dark Looks, and In the Mix. Following on, Let there be Light provides examples of interiors with a whiter, brighter approach, while The Dark Room visits homes that have employed darker monochrome palettes. Next, in Monochrome Home, Hilary Robertson shows how to bring the look right up to date, visiting the fabulously inspiring homes of artists, architects and designers across the globe from London and Paris to Copenhagen, rural Sweden, and NYC.

About the Author:

Hilary Robertson is a well-known interiors stylist and journalist with an illustrious client list that includes Canvas, Ochre, Elle Decoration, Vogue Living, and the Telegraph Magazine. Also a talented writer, Hilary wrote the text for Josephine Ryan’s French Home (also Ryland Peters & Small). Hilary lives in Brooklyn with her husband and son. She recently opened Mrs. Robertson, a store selling vintage furniture and accessories.

Mosaics: Outside the Box is both a practical and inspirational guide to making mosaics. Including instructions for designing and making your own creations, this highly illustrated and interesting text covers a range of techniques for both the novice and the more experienced artist to follow.

Instructions show you how to create your own mosaics out of various materials including paper, ornaments, photos, fabric, paint, jewellery, glass, tiles, pebbles and moulded Duket.

Complete with handy tips about the technical side of mosaic-making including glueing and grouting, this book is your complete handbook of how to get started in this creative and exciting medium.

The first-ever visual expansion of Werner’s Nomenclature of Colours, featuring over 800 illustration references from the natural world

This chromatic catalogue of the natural world pairs individual colour swatches with examples from the animal, vegetable and mineral kingdoms to create a beautiful and comprehensive colour reference system to grace every bookshelf.

Marking the 200th anniversary of the publication of Syme’s expanded edition of Werner’s Nomenclature of Colours (1821), this lavish volume takes Syme’s field guide of 110 standard colours and – for the first time – fully illustrates it with nineteenth-century depictions of his referenced species. Expert text explains the uses and development of colour standards in relation to zoology, botany, minerology and anatomy, while specimens from contemporary collector’s cabinets (birds, butterflies, eggs, flowers and minerals) are matched to each colour swatch. Syme’s groundbreaking guide attempted to establish a universal colour reference system to help identify, classify and represent species from the natural world: this landmark publication completes his endeavour.

Contents List:

Introduction The Origination, Purpose and Development of Werner’s Nomenclature of Colours by Patrick Baty • i. Whites, Greys and Blacks • 1. Werner’s Mineralogical System and how his Nomenclature of Colours Became Syme’s Colour Standard by Peter Davidson • ii. Blues and Purples • 2. Colours in Zoology: Subjective or Systematic? by Elaine Charwat • iii. Greens • 3. Syme’s Colour Chart in Botany: Origin and Impact by Giulia Simonini • iv. Yellows and Oranges • 4. One for All? Werner’s Nomenclature of Colours as a General Standard of Colour and its Particular Use in Medicine by André Karliczek • v. Reds and Browns

About the Authors:

Patrick Baty is the author of The Anatomy of Colour and owner of Papers and Paints, a specialist paint business in London. His great grandfather, the artist Robert Bevan, was described by a former director of the National Gallery as being ‘perhaps the first Englishman to use pure colour in the 20th century’. He runs a consultancy that advises on the use of paint and colours in historic buildings and has worked with Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage. He also lectures frequently on the subject of paint and colour of the 18th and 19th centuries.

Scandinavian style has long been associated with light, clean-lined spaces or pared-down monochrome interiors. However, in recent years the colour palette has seen a dramatic shift away from pale, cool shades and dramatic, darker and more characterful hues have begun to appear in stylish Nordic homes. Why have the Scandinavians suddenly welcomed colour in this way and how is it being used?

As well as discussing the theories behind this shift and analysis of the most popular colour schemes, in New Nordic Colour interiors writer Antonia af Petersen offers expert advice on choosing colour for your home. She goes on to visit 10 Nordic homes that are divided into three different types. 'Dark Eclectic' schemes feature deep, intense hues: dusk blue, storm grey, forest green and indigo, all inspired by the more dramatic tones of the Nordic landscape. 'Bold Accents' focuses on the details that stand out and add character – think deep red berry bushes or the russet tones of the northern birch forests in Autumn. Finally, in 'Majestic Pastels' Antonia provides a glimpse into interiors decorated in strong but subtle pastels for a remarkably modern effect.

These unique Nordic homes all have one thing in common – plain white walls and monochrome palettes have been replaced with rich, complex and vibrant hues.

Selected from a very rare portfolio, this volume presents exquisitely detailed engravings of Parisian apartment buildings and mansions of the late nineteenth century. Its 100 plates depict 50 buildings in the richly ornamented Beaux-Arts Classical style. These illustrations are the work of Pierre Gelis-Didot, who is celebrated for his architectural drawings. They depict buildings by such distinguished architects as Jean-Louis Pascal, Albert Walwein, Lucien Magne, Charles Girault, and others.

Full-page illustrations of each facade are accompanied by facing pages with finely rendered architectural details, including floor plans, cross sections, and close-ups of doors, windows, and balconies. Other details include soaring arches, elaborate cornices, decorative trims, and colossal columns. From the boulevards of Saint-Germain, Haussmann, and Montparnasse to the Bois de Boulogne, this volume offers a celebration of residential architecture in the City of Light.

This classic sourcebook of decorative motifs contains 100 plates of royalty-free Gothic designs, meticulously reproduced from rare 19th-century engravings. Many are floral and foliate designs rendered from panels, capitals, borders, brackets, friezes, grotesques, and other decorative elements from such architectural landmarks as New College Chapel at Oxford and Rouen Cathedral.

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Пролистать книгу Pugin's Gothic Ornament: The Classic Sourcebook of Decorative Motifs with 100 Plates на Google books.

With this book in one hand and a brush in the other, you can learn how to create different paint finishes and effects to change everyday rooms and furniture into something special, all for the price of a pot of paint.

The first section of the book tells you everything you need to know before you start – how to prepare surfaces properly, choose the right paint for the right place and use the best tools. Then, the 50 projects are divided into five sections: Ageing and Distressing; Working with the Base; Working with Colour; Handpainting; and Crackle, Gilding and Decoupage.

There are step-by-step images showing how to achieve the finished look, before shots and inspirational photography showing the effects used on walls and doors, furniture and floors. Learn how to bring old second-hand furniture bang up to date, or how to give modern pieces a softly aged appearance, as well as ways to treat and transform floorboards, doors and plastered walls.

Whatever the style of your interiors, Quick and Easy Paint Transformations will show you the best way to makeover your home.

About the Author:

Annie Sloan is one of the world’s most respected experts in the field of decorative painting. She runs highly successful workshops from her store in Oxford, and teaches in the US and Europe. Annie has written more than ten books, including the bestselling Quick and Easy Paint Transformations, Creating The French Look, The Painted Garden and Annie Sloan’s Painted Kitchen (all published by CICO Books), and has featured prominently on PBS television and the Homes & Gardens TV channel. She also sells her own highly acclaimed range of chalk paint which is available from almost 300 locations worldwide, including over 200 outlets in the US. The author is based between Oxford, UK and France.

Street furniture is the clandestine star of urban spaces. Rarely recognized at first glance, benches and street lights, fountains and bus stops considerably shape the nature of streets, public squares, and entire cities. In addition to the practical aspects of street furniture, high-quality designs have become the recent focus of attention. The combination of function and esthetics, ingenious concepts and artistic implementation sheds a totally new light on today’s street furniture.

Even though the majority of street furniture is produced in series, unique pieces are an important segment of the genre. These are generally much more conspicuous, intended to highlight a specific location within the urban structure, or match a specific setting. This volume introduces more than 100 outstanding examples of both serial products and unique items.

During the past decade, there has been tremendous growth in daylighting analysis methods, allowing designers to meet ever higher standards. But in relying too heavily on these methods, there is a risk of reducing daylighting design to a quantitative exercise, overlooking the qualitative, aesthetic and experiential aspects of design. This book reveals how architects have bridged the poetic and practical potential of daylighting to create exquisitely illuminated spaces.

In the book, twelve buildings are examined, using photographs, drawings and plans. Each case study also includes technical analysis diagrams, specially created using specialist software. Featured architects include Renzo Piano, David Chipperfield and Steven Holl.

The Art of Architectural Daylighting will be invaluable for professionals and students alike.

About the author:

Mary Guzowski is an Associate Professor in the Department of Architecture at the University of Minnesota. She is a co-author of the Minnesota Zero Energy Design Protocol and she oversaw the development of the MSc in Sustainable Design Program at the University of Minnesota. Her publications include Daylighting for Sustainable Design (2000) and Towards Zero-energy Architecture (Laurence King, 2010).

The British architect Quinlan Terry has created this book as the ultimate guide to classical architecture. With detailed sketches, he illustrates both the principals of which Classical architecture is based and the ornament that enriches it. The tradition of this architecture persisted into the 20th century when other ideals began to take over. Terry, who is a strong advocate of classical architecture, wants to refocus on the kind of architecture which was dominant in the western world for almost 2,000 years, but whose background and structure is little known today.

The book contains many of Quinlan Terry's drawings, sketches from travels and linoleum prints.

The preface is written by Prince Charles, who holds Quinlan Terry as one of the top contemporary architects.

An intimate look at the ethos of one of today’s most exciting designers, and the people and places that have shaped her maximalist English country aesthetic.

British interior designer Flora Soames founded her eponymous firm in 2009 and launched an acclaimed collection of fabrics and wallpapers in 2019. Informed by her background in art and furniture, her style exudes the traditional charm of English country homes while incorporating modern, original touches that are comfortable and design-led. This embrace of old and new — along with Soames’s passion for collecting, heritage, color, and pattern — has resulted in an impressive portfolio of projects in the UK and beyond.

Inspired by the concept of a One Day Box — a place, real or imaginary, where we store fragments of our past that spark a feeling of connection — Soames presents her reflections on the concept of home, and explores the sentiments evoked by certain objects during seminal moments in her life. From personalities and places to beloved objects, Soames shows how our patchwork of memories can energize the process of creating and living in a home. Exquisite photographs of her projects — including her refurbished countryside cottage in Dorset, an architecturally prominent house in the Cotswolds, and her family’s home in North Norfolk — alongside images of vibrant fabrics and wallpaper bring her thoughts and distinctive style to life.

About the Author:

Flora Soames set up her design business in 2009 and launched a range of fabrics and wallpapers a decade later. One of House & Garden’s Top 100, her discerning eye and instinct for channeling both old and new has been formed through a lifetime love of collecting. She lives and works in Dorset, England.

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