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This easily navigable resource provides 125 swatches of the most recognized and widely used varieties of fabric to encourage consideration of not just their aesthetic appeal but also their structure, feel and weight. Natural fabrics such as cottons, silks, wools and linens are included, as are artificial and synthetic fabrics like nylons, polyesters, microfibres, metallics and soya fabrics, and fabrics made from alternative plant fibres like bamboo and hemp.

With information on fibres, basic construction of fabrics, weights, construction, and weave comparison, the book will help student fashion designers to make informed textile choices based upon an understanding of raw materials together with the processes that make up a fabric. The book will be useful for anyone who works with fabrics and is the ideal companion to Fabric for Fashion: The Complete Guide.

About the Authors:

Clive Hallett has worked in the fashion industry since 1972 and has been a design consultant since 1978. He lectures at the London College of Fashion.

Amanda Johnston teaches on several fashion design courses at London College of Fashion. She has worked as a design consultant since 1982.

This fascinating sourcebook presents the most remarkable, beautiful, and innovative building façades in contemporary architecture.

A building’s façade sets the aesthetic tone for its entire design while serving a variety of functions, from regulating light and protecting against the elements to providing insulation for temperature and sound. This absorbing book details hundreds of examples of interesting and progressive façades from around the world. Presented in colourful double-page spreads, each façade is photographed from different angles and includes engaging texts that describe their significance. Readers can learn how traditional mashrabiyas in Abu Dhabi are being engineered to respond to light and to regulate heat, how a hospital in Mexico City has been constructed with “smog-eating” tiles, and how a “bio-adaptive” façade in Germany uses algae to generate energy and provide shade. Informative and accessible, this compendium is a highly useful resource for architects, engineers, and designers.

About the Author:

Oscar Riera Ojeda is an editor and designer based in the United States, Hong Kong, and Argentina. He has designed, edited, and published more than 200 architecture, design, and photography books. He is the director of the eponymous boutique architecture publishing house Oscar Riera Ojeda Publishers. 

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Пролистать книгу Façades: A Visual Compendium: A Visual Compendium of Modern Architectural Styles

Fabrics are some the most diverse architectural materials available. They can adapt to all architectural circumstances with almost endless versatility. Textiles envelope space, create atmosphere, add accents and can be imparted almost any quality. Contemporary architecture and modern interior design make use of the inexhaustible ability of textiles to take on shape, creating breathtaking structures and impressive interiors.

This generously illustrated volume provides succulent examples of the richness of innovative design implementing textiles. Architects and designers show new dimensions of the formal vocabulary opened by textiles for their projects. Fine Fabric shows that textiles, rich in tradition, are truly a material of the future, and are able to produce any effect, be it trendy or elegant to downright futuristic.

From the contents:

* Pink Project in New Orleans, USA (GRAFT)
* Sydney Olympic Park Amenities, Australia (Durbach Block Architects)
* Kvadrat Sanden Showroom in Stockholm, Sweden (Ronan & Erwan Bouroullec)
* Missoni Hotel Kuwait (Matteo Thun & Partner)
* Harisch Rutter Office in Vienna, Austria (BEHF)

Many designers, from jewellers to architects, use folding techniques to make three-dimensional forms from two-dimensional sheets of fabric, cardboard, plastic, metal and other materials.

This unique handbook explains key folding techniques, such as pleated surfaces, curved folding and crumpling. It has been updated with a new chapter covering some lesser-known techniques, suggesting yet more creative possibilities. The techniques are accompanied by clear step-by-step drawings, specially commissioned photography and ten new instructional videos.

About the Author:

Paul Jackson is a well-respected professional paper artist, bestselling author of over 30 books on paper arts and crafts, teacher and passionate advocate of folding as a language of design.

A unique exploration of the close relationship between art and design, explored through the historic and contemporary fabric designs of Liberty, where avant-garde art has influenced the colourful, geometric collections for more than half a century

Liberty is renowned internationally for its fabrics, especially its floral patterns, but it also has a long history of developing bold, geometric designs. Many of these have been inspired by early 20th-century avant-garde art, notably by the Italian Futurists – by artists such as Giacomo Balla and Umberto Boccioni – and their English contemporaries the Vorticists, including Christopher Nevinson and Edward Wadsworth.

In anticipation of Liberty’s 150th anniversary, esteemed couturier and interior designer Federico Forquet has curated a striking new range of fabrics – the FuturLiberty Collection – that carries Liberty’s creative heritage into our own age.

The Futurist and Vorticist art that lies behind the new designs is explored by specialists Ester Coen and Richard Cork, while archivist Anna Buruma examines Liberty’s rich history of avant-garde designs. By illuminating the process by which the FuturLiberty Collection came into being, this highly visual study also reveals how art can inform design, making it contemporary, relevant and engaging.

About the Author:

Ester Coen is an expert on Italian Futurism and the international avant-garde. She has been Associate Professor at the University of Florence and Professor at the universities of Udine and L’Aquila. Richard Cork is an art historian, critic, curator and broadcaster. He has been an art critic for the Evening Standard, The Listener, The Times and the New Statesman, and is a past Turner Prize judge.

An exuberant celebration of the color green — in nature, art, interiors, and design.

Green is like water: it is everywhere, and we can’t live without it. Green is the color of nature and the environment. Green is life. Interior designer and style guru Carlos Mota has such a passion for green that he has now devoted an entire book to it. G: Forever Green celebrates the color in all its manifold manifestations: in nature, food, fashion, jewelry, art, interiors, and architecture.

From the brilliant markings on a butterfly’s wings to the feathers of a tropical bird’s breast, from Magritte’s oversized apple to the brocade drapery in the background of a Holbein portrait, from a leafy arbor to a leafy wallpaper, from celadon to forest to emerald to acid to lime to Kelly, the variety is astounding. Illustrated with Mota’s own photographs, taken as he has traveled the world, as well as images by prominent photographers, G: Forever Green features rooms by notable designers, among them Kelly Wearstler, Alessandra Branca, Mark D. Sikes, Robert Couturier, Gert Voorjans, and Nicky Haslam.

This stunning volume, superbly produced with a green metallic edge stain, is a testament to the power of green to soothe, inspire, and excite.

About the Author:

Carlos Mota is a creative consultant with extensive experience in styling, interior design, and product design. He has created environments for catalogs and advertising campaigns for numerous companies and brands. Formerly the international style editor for Architectural Digest and editor at large for Elle Decor, he has been named to the prestigious 2022 AD100 list. The author of Beige Is Not a Color, Mota lives in New York.

This beautiful volume celebrates entertaining and decorating in a meaningful and personal way, by integrating florals and artisanal handmade objects -- whether it's porcelain, flatware, glassware, vases, or textiles -- into tabletop designs.

Gathering showcases creative tabletop ideas and styles for all seasons. These stylish interiors feature local, artisanal floral designs and handmade objects, capturing the current trend of living and decorating more mindfully and with one-of-a-kind objects.

Exploring every aspect of tabletop design, with setting ideas for different seasons and situations, this volume presents tabletops in situ in a range of stylish spaces designed by the creatives and artists who live there (and sometimes who are the makers themselves). From rustic country living to urban eco-chic, what these beautiful interiors have in common is a desire to bring nature indoors and an intentional and personal approach to design.

Full of inspiring tabletop ideas, Gathering shows how different pieces and floral arrangements work well together, merging into lovely tabletop designs where beauty and authenticity exist in every detail. Paired with beautiful on-location photography, these pages showcase simple luxury living, embodied by this conscious approach to design, that hosts and hostesses everywhere will appreciate.

About the Authors:

Designer and stylist Kristen Caissie of Moon Canyon has pioneered a loose, wild, and organic California style in both her creative table design and her floral-based arrangements. The work of celebrated photographers Gemma and Andrew Ingalls of the Ingalls have been featured in Elle Decor, Travel & Leisure, and Martha Stewart Living. They are the authors of In Full Flower: Inspired Designs by Floral's New Creatives, published by Rizzoli in 2017.

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Пролистать книгу Gathering: Setting the Natural Table

Color is powerful – it can change our moods or raise our spirits. It can be positively life-enhancing, yet so many of us struggle with choosing the right shades for our home, instead falling back on a safe but unadventurous palette of bland neutrals.

In this, his third book, celebrated interior stylist Hans Blomquist reveals his lifelong passion for color and the way in which it can affect our emotions. Color can soothe, enchant or excite. And as Hans demonstrates, it has the ability to render rooms cool and calming, dynamic and stimulating or moody and intriguing.

As ever, Hans draws his inspiration from the treasures of the natural world, exploring shades from the dazzling optic white of newly fallen snow to the fiery crimson heart of a newly unfurled poppy and the inky canopy of the midnight sky. Divided into five sections – Dark, Pale, Soft, Natural and Bright – In the Mood for Colour will make you see color in a completely different light.

About the Author:

Hans Blomquist is an art director and stylist whose evocative, painterly style is highly sought after by many prestigious brands. Hans started out working for IKEA in Sweden and ended up art directing their catalogue. His other clients include Harrods, Marks & Spencer, John Lewis, H&M, and IKEA. Hans now lives in Paris.

This definitive book tells the visual history of tile decoration in the Indian subcontinent, through vibrant photography and thorough research.

Historic India, which now encompasses the modern nations of India, Pakistan and Bangladesh, is celebrated for the richness of its architectural and decorative arts, but less well-known for glazed tiles. Arthur Millner opens up this hitherto neglected subject with a richly illustrated narrative. Millner traces the craft’s roots in Muslim Persia, Afghanistan and Central Asia, showing how imported glazing techniques combined with an ancient local tradition of clay craftsmanship. He explores the production, designs and influences in Indian tiles from antiquity to the colonial period, tracing the historical evolution through a series of key eras, including the Delhi Sultanate and the Mughal Empire in Northern India. Although glazed tiles are generally associated with Islam, they also briefly flourished in both Hindu strongholds, such as Gwalior and Orchha, and in Christian Portuguese-ruled Goa. More than four hundred photographs, many of little-known sites, are drawn from the author’s years of travel as well as from colleagues, the V&A Museum archives and other celebrated institutions. These images capture the architectural context and beauty of the designs, providing a visual compendium of styles and techniques. Taken together they offer a unique chronicle of an environmentally threatened aspect of the region’s cultural, artistic and religious evolution over centuries.

About the Author:

Arthur Millner is a consultant and independent scholar in the field of Indian and Islamic art. He lectures at the London School of Oriental and African Studies, the V&A Museum, the Royal Asiatic Society and the Oriental Rug and Textile Society. He is the author of Damascus Tiles (Prestel, 2015).

This fascinating exploration will appeal to anyone interested in art history, fashion and style, textile design and world history

The golden age of European navigation brought a breathtaking variety of textile designs to travel across the globe. These textiles blended the traditional designs, skills and tastes of the cultures that produced them with those of their destinations, resulting in objects that are both beautiful and historically intriguing.

While previous studies have focused on this story from the viewpoint of trade, Interwoven Globe is the first book to investigate it as a history of design — and to approach it from a universal perspective. Richly illustrated texts examine the interrelationship of textiles, commerce and taste from the Age of Discovery to the 19th century, providing detailed discussions of more than 120 works.

From India, with its renowned mastery of dyed-and-painted cotton, to the sumptuous silks of Japan and China, Turkey and Iran, the paths of influence are traced westward to Europe and the Americas. Shaped by an emerging worldwide visual culture, the fashion for the ‘exotic’ in textiles, as well as in other goods and art forms, gave rise to what can be called the first global style.

From Pucci's psychedelic patterns to Iuter's skate-inspired prints: how Italian designers have led innovations in textiles throughout the 20th century

The dynamic geometrical patterns of Emilio Pucci; the dazzling trompe-l'oeil effects of Roberta di Camerino; the pop sensibilities of Gianni Versace and Franco Moschino; the bold street-style prints of Iuter and Sunnei--these and countless other innovations have made Italian design a leading force in the history of 20th-century textiles.

This volume documents the history of Italian textiles from the beginning of the 20th century through to the present day, exploring their evolution in relation to the dominant styles of various periods. This is a history deeply interwoven with the birth of the totemic "Made in Italy'' concept, as textiles have significantly contributed to Italy's international reputation as a bastion of high-quality fashion and design. Numerous Italian artists, fashion designers, product designers and companies have pioneered and popularized a vast range of manufacturing processes that incorporate local fabrics and innovative techniques.

Featuring sumptuous illustrations of finished fabrics, preparatory drawings and photographs, Italian Textiles compiles the country's most notable design coups. Among the thematic sections in the book are those dedicated to scarfs, skirts, shirts, ties, wallpapers, tablecloths and various other fabricated objects.

Designers include: Fede Cheti, Enrico Coveri, Roberta di Camerino, Dolce & Gabbana, Salvatore Ferragamo, Lucio Fontana, Piero Fornasetti, Mariano Fortuny, Gucci, Iuter, Franco Moschino, Bruno Munari, Gio Ponti, Prada, Emilio Pucci, Ken Scott, Ettore Sottsass, Sunnei, Valentino and Versace.

Known as the gardener of fashion, Ken Scott designed large-scale flowers that blossomed on fabrics and whole outfits and have recently been rediscovered in Gucci’s Epilogue collection.

The American fashion designer Ken Scott was a masterful creator of fabrics, mapping out flowers with romanticism and multiplying them as he transformed them into something that stood out and reflected his eclectic personality.

Born in Fort Wayne, Indiana, Scott moved to Milan in the 1950s, where he pioneered many colorful patterned fabrics and collections and founded the Falconetto brand. Known for bright floral patterns with peonies, roses, poppies, sunflowers, petunias, and asters, Scott followed a maximalist design philosophy when it came to his vibrant line. In the 1960s, he is said to have been one of the first designers to showcase calf-length skirts in his collection, while in 1970s he rose to fame because of his floral-printed suits for both men and women and unisex catwalks.

They called him “the fashion gardener,” but he was so many things: a gifted painter, an experimental restaurateur, an ingenious textile artist, and one of the most brilliant design savants of the twentieth century.

Edited together with the Ken Scott Foundation, including an interview with Alessandro Michele, this book provides an in-depth exploration of his archives and thoroughly reflects his imagination for everything from loungewear and luggage to silk scarves and swimsuits, all joyfully splashed with his colors, sunflowers, poppies, petunias, and peonies.

About the Author:

Shahidha Bari is professor of fashion cultures and histories at London College of Fashion. Federico Chiara is a journalist and Culture Editor at Vogue Italia. Pierre Léonforte is a journalist based in Paris and Milan, regular contributor to Vanity Fair France and Marie Claire Maison. Renata Molho is a journalist, essayist and former fashion critic for the newspaper Il Sole 24 Ore. Isa Tutino is a journalist and essayist who directed Casa Vogue and contributes to publications such as L’Espresso and Corriere della Sera. Photographs by Guido Taroni.

Artificial light has revolutionized our environment like almost no other medium. Today, we are experiencing a profound change in the world of artificial light, with as yet unforeseeable consequences for people’s lives. »Lightopia« presents icons and examples of lighting design, setting them in a broader cultural and historical context.

The publication comprises three separate books in a slipcase.

In volume 1, renowned authors take a close look at the cultural history of light in a number of essays dealing with topics as diverse as the scenographic significance of light or its psychological aspects.

Volume 2 presents a selection of the 100 most important luminaires from the collection of the Vitra Design Museum – dating from 1900 to today – and includes texts on the development of lighting design.

In volume 3, interviews with well-known lighting designers and artists explore how new illumination technologies revolutionize the creative use of light today.

With its three volumes, »Lightopia« constitutes a unique compendium of lighting design. It is opulently illustrated and encompasses an exceptional spectrum of examples from  design, art and architecture; with works by Olafur Eliasson, Gino Sarfatti, Ingo Maurer, mischer’traxler, Carlos Cruz-Diez, Wilhelm Wagenfeld, Richard Sapper, Achille Castiglioni, Ulrike Brandi, Pieke Bergmans and many others

This is the essential book on living and entertaining with elegant linens-for every day and special occasions. 

Offering both visual inspiration and practical information, Linens is the ultimate guide to living and entertaining with fine linens. Credited with reviving the art of couture linens for everyday use, Jane Scott Hodges's contributions to the world of fine linens have made her a favourite of house and home magazines. As the founder and owner of couture fine linens company Leontine Linens, she has spent the past two decades studying, collecting, and innovating the world of fine linens. 

In her engaging Southern way, she introduces us to the art of beautifully made linens and shows how easy it is to use them to personalize your home and change looks and moods without redecorating. Whether your style is classic or modern, quirky or quiet, linens are uniquely adaptable to the way you live and decorate and the surest way to put your unique stamp on your home. 

Throughout, the book also offers liberal doses of the author's expert advice and savvy insight on use and care, as well as contributions from leading decorators and home stylists. Replete with beautiful linen-filled rooms detailing countless interpretations of applique, embroidery, and monograms-and the myriad weaves and colours to explore-Linens opens up the possibilities of a world of decorating and a fresh look at entertaining.

About the Authors:

Founder of Leontine Linens, Jane Scott Hodges has revived the art of couture linens for the home. Hodges deftly explores fine linens' everyday use and care, and their importance and relevance to today's artful lifestyle. A celebrated tastemaker, prolific designer, and author, Charlotte Moss most recently wrote the successful Charlotte Moss: A Visual Life.

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Пролистать книгу Linens: For Every Room and Occasion 

An inspirational visual journey along the colour spectrum, brought to life via the best contemporary residential interior design

Tap into the growing trend for injecting colour into home décor with this elegant, thoughtful selection of interiors in every shade and hue. Featuring 200 interiors from 130 designers, and showcasing 27 residential room types from a wide variety of home environments and styles, including living, dining, sleeping, and bathing spaces, in locations around the world, this is the perfect gift and inspiration for every style-conscious design fan – even space-challenged apartment dwellers. Organised by colour, from the purest white to the deepest black, from the hottest pinks, oranges, and reds, to the coolest greens and tranquil blues in between, this stunning book explores and celebrates the contemporary trend for vivid accents and vibrant transformations of our domestic spaces, whatever their size and wherever their location.

About the authors:

Conceived and edited by Phaidon editors.

Stella Paul was educator-in-charge of exhibitions and communications, and senior manager of the Interpretative Audio Program (Digital Media) at the Metropolitan Museum of Art, New York. She established the Smithsonian Institution's Southern California Center for the Archives of American Art, and has worked as a curator at LACMA.

India Mahdavi is a Paris-based interior designer, best known for her use of colour in her work for such venues as Sketch in London.