История архитектуры

Adventure through the princely Thurn und Taxis estate, an enchanted palace where 1,000 years of history meets a thoroughly modern family. For 200 years the Thurn und Taxis family have called the palace of St. Emmeram home. Regarded as one of Germany’s finest examples of historicist architecture, the Regensburg residence’s myriad rooms trace centuries of distinctive styles: a Romanesque-Gothic cloister built between the twelfth and fourteenth centuries, a neo-Renaissance marble staircase, a number of Rococo and neo-Rococo staterooms, and a Baroque library frescoed in 1737. Celebrated photographer Todd Eberle captures the confluence of high art and grand architecture within the 500-room palace to reveal the curious tale of the Thurn und Taxis family. Complete with stately portraits and scenes of life at St. Emmeram, this monograph offers a glimpse into the world and glamour of one of the most important dynasties of the European aristocracy.

About the Authors:

Sir John Richardson is a British art historian and Picasso biographer. Princess Gloria von Thurn und Taxis is the matriarch of the princely house of the Thurn and Taxis. André Leon Talley is an author and contributing editor of Vogue. Alexander Count von Schoenburg is a journalist and author. Elisabeth von Thurn und Taxis is an author and writer for Vogue.

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Пролистать книгу The House of Thurn und Taxis

The gabled manor houses of the early 17th century are, for many, the epitome of the English country house; indeed, Jacobean houses form the core of the National Trust collection. Richly illustrated with colour and duotone photographs from "Country Life's" unparalleled archive, this book tells the absorbing story of the evolution of the Jacobean country house. Though the Jacobean period itself spanned only 22 years (1603-25), it was to have a major impact on English domestic architecture. This was an exciting period of experiment and discovery, with an extraordinary range of architectural styles being brought into play. Plain Classical formality coexisted with French, Italian and Dutch examples adapted to English tastes, the result of an explosion in new ideas that also produced revolutions in other aspects of life - notably the English Civil War. Nicholas Cooper's authoritative essays on 22 key Jacobean houses are brought to life with beautifully reproduced photographs in the next in the "Country Life" series on houses by period.

Photographs detailing architectural features and interior design, accompanied by a text capturing early twentieth-century ways of life explore the lavish houses built by the Vanderbilts, Morgans, and others on Long Island's North Shore, in an expanded, beautifully illustrated celebration of the design of a bygone era.

This 1774 guidebook for English carpenters was one of the earliest "do-it-yourself" manuals ever published. The builders' manuals and pattern books of the eighteenth and nineteenth centuries offered carpenters and other construction workers important resources for designs and techniques. Those unable to afford an architect's services could feel confident in the good taste of their residence by selecting designs from a pattern book. Employing elementary arithmetic and geometry, the guide's annotated and meticulously rendered engravings depict cross-sections of chimney-pieces, ceilings, cornices, and other architectural details.

William Pain's manual was one of the earliest such works published in the United States. Printed in Philadelphia in 1797, it helped standardize key aspects of Federal architecture and served as a model for construction at George Washington's Mount Vernon home. Reprinted from an original 1774 edition, this is the only available version of a splendid reference for architectural historians and those with an interest in classical architecture.
Reprint of the I. Taylor, London, 1774 edition.

The Regency Country House is the first book to provide a comprehensive survey of the key English country houses of 1800 to 1830. It is written by John Martin Robinson, leading architectural historian, herald, and librarian to the Duke of Norfolk, who is author of numerous books including Buckingham Palace the official illustrated history.

This new book is divided into three parts: it looks at the princely palaces and houses associated with the Prince Regent, from Brighton Pavilion to Buckingham Palace, the nobleman's houses such as Tregothnan, Eastnor Castle and Goodwood and gentleman's houses such as Southill, Bedfordshire and Sheringham, Norfolk.

The book will illustrate work by leading country houses architects including the Wyatt dynasty, Henry Holland, John Nash, Thomas Hopper, Humphry Repton and Sir John Soane - as well as regional designers such such as Dobson of Newcastle and Webster of Kendal.

Twenty-eight leading architects, engineers and architectural historians explore and explain the modern world’s greatest structures, charting the progress of human ingenuity and creativity in erecting buildings, from AD 500 to the present day.

• How was the Empire State Building erected right in the middle of New York?
• What machines dug the Channel Tunnel?
• Why does the Leaning Tower of Pisa lean - and not fall over?
• How can the 1.4 mile Akashi Kaikyo bridge withstand earthquakes and typhoons?
• What supports the soaring vaults of Chartres Cathedral?

Many of these structures are the tallest, longest or largest of their kind, but aesthetic power is combined with structural virtuosity in the small chapel at Ronchamp in France and the beautifully elegant wooden roof of the temple of Byodo-in, Japan. And the ability to harness or overcome the forces of nature, as seen in the Three Gorges Dam in China, or the Jungfrau Rail System in Switzerland, is equally spectacular.

Some buildings, including Hagia Sophia in Istanbul and the Potala Palace in Lhasa, were constructed using traditional methods and materials: others, such as the Guggenheim Museum in Bilbao, Spain, and Kansai Airport in Japan, represent the latest in computer-aided design and space-age technologies. All these structures transcend mere utility, they have changed landscapes and can encapsulate the identity of a city or a nation – instantly recognizable and infinitely memorable.

The definitive retrospective on the Bauhaus, the 20th century’s greatest art school

‘Architects, sculptors, painters, we all must return to the crafts!’ declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. Students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved from Weimar to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time.

This volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and the Arts and Crafts movement. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography.

This accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft.

Contents List:

Essays • Sources and Inspirations • Workshops and Lessons • In the Heart of Bauhaus • Bauhaus Lives On

About the Authors:

Olivier Gabet is Director of the Musée des Arts décoratifs in Paris.
Anne Monier, a graduate of the Sorbonne and the École Normale Supérieure, is a curator at the Musée des Arts Décoratifs. Her research focus is the Bauhaus in general and Herbert Bayer in particular.
Raphaèle Billé is an assistant curator at the Musée des Arts Décoratifs. Her university research was on the topic of French metal furniture from 1925 to 1937.
Monique Blanc is a senior curator at the Musée des Arts Décoratifs and head of the Middle Ages/Renaissance department.
Marie-Sophie Carron de la Carrière is a senior curator at the Musée des Arts Décoratifs and head of the fashion collections from 1800 to 1945.
Louise Curtis is an assistant curator at the Musée des Arts Décoratifs. She is also a PhD candidate in History of Photography at the Université de Lausanne in Switzerland.
Olivier Gabet is Director of the Musée des Arts décoratifs in Paris.
Nicholas Fox Weber is executive director of the Josef and Anni Albers Foundation.
Jean-Louis Gaillemin, founder of Beaux-Arts magazine and L’Objet d’art, is an honorary lecturer at the Université Paris-Sorbonne, specializing in architecture and decor.
Mathieu Mercier is a French visual artist. He was awarded the Marcel Duchamp prize in 2003.
Anne Monier, a graduate of the Sorbonne and the École Normale Supérieure, is a curator at the Musée des Arts Décoratifs. Her research focus is the Bauhaus in general and Herbert Bayer in particular.
Béatrice Quette is head of the Asian collections at the Musée des Arts Décoratifs.

Imagine a dwelling so splendid that the king of France, after spending the evening there as a guest, claps the owner in jail for the rest of his life for attempting to overshadow the monarchy! Vaux-le-Vicomte is but one of many chateaux featured in this volume that could incite the envy of royals. These timeless residences, many of which are still in private hands today, collectively depict the noble heritage of the French nation and a sense of its glory.

Highest-quality photographs that often bleed off the page to fill entire spreads allow the viewer to fall into the pictures, making one feel as if one is actually living the fairy tale life depicted here rather than suffering the fate of an armchair reader.

The photographs portray not only the buildings' exteriors but also their formal gardens and grounds, resplendent interior furnishings, and fabulous art treasures.

A map at the beginning of the book highlights the wide geographic distribution of the chateaux, including a number of architectural marvels from Paris and environs.

With 330 color illustrations, this is highly recommended as a sumptuous overview of the subject.

Focusing on the Gothic period, this book gives readers the tools they need to grasp the architectural language and building forms of this style.

Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features the Gothic period’s most important architects, buildings and cities, interior and exterior photographs, detailed images, and drawings and plans. The book offers a general introduction to the Gothic period and discusses the primary characteristics of the style, along with the commonly used techniques and materials. A hallmark of the medieval period, Gothic architecture originated in twelfth-century France and lasted until the sixteenth century. Its lofty style expressed spiritual ideals, yet it was also an incredibly innovative movement that introduced such iconic forms as the pointed arch, ribbed vault, and flying buttress. Some of the world’s most famous castles, universities and churches, including Westminster Abbey in London, were designed according to Gothic principles.

The book The Story of Modern Architecture provides concise and reliable information on key cultural and historical topics.

Highlights:
• Chronological presentation of the most important themes
• More than 150 illustrations with detailed explanations
• Supplementary cards on special related themes and the history of the events
• Timelines, illustrations, and maps
• Index of subjects and names

The retro-futuristic epoch is one of the most visually spectacular in architecture’s history.

The utopian buildings of the 1960s and 1970s never go out of style. This book compiles radical ideas, rediscovered photos, and visionary structures.

Driven by idealistic visions, utopian architecture aimed to overcome social divisions and political strife, to put us in touch with nature, and to enable us to live humane, healthy lives. For half a century, it was both hope and inspiration.

The Tale of Tomorrow surveys this diverse twentieth-century phenomenon, featuring renowned works like The House of the Century or the TWA terminal, as well as lesser-known masterpieces, and profiling major thinkers such as Oscar Niemeyer, Le Corbusier, and Eero Saarinen. By digging through archives, corresponding with descendants of departed architects, and restoring photographs, the collection of utopian approaches herein maintains a visual power and infectious optimism.

Looking at past dreams, The Tale of Tomorrow is a call to reclaim our future.

Since its foundation in 1897, Country Life has consistently featured new British houses, thus building up an unrivalled photographic archive on twentieth-century architecture and one that covers a much wider variety of houses than any other.

This archive forms the basis for Alan Powers' new study of twentieth-century houses, illustrated with 200 stunning colour and duotone photographs, some of which are reproduced here for the first time. The book is divided into chronological chapters covering the 1920s to the 1990s, preceded by an enlightening introductory essay on the changing nature of architectural style over the course of the century.

Both town and country houses are included, as well as remodellings of earlier buildings where the result has a clear twentieth-century character, such as London's glorious Eltham Palace.

Lucca, and its surrounds, are a testament to the splendour of the Italian Renaissance. In architecture, landscape garden design and classic interiors, the influence of this pocket of countryside in the Tuscan hills has spread far beyond Italy's borders. This book, written by one of Italy's foremost experts of Renaissance architecture and art, and photographed by one of Italy's most admired architectural photographers, offers unparalleled access to some of the world's most famous properties, their homes and gardens. A superb addition to the book collections of lovers of Italy, Tuscany, and the Italian Renaissance.

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Пролистать книгу The Villas Of Lucca на Google books.

The Palladian style dominated British architecture for most of the 1700s, until the rise of the Adam style, which held sway for the final decades of the eighteenth century. Brothers Robert and James Adam were almost single-handedly responsible for infusing Georgian architecture with the sensibilities and elements of classical Hellenic and Latinate design. Their elegant, sophisticated form of Neoclassicism affected not only architecture, but also interior design, furniture design, and landscaping.

The Works in Architecture of Robert and James Adam, one of the most celebrated books in architectural history, consists of the brothers' own selections of illustrations from their commissions. Dating from the 1770s, these 106 illustrated plates epitomize the style that influenced generations of British and American architectural and furniture designs. Created by some of the finest commercial engravers of the age — including four plates by Piranesi — these illustrations are painstakingly reproduced in perfect detail and clarity. The original text imparts the Adams' own esthetic and practical aims, and an informative introduction places the brothers' work in historical perspective.

Unabridged republication of the edition published in three volumes by Priestley and Weale, et al., London, 1778-1822.