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Why have the peoples of the world made pleasure gardens, and why have they made them in such different styles? All pleasure gardens derive their design inspiration from one of the world's six great gardening traditions - the Italian, the Islamic, the Chinese, the Japanese, the English flower garden, and the English park - and it is these that are the subject of this book.

There are, of course, other countries where there is an individual style of gardening, but in all cases the roots of that style can be traced back to one of the great traditions. Rory Stuart has travelled from Buenos Aires to Vancouver, from Seattle to Cape Cod; from Ireland to India; to China, Japan and Australia, trying to understand the differences in garden styles and to account for them, approaching pleasure gardens as works of art, and placing them in their historical and cultural context.

One of the most important aspects of garden design has always been the relationship between a garden and its surrounding landscape.

This book looks at the way in which today's leading garden and landscape designers have concealed boundaries, disguised edges or brought "nature" up to the house, in order to link private gardens to the landscape beyond.

With small urban gardens, designers have also invented trompe l'oeil effects to make cramped spaces look larger, while other designers have devised new ways of mimicking nature, and land artists have "adopted" the existing landscape and created gardens as temporary events. Including examples of gardens from all over the world, this book challenges preconceptions of contemporary garden design as well as providing ideas and inspiration for any gardener.

“Gardentopia is that rare marriage of the art of landscaping and the technical knowledge of how to compose a landscape ― boiled down to readily understood and easily executed actions. This book puts you in the driver’s seat and shows you how to chart the course to your own personal garden utopia.” - Margie Grace, Grace Design Associates

Any backyard has the potential to refresh and inspire if you know what to do. Jan Johnsen’s new book, Gardentopia: Design Basics for Creating Beautiful Outdoor Spaces, will delight all garden lovers with over 130 lushly illustrated landscape design and planting suggestions. Ms. Johnsen is an admired designer and popular speaker whose hands-on approach to “co-creating with nature” will have you saying, “I can do that!’

This info-packed, sumptuous book offers individual tips for enhancing any size landscape using ‘real world’ solutions. The suggestions are grouped into five categories that include Garden Design and Artful Accents, Walls, Patios, and Steps and Plants and Planting, among others. Whether you are an experienced gardener or a landscaping novice, Gardentopia will inspire you with tips such as ‘Soften a Corner”, “Paint it Black”, and “Hide and Reveal”.

About the Author:

Jan Johnsen began her professional life in Japan in a landscape architecture office. She has been a principal in a landscape design-and-build firm, Johnsen Landscapes & Pools, based in Westchester, New York, for more than thirty years. Her natural design approach is evident in the landscapes that she shares in her books: Heaven Is a Garden, The Spirit of Stone, Floratopia and Gardentopia.

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This is the first book in over two decades devoted to the most important garden designer of the twentieth century.

Gertrude Jekyll (1843–1932) laid the basis for modern garden design and is credited with popularizing an informal, naturalistic look in counterpoint to the rigid, formal landscapes of the Victorian era. Her collaboration with Edwin Lutyens produced seminal garden masterpieces of the Arts & Crafts movement, including Hestercombe and Folly Farm.

Also known as a prolific and influential writer, Jekyll contributed more than a hundred articles to Country Life and designed three gardens for the publication’s founder, Edward Hudson. As a result, the Country Life archive has an unrivalled record of her work.

This book includes a combination of both archival black-and-white and contemporary colour photographs highlighting a selection of the more than 350 gardens Jekyll created.

The book is organized in four sections and then concludes with an extensive bibliography and index.

Introduction: Biographical overview: family, training, early influences, travel, homes; Accomplishments as an artist, gardener, designer, and writer; Circle of friends: artists, gardeners, architects, and writers; importance of their personal gardens, such as Gravetye Manor and Warley Place; Relationship with Country Life, Hudson, E. T. Cook, Robinson, Tipping, Weaver, Hussey; Importance of GJ's articles, books, and editorial activities related to Country Life Home and Garden: Discussion of Munstead Wood: its design, development, role of Lutyens, role played in Jekyll's books and articles for Country Life; visuals b/w, autochromes, and new color. Gardens of Lutyens and Jekyll: Discussion of their working and personal relationship; Jekyll's style with Lutyens design; progression of their partnership; Examples include: Orchards (1899), Tigbourne Court (1899), Goddards (1899), Deanery (1901), Bois des Moutiers (1904), Millmead (1905), Marsh Court (1905), Folly Farm (1906), Lambay (1907), Hestercombe (1908), Lindisfarne (1911), Gledstone (1925), Queen's Dolls' House (1924) Gardens for Small Country Houses: Jekyll's garden design style, her work with other architects, gardens she wrote about in Country Life, and influence on other designers; Examples include: Owlpen Manor, Little Boarhunt and Durford Edge (Triggs); Mounton House (Tipping); Hurtwood House and Westbrook (Turner); Manor House at Upton Grey (Newton), Townhill Park (Guthrie); Valewood Farm, Woodhouse Copse, (Oliver Hill) Garden Ornament: common features in period gardens drawn from Jekyll's books Wall and Water Gardens, Gardens for Small Country Houses, and Garden Ornament, with her comments; Examples of pergolas, arbors, water features, garden houses, ornament, etc., such as Iford, Easton, (Peto); Deanery, Heywood, Marsh Court (Lutyens); Mathern and Mounton (Tipping); Leasowes and other Cotswold houses (Gimson et al); Little Boarhunt (Triggs), and more.

Glasshouse Greenhouse fuses together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford’s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters – History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture – the featured spaces in Glasshouse Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

About the Authors:

Magnus and India are photographers based in Sheffield and together form Haarkon. Alongside photographic commissions Haarkon produce bespoke photography for a variety of uses, with particular focus on natural spaces.

The pair have a talent for story-telling and have built up a healthy client list including the Telegraph, Observer Magazine, Sonos, Ikea, Food 52, made.com, Ally Capellino and JJJJound. Haarkon have also worked with Apple, Bang & Olufsen, IKEA and Urban Outfitters. ELLE Decoration UK featured the Haarkon Greenhouse Tour in their ‘Power of Plants’ issue, and they also sat on the judging panel for the 2018 RHS Photographic Competition.

Dr. MacKenzie’s Golf Architecture was a monumental book for its time, a timeless book on golf architecture and a must for any student of the field or serious player. MacKenzie was an outdoorsman, a military man, and a doctor of medicine, whose hobby of golf architecture got the best of him. He ultimately abandoned his medical career to pursue golf course architecture and we must be thankful for that. He fully understood the nuances of the game but his genius was borne from his astute analysis of the nature of the course, its purpose and place in golf. One of the elemental distinctions he made was between strategic hazards (primarily sand bunkers, as he abhorred water as a penalty) and random hazards, as were commonly found on Scottish links—most notably at his beloved St. Andrews.

The penal school of architecture was in vogue during much of MacKenzie’s life but he would have none of it. His conception of a perfect course had to do with surrounding the player, frequently challenging him, but ultimately enabling him the freedom to play, to enjoy his day at golf. MacKenzie felt too many golfers looked on hazards “as a means of punishing a bad shot, when their real object is to make the game interesting.” When his masterpiece, Augusta National Golf Club opened there were only 23 bunkers, barely more than one per hole. “Hazards should be placed with an object, and none should be made which has not some influence on the line of play...” While he is in complete agreement with John L. Low’s 1903 comment in Concerning Golf that no hazard is unfair wherever it is placed, MacKenzie avows “a hazard placed in the exact position where a player would naturally go is frequently the most interesting situation, as then a special effort is needed to get over or avoid it.”

In one of the lectures that constitute this volume, MacKenzie identifies thirteen quintessential traits of the best golf architecture—the thirteen commandments for the zealous. Some are elementary: the next tee should be nearby the last green and in a direction away from following players; every hole should be of a different character and every course should have four par-threes, a couple of drive-and-pitch holes, but mostly substantial par-fours. Many qualities are more complicated: “The course should be so arranged so that the long handicap player, or even the absolute beginner, should be able to enjoy his round in spite of the fact that he is piling up a big score.” Besides ranking as one of the finest volumes on golf architecture, this book is valuable for the good course management it teaches, especially to those neophytes. Golfers must use their minds and act with authority; after all, this is war. MacKenzie was a military specialist in camouflaging earthworks; it was that peculiar skill that shaped his concepts for strategic bunkering.

MacKenzie’s simple formula for a good golf course is twofold: it must never become monotonous; and the best course construction is “almost entirely due to utilization of natural features to the fullest extent and to the construction of artificial ones indistinguishable from nature.” He was also one of the earliest proponents of hazards to putting, designing unique greens such as the seventeenth at Augusta where the vertical halves slope in opposite directions, or the fifth with its backward tiering. He wanted the route to the green to be generous, never lined with ball-gobbling rough or ponds, but he could also be audacious when given property with substantially different terrain, as on the Monterey Peninsula for Cypress Point. Wisely there, the green movement is more tempered due to the high risk factor of many other shots, and perhaps the distracting drama of the surrounds. Admirers of the art of Mackenzie in the U. S. should also view Ohio State University GC, the University of Michigan GC and Crystal Downs CC, Green Hills CC (CA ), Pasatiempo GC, Northwood GC and Stockton G & CC.

While totally serious and eminently important, this book is far from a chore to read. Although a stern, physically imposing Scot, MacKenzie liked a joke, even if at possibly his own expense. One of two rival green shapers admitted he could never quite achieve the subtle contours of the other, and asked his secret.

This assemblage of beautiful essays and photos looks at the science and art of golf architecture through many different perspectives. Some of the most knowledgeable voices on the topic of golf-course design, including award-winning architects, past presidents of the American Society of Golf Course Architects, and golf magazine editors express their viewpoints on the subject. Among the variety of issues discussed are the placement of hazards, the effects of technology, restoration versus renovation, and the importance of the rhythm of the course. In the first of four volumes, an essay contributed by Tom Doak, the founder and principal of Renaissance Golf Design, explores the meaning of what a golf architect does and is. Doak discusses the extensive use of mathematics required to evaluate variables in the landscape. An essay contributed by Bill Amick, who designed more than seventy-five courses in eight countries, presents the topic of how designs lend to the affordability of membership. In order to achieve cost-efficiency, golf architects must employ a sharp mind and good business sense. Paired with professionalism, golf architects must also have the soul of an artist and a passion for the game. Inspired by the work of Alister Mackenzie, Todd Eckenrode, the U.S. Public Links 1998 Medalist, addresses his affinity for slopes, contours, and a variety of tee shots. Thomas McBroom, who won Golf Digest's award for top course in 2002, includes an essay regarding the dramatic effects of bedrock, and how the traditional obstacles can be utilized for beauty, character, and strategy. Despite the importance of ingenuity, the spirit of creativity remains an important asset.

About the Author

Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA's Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has also published volumes two and four of Daley's Golf Architecture: A Worldwide Perspective. A member of the National Golf Club in Melbourne, Australia, Daley plays from a handicap of seven.

An excellent combination of sport, art, and intelligence, golf architecture holds an allure for admirers of courses worldwide.

The complicated process of creating such deceptively simple landscapes has been dissected by the top names in the field. This collection of essays, written by an international array of experts, delves into the complex issues involved in every detail of design. The design of a course is dependent on what elements the designer deems most important. An essay contributed by Jamie Dawson, founder of Enviro Links Design, presents the topic of strategic design interest. This architect takes into account how topography, vegetation, drainage, and fairway routing can contribute to the environmental well-being of a course. Natural landscape is also a concern for Jay Morrish, who was voted golf architect of the year in 1996. He prefers a more literary approach to his design. He likens the detailed craftsmanship of his courses to the careful precision of a poet. Each element must support the other in a beautiful arrangement of natural landscape and manufactured course. Although nature is a large part of any outdoor sports arena, it is often the technological advancements that make the golf course's design sustainable. Karl F. Grohs and Rainer Preissmann, the founding principals of Deutsche Golf Consult, present the topic of improving older courses by updating the existing designs, materials, and buildings to combine the traditional beauty with modern comforts and accessibility. Ronald Fream, an architect with experience in sixty countries, discusses the development of the craft-course design from St. Andrews to the educational and technological advancements that allow new courses to be cost-effective.

About the Author
Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA's Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has previously published the first two volumes of Daley's Golf Architecture: A Worldwide Perspective. Daley, a member of the National Golf Club in Melbourne, Australia, plays from a handicap of seven.

Golf is a game that turns even the weekend player into an armchair architect, an enthusiast for the possibilities of golf-course design. In this fourth volume of collected essays, leading golf architects from fifteen countries present their ideas, providing a much-needed international assessment of the principles and practices of golf architecture.

Near the end of the nineteenth century, golf courses moved toward the hearthland, creating the need for thorough reconfiguration of the natural landscape in the clearing of trees and the cultivation of grass to create interesting holes. With the completion of the National Golf Links of America in 1911, the art of golf-course design was born.

The essays and photographs included here represent the tremendous variety of approaches to design principles, from affordability and locality to considerations of the effect of time on the initial design and for specific aspects of the game. The contributors to the book constitute an international "who's who" in the world of golf architecture, with essays from the major golf-course-design firms around the world, award-winning golf architects, and renowned golfers.

About the Editor
Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA?s Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has previously published the first two volumes of Daley?s Golf Architecture: A Worldwide Perspective. Daley, a member of the National Golf Club in Melbourne, Australia, plays from a handicap of seven.

Golf Course Architecture, Second Edition is fully updated with more than fifty percent new material, including more than twenty-five recent innovations in the golf industry. Revealing both the art and science of golf course architecture, it takes readers inside the designer’s mind through each step to designing a golf green, golf hole, and golf course. Beautifully illustrated with hundreds of full-color photographs, course maps, and drawings, this Second Edition explains the roots of ugliness and sources of beauty in courses, how the landscape communicates, and the connection between golfers and golf courses. Golf Course Architecture, Second Edition provides a wealth of accessible and helpful information on golf course architecture chronicling every facet of designing, building, renovating, and restoring a golf course.

Complete guidelines to developing and maintaining the most effective, environment-friendly irrigation systems for golf courses

Golf Course Irrigation offers valuable insight on the design, installation, management, and maintenance of irrigation systems-the most important management tool used on today's golf courses. Without manufacturers' bias, this useful resource provides hands-on guidance to the highest quality irrigation systems, including specifications and applications of the best pump stations, controllers, sprinkler heads, nozzles, valves, sensors, and other components that make the difference in top-quality irrigation systems.

Typically regarded as significant users of water, golf courses are under increasing scrutiny by governmental and environmental groups, making it essential that the up-to-date information found here-on such topics as water supply, plant irrigation requirements, application uniformity, and construction management-be at the fingertips of every golf course professional. While fostering the best playing conditions, these systems conserve water and energy with such technology as low-pressure heads and controls that use "if/then" logic to automatically adjust to changing conditions, which can improve playability while saving money.

Golf Course Irrigation is a practical tool to help golf course architects, builders, superintendents, irrigation consultants, designers, and installers to improve aesthetics and playing conditions in the face of diminishing natural resources. It is also an informative reference for golf course owners, developers, local officials, students, and fans of the game.

Golf Greens offers a hands-on resource to the design, construction, and history of all types of golf greens.

• Provides highly illustratative coverage, with a sixteen-page, full-color section featuring shots of old and new greens, greens under construction, and newly finished greens.
• Provides guidelines for determining best construction methods--with special emphasis placed on site-specific concerns.
• Covers turfgrass selection with detailed information on artificial turf.
• Shows how design can be used to make greens fast or slow to match player and course expectations.

Golfers wanting to know the colourful stories behind names like Alcatraz, Biarritz, Cleopatra, Dell, Eden, Postage Stamp, and Redan can now turn to the only book ever devoted exclusively to the par–three hole. In Golf’s Finest Par Threes Tony Roberts and Michael Bartlett have assembled what they call a “an exemplary collection of the most spectacular, historic, challenging, and unusual one–shot holes on the planet.”

The heart of the book is the authors’ list of the 100 greatest par threes in the world, chosen from thousands they’ve seen during more than 30 years profiling and photographing golf courses. These are designated as gold and silver, and arranged by design and geographical categories such as links, island and peninsula, blind, drop shot, and more. Striking photography and fact–filled profiles combine to reveal the distinct character of each hole.

Golf’s Finest Par Threes also explains how the greatest course designers — notably, Macdonald, Colt, Tillinghast, MacKenzie, Ross, Thomas, Jones, Fazio, Nicklaus, Dye, and Doak — have created par threes. A closing section offers new perspectives on the one–shot hole: “Best Sets” and “Out–of–the–Box” threes, historic shots on par threes, and more.

Golf’s Finest Par Threes is a beautifully packaged tour of golf’s great short holes, one guaranteed to inform, entertain, and provoke vigorous debate about what makes a par three superior and memorable.

"Golf’s Grand Design," prepared as a companion volume to the PBS documentary of the same name, expands upon the information presented in the television program.

Co-authored by Bob Cupp, one of America’s leading golf course designers, and Ron Whitten, Golf Digest’s longtime senior editor on golf architecture, the book features rare sketches and diagrams of golf holes—some never before published—by 34 past and present golf architects, including Alister MacKenzie, Pete Dye, Bill Coore, Ben Crenshaw, Tom Doak, Gil Hanse, Doug Carrick, Steve Smyers and David McLay Kidd.

In each chapter, based upon one of the drawings, Cupp and Whitten explore a different facet of the course depicted and present unique perspectives into the craft and art of golf course architecture. These sketches are the vehicles by which design becomes grass. They are not AutoCAD plottings used to clear permits (full of technicalities practically indecipherable by everyday folks), but intimate, immediate and sometimes idiosyncratic streams of consciousness that are handed to a bulldozer operator, along with words of instruction, which become reality; the very crux of golf design.These drawings seldom survive; ending up as grocery lists, note pads or even shelf paper. But if one comes back to the designer after the fact - after the hole has been played and proclaimed fun, the drawings become treasures.

Written in a lively conversational format, "Golf’s Grand Design" takes readers behind the scenes in the creation of many of America’s finest courses, from the modest-budget Bully Pulpit in North Dakota to the mega-budget Shadow Creek in Nevada.

The authors retell the discovery of the land that became the groundbreaking Sand Hills Golf Club in Nebraska and relate the extensive process required to complete the environmentally-sensitive Liberty National in New Jersey. They take readers behind the scenes with Jack Nicklaus at work and at play, analyze what made Donald Ross and A.W. Tillinghast such great architects, offer insights into the little-known design talents of PGA Tour Hall of Famers Tom Kite and Tom Watson and pass along revelations regarding such famous holes as “The Cape” and “The Redan.” They conclude with a short discussion of the impact that technology has had on the world of golf.

"Golf’s Grand Design" is intended for all who enjoy golf or who, by virtue of these stories, might consider the game. It provides a fresh approach to understanding and appreciating good golf architecture. It will certainly be one of those books with a long shelf life because its content is not trendy but factual. It is the story of American golf and a living description of the creative process of a game that somehow worked its way into our very souls.

John Dixon Hunt is the doyen of garden historians and this book is his credo, the product of a lifetime’s thought.

'Greater Perfections' establishes a firm intellectual tradition of garden history, weaving together the physical reality of gardens and the literature that has accompanied it.

No one concerned with garden history at an academic level can afford to ignore this book, while for the lay reader it is itself a garden, offering at each step fresh insights into man’s relation to nature from the beginnings of civilization to today.

Professor Hunt offers six ‘guidelines’ and eight ‘new directions’ for garden designers of the future, allied to copious illustrations from important historical sources and modern photographs.