Книги з ландшафтного дизайну

Nicknamed ‘the rose among the palms’, the thousand-year-old city of Marrakesh is characterised by its pink-coloured pisé architecture and its deeply rooted tradition for gardens and green spaces.

The majority of historic sites are inextricable from their gardens – or indeed are historic green spaces: the huge royal orchard pleasure-gardens of the Agdal were described by Monty Don as ‘of international cultural importance on a par with Versailles or Villa d’Este’.

Scores of traditional riads and hotels like the Mamounia, created by the French in 1923 on the site of an eighteenth-century royal residence, offer splendid gardens to the visitor. Yves Saint Laurent’s Majorelle garden is an icon of modern garden design.

The first book to be published on this fascinating subject, Gardens of Marrakesh champions the city’s relevance today in a world of water scarcity and urban development and explores its green heritage, considering some twenty gardens both from an historic and cultural perspective.

The Loire Valley is generally thought of as a place for history and culture. Everybody remembers visiting at least one of its historical buildings. In fact, the region is internationally famous for its many significant heritage locations. Yet this inevitable image conceals a very wide variety of places, some of them much less well known to the general public. How better to discover or rediscover gardens than to see them through the seasons, from spring, summer, autumn and winter.

This stunning book, beautifully illustrated throughout, is one of the most attractive and informative books on the subject. The author's knowledgeable approach and delightful writing style will allow readers to share these places as if they were the gardeners there. As to the photographers, they have used their patience and talent to produce a subtle display of gardening perfection, secrets and magic.

Why have the peoples of the world made pleasure gardens, and why have they made them in such different styles? All pleasure gardens derive their design inspiration from one of the world's six great gardening traditions - the Italian, the Islamic, the Chinese, the Japanese, the English flower garden, and the English park - and it is these that are the subject of this book.

There are, of course, other countries where there is an individual style of gardening, but in all cases the roots of that style can be traced back to one of the great traditions. Rory Stuart has travelled from Buenos Aires to Vancouver, from Seattle to Cape Cod; from Ireland to India; to China, Japan and Australia, trying to understand the differences in garden styles and to account for them, approaching pleasure gardens as works of art, and placing them in their historical and cultural context.

One of the most important aspects of garden design has always been the relationship between a garden and its surrounding landscape.

This book looks at the way in which today's leading garden and landscape designers have concealed boundaries, disguised edges or brought "nature" up to the house, in order to link private gardens to the landscape beyond.

With small urban gardens, designers have also invented trompe l'oeil effects to make cramped spaces look larger, while other designers have devised new ways of mimicking nature, and land artists have "adopted" the existing landscape and created gardens as temporary events. Including examples of gardens from all over the world, this book challenges preconceptions of contemporary garden design as well as providing ideas and inspiration for any gardener.

“Gardentopia is that rare marriage of the art of landscaping and the technical knowledge of how to compose a landscape ― boiled down to readily understood and easily executed actions. This book puts you in the driver’s seat and shows you how to chart the course to your own personal garden utopia.” - Margie Grace, Grace Design Associates

Any backyard has the potential to refresh and inspire if you know what to do. Jan Johnsen’s new book, Gardentopia: Design Basics for Creating Beautiful Outdoor Spaces, will delight all garden lovers with over 130 lushly illustrated landscape design and planting suggestions. Ms. Johnsen is an admired designer and popular speaker whose hands-on approach to “co-creating with nature” will have you saying, “I can do that!’

This info-packed, sumptuous book offers individual tips for enhancing any size landscape using ‘real world’ solutions. The suggestions are grouped into five categories that include Garden Design and Artful Accents, Walls, Patios, and Steps and Plants and Planting, among others. Whether you are an experienced gardener or a landscaping novice, Gardentopia will inspire you with tips such as ‘Soften a Corner”, “Paint it Black”, and “Hide and Reveal”.

About the Author:

Jan Johnsen began her professional life in Japan in a landscape architecture office. She has been a principal in a landscape design-and-build firm, Johnsen Landscapes & Pools, based in Westchester, New York, for more than thirty years. Her natural design approach is evident in the landscapes that she shares in her books: Heaven Is a Garden, The Spirit of Stone, Floratopia and Gardentopia.

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Це перша книга за понад два десятиліття, присвячена найважливішому садовому дизайнеру ХХ століття.

Ґертруда Джекілл (1843–1932) заклала основу для сучасного садового дизайну, і їй приписують популяризацію неформального, натуралістичного вигляду в контрапункті до жорстких, формальних ландшафтів вікторіанської епохи. Її співпраця з Едвіном Лутієнсом створила основоположні садові шедеври руху мистецтв і ремесел, зокрема Hestercombe і Folly Farm.

Також відомий як плідний і впливовий письменник, Джекілл написав понад сто статей для Country Life і спроектував три сади для засновника видання Едварда Хадсона. Завдяки цьому в архіві Country Life є неперевершений запис її роботи.

Ця книга включає в себе поєднання архівних чорно-білих і сучасних кольорових фотографій, які висвітлюють добірку з понад 350 садів, створених Джекіллом.

Книга складається з чотирьох розділів і завершується великою бібліографією та покажчиком.

Вступ: біографічний огляд: сім'я, навчання, ранні впливи, подорожі, домівки; Досягнення як художника, садівника, дизайнера та письменника; Коло друзів: художники, садівники, архітектори, письменники; важливість їхніх особистих садів, таких як Gravetye Manor і Warley Place; Relationship with Country Life, Hudson, E. T. Cook, Robinson, Tipping, Weaver, Hussey; Важливість статей, книг та редакційної діяльності GJ, пов’язаної з Country Life Home and Garden: Обговорення Munstead Wood: його дизайн, розробка, роль Lutyens, роль Джекілла в книгах і статтях для Country Life; візуальні ефекти ч/б, автохроми та новий колір. Сади Лютієнса та Джекіла: обговорення їхніх робочих та особистих стосунків; Стиль Jekyll з дизайном Lutyens; розвиток їхнього партнерства; Приклади: Orchards (1899), Tigbourne Court (1899), Goddards (1899), Deanery (1901), Bois des Moutiers (1904), Millmead (1905), Marsh Court (1905), Folly Farm (1906), Lambay (1907), Hestercombe (1908), Lindisfarne (1911), Gledstone (1925), Queen's Dolls' House (1924) Gardens for Small Country Houses: стиль дизайну саду Джекілл, її робота з іншими архітекторами, сади, про які вона писала в Country Life, і вплив на інших дизайнерів; Приклади: Owlpen Manor, Little Boarhunt і Durford Edge (Triggs); Mounton House (Чайові); Hurtwood House і Westbrook (Тернер); Manor House at Upton Gray (Newton), Townhill Park (Guthrie); Valewood Farm, Woodhouse Copse, (Oliver Hill) Garden Ornament: загальні риси стародавніх садів, взяті з книг Джекілл Wall and Water Gardens, Gardens for Small Country Houses і Garden Ornament, з її коментарями; Приклади пергол, альтанок, водних споруд, садових будиночків, орнаментів тощо, як-от Iford, Easton (Peto); Деканат, Хейвуд, Марш-Корт (Лютієнс); Mathern and Mounton (Тіпінг); Leasoes та інші будинки Cotswold (Gimson та інші); Little Boarhunt (Triggs) тощо.

Glasshouse Greenhouse fuses together cultures and countries under one glass roof. In their debut book, photographers India Hobson and Magnus Edmondson take you on a worldwide journey through their favourite botanical spaces.

The Haarkon Greenhouse Tour began as a self-initiated adventure in Oxford’s botanic garden four years ago. Since then, Magnus and India have visited countless locations in the UK, Europe, America, Asia and beyond in search of dream glasshouses and greenhouses, capturing dramatic palm houses, tropical hothouses and private potting sheds along the way.

Divided into seven thematic chapters – History, Specimen, Community, Research, Pleasure, Hobbyist and Architecture – the featured spaces in Glasshouse Greenhouse are depicted via a series of photo-essays that draw out the style, plant collections and character of each space.

About the Authors:

Magnus and India are photographers based in Sheffield and together form Haarkon. Alongside photographic commissions Haarkon produce bespoke photography for a variety of uses, with particular focus on natural spaces.

The pair have a talent for story-telling and have built up a healthy client list including the Telegraph, Observer Magazine, Sonos, Ikea, Food 52, made.com, Ally Capellino and JJJJound. Haarkon have also worked with Apple, Bang & Olufsen, IKEA and Urban Outfitters. ELLE Decoration UK featured the Haarkon Greenhouse Tour in their ‘Power of Plants’ issue, and they also sat on the judging panel for the 2018 RHS Photographic Competition.

Dr. MacKenzie’s Golf Architecture was a monumental book for its time, a timeless book on golf architecture and a must for any student of the field or serious player. MacKenzie was an outdoorsman, a military man, and a doctor of medicine, whose hobby of golf architecture got the best of him. He ultimately abandoned his medical career to pursue golf course architecture and we must be thankful for that. He fully understood the nuances of the game but his genius was borne from his astute analysis of the nature of the course, its purpose and place in golf. One of the elemental distinctions he made was between strategic hazards (primarily sand bunkers, as he abhorred water as a penalty) and random hazards, as were commonly found on Scottish links—most notably at his beloved St. Andrews.

The penal school of architecture was in vogue during much of MacKenzie’s life but he would have none of it. His conception of a perfect course had to do with surrounding the player, frequently challenging him, but ultimately enabling him the freedom to play, to enjoy his day at golf. MacKenzie felt too many golfers looked on hazards “as a means of punishing a bad shot, when their real object is to make the game interesting.” When his masterpiece, Augusta National Golf Club opened there were only 23 bunkers, barely more than one per hole. “Hazards should be placed with an object, and none should be made which has not some influence on the line of play...” While he is in complete agreement with John L. Low’s 1903 comment in Concerning Golf that no hazard is unfair wherever it is placed, MacKenzie avows “a hazard placed in the exact position where a player would naturally go is frequently the most interesting situation, as then a special effort is needed to get over or avoid it.”

In one of the lectures that constitute this volume, MacKenzie identifies thirteen quintessential traits of the best golf architecture—the thirteen commandments for the zealous. Some are elementary: the next tee should be nearby the last green and in a direction away from following players; every hole should be of a different character and every course should have four par-threes, a couple of drive-and-pitch holes, but mostly substantial par-fours. Many qualities are more complicated: “The course should be so arranged so that the long handicap player, or even the absolute beginner, should be able to enjoy his round in spite of the fact that he is piling up a big score.” Besides ranking as one of the finest volumes on golf architecture, this book is valuable for the good course management it teaches, especially to those neophytes. Golfers must use their minds and act with authority; after all, this is war. MacKenzie was a military specialist in camouflaging earthworks; it was that peculiar skill that shaped his concepts for strategic bunkering.

MacKenzie’s simple formula for a good golf course is twofold: it must never become monotonous; and the best course construction is “almost entirely due to utilization of natural features to the fullest extent and to the construction of artificial ones indistinguishable from nature.” He was also one of the earliest proponents of hazards to putting, designing unique greens such as the seventeenth at Augusta where the vertical halves slope in opposite directions, or the fifth with its backward tiering. He wanted the route to the green to be generous, never lined with ball-gobbling rough or ponds, but he could also be audacious when given property with substantially different terrain, as on the Monterey Peninsula for Cypress Point. Wisely there, the green movement is more tempered due to the high risk factor of many other shots, and perhaps the distracting drama of the surrounds. Admirers of the art of Mackenzie in the U. S. should also view Ohio State University GC, the University of Michigan GC and Crystal Downs CC, Green Hills CC (CA ), Pasatiempo GC, Northwood GC and Stockton G & CC.

While totally serious and eminently important, this book is far from a chore to read. Although a stern, physically imposing Scot, MacKenzie liked a joke, even if at possibly his own expense. One of two rival green shapers admitted he could never quite achieve the subtle contours of the other, and asked his secret.

This assemblage of beautiful essays and photos looks at the science and art of golf architecture through many different perspectives. Some of the most knowledgeable voices on the topic of golf-course design, including award-winning architects, past presidents of the American Society of Golf Course Architects, and golf magazine editors express their viewpoints on the subject. Among the variety of issues discussed are the placement of hazards, the effects of technology, restoration versus renovation, and the importance of the rhythm of the course. In the first of four volumes, an essay contributed by Tom Doak, the founder and principal of Renaissance Golf Design, explores the meaning of what a golf architect does and is. Doak discusses the extensive use of mathematics required to evaluate variables in the landscape. An essay contributed by Bill Amick, who designed more than seventy-five courses in eight countries, presents the topic of how designs lend to the affordability of membership. In order to achieve cost-efficiency, golf architects must employ a sharp mind and good business sense. Paired with professionalism, golf architects must also have the soul of an artist and a passion for the game. Inspired by the work of Alister Mackenzie, Todd Eckenrode, the U.S. Public Links 1998 Medalist, addresses his affinity for slopes, contours, and a variety of tee shots. Thomas McBroom, who won Golf Digest's award for top course in 2002, includes an essay regarding the dramatic effects of bedrock, and how the traditional obstacles can be utilized for beauty, character, and strategy. Despite the importance of ingenuity, the spirit of creativity remains an important asset.

About the Author

Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA's Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has also published volumes two and four of Daley's Golf Architecture: A Worldwide Perspective. A member of the National Golf Club in Melbourne, Australia, Daley plays from a handicap of seven.

An excellent combination of sport, art, and intelligence, golf architecture holds an allure for admirers of courses worldwide.

The complicated process of creating such deceptively simple landscapes has been dissected by the top names in the field. This collection of essays, written by an international array of experts, delves into the complex issues involved in every detail of design. The design of a course is dependent on what elements the designer deems most important. An essay contributed by Jamie Dawson, founder of Enviro Links Design, presents the topic of strategic design interest. This architect takes into account how topography, vegetation, drainage, and fairway routing can contribute to the environmental well-being of a course. Natural landscape is also a concern for Jay Morrish, who was voted golf architect of the year in 1996. He prefers a more literary approach to his design. He likens the detailed craftsmanship of his courses to the careful precision of a poet. Each element must support the other in a beautiful arrangement of natural landscape and manufactured course. Although nature is a large part of any outdoor sports arena, it is often the technological advancements that make the golf course's design sustainable. Karl F. Grohs and Rainer Preissmann, the founding principals of Deutsche Golf Consult, present the topic of improving older courses by updating the existing designs, materials, and buildings to combine the traditional beauty with modern comforts and accessibility. Ronald Fream, an architect with experience in sixty countries, discusses the development of the craft-course design from St. Andrews to the educational and technological advancements that allow new courses to be cost-effective.

About the Author
Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA's Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has previously published the first two volumes of Daley's Golf Architecture: A Worldwide Perspective. Daley, a member of the National Golf Club in Melbourne, Australia, plays from a handicap of seven.

Golf is a game that turns even the weekend player into an armchair architect, an enthusiast for the possibilities of golf-course design. In this fourth volume of collected essays, leading golf architects from fifteen countries present their ideas, providing a much-needed international assessment of the principles and practices of golf architecture.

Near the end of the nineteenth century, golf courses moved toward the hearthland, creating the need for thorough reconfiguration of the natural landscape in the clearing of trees and the cultivation of grass to create interesting holes. With the completion of the National Golf Links of America in 1911, the art of golf-course design was born.

The essays and photographs included here represent the tremendous variety of approaches to design principles, from affordability and locality to considerations of the effect of time on the initial design and for specific aspects of the game. The contributors to the book constitute an international "who's who" in the world of golf architecture, with essays from the major golf-course-design firms around the world, award-winning golf architects, and renowned golfers.

About the Editor
Paul Daley is the author of Links Golf: The Inside Story, which was the second-place winner for the USGA?s Golf Book of the Year Award. He is a member of several organizations, including the U.S.-based Tillinghast Association, the Golf Society of Australia, Australian Golf Writers Association, and the Australian Society of Authors. He is also the managing director of Full Swing Golf Publishing. Pelican has previously published the first two volumes of Daley?s Golf Architecture: A Worldwide Perspective. Daley, a member of the National Golf Club in Melbourne, Australia, plays from a handicap of seven.

Golf Course Architecture, Second Edition is fully updated with more than fifty percent new material, including more than twenty-five recent innovations in the golf industry. Revealing both the art and science of golf course architecture, it takes readers inside the designer’s mind through each step to designing a golf green, golf hole, and golf course. Beautifully illustrated with hundreds of full-color photographs, course maps, and drawings, this Second Edition explains the roots of ugliness and sources of beauty in courses, how the landscape communicates, and the connection between golfers and golf courses. Golf Course Architecture, Second Edition provides a wealth of accessible and helpful information on golf course architecture chronicling every facet of designing, building, renovating, and restoring a golf course.

Complete guidelines to developing and maintaining the most effective, environment-friendly irrigation systems for golf courses

Golf Course Irrigation offers valuable insight on the design, installation, management, and maintenance of irrigation systems-the most important management tool used on today's golf courses. Without manufacturers' bias, this useful resource provides hands-on guidance to the highest quality irrigation systems, including specifications and applications of the best pump stations, controllers, sprinkler heads, nozzles, valves, sensors, and other components that make the difference in top-quality irrigation systems.

Typically regarded as significant users of water, golf courses are under increasing scrutiny by governmental and environmental groups, making it essential that the up-to-date information found here-on such topics as water supply, plant irrigation requirements, application uniformity, and construction management-be at the fingertips of every golf course professional. While fostering the best playing conditions, these systems conserve water and energy with such technology as low-pressure heads and controls that use "if/then" logic to automatically adjust to changing conditions, which can improve playability while saving money.

Golf Course Irrigation is a practical tool to help golf course architects, builders, superintendents, irrigation consultants, designers, and installers to improve aesthetics and playing conditions in the face of diminishing natural resources. It is also an informative reference for golf course owners, developers, local officials, students, and fans of the game.

Golf Greens offers a hands-on resource to the design, construction, and history of all types of golf greens.

• Provides highly illustratative coverage, with a sixteen-page, full-color section featuring shots of old and new greens, greens under construction, and newly finished greens.
• Provides guidelines for determining best construction methods--with special emphasis placed on site-specific concerns.
• Covers turfgrass selection with detailed information on artificial turf.
• Shows how design can be used to make greens fast or slow to match player and course expectations.