Общественные здания и пространства

Following on the widely read The Future of the Museum: 28 Dialogues, which explored how museums are changing through conversations with today’s generation of museum directors, New York-based author and cultural strategy advisor András Szántó’s new compilation turns its attention to architects. The conclusion of The Future of the Museum was that the “software” of art museums has evolved. Museum leaders are “working to make institutions more open, inclusive, experiential, culturally polyphonic, technologically savvy, attuned to the needs of their communities, and engaged in the defining issues of our time.” It follows that the “hardware” of the art museum must also change. Conversations with a carefully selected group of architects survey current thinking in the field, engaging not only architects who have built some of the world’s most iconic institutions, but also members of an emerging global generation that is destined to leave its mark on the museum of the future.

About the Author: 

András Szántó (*1964, Budapest) advises museums, cultural institutions, and leading brands on cultural strategy. An author and editor, his writings have appeared in the New York Times, Artforum, the Art Newspaper, and many other publications. He has overseen the National Arts Journalism Program at Columbia University and the Global Museum Leaders Colloquium at the Metropolitan Museum of Art. Szántó, who lives in Brooklyn, has been conducting conversations with art-world leaders since the early 1990s, including as a frequent moderator of the Art Basel Conversations series.

Research is the driving force behind all innovation. Yet, for a long time, the research building, the nucleus of social change, languished as a purely functional building, ignored by architectural discourse. However, today there is consensus that structures for research and knowledge transfer can do and must do more than just provide workplaces and experimental areas. They are actually spaces of communication and inspiration, a reflection of our times.

In Architecture for Science, Christine Nickl-Weller and Hans Nickl share their wealth of experience in planning research and science buildings. They initiate a discourse on social significance, work-environment demands, and future challenges. Buildings dedicated to science are regarded within the context of urban structures, as highly specialized building styles, in their dimension as working and living environments, as well as regarding innovation in research and construction. An interdisciplinary approach is a key factor of this discussion, and thus this volume includes articles not only by architects, urban developers, and specialist planners but also by experts from a wide range of research areas.

Projects:

New SupraFABR Research Building, Free University Berlin, Germany (Nickl & Partner)
Novartis Campus in Basel, Switzerland (Vittorio Magnano Lampugnani)
Masdar Institute of Science and Technology in Abu Dhabi, UAE (Foster + Partners)

Essays:

Planned flexibility in laboratory construction
We need extremely good architecture!
Experimental zone
Innovative façade systems
Intuitive signage for all senses
Buildings as laboratories for robotics

Istanbul bridges Europe and Asia. Based in that city, Autoban creates sought-after work that masterfully melds western design traditions with eastern elegance

Autoban is one of the most sought-after design studios worldwide. Its gorgeous furniture and spectacular spaces meld respect for tradition with modern straightforwardness. Surprisingly, Autoban doesn’t hail from an established design center such as Berlin, London, or New York, but rather from Istanbul.

Since they founded Autoban 10 years ago, Seyhan Özdemir and Sefer Çağlar have been creating design at the nexus between Orient and Occident, Asia and Europe — a fitting reflection of the city in which they live and work. Throughout the ages, Istanbul has brought together East and West, as well as Islam and Christianity, in its cultural realm. This unique history continues to influence both the cityscape of the metropolis on the Bosporus and the self-image of its inhabitants.

Özdemir and Çağlar met at Mimar Sinan Fine Arts University, whose school of architecture is known for teachings that are strongly oriented around classic modernism. The name Autoban is inspired by the Turkish “Otoban” and the German “Autobahn” and stands for its penchant for “really stepping on the gas.”

Autoban’s understanding of design is based in equal measure on local elements and European design theory. Its interiors and furniture designs, which have attracted an international following, move fluidly between modern and traditional, minimalistic and elaborate, luxurious and rustic, and sparse and decorative, without ever appearing superficial or blatant.

This book presents a rich selection of Autoban’s breathtaking projects that are documented in striking photographs and plans. The distinctive and premium-quality concepts for restaurants, hotels, apartments, offices, and retail spaces collected here showcase the studio’s worldview between global cosmopolitanism and its own cultural idiosyncrasies.

The texts in the book were written by Vasif Kortun, director of Istanbul’s SALT, by the curator and cultural historian Deniz Erduman-Calis, and by design journalists Marie Le Fort and Shonquis Moreno. They give further insight into Autoban’s creative process and philosophy as well as the cultural context in which it works.

In only a short time, Autoban’s Seyhan Özdemir and Sefer Çağlar have established themselves as stars on the global design scene. They founded the studio in 2003 and, only one year later, were named “Best Young Designers of the Year 2004” by the magazine Wallpaper*. Autoban’s furniture is successfully distributed worldwide by De La Espada. The design studio epitomizes a new Turkish design sensibility and its designs for hotels and restaurants define the cityscape of modern Istanbul. Meanwhile, Autoban’s work can also be found around the world in places including Madrid, St. Petersburg, and Hong Kong as well as in Baku, Azerbaijan where they designed all of the interiors for the city’s airport. The hotels that they have designed and furnished appear regularly in the best-of lists of publications such as the Sunday Times Magazine, Condé Nast Traveller, and Tatler Travel.

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Посмотреть ролик издательства о книге Autoban: Form. Function. Experience

Since Carl Benz’ 1886 patented three wheeled motorcar the automobile has changed public space more than any other invention. New building types had to be created to house the car when immobile, so when it is purchased, serviced or parked. From the beginning architects have transformed the purely functional buildings into landmarks, places of wonder and experience.

Automobile Architecture presents the most interesting contemporary showrooms, gas stations and parking structures. It becomes clear that a new paradigm has emerged, one that places functionality, aesthetics and sustainability at the center of the conceptualization of automobile architecture. The most interesting design concepts are featured from prominent as well as upcoming architects.

From the contents:

- C42 Showroom in Paris, Frankreich (Manuelle Gautrand)
- Abu Dhabi Automotive, UAE (ONL)
- Civic Center Parking in in Santa Monica, USA (Moore Ruble Yudell)
- Shinjuku Gardens in Tokyo, Japan (Cheungvogl)
- Gloucester Gateway Services, Great Britian (Glenn Howells Architects)

For anyone heading to the country, this book is filled with ideas for farmstead living, including countless ways to cultivate nature’s bounty, from environmentally sensitive experts and enthusiasts.

As a lifestyle choice, many people have recently made an exodus from the city to the country. One area in particular, the Hudson River Valley is booming because of legacy farmers and newcomers’ mutual respect for the land. This inspirational survey presents a broad cross section of individuals who are flocking to this bucolic region and providing their considerable newfound knowledge on such topics as vegetable farming, planting a flower-cutting garden, tending a fruit orchard, canning and pickling, foraging, harvesting biodynamic honey, brewing beer, baking bread from local grains, and much more. They are restoring historic barns and houses and using salvaged materials for contemporary structures. Picturesque fencing, trellises, and arbors abound. Community dinners and farmers markets are occasions for exchanging information on land preservation. A listing of noteworthy farm-to-table restaurants, inns, farmers markets, farm stands, and artisanal breweries completes this beautifully photographed book, which will inspire and empower.

About the Author:

Pieter Estersohn is a renowned photographer of architecture and interiors, whose work is seen in top shelter publications. He is a contributor to the World of Interiors and Elle Decor. Author of Kentucky and Life Along the Hudson, he is on the boards of the Historic Red Hook Advisory Council and the Calvert Vaux Preservation Alliance. Estersohn is also the photographer for many Rizzoli interiors books, including those for Charlotte Moss, Suzanne Rheinstein, and Victoria Hagan.

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Пролистать книгу Back to the Land: A New Way of Life in the Country: Foraging, Cheesemaking, Beekeeping, Syrup Tapping, Beer Brewing, Orchard Tending , Vegetable ... Ecological Farming in the Hudson River Valley  на сайте издательства.

Bocconi University in Milan is Italy’s most important university for economic education and one of the most prestigious universities in the world.

Founded in 1902 by entrepreneur and senator Ferdinando Bocconi, the university is the most important and renowned private university in Italy. Established in order to provide a high level of economic education for the new Italian ruling class, in the course of its history Bocconi has trained prime ministers, great entrepreneurs, and even celebrities from the digital world.

This book shows the university’s structures through expansive photography taken specifically for it by photographer Massimo Siragusa. The Bocconi buildings represent a fascinating compendium of modern and contemporary architecture, having been designed by some of the most important Italian architects of the twentieth century, such as Giuseppe Pagano, Giovanni Muzio, and Ignazio Gardella, as well as recent international archistars such as Shelley McNamara and the Japanese SANAA studio.

About the Author:

Massimo Siragusa teaches photography at the European Institute of Design, Rome. His works have been exhibited in museums and galleries in Italy and abroad and published in important international magazines.

Richly illustrated with vintage, powerfully graphic, and often glamorous imagery, Building Bacardi tells the story of the iconic brand’s love affair with high design. Anyway you drink it … Bacardi rum is the mixable one. Bacardi is best known for its rum and trademark bat logo, yet the famed spirits company has also been a force in the development of avant-garde art and architecture. True to the company slogan, Bacardi has asserted its corporate identity through buildings designed by a potent mix of modern architects with varying, sometimes radically different approaches to architecture. Corporate headquarters, distilleries, bottling plants, and executives’ private homes have shaped and reflected Bacardi’s position as a regional upstart, a national icon, and a global corporation with outposts in such places as Bermuda, Brazil, Cuba, Mexico, and the United States. Building Bacardi is the first book to explore the twentieth-century architectural legacy of the company.

About the Author:

Allan T. Shulman is an architect and the founder of Miami-based Shulman + Associates. His work is widely published, and has been honored with more than sixty design awards. Shulman is also an author, editor, lecturer, curator, and associate professor at the University of Miami School of Architecture.

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Пролистать книгу Building Bacardi: Architecture, Art & Identity

Designing a childcare facility, whether it is a créche, kindergarten, or preschool, involves many challenges. The architect must focus on the needs of the users, who include both the children and the adult carers, while complying with a large number of rules and regulations, which are made all the more complex by the fact that they rarely reference buildings for children explicitly. But above all, the architect must create structures that optimally meet the contem­porary pedagogical and architectural requirements of an institution dedicated to children.

This is the first manual specially dedicated to the long-neglected kindergarten building typology. It presents 60 contemporary childcare buildings from across the world in detail, with large photos, plans, and drawings, providing deep insights into what is an exceedingly complicated design task. Moreover, the book outlines ten design parameters that architects can turn to for guidance. Finally, specialist articles by ­experts delve deeper into the practical consider­ations that are required to successfully plan, design, and operate a childcare facility.

Movie theatre architecture is an architecture of night. Evening screenings take place in buildings that today more than ever are characterized by innovative architecture as well as extended functions.

Cinema Architecture explores different types of movie theatres. These range from self-contained buildings to cinemas that are components of entertainment or cultural centres, cinemas that are outside of their usual context, for instance in hotels, as well as multi-functional mobile screening constructions. The volume also focusses on the interior design which spans from flamboyant, luxurious and opulent to minimalist, modern and refined.

From the contents:
* Prada Transformer, anywhere (OMA)
* Pathé Gaumont in Rennes, France (Atelier Christian de Portzamparc)
* Austrian Museum of Film in Vienna, Austria (Steinmayr & Mascher)
* Linked Hybrid in Beijing, China (Steven Holl Architects)
* La Citadella in Kawasaki, Japan (The Jerde Partnership)

The last decade has witnessed major changes in the design of higher education institutions, keeping pace with the demands of broadening curricula, changing student expectations and the increasing importance of technology on campuses. New pathways forged in scientific research present a particularly exciting challenge to architects, who have responded with unprecedented and inventive laboratories and workspaces. Furthermore, the widespread introduction of additional departments and courses demands a corresponding growing diversity in the buildings in which they are housed. The resulting flood of new publications to be stored and accessed has led to the emergence of numerous new libraries.

Projects from around the globe are showcased in this volume, representing functional and stylistic diversity across this exciting and increasingly international field. These campuses set themselves apart as pioneering and inspirational, both architecturally and for those who live, work and study in them.

From the contents:

* School of Art and Art History in Iowa City, USA (Steven Holl)
* European School of Management and Technology in Berlin, Deutschland (hg merz)
* EWHA Campus in Seoul, Korea (Dominique Perrault)
* Donau-Universität in Krems, Österreich (Dietmar Feichtinger Architectes)
* INHolland University, Rotterdam, Niederlande (Erick van Egeraat)

Un-volumetric architecture expresses a new condition acquired in dealing with and designing open and public space from the nineties to today.

This volume is therefore intended to offer a theoretical reflection conducted through 100 construction projects worldwide that have faced the difficult challenge of delineating and building a new identity for that transient and continually metamorphosing category that is the contemporary open space.

The considerable creative freedom, the low budget, the sophisticated relationship with the landscape and geography, the dialogue with new metropolitan realities, the possibility of offering temporary solutions, all make these projects among the richest, freest and most stimulating collections currently available, through the work of major protagonists and many emerging authors on the international scene.

The volume is divided into 10 sections: Surfaces, Vertical, Enclosures, Design, Shelters, Environment, Earthworks, Figures, Technique and Events, which attempt to accompany the reader around a complex world of solutions and projects ranging from the traditional public space to the landscape, from the rock concert to the provisional space for cultural and artistic events, from the design of infrastructures to the most sophisticated garden.

Each section is introduced by a small essay, written by such important authors on the contemporary scene as Denise Scott Brown, James Wines, Pippo Ciorra, Wes Jones, Enrico Morteo, Alberto Ferlenga, Ilhyun Kim, Kengo Kuma, Arie Graafland, Juan Purcell and Bernardo Secchi, who attempt to tackle the theme of the contemporary open space, offering unprecedented stimuli for theoretical reflection.

Conferences and convention spaces are enjoying strong demand, with new concepts and approaches being constantly developed. The multitude of types, sizes, and context is almost endless: in addition to freestanding buildings, they can be located in hotels or airports, attached to a brewery or a sports arena. Depending on the occasion, there is an ideal event location, waiting to surprise the user with the most modern technical standards and creative designs.

This broad range opens up an exciting, diversified array of extraordinary design opportunities, which in combination with the latest communication and presentation technologies can contribute to the success of a convention center. The selected examples in this volume are by acknowleged specialists for convention centers as well as architects who approach this attractive planning task from different perspectives.

From the contents:

- Convention Center and Tower in Doha, Qatar (Murphy/Jahn Architects)
- National Convention Center in Hanoi, Vietnam (gmp)
- David Lawrence Center, Pittsburgh, USA (Rafael Viñoly Architects)
- Congress Center Zlin, Czech Republic (AI Design)
- Harpa Reykjavik Concert Hall & Congress Center, Iceland (Henning Larsen)

The long-awaited insider's look at one of the design milestones of the twenty-first century: Michael S Smith's celebrated decoration of the Obama White House, featuring a foreword by Michelle Obama.

Created for design enthusiasts, political aficionados, and students of Americana, Designing History documents Michael Smith's extraordinary collaboration with President Barack Obama and First Lady Michelle Obama. Not since Jacqueline Kennedy's iconic work on the White House has a designer of Michael Smith's stature been commissioned to bring a new design spirit to the mansion. Through extensive photography, behind-the-scenes stories, and rich archival material, the book places the Obama White House within the context of the building's storied past and its evolution over the past two centuries. The book beautifully documents the process of updating the country's most symbolic residence, revealing how Smith's collaboration on the decoration, showcasing of artworks, and style of entertaining reflected the youthful spirit of the First Family and their vision of a more progressive, inclusive American society.

Ultimately, this book will serve as both a historical document and a voyeur's delight, capturing a specific moment in time for the White House, the Obamas, and the American experience.

About the Author:

Internationally renowned decorator Michael S Smith is a longtime member of the AD100 and was named Designer of the Year by Elle Decor. In 2010, Smith was appointed by President Obama to the Committee for the Preservation of the White House. Michelle Obama served as first lady of the United States from 2009 to 2017. Margaret Russell is a design journalist and the former editor in chief of Elle Decor and Architectural Digest.

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Пролистать книгу Designing History: The Extraordinary Art & Style of the Obama White House

A spectacular global survey of the buildings 'greening' the world's cities, whose conception and realization bring architecture and horticulture into a sustainable whole

Concrete horizons, urban sprawl, high-density living: never have our cities and their buildings been in greater need of greening. Yet what’s required is more than an occasional vertical garden or living roof. Featuring seventy projects from around the world – some built, some ongoing, some from the future – Garden City looks at the increasingly inventive ways in which architects and designers are incorporating nature into the built environment, transforming the city for the benefit of all.

About the Author:

Anna Yudina is co-founder and editor-in-chief of Monitor magazine. She has curated a number of international architecture and design exhibitions, including shows on Zaha Hadid and Jakob & MacFarlane, both represented in this book. Yudina is also the author of Phase: The Architecture of Jakob & MacFarlane and Eske Rex: Silent Action.

Opened in February 1913, Grand Central Terminal — one of the country's great architectural monuments — helped create Midtown Manhattan. Over the next century, it evolved into an unofficial town square for New York. Today, it sits astride Park Avenue at 42nd Street in all its original splendor, attracting visitors by the thousands. This new book celebrates Grand Central's Centennial by tracing the Terminal's history and design, and showcasing 200 photographs of its wonders — from the well-trodden Main Concourse to its massive power station hidden 10 stories below. The stunning photographs, some archival and some taken by Frank English, official photographer of Metro-North Railroad for more than 25 years, capture every corner of this astonishing complex.

About the Authors:

Anthony W. Robins, formerly survey director for New York’s Landmarks Commission, has written and lectured about the city’s architecture and history for 30 years. The author of Classics of American Architecture: The World Trade Center and Subway Style, he has written for the New York Times, New York Magazine, and Architectural Record. 

The New York Transit Museum, located in Brooklyn, collects historical artifacts that illustrate mass transit’s critical role in the region’s economic and residential development since the 19th century.