Урбанизм

Sergey Chernyshev (1881–1963), one of the founders of Soviet urban planning, deservedly occupies a special place among the leading Russian architects of the twentieth century. Already a respected architect before the Russian Revolution, his talent also gained recognition in the Soviet era. Chernyshev’s large-scale designs attracted widespread attention – from the 1935 Master Plan for the Reconstruction of Moscow to his work on the restoration of cities such as Kiev, Leningrad, Warsaw, and Berlin. Chernyshev’s designs have achieved global fame and recognition. Even in the dramatic years under the Stalin regime, Sergey Chernyshev sought to embody the concept of an “ideal society” in architecture and urban planning theories. He successfully implemented bold and innovative designs, at the same time managing to adhere to national architectural traditions and remain faithful to his own vision.

Explores the variety of high-rise buildings and the technologies behind them that make them not only effective as the buildings themselves, but also harness the natural environmental factors that make them more ecology and energy efficient.

  Slope & Rooftop Garden
8   Stockholm's Garden Library
20  Sky Village
30  Ewha Womans University Campus Center
36  Geumcheon-gu Office
50  VM Mountain Dwellings
60  Tropical Dream
70  Kring_ KumHo Culture Complex
84  Hyundai High School
90  Hudson Yards
94  House of the Healing Hill
100 Manhattan Roof Terrace
110 HUB ENTERTAINMENT
116 Sunjin Rooftop Space
124 Deerfield - Koch
128 The Cybertecture Egg
134 Pearl River Tower

    CourtyARD
138 DIO Public Relations Center
142 cafe yeoni
150 Xi Floating Stainless Steel Cloud
164 iGuzzini  Headquarters
168 Park Tower

    Balcony & Veranda
178 Dancing Apartment
182 Architectural Moussaka
188 Urban Cactus
194 NHQ CSOB
204 Rio Papaloapan
214 Synergy

    Hanging Garden
218 Ex Ducati
224 PRUGIO VALLEY
234 Kikkerville
240 Iceberg
246 KUELAP Lodge-Museum
250 Shenzhen Logistic City
254 parcel D

Project Introduction:

Courtyard Landscape

Hawkins Residence • Residential Courtyard
La Casa at Encanterra • Front Yard
Sandpiper Residence • Residential Courtyard
Quaker Smith Point Residence • Home Garden
Xiangshui One (Phase IV) • Courtyard of Clubhouse
Sunshine Coast • Entrance & Front Yard
Charmtime Lake View Villa • Courtyard of Sales Office
6 # Villa of Emperor Zillah • Central Courtyard
Print of Landscape • Front/Back/Side Yards
Zhenro Run City • Residential Central Courtyard
Zhenro Yupin Lanwan • Residential Central Courtyard
Quattro by Sansiri • Roof Gardens
Flamenco Spain • Courtyards of Clubhouse & Residences
Drs. Julian and Raye Richardson Apartments • Outdoor Atrium
Vanke Beijing Hills • Courtyard of Sales Office
Poly Oriental Mansion • Front & Back Yards
Baoneng Taigu City • Home Garden
Patio Resto • Indoor Atrium
Miaoxiang Vegetarian Restaurant • Indoor Courtyard
200 5th Avenue • Outdoor Atrium

Axis Landscape

Vanke Paradiso • Residential Axis Landscape
Legend Mansion • Residential Axis Landscape
Sum Yip New Coastline • Residential Axis Landscape
Downtown Jebel Ali • Commercial Axis Landscape

Waterscape

The Bihai Zhuangyuan • Waterfront Landscape
Luofu Mountain Villa • Bay Landscape
House Ber • Waterscape in Courtyard
Malinalco Residence • Lake Landscape
Gemdale The Luxury Nature • Lakeview
Xiangsonghu International • Lakeview
Evergrande Splendor • Waterscape in Square
Wuyuan Wuli Hotel • Waterfront Landscape
Huahan International • Central Waterscape
Tinon Manhattan • Central Waterscape
Gaofa West Coast Garden (Phase II) • Central Waterscape
Jinghope Garden • Waterscape on Axis
Elegant Residence • Central Waterscape
Xixiaokou Clubhouse • Waterfront Landscape
Jiarui Light and Textile Court of Seasons • Waterscape
Hangzhou Hubin Commerce & Tourism District • Waterscape
Tungxiang International New Energy Market • Entry Waterscape
Jack Evans Boat Harbor • Waterscape
The Central Park of Wuhu Business and Culture Center • Waterway Landscape
Qian’an Sanlihe Greenway • Waterway Landscape
Leisure Park within 2nd East-South Rings • Moat Landscape
Corpus Christi Bayfront • Fountains

Landscape Pieces

Vanke Donghui City • Sculptures
Suhe Yihao • Sculptures in Demonstration Area
OCT Bay • Tree-like Sculptures on the Square
House Tsi • Sculpture in Courtyard
Taitung Xiao-ye-liu Visitor Center • Sculpture-lightscape
D. Pedro IV Square • Lighting Landscape
Genghis Khan Square • Sculptures
Duecentosessantamq MQ • Stakes
Dunkin Donuts Plaza • Stainless Steel Sculptures
Entry Plaza of Ocean County Public Library • Lantern Sculptures
North West Park • Lightings

Facilities

Landscape Fence • Pool Fence
House Tat • Swimming Pool
The Constantia Kloof • Swimming Pool
Dayi Villa • Swimming Pool
Yrizar Palace Garden • Closing Wall
Glass House for Diver • Enclosing Wall
Farrar Pond Residence • Fishbone-like Fence
Spanish Walk • Seating
GSA Quincy Court • Canopy Elements
Ri-Star Spa Hotel • Spa Landscape
Pirrama Park • Waterfront Promenade
Darling Harbor • Children’s Play Space
Schulberg Sculptural Playground • Climbing Net
Gardens by the Bay • Sky Garden
Jiangyin Xu Xiake Exposition Park • Teahouse Landscape
Escale Numerique • Public Facility
SEB Bank • The City Dune
Federation Square • Tape Melbourne
Genk C-m!ne Square • Special Seating
Xuning Rd, Suining, Jiangsu Province • Liuyun Shuixiu Bridge
Yuyang Park • Footpath Bridge
Qunli National Urban Wetland • Elevated Plank Way
Shangri La Botanical Garden • Five Exhibition Zones
Powell Street Promenade • Street Furniture
The Yellow Mud Garden • Terracotta Clay Figures
International Garden Festival of Ponte de Lima • Temporary Installation

Paving Landscape

Private Residence • Courtyard Paving
Jade Islet • Internal Passage Landscape
CRC Twenty-four City • Paving on Entrance Square
717 Bourke Street • Paving
Downtown Jebel Ali • Paving on Plaza
Miami Jackson South Hospital • Paving in Project Ripple
Trafford Wharf Promenade • Steps
Music Park in Seville • Paving
Ponte de Lima • Dark Rift
Bohus Archipel • Paving in Garden

Vegetative Landscape

Landsea Nature & Naturally • Clubhouse Landscape
Spanish Walk • Vegetation by Greenway
The Fairmont Scottsdale Princess Hotel • Courtyard Vegetation
Gardens by the Bay • Vegetation in Conservatories
Lafayette Greens • Vegetation on the Square
Sunnylands Center & Gardens • Outdoor Vegetation

Small Scale, Big Change focuses on designing and building in underserved communities around the globe. Rooted in the traditions of early Modernism, the work of the architects shown in this book expresses a desire for social change and a belief in the social responsibility of architecture. The projects – often schools, parks, housing projects and infrastructural interventions – are typically the result of close collaboration with members of the community and future users. They are located in impoverished urban and rural communities and reveal an exciting change in the longstanding dialogue between architecture and ethics, wherein the architect’s roles, methods, approaches and responsibilities are all dramatically reconsidered. These architects address community needs with innovative, low-budget and adaptable designs without sacrificing aesthetics. In these works, one also sees an expanded definition of sustainability encompassing larger social and economic issues.

The architects featured include Alejandro Aravena, Anna Herringer, Francis Kere, Jorge Maria Jauregui, Lacaton Vassal, Michael Maltzan, Noero Wolff Architects, Rural Studio, Teddy Cruz, Urban Think Tank.

From plazas to parks, waterfronts to rooftops, The Sourcebook of Contemporary Urban Design by art and architecture editor Francesc Zamora Mola, showcases an outstanding collection of more than 300 global examples of contemporary urban design from around the world.

Sourcebook of Contemporary Urban Design presents more than 300 noteworthy case studies in its 600 pages, the first large-scale book of its kind to showcase a complete and diverse range of structures worldwide. The case studies incorporate many types of urban space projects, indoor and outdoor, making this lushly illustrated, information-rich book an invaluable resource that architects and architectural students will turn to again and again.

Each case study includes a succinct description of the project at hand, listing its name, client, and location and presenting its unique objectives, challenges, and solutions. Every case study also features numerous full-colour photographs and detailed renderings of site and floor plans. Finally, each case study provides a full listing of those involved in the project: the design firm and its participating architects, engineers, consultants, and contractors.

In recent years Russian cities have changed, but the architectural heritage of the Soviet period has not been fully acknowledged. As a result, many modernist buildings have been destroyed, while others have become almost unrecognisable following insensitive renovations.

Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the ‘blue hour’, which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colours inside apartment block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space.

A selection of contemporary projects Rather than merely fulfilling an aesthetic purpose, today's new buildings have cultural, political, and social importance, and only those that succeed in reflecting these values, in combination with a novel approach to the practice of architecture, can be considered as spectacular. Challenged by an increasingly complex urban context, the buildings must carefully integrate their designs into the existing urban fabric through a skillful and sensitive interpretation of the buildings' purpose and relationship with the public. Bearing in mind these issues and criteria, this book gathers a selection of contemporary projects completed within the last few years that exemplify the latest trends in the creation of prominent institutional, corporate, retail, cultural and educational facilities around the world.

Этот номер журнала speech: посвящен воде. Не только наша жизнь неразрывно связана с водой, но и облик и жизнеустройство городов и мест, в которых мы живем и которые любим посещать. Связь воды с архитектурой, ее роль в создании благоприятной жизненной среды гораздо глубже, чем это может показаться на первый взгляд. Вода способна разделять и объединять, служить естественной преградой или местом притяжения, она может использоваться в утилитарных или эстетических целях, являться одновременно реальностью и символом. Первые поселения и выросшие из них затем города создавались вдоль рек, по воде велась торговля, она служила для защиты, а также обслуживала множество других потребностей. Но отношение человека к воде всегда заключало в себе нечто большее, чем только утилитарный подход. И именно поэтому вода играла особую роль в создании общественных пространств, городских площадей и ансамблей, а также в развитии многих архитектурных типологий. На протяжении ХХ века вода все больше утрачивала свое функциональное значение в жизни городов, с перемещением портов и выводом промышленных предприятий прибрежные территории чаще всего надолго стали для большинства из них «проблемными зонами». Однако к концу века ситуация изменилась, и в последние годы во многих городах Европы, в Америке и Азии можно наблюдать обратный процесс – реки и другие водоемы приобретают новое значение и новую функцию. Cегодня вода играет все большую роль как в архитектурном решении отдельных зданий, так и в облике и образе жизни современного города. Прибрежные зоны, набережные, гавани и каналы становятся существенным фактором в создании комфортной для человека среды – привлекательной для жизни и работы, для культурного туризма и приятного времяпровождения на открытом воздухе. Они становятся важным идентификационным знаком и не только придают отдельным постройкам дополнительные эстетические качества, но и способствуют повышению привлекательности и ценности их окружения. Бывшие портовые и расположенные у воды промышленные территории получают свое второе рождение. Сегодня на них реализуются масштабные и смелые градостроительные идеи. Для многих плотно застроенных старых городов – это единственная возможность для расширения, а также возможность реализовать актуальные сегодня представления о городе будущего на территориях, несущих в себе память прошлого.

Журнал speech: артикулирует актуальные темы и позиции в современной архитектуре, раскрывая их с разных сторон – с точки зрения теории и практики, истории и современности, на основе зарубежного и российского материала и опыта, сопоставляя глобальные тенденции и локальные особенности.

Каждый номер журнала speech: полностью посвящен одной теме, раскрывая ее в разных ракурсах. Выбор темы связан с той частью профессии архитектора, которая дает основания считать ее искусством, а не только частью торговли квадратными метрами. speech: предоставляет возможность прямого высказывания российским и зарубежным архитекторам, культурологам, критикам и историкам архитектуры, экспертам в самых разных связанных с архитектурой областях.

тема

Ирина Шипова
Лицом к воде

история

Владимир Паперный
Москва – порт пяти морей

за и против

Бернхард Шульц
Вода и песок
Размышления по поводу «эвент-архитектуры» в Арабских Эмиратах

объект

Нина Фролова
Речной змей
Заха Хадид Аркитектс. Мост-павильон. Сарагоса, Испания

Анна Мартовицкая
8: Жилое чудо света
BIG-Бьярке Ингельс Груп. Жилой комплекс «8 house». Копенгаген

Анна Мартовицкая
Квадратура воды
Ателье Жан Нувель. Аквацентр Les Bains des Docks. Гавр, Франция

Анна Мартовицкая
На всех парусах
Бениш Архитектен. Океанографический музей Ozeaneum. Штральзунд, Германия

Анна Вяземцева
Обретенный причал
Стефано Боери Аркитетти. Реконструкция комплекса Арсенала, Дом моря. Ла-Маддалена, Италия

Александра Рудык
«Стрелка» определяет новое течение
Wowhaus. Институт медиа, архитектуры и дизайна «Стрелка». Москва

среда

Нина Фролова
Осло и Драммен: города у воды

Мария Фадеева
Подмосковная Ривьера

портрет

Майнхард фон Геркан
Вода означает качество жизни
Интервью Ирины Шиповой

Ким Херфорт НильсенИзнутри наружу
Интервью Бернарда Шульца

Стивен Холл
Игра отражений и преломлений
Интервью Владимира Белоголовского

галерея

Сергей Чобан
Aqua

Project Introduction:

STREET VIEW
010-015 3LHD
016-017 FoRM Associates
018-023 GKMP ARCHITECTS LTD.
024-029 Hood Design
030-035 HOLLWICH KUSHNER LLC
036-049 IBI Group
048-051 LYVR, LYSBETH DE GROOT-DE VRIES
052-055 SASAKI ASSOCIATES
056-059 Cox Architects 61
062-065 ASPECT Studios
066-067 LORENZO NOE STUDIO DI ARCHITETURA
….
106-111 ACXT ARCHITECTS

SQUARE
114-123 Consultora Metropolis
124-133 DOMINIQUE PERRAULT ARCHITECTURE
134-142 J.MAYER H.ARCHITECTS
143-147 Studio Patricia Meneses
148-159 ZAHA HADID
160-165 1:1 landskab
166-169 Affleck de la Riva Architecs
170-175 AMEC
176-177 Arup
178-181 BDP
…
392-403 SASAKI ASSOCIATES

The city in the twenty-first century faces major challenges, including social and economic stratification, wasteful consumption of resources, transportation congestion, and environmental degradation. More than half of the world’s population lives in cities and major metropolitan areas, and in the next two decades the number of city dwellers is estimated to reach five billion. This puts enormous pressures on transportation systems, housing stock, and infrastructure such as energy, waste, and water, which directly influences the emissions of greenhouse gases. 

As the long emergency awaits us, urgent questions remain: How will our cities survive? How can we combat and reconcile urban growth with sustainable use of resources for future generations to thrive? Where and how urbanism comes into the picture and what “sustainable” urban forms can do in light of these events are some of the issues Sustainable Urbanism and Beyond explores. With more than sixty essays, including contributions by Andrés Duany, Saskia Sassen, Peter Newman, Douglas Farr, Henry Cisneros, Peter Hall, Sharon Zukin,  Peter Eisenman, and others, this book is a unique perspective on architecture, urban planning, environmental and urban design, exploring ways for raising quality of life and the standard of living in a new modern era by creating better and more viable places to live. 

About the Author:

Tigran Haas is the associate professor of urban development, planning and design and sustainable urbanism at KTH - The Royal Institute of Technology, Stockholm

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Пролистать книгу Sustainable Urbanism and Beyond: Rethinking Cities for the Future на сайте издательства.

An investigative record of the architectural movement emblematic of the Soviet Orient.

After World War II, Tashkent, Uzbekistan, was designated as the capital of the Soviet Orient, a vitrine of socialism in the East. Conceived by both local and Moscow architects, the distinctive quality of Tashkent modernism (1964-91) emerges from the tension between the Soviet Union's ambition for the city and the locals' endeavor to retain their city's character.

This volume is an outgrowth of the Tashkent Modernism XX/XXI project, a research and preservation effort organized around a conference and exhibition held in 2023. The conference's title, "Where in the World Is Tashkent," was drawn from the 2000 American Institute of Architects conference "Where in the World Is Chicago," and its organizers shared a similar aim in re-situating the city of Tashkent as a paradigm for modernist architecture.

The book consists of two interwoven layers. The first section contains a series of written and visual essays, while the second includes 15 building monographs, detailing their histories, protection inventories and intervention strategies. Case studies include the Cosmonauts metro station and the Tashkent outpost of the Vladimir Lenin museum. Altogether, the volume explores key themes related to the architectural, social and cultural history of Tashkent and its current condition. More than just another "peripheral case" of multiple modernities or a white spot on the world map of architectural modernism of the 20th century, this architecture--being relevant to the global cultural scene--reflects the colonial, postcolonial and, at the same time, decolonial aspects of the Soviet social and cultural experiment.

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Given its geographical location, developed resources and multicultural history, Tashkent, the capital of Uzbekistan, continues to be one of the most important centers of Central Asia. Since the Soviet era, numerous efforts were made to conserve and restore architectural monuments that speak to the rich ancient and medieval history of the region. By contrast, the modernist architecture of the 1960s–1980s, which articulated the idea of a modern, forward-looking society, was never perceived as heritage. With the arrival of the market economy and after the independence of Uzbekistan in 1991, the architecture of the previous three decades, which focused on social issues and economy of means, lost relevance. Today, this modernist layer of Tashkent is gaining recognition as a unique artistic, cultural and social phenomenon that is best equipped to reveal the specific character of the modernization of Soviet Central Asia. More than just another “peripheral case” of multiple modernities or a point on the global map of twentieth-century architectural modernism, this architecture is relevant to the global cultural scene, reflecting the radical aspects of the Soviet social and cultural experiment.

This publication combines the materials of the Tashkent Modernism XX/XXI project, for which an international team of architects, historians and restoration experts joined forces on recording and restoring the city’s modernist legacy. This comprehensive book presents research results alongside insights that contextualize the work in a broader framework of Soviet and Uzbekistan history. It provides a strategic plan for conservation and adaptation of this important architectural heritage which resonates with preservation ambitions of modernist architectures on a global scale.

The publication consists of two parts. The first part contains a series of written and visual essays, while the second encompasses twelve building monographs that present histories, protection inventories and intervention strategies for the selected buildings.

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Edited by Boris Chukhovich, Davide Del Curto, Ekaterina Golovatyuk
Foreword by Saida Mirziyoyeva, Gayane Umerova
Preface by Francesco Bandarin
Interview with Rem Koolhaas
With photographs by Armin Linke
With essays by Sofia Celli, Boris Chukhovich, Davide Del Curto, Federica Deo, Ekaterina Golovatyuk, Nicola Russi

Более двадцати лет «Архитектурно-художественные мастерские архитекторов Величкина и Голованова» разрабатывают и реализуют проекты домов, квартир, объектов городской среды, объединяя выдающихся мастеров, членов Союза Архитекторов Дмитрия Величкина и Николая Голованова. Вместе с бывшими учениками, а ныне сотрудниками «Архитектурно-художественных мастерских» ими создано несколько десятков проектов, каждый из которых наглядно воплощает принципы уместности и безупречности вписанности архитектуры в окружающую среду.

Многофункциональный жилой комплекс «Кристалл» в городе Казань был построен в 2009 году. Жилой комплекс стоит на высоком берегу реки Казанки в очень выгодном с точки зрения видов месте. Совершенно оправданно выбрано решение со сложным силуэтом и богатой разработкой объемов. При этом общий зеленовато-серый колорит стекла и керамогранита «собирает» разновысокие объемы, детали из нержавейки придают лоск на расстоянии вытянутой руки. В то же время здание не подавляет, сохраняет человеческий масштаб.

В журнале собрана проектная документация по объекту.

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Номер журнала посвящен проекту многофункционального жилого комплекса «Кристалл»  в Казани. Авторы проекта — Дмитрий Величкин и Николай Голованов, основатели и руководители «Архитектурно-художественных мастерских Величкина и Голованова». Строительство комплекса было окончено в 2009 году. Жилой комплекс стоит на высоком берегу реки Казанки в очень выгодном с точки зрения видовой привлекательности месте, однако на первых этапах строительства у архитекторов возникли проблемы с вписыванием постройки в общий контекст. Совершенно оправданно выбрано решение со сложным силуэтом и богатой разработкой объемов. Так как основной идеей стала тема ветра, то в здании было применено планарное остекление, с четвертого этажа расстилаются панорамные виды на всю Казань. Одной из самых ярких составляющих комплекса стал отделочный материал. Общий зеленовато-серый колорит стекла и керамогранита «собирает» разновысокие объемы, детали из нержавейки придают лоск на расстоянии вытянутой руки. Несмотря на этажность, здание не подавляет и сохраняет человеческий масштаб. В журнале представлены: вступительная статья с комментариями архитекторов, основные планы, разрезы, фасады, узлы и схемы проекта.

This is the first comprehensive international survey of one of the most neglected but most important building types of the modern era: the parking garage. An introduction sets out the history and architectural significance of these buildings and their relevance today and is followed by four main chapters that define the most influential aspects of parking design: elevations and facade; construction and materiality; the use of light; and experimentation.

The book's wide-ranging importance and detailed plans make it an indispensable and inspirational resource for students, professional architects, engineers, urban planners and developers.

Посмотреть издание книги The Architecture of Parking в мягкой обложке.