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When a woman takes all her clothes off, she can be depicted as a pure, Classical nude. If, however, she keeps her stockings on, she suddenly becomes naked, an erotic creation capable of arousing the viewer’s libido. This curious paradox has been observed and used by artists since the Middle Ages. Stockings range from extremely elaborate confections: multicoloured, embroidered, applied with sequins or precious stones, painted, striped or otherwise made into objects to be coveted, enabling the wearer to be desired.

They range from the shapeless utilitarian woollen stocking suddenly transformed by being black or allowed to droop erotically down the leg, to the breathtaking sheen of silk stockings drawn tight over the leg, held in place by an elaborate garter or garter-belt. Silk was eventually replaced by nylon or rayon, enlivened in certain decades by a central seam in the back of the leg (giving rise to the arousing gesture of straightening the seam), a tiny monogram or the variety of colours in the sheer quality of the transparent material, listed in deniers.

This book explores the astonishing variety of stockings from the eighteenth century to the present, the way great painters depicted them, the way illustrators and cartoonists made use of them, the way advertisements presented them, and the way they have developed, from practical woollen undergarments to luxurious silk creations, from the miraculous invention of nylon to the simple stocking hung from the mantelpiece waiting for Father Christmas.

The Style Thesaurus є водночас лексиконом моди та довідником зі стилю, є незамінним супутником гардеробу для всіх любителів моди.

Стиль можна використовувати, щоб підходити або виділятися, щоб надсилати різні повідомлення, і, маючи відповідні знання, його також можна скорегувати відповідно до настрою чи події. The Style Thesaurus досліджує широкий спектр образів, досліджує їхнє коріння в історії та культурі та показує, як їх можна курувати чи поєднувати.

Організовані в групи, що відображають походження стилю – Utility, Music & Dance, Leisure тощо – і повністю проілюстровані, кожен запис містить приклади, майже синонімічні стилі, деталі стилю, поєднання та історію кольорів. Записи включають все: від нео-вікторіани, денді та рокабіллі до нормкору, модесту чи афрофутуризма.

Про автора:

Ханна Кейн — журналістка, письменниця та головний редактор незалежного журналу про стиль і культуру PHOENIX. Вона є доцентом Лондонського коледжу моди, де викладає модну журналістику, управління продуктами та маркетингові комунікації. Вона також викладає в приватному Лондонському коледжі стилю прогнозування тенденцій, художнє керівництво, стиль і виробництво зйомок.

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Переглянути відео про книгу The Style Thesaurus: A definitive, gender-neutral guide to the meaning of style and an essential wardrobe companion for all fashion lovers

Third edition, with over 200 new and updated entries

This comprehensive reference work provides indispensable information about typographers, journals, movements and styles, organizations and schools, printers, art directors, technological advances, design studios, graphic illustrators and poster artists.

Extensive cross-references and a chronological 
chart outline the relationship between movements, technology and designers.

With the advent of the Internet as a platform for design, marketing and advertising, and ever-improving technology pushing the boundaries of graphic design, this is a timely update to an essential guide, which remains a key book 
for students and professionals everywhere.

Playing with typographic puzzle pieces is one of the joys of graphic design and typographers have many entertaining, esoteric and eccentric options at their disposal. The Typography Idea Book presents 50 of the most inspiring approaches used by masters of the field from across the world.

Geared towards helping you evolve different typographic styles, the book contains none of the technical jargon or tired old rules found in traditional tutorials but is packed with practical techniques and iconic examples. From type transformation to abstraction, via overlapping, hand-lettering, vectorizing, novelty typefaces and puns, discover all the brilliant ideas you could be bringing to your own designs.

About the Authors:

Steven Heller is the co-chair of the MFA Design/Designer as Author+Entrepreneur program at SVA, New York. For 33 years he was an art director at the New York Times. He is editor of AIGA VOICE and contributing editor to Print, Eye, Baseline and I.D. magazines. He is the author of more than 170 books on design and popular culture, including Design Literacy, Paul Rand, and Stylepedia. He is the recipient of the 1999 AIGA Medal for Lifetime Achievement and the 2011 Smithsonian National Design Award.

Gail Anderson is a designer, writer and educator, and director of design and digital media at the School of Visual Arts Press. Anderson is the recipient of the 2008 Lifetime Achievement Medal from the AIGA and the 2009 Richard Gangel art direction award from the Society of Illustrators, and has lectured about design at organizations and conferences around the world.

The editors of Vogue, the ultimate authority on fashion, document the post-COVID changes happening across the fashion landscape in America. Celebrating creators, artisans, and visionaries across the country, the book pays tribute to the democratization of American fashion and the creativity and artisanship that is no longer confined to the runways of New York and Los Angeles.

In their February 2021 issue, Vogue launched “The United States of Fashion,” a project that shines a spotlight on the creativity and craft flourishing throughout the country. Exploring the innovation and entrepreneurialism that defines American fashion, Vogue goes coast to coast from Detroit to El Paso to Indianapolis to Nashville, where the most exciting new designers are creating and designing locally.

This book features a wide array of fashion voices across the nation, who share self-generated images and narratives on how they define and identify with fashion now. New, never-before-seen photographs and anecdotes, not published in the pages of Vogue, come from fashion designers Laura and Kate Mulleavy of Rodarte, Jeremy Scott, and Libertine; photographers Alex Webb and June Canedo; and craftspeople Ariana Boussard-Reifel and Ataumbi Metals. The book contains texts by esteemed writers, from Louise Erdrich’s words on Native American fashion and music editor Suzy Exposito’s account of being goth in Miami, to new ways of creating sustainable, recycled fashion. These accounts create a living biography of the evolution and democratization of fashion today. A rich tapestry of style in America, The United States of Fashion will appeal to readers interested in fashion, design, culture, and photography.

About the Author:

Anna Wintour is Global Editorial Director of Vogue and Chief Content Officer of Condé Nast.

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Пролистать книгу The United States of Fashion: A New Atlas of American Style

A beautifully presented survey of design and the applied arts explored not by use, material, form or date – but by colour

Throughout history and in all cultures, designers and makers have been concerned not only with the fluctuating relationship between the form and function of objects but also with their colour. This unique book explores and celebrates colour in all aspects of design, whether used for decorative effect or symbolic intent. It will transform the way we think about the objects around us that unwittingly define where we come from and who we are.

Table of Contents:

Introduction • White • Grey • Yellow • Orange • Pink • Red • Purple • Blue • Turquoise • Green • Brown • Black

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The V&A Book of Colour in Design is attractively simple: a celebration and exploration of colour, as revealed through objects in the world-class collections of the Victoria and Albert Museum in London. Structured by colour, it offers fascinating insights into the choices made by designers and makers from across the world and throughout history.

Each chapter begins with a brief introduction that considers the history, symbolism, and use of an individual colour. Objects – from items of jewellery, textiles, glassware and ceramics to furniture and more – are reproduced in a visual selection that explores the varied hues of every colour. However different objects within each section may be in their detail and meaning, they are united by their common colour, revealing surprising connections between them. Throughout, narrative captions bring together disparate items from across the V&A’s collection to explore the universal significance of colour in art and design.

Beautifully designed, this highly visual, colour-led survey of design and the applied arts is a compelling sourcebook with broad appeal for anyone interested or involved in all aspects of visual culture.

The Visual History of Type — це вичерпний детальний огляд основних шрифтів, створених з моменту появи друку з рухомим шрифтом у середині п’ятнадцятого століття до наших днів. Упорядковані в хронологічному порядку для забезпечення контексту, понад 320 гарнітур відображаються у формі оригінальних зразків шрифтів або найдавнішого друку. Кожен запис супроводжується короткою історією та описом ключових характеристик гарнітури. Ця книга стане остаточним виданням у своїй галузі, що приверне увагу графічних дизайнерів, викладачів, істориків і студентів дизайну. Це також буде значним ресурсом для професійних дизайнерів шрифтів і студентів шрифтів.

Про автора:

Пол Макніл — графічний дизайнер із досвідом роботи з корпоративними комунікаціями та комунікаціями брендів. Він є співзасновником компанії MuirMcNeil, яка спеціалізується на типографіці, системному та інформаційному дизайні, і працює старшим викладачем типографіки в Лондонському коледжі комунікацій, де він був керівником курсу магістра сучасних типографічних медіа з 2010 по 2015 рік.

A stylish collection of the legendary designer's maxims on fashion, craft, beauty and nature

Having grown up in London's East End, Alexander McQueen left school at 15 to become a tailor's apprentice on Mayfair's Savile Row. At 22, he joined the prestigious MA course at Central Saint Martins and, after presenting his 1992 graduate collection (bought on the spot by influential fashion stylist Isabella Blow), went on to change the course of fashion.

McQueen was defiant in his opinions on creativity ('Give me time and I'll give you a revolution'), women ('I design clothes because I don't want women to look all innocent and naïve ... I want people to be afraid of the women I dress') and craft ('You've got to know the rules to break them. That's what I'm here for, to demolish the rules but to keep the tradition'). He drew much of his inspiration from the natural world ('I have always loved the mechanics of nature and to a greater or lesser extent my work is always informed by that') and consistently challenged perceptions of beauty ('People find my things sometimes aggressive. But I don't see it as aggressive. I see it as romantic, dealing with a dark side of personality').

This attractive book in an accessible format is the perfect gift for fans of fashion and Alexander McQueen, capturing the wit and spirit of a true visionary.

About the Author:

Louise Rytter is a freelance fashion curator, writer and online editor. Formerly an assistant curator at the Victoria and Albert Museum, where she worked on the blockbuster 'Alexander McQueen: Savage Beauty' exhibition, she is now Content Editor for the Google Arts & Culture 'We Wear Culture' project. She is the author of Louis Vuitton Catwalk: The Complete Fashion Collections, also published by Thames & Hudson.

The Bata Shoe Museum has an extraordinary collection of more than 14,000 artifacts, dating from as far back as 4,500 years to the present day. Founded by Sonja Bata, the museum is one of the largest shoe collections in the world and is a wonderful source of inspiration for designers across the globe, including Manolo Blahnik, Christian Louboutin, Nicholas Kirkwood, and Sophia Webtser, among others.

The one hundred shoes featured in this volume are among the most important in the collection and display a fantastic array of styles. Creative director and senior curator Elizabeth Semmelhack uses these treasured examples to discuss society, culture, gender, fashion, and other facets of history that are revealed through the study of footwear.

The Bata Shoe Museum is located in Toronto, Canada, in a gem of a building designed by Canadian architect Raymond Moriyama. Since its opening in 1995, the museum has welcomed more than two million visitors to more than forty exhibitions. It is also renowned for its ground-breaking research and is consistently celebrated as one of the top fashion museums in the world.

About the Author:

Elizabeth Semmelhack is the creative director and senior curator of the Bata Shoe Museum, and her work focuses on the intersections of fashion, economics, and gender with a particular interest in the history of footwear. She has curated over twenty exhibitions for the Bata Shoe Museum, including the blockbuster traveling exhibition The Rise of Sneaker Culture and the ground-breaking exhibitions Standing Tall: The Curious History of Men in Heels, On a Pedestal: Renaissance Chopines to Baroque Heels and Heights of Fashion: A History of the Elevated Shoe, each with an accompanying publication.

For her second Rizzoli book, well-known interior designer, consummate hostess, and world traveler Stephanie Stokes presents inspiring tables set with irresistible items accumulated on her far-flung journeys that will help you create imaginative tabletops.

The World at Your Table features transporting tablescapes set with evocative, eye-catching, and exotic items this adventurous spirit has gathered over the years. To enliven her tabletops, Stokes creates experiences in miniature using china, glassware, linens, candlesticks, and cutlery from such widely different destinations as Japan, Cartagena, Budapest, and London.

Each conjures the spirit of a particular place: Palm Beach’s tropical lushness, Provence’s remarkable charm, Portugal’s artisanal refinement, and so much more. By pairing her travel photography with the featured tables, she illustrates how incorporating the treasures collected on one’s travels can capture, express, and spark fresh memories at home.

Throughout, Stokes discusses the design principles that inform her choices — from color palettes to indigenous materials. There is also a section on storage. This enchanting tabletop survey is for those who love design, entertaining, and travel—and the idea of incorporating beloved things purchased from far and wide into impressionistic tabletops.

About the Authors:

Stephanie Stokes, a former photojournalist, created Architectural Digest’s column “Designer Travels.” In the 1980s Stokes started her interior design company; many projects have been published in published in AD, Traditional Home, and House Beautiful. She also authored Elegant Rooms That Work. Judith Nasatir is a lifestyle writer. Foreword writer Melissa Biggs Bradley is the founder of Indagare, a members-only, boutique travel company, and the author of Safari Style. Mark Roskams specializes in photographing architecture and design.

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Пролистать книгу The World at Your Table: Inspiring Tabletop Designs

Discover the inspirational world of global street styles and the fascinating stories behind them, accompanied by hundreds of stunning photographs.

Filled with eye-catching images of 100 styles from around the globe, The World Atlas of Street Fashion is a celebration of those who dare to think differently. Written by acclaimed fashion historian Caroline Cox, The World Atlas of Street Fashion celebrates the invention and creativity to be found in fashion all around the globe.

From the Chinese skinheads of Beijing to the feminist funkeiras of São Paolo, the raggare of Stockholm to the Junglists of Whistler, this is world street style as you’ve never seen it before. Organized geographically by continent, this book examines street style in all its international diversity, by tracing the many and varied ways in which it has developed in different regions of the world, from the streets to the catwalk.

From the famous to the niche, the rebellious to the downright revolutionary, The World Atlas of Street Fashion offers a ground-breaking portrait of world street style.

A sweeping survey of the work of celebrated bon vivant Federico Forquet-whose decades-long design career has embraced couture fashion, elegant interiors, and imaginative gardens, reflecting both the best of Italian style and the dolce vita era of Rome.

Through his long and crowded life, polyglot designer Federico Forquet has been by turns a couturier who learned his craft at Balenciaga's side and whose creations for his eponymous house clothed the best-dressed women of the day; a decorator of interiors of singular style and charm; a discriminating collector of rare and beautiful objects, furnishings, and pictures; and a creator of magical gardens.

For the first time, the many worlds of this creative visionary are brought together in a richly illustrated celebration of style: from imagery of his lavish haute-couture gowns featured in 1960s and '70s Vogue, Harper's Bazaar, and other fashionable publications and worn by trendsetters such as Marella Agnelli, Sophia Loren, and Diana Vreeland to picturesque scenes of verdant Tuscan gardens and opulent, old-world Roman villas and palazzos decorated by Forquet. Accompanied by insightful texts from the design world's authoritative voices, this inspiring and utterly enchanting tome will appeal to readers fascinated by fashion, social history, gardens, interior design, and Italian style.

About the Author:

Hamish Bowles is an author, fashion collector and historian, and the international editor at large at Vogue. Guido Taroni is a Milan-based photographer of still life, fashion, and interiors.

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Пролистать книгу The World of Federico Forquet: Italian Fashion, Interiors, Gardens

The original NASA insignia is one of the most powerful symbols in the world. A bold, patriotic red chevron wing piercing a blue sphere, representing a planet, with white stars, and an orbiting spacecraft. Today, we know it as “the meatball.” However, with 1970’s technology, it was a difficult icon to reproduce, print, and many people considered it a complicated metaphor in what was considered, then, a modern aerospace era.

Enter a cleaner, sleeker design born of the Federal Design Improvement Program and officially introduced in 1975. It featured a simple, red unique type style of the word NASA. The world knew it as “the worm.” Created by the firm of Danne & Blackburn, the logo was honoured in 1984 by President Reagan for its simplistic, yet innovative design. NASA was able to thrive with multiple graphic designs. There was a place for both "the meatball" and "the worm". However, in 1992, the 1970s brand was retired - except on clothing and other souvenir items - in favour of the original late 1950s graphic.

Until today. "The worm" is back and just in time to mark the return of human spaceflight on American rockets from American soil. The retro, modern design of the agency’s logo will help capture the excitement of a new, modern era of human spaceflight on the side of the Falcon 9 launch vehicle that will ferry astronauts to the International Space Station as part of the Demo-2 flight, now scheduled for May 2020.

This lavishly illustrated book celebrates one of the most influential and successful retail centers in the world, from its opening in 1965-when it changed the retail landscape by inviting European designers such as Gucci and Valentino to open stores within a shopping mall-until the present day.

Theater of Shopping tells the story of retail visionary Stanley Whitman and the creation of Bal Harbour Shops, the most successful luxury fashion shopping center in the world*, and one of the last family-owned malls in America. Written by critically acclaimed author Alastair Gordon, Theater of Shopping is a cultural history of both a place and a personal legacy. The open-air mall opened in 1965 as a pedestrian-friendly environment that turned shopping into a kind of theatrical event, while featuring the work of young design talents like Valentino, Versace, Mugler, de La Renta, and other foreign designers who were unknown in America before first showcasing their collections at Bal Harbour Shops. The text weaves together fashion, luxury commerce, architecture, landscape design, urban development, and family history, to create a highly readable narrative illustrated with more than 300 images including never-before-published drawings, plans and photographs by renowned photographers including Richard Avedon and Ezra Stoller.

About the Author:

Alastair Gordon is an award-winning critic and author who has written regularly about architecture and design for many publications including the New York Times, New York Observer, Vanity Fair, Architectural Digest, House & Garden, Metropolis, and Dwell. He served as Contributing Editor for architecture and design at WSJ, the Wall Street Journal Magazine for many years. He has published several critically acclaimed books including Naked Airport, Weekend Utopia, Spaced Out, Unfolded, Romantic Modernist, Qualities of Duration and Wandering Forms. Matt Tyrnauer is a writer, director, producer, and award-winning journalist whose recent films include Valentino: The Last Emperor, which premiered at the Venice Film Festival and was short-listed for an Academy Award for best documentary feature. Matthew Whitman Lazenby is the CEO and President of Bal Harbour Shops.

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Пролистать книгу Theater of Shopping: The Story of Stanley Whitman's Bal Harbour Shops

How connected are fashion designers to the body they design for today? Is there truly a way for the body to be trained in order to serve fashion? How can you manoeuvre emotion through your work? Each era has its dominant themes and fashion readily reflects them.

Fashion as a reflection of society is also a privileged lens to see things more consciously. The necessity to sharpen the focus on the interlinked trilogy of the body, the mind, and politics is what has seamlessly been questioned in this provocative series of interviews.

Curator, author, journalist, photographer and costume designer Filep Motwary releases his latest book ideated by Polimoda, THEOREM[A]: The Body, Emotion + Politics in Fashion. Formatted as a series of interviews with select contemporary fashion key figures, the book investigates the dressed body as a political statement, focusing on the linked trilogy of the mind, body and politics. In his provocative series of interviews, Motwary spoke with participants chosen for their professional integrity, their body of work and vast knowledge of historical and contemporary fashion, among other factors. Interviews were conducted with Hussein Chalayan, Jean Paul Gaultier, Pamela Golbin, Iris van Herpen, Harold Koda, Michèle Lamy, Thierry-Maxime Loriot, Antonio Mancinelli, Suzy Menkes, Violeta Sanchez, Valerie Steele, Jun Takahashi, Olivier Theyskens, Viktor & Rolf and Nick Knight. The interviews each explore the essence and perception of the body, poetic emotion and politics, touching specifically on the issues and controversies surrounding the current state of fashion.