Дизайн

Именно итальянскому искусству мы обязаны появлением на свет причудливых форм и узоров - арабесок. Под влиянием арабского искусства, распространение которого началось в портовом городе Венеции, художники эпохи Возрождения стали использовать переплетение лиственных орнаментов в виде завитков для архитектурных украшений зданий, в садово-парковом искусстве, росписи тканей, книгопечатании, при украшении оружия, ваз и других предметов повседневной жизни. Извилистые линии арабесок стали символом роскоши, они изображались на изделиях из камня, металла, керамики, стекла и кожи в самых разнообразных комбинациях.

В каллиграфии также стали использовать арабески, и вскоре декоративные буквы затерялись в лабиринте украшений, в результате чего декоративное письмо стало само по себе искусством.

Леонардо да Винчи очень увлекался искусством арабесок. Наряд Моны Лизы украшен арабесками, так же как и стены и потолок Зала дела Ассе (Ослиной комнаты) в Замке Сфорца. Работу мастера скопирован Альбрехт Дюрер, создавший серию Шесть узлов под влиянием гравюр Леонардо.
Большим успехом пользовались работы и других немецких мастеров, в частности Виргилия Солиса, Петера Флетнера, Теодора де Бри. Вскоре, объятые взаимной страстью к арабескам, итальянские мастера стали копировать узоры своих немецких коллег!
В этой энциклопедии приведены самые яркие примеры данного вида искусства.

PEPIN gift wrap paper books all contain 4 pages of introduction and 12 large sheets of very high-quality wrapping paper. They can easily be removed from the books by tearing them along a perforated line. The wrapping papers are folded to fit into the book; when removed and opened they measure 50 cm x 70 cm (19,5 inch x 27,5 inch; a standard size for gift wrapping papers). Depending on the theme, we have selected a suitable light-weight paper quality. For example, papers with designs in gold, silver or bronze are printed on silky art paper on which the inks show to their best advantage. Designs with an antique or hand-made feel are printed on high-quality creamy offset paper. PEPIN papers make your gift package look very special. In addition, our papers are suitable for scrap booking and all sorts of craft projects. Each volume contains 12 different, exceptional designs.

Cet ouvrage a pour objectif de faire mieux connaître l’art qui s’exprime dans l’habillage de l’architecture marocaine, en donnant à voir un grand nombre de réalisations mais aussi, et c’est là son originalité, en délivrant des clés pour une meilleure compréhension de l’arabesque géométrique et un accès facile à la pratique créative de l’art. Nous souhaitons ainsi contribuer à la diffusion d’un savoir rare et précieux élaboré par le travail obstiné de générations d’artistes anonymes. Après un rapide exposé historique destiné à cerner la spécificité de l’art islamique au Maroc, nous étudions les trois principales familles du décor dans l’architecture : la calligraphie, l’arabesque florale et, surtout, le décor géométrique qui fournit la matière la plus originale et approfondie du livre. L’exposé technique s’appuie sur le dessin - sans ou avec l’ordinateur - et est accompagné de nombreuses photographies prises dans les plus beaux sites (monuments, palais royaux, cités) du Maroc. Pour le plaisir des yeux... et de l’esprit.

This volume throws light upon an art expression to be found clad in the garments of Moroccan architecture. This work provides keys to the understanding of geometrical arabesques. This art of a rare and precious mastery was elaborated through the determined efforts of generations of anonymous artists. A brief historical survey defines the specificity of Islamic art in Morocco.

Three principal styles of decorative architecture are studied: calligraphy, floral arabesque, and geometrical arabesque. Illustrations and photographs of some of the most beautiful sites of Morocco (monuments, royal palaces and cities) are a pleasure for the eye.

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Посмотреть англоязычное издание Arabesques: Decorative Art in Morocco

This book shows the progression of Interior Design of the Arabian countries. In contrast to many countries modeled according to the Western traditions, the Arabian culture is closely tied to religious and social values. The current discussion regarding contemporary architecture broaches the subject of the importance of tradition and deals with the Arabian identity. The architects have various viewpoints on the subject: Besides those who represent an international and global architectural language, there are also numerous planners that incorporate historical elements such as arches, domes and columns into their designs and interpret them in a contemporary fashion. Arabian Design presents the projects of renowned offices and young architects and shows the exciting process, in which a new, modern presence is developing out of tradition and ideas for the future are resulting. all projects are listed in alphabetic order of the designers and architects. Plans of the projects are shown as far as available. An index of contact information of the designer and architects is enclosed.

This book contains stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards, or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image- manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge. Please consult the introduction to this book, or visit our website for conditions. All designs in this book were originally recorded in the 1870s, primarily from Egyptian, Persian and Syrian sources. Together, they form a comprehensive graphic overview of the very best geometric design from the Arab world. The images are meticulously re-drawn and digitalized for this publication. The designs are interlocking, so it is possible tocreate larger patterns by repeating the components.

Without a doubt, Arabian geometric ornamentation is among the most sophisticated forms of design of all eras. For Arabian Geometric Patterns, a large collection of the most beautiful and intricate of such designs has been meticulously re-drawn and digitised. All files are included on the accompanying CD-ROM.

L’Aventurine Although "Arabic Art" was presented by d’Avennes as an anthology of ornamentation, it also was one of the first publications in "modern" archaeology.

A reference in the field, the book offers a wide vision of Arabic art in the areas of architecture, decoration and the applied arts.

An irresistible mélange of romanticism and history, this encyclopedia with its incredible graphic scope bears witness to the diversity and value of the Islamic art as seen through the rigorous and scientific eye of a 19th century Westerner.

Here are 141 designs and motifs in authentic full color from classic 19th century work by noted French historian — a visual vocabulary of Islamic decorative art.

Цветочный дизайн мусульманских художников можно разделить на две школы. Первая, прежде всего, распознаваема в работах мастеров собственно из Персии, а также созданных художниками под персидским влиянием. Мотивы второй школы получили распространение среди мастеров стран, простирающихся от Сирии до Марокко и Испании.

Все это разнообразие открывается в данном издании.

Все иллюстрации в этой книге представлены на CD, которые могут быть использованы как на PC так и на MAC компьютерах.

Изображения сохранены в файлах формата TIFF высокого разрешения.

В книге описывается работа с прикладной архитектурной программой ArchiCAD 12 и на основании конкретных примеров рассказывается о возможностях создания архитектурных объектов.
Просто и доступно излагаются эффективные приемы и методы проектирования в ArchiCAD 12, даются пошаговые описания всех действий, что позволит работать в программе даже начинающим архитекторам. Легкость изложения материала сделает ArchiCAD понятным и для многих «узких» специалистов — ландшафтных архитекторов, дизайнеров интерьеров, декораторов.

Five quality mountable prints in a full colour illustrated envelope.

An essential tool for architects, interior designers, set designers and related professionals, this book offers a rich library of visual references for every research need. An illustrated glossary of technical terms offers a vocabulary for professional communication and a comprehensive index of subject matter and materials makes it easy to find just the image you need.

How do courses of brickwork accommodate the shape of an arch? Exactly what happens at the intersection of two stone walls? What is the profile of a molding where a cornice wraps around the corner of a building? Solving these problems with style and elegance is the hallmark of good design; the resulting solutions are the structural and decorative details that are emblematic of historic periods and become the signatures of individual styles and designers.

This addition to the acclaimed Surfaces series catalogues hundreds of different architectural features. Its more than 1,400 high-quality colour photographs capture the texture, colour, grain and shape of architectural details organized by subject: walls, facades, ornament and molding, columns, posts and arches, windows, doorways, ceilings and roofs, floors and pavement.

• The  CD-ROMs include easy-to-use screen-resolution TIFF files of every image and the complete glossary of terms.

Collection of constructions, both civil and sacred buildings, ranges from pre-Christian basilicas to buildings dating from the early 19th century, and includes such gems as the cathedrals of St. Peter and Chartres, the Paris Opera House, and the Taj Mahal. Fully illustrated.

Area – самый последний, глобальный обзор в области графического дизайна. Это заполненная изображениями книга, представляет работу 100 самых инновационных графических дизайнеров по всему миру. Проекты по корпоративному стилю, дизайну афиш, книжных и журнальных обложек, упаковки, музыкальных дисков и т. д. 100 дизайнеров были выбраны десятью критиками в сфере графического дизайна со всего мира. В книге более 1500 иллюстраций и граф. элементов на более чем 450 страницах. Long neglected, graphic design has been creeping into the consciousness of the general public. In our increasingly visual culture, it is an omnipresent form of creativity, something we are all influenced by whether we like it or not. Every logo, poster and CD cover confronts us with graphic design in some shape or form. It is the basis ofl visual communication and arguably the most pervasive creative discipline of our times. Essentially an exhibition in a book, this title presents the 100 graphic designers arranged in an A-to-Z order. Each of the designers is featured over two double-page spreads, which are extensively illustrated with examples of their work. Alongside these examples, a 400-word text by the selecting curator explains his/her choice and illuminates the depicted work. The reproductions are further complemented with extended captions and biographical information on the designer. The book is characterized by the enormous diversity of the 100 graphic designers. Showcasing talents from Minneapolis to Macao, this text opens the door to the work of emerging designers practising in more than 25 countries around the world. It reflects a unique multitude of styles, ideas, and influences: an endless range of creativity from the playful, digital graphics of Eboy in Berlin, to the regional aesthetics of Chaz Mavyanne Davies of Zimbabwe or Ahn Sang-Soo of Korea; from the political awareness of Iran's Reza Abedini, to the more sober and traditional designs of the Italy's Leonardo Sonnoli. Beyond this extensive survey of contemporary graphic design, ten curators were also asked to choose what they consider a design "classic" - a piece of printed design from any era that is of particular significance to them. These "classic" pieces are showcased in the shorter, second part of the book, each accompanied by a brief text explaining how the piece fits into the selecting curator's general view and philosophy of graphic design.

This book is an important complement to the Armani style, exploring Giorgio Armani’s touch for flower composition.

Armani is not only a brand, it is a lifestyle: an entire universe that includes fashion apparel and accessories, home furniture, decorative objects, restaurants, beauty, makeup, perfumes, fragrances, skincare, and flowers. The embodiment of style as lifestyle, Armani/Fiori launched in 2000 with the opening of the Armani/Manzoni 31 store, bringing essential taste to the world of flowers and floral decor. Since then, the philosophy behind Armani/Fiori has come to include dedicated boutiques in cities such as Milan, Hong Kong, Kuwait City, and Dubai.

This book marks the twentieth anniversary of the creation of Armani/Fiori and proposes a number of intricately designed bouquets stylishly encased in pure, linear vases and geometric shapes, crafted from precious materials that complement any decor and perfectly match the brand’s fashion and interior design. Armani flower designs include elaborate, one-of-a-kind floral arrangements and decorations for important events, festivities, and anniversaries.

About the Author:

Giorgio Armani is an internationally known fashion designer based in Milan. Renato Bruni is associate professor in botanics/pharmaceutical biology at the University of Parma. Harriett Quick is an award-winning journalist and contributing editor for British Vogue, How to Spend It and Modern Weekly in China. Dan Rubinstein is a writer, editor and curator. Former Home & Design Director at Departures magazine, his new luxury lifestyle podcast is “The Grand Tourist with Dan Rubinstein”.