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BAGS offers you a unique overview of the most important bags in the collection of the Museum of Bags and Purses. The book covers the history of the bag and its uses over the last 600 years, encompassing pouches, wallets, chatelaines, reticules, travel bags, minaudières, vanity cases, evening bags and well-known designer bags and It-bags. Read about Madonna’s bag, the cupcake bag featured in the TV series Sex and the City, and learn why the Kelly bag will continue to be timeless. Over the centuries, the bag has been influenced by trends in fashion, design and art, as well as by socio-cultural developments and the emancipation of women. BAGS presents the bag in all its diversity regarding its use, forms, materials and adornments. That’s why it’s a must for enthusiasts and professionals alike. The Museum of Bags and Purses is the biggest bag museum in the world and puts the history of the bag on display, from the late Middle Ages up to the present.

Whether you're a beginner crafter or experienced maker, this book will help you build on your sewing skills as you learn how to make a range of bags from a simple drawstring tote to a stylish colour-block rucksack.   

As you work your way through the 18 projects, you'll learn how to create interesting shapes (such as a cubed bag or round bucket bag), work with different fabrics (cotton, canvas, linen and more) and discover how to work in zips, poppers, pockets, straps and other add-ons.   

Step-by-step guidance, plus a wealth of tips and tricks, meaning you'll always feel confident in developing your technique, while modern designs and design-focused details will inspire you to get creative with your makes.  Bags is the ideal book for those looking to expand on their sewing skills, create beautiful, lasting additions to their wardrobe or make impressive and covetable gifts for friends and family.

The projects include: a simple tote, shopper bag, iPad case, basic big duffel, curved purse, pompom bucket bag, retro backpack, overnight bag, boxy hand-luggage, contract clutch, fold-over backpack, drawstring toiletries bag and many more.   

“We do what we can with fabric — but Balenciaga does anything he wants.” 

—Christian Dior

Cristóbal Balenciaga made his name in Paris in the 1940s and 1950s in the golden age of haute couture. He was hailed by Coco Chanel as “the only true couturier among us,” and his clients included Princess Grace of Monaco and the Duchess of Windsor.

This book is published to mark the inauguration of the Balenciaga Museum in Getaria, Spain, which will house a permanent collection of over one hundred pieces created by this master designer. It features an extraordinary selection of the most representative pieces from the Museum’s collection and includes four essays written by specialists on Balenciaga’s work.

Amalia Descalzo teaches Communication and Management in Fashion at the Centro Universitario Vellanueva. Miren Arzalluz is the curator and head of collections at Fundación Cristóbal Balenciaga. Pierre Arizzoli-Clémentel is the former director of the Musée des Arts Décoratifs in Paris. Lourdes Cerrillo is Lecturer in the History of Art at the University of Valladolid. Marie-Andrée Jouve was head of the Balenciaga archives from 1980 to 2003. Lucina Llorente is a specialist in materials and technical textiles.

Cristobal Balenciaga made his name in Paris in the 1940s and 1950s in the golden age of haute couture and was hailed by Coco Chanel as the only true couturier amongst us, able to design, cut, assemble and sew a dress entirely by himself. His clients included Princess Grace of Monaco and the Duchess of Windsor. This book is published to mark the long-awaited inauguration of the Balenciaga Museum in Getaria, Guipuzcoa, Spain, which will house a permanent collection of over 100 pieces created by the master designer. Four introductory articles by Balenciaga experts present new research and analysis of the designers work and assess his legacy, but at the heart of the book is a catalogue of the museums outstanding collection in over 500 wonderful illustrations. This beautiful book will be essential reading for both designers and anyone interested in Balenciaga's life and work.

More than three decades after his death, the Spanish couturier Cristobal Balenciaga (1895-1972) has become a legendary figure in the history of 20th-century fashion. This book examines Balenciaga`s design and business practice, placing him in the context of the time and country in which he learnt his trade and the international fashion scene.

Towards the end of her life, major exhibitions in London and Vienna brought Viennese artist Marie-Louise von Motesiczky (1906-1996) wide acclaim. This book invites Motesiczky`s work and situates the artist in the troubled history of her times. It tells the story of Motesiczky`s life. In the years following World War II, Cristobal Balenciaga emerged as a designer to be reckoned with in the world of haute couture. This illustrated book presents nearly 70 Balenciaga creations for day and evening, along with 25 hats, from the archives of the Texas Fashion Collection of the University of North Texas.

This was the profession of faith of the man whom Dior called ‘the master of us all’. Strict, even ascetic, Balenciaga was, with Chanel, Dior and Schiaparelli, one of the icons of the golden age of haute couture. The care he took with a garment’s construction, the perfection of his cut, his choice of materials, textures and colours, including an intense black, gave his vision of fashion and refinement a singular distinction, that became the fashion house’s famous signature.

Having presented his last collection in February 1968, Balenciaga decided to close his salons and to return to live in the country of his birth, Spain. Thirty years later, Nicolas Ghesquière re-established the artistic direction of the house, giving the venture – once thought to be finished – a new lease of life. Universally acclaimed for his freshness of vision, sobriety and a rigour that recalls that of his predecessor, Ghesquière is considered one of the most important creative personalities at work today.

Balenciaga Paris pays homage to this unique fashion enterprise, covering both stellar periods of the house – a span of some 75 years.

With a fascinating collection of photographs, sketches, illustrations and press comments, assembled by Pamela Golbin, curator at the Musée de la Mode et du Textile, the book presents a precise chronology and a detailed account of this two-part journey.

Designed by Fabien Baron, art director of Vogue, and featuring work by some of the finest photographers of our time, including Irving Penn, this publication provides not only the compelling history of one of Paris’s greatest fashion houses, but also constitutes a milestone of book design in its own right.

This book of Pepin Press Wrapping Paper contains 12 beautiful sheets, each an original design, that you can use to wrap gifts or as an embellishment to your journal, scrapbook or album. They are really high quality and especially beautiful, making them great posters for your wall too!

The book is 25 x 35cm and contains 12 fold out sheets. Each sheet is 50 x 70cm unfolded and is perforated for easy removal. The paper stock is chosen to accentuate the design and ink used, sometimes thin for shiny gold or silver, or thick and creamy for antique inspired design.

This innovative book presents dynamic and interpretive photographs of British ballgowns spanning 60 years and includes designs by Alexander McQueen, Bellville Sassoon, Bill Gibb, Erdem, Gareth Pugh, Stella McCartney and Zandra Rhodes. The specially commissioned photographs, by fashion photographer David Hughes, are supplemented by essays exploring the ballgown as a particularly British garment, with designers, clients and occasions unique to Britain. The social season of debutante parties and private balls, weddings and charity events have long provided Britain's fashion designers with opportunities to design elaborate, tour de force eveningwear. In more recent years the ballroom has been replaced by the red carpet. Though the context has changed, the ballgown remains a staple in many designers' collections and continues to serve as an expression of status, protocol and taste, while simultaneously embodying elements of drama and fantasy.
this publication.

The bulk of this handbook is step-by-step case studies, comprehensively explained and illustrated with photographs. Each chapter demonstrates and guides the reader through procedures for making a bangle or bracelet using a particular technique, approach or skill. Topics covered include: wax-work (casting), chain making, wire work, found objects,
piercing, stone-setting.

Designed to appeal to both beginners and practising jewellers, there is an introductory chapter on basic techniques, covering the fundamentals of jewellery-making, complete with detailed explanations and photographs. Each chapter includes a generous garnish of relevant 'tips and tricks' - useful hints from the author and other experienced jewellers.

This book contains stunning images for use as a graphic resource or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design.

The pictures can also be used to produce postcards or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image- manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge. Please consult the introduction to this book, or visit our website for conditions. The visual language of the baroque period is typified by an exuberant use of curves and flourishes and bright and contrasting colors. The result is an exhilarating ornamental style of great beauty.

This book is also part of the series that covers the decorative styles prevalent in Europe since the beginning of the western calendar. The series focuses on two dimensional designs. The dominant style of the 17th and half of the 18th century was the Baroque. The applied arts of this period were typified by the use of bold, sometimes overstated forms, including exaggerated curves and curls.

This book of Pepin Press Wrapping Paper contains 12 beautiful sheets, each an original design, that you can use to wrap gifts or as an embellishment to your journal, scrapbook or album. They are really high quality and especially beautiful, making them great posters for your wall too!

The book is 25 x 35cm and contains 12 fold-out sheets. Each sheet is 50 x 70cm unfolded and is perforated for easy removal. The paper stock is chosen to accentuate the design and ink used, sometimes thin for shiny gold or silver, or thick and creamy for antique-inspired design.

Basic is a series about the basic disciplines of graphic design. The first three of the series were about Logos, Packaging and Corporate Identity. The fourth one is about Brochures and is classified into three categories: No Fold, Single Fold and Multiple Folds. Basic Brochures features different brochures developed by designers from around the world, showcasing a broad range of styles that enhance the book and make it both a compendium of visual input and a great source for inspiration.

Basic is a series about the basic disciplines of Graphic Design with many examples in each area. The first instalment in the series was about Logos. The earlier books were about Packaging, Corporate Identity,Brochures, Promotions, Sign and Stationery.

This new book, Basic Cover, as its name suggest,explores different kind of covers: in books,magazines, albums and catalogues