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Your logo is your identity. It is an image of your business that communicates visually and emotionally. Strategy, logo design, choice of colour and typography are all important aspects that are picked up on by the public. Branding Identity is a collection of great visual ideas for a good corporate identity from designers and studios such as Lu Hai Tong, Simon Glover, Nick Stickland, Marzotto, Sander Tielen, Isidro Ferrer, Nicolás Sánchez, Nadine Häfner, Jennifer Staudacher, David Stark Wilson, Creative Suitcase, Ivana Vucic and others.

Brands A to Z: Trippen tells the captivating tale of the quirky, award-winning German brand. This book will offer an insight into Trippen's history, along with exclusive interviews and an overview of the shoemaker's most successful products and ad campaigns.

Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

About the Author:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth also produces comics which appear in Vice and Merry Jane.

Brian Blomerth first fused his singularly irreverent underground comix style with heavily-researched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms in the United States. The Wassons’ journeys took them from Russian folk wisdom to midcentury Manhattan, from the indigenous traditions of the Mazatec people of Mexico to the mysteries of ancient Rome. A globetrotting vision of science and mysticism with appearances by J.P. Morgan, Robert Graves, Life Magazine, and the CIA, Mycelium Wassonii is a visual biography and a tragic love story as only Blomerth’s Isograph pen can render it.

About the Authors:

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications — released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press — include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth released his first full-length book, the acclaimed visual history Brian Blomerth's Bicycle Day, in 2019.

Paul Stamets is a mycologist, author, speaker, entrepreneur, and leading voice in mushroom advocacy. His lectures and presentations have helped deepen the worldwide conversation around medicinal fungi, and his original research has led to discoveries in sustainability and immune enhancement. The author of six books (most recently Fantastic Fungi: How Mushrooms Can Heal, Shift Consciousness & Save the Planet), Stamets has discovered and named numerous new species of psilocybin mushrooms and is the founder and owner of

For the past thirty years, this book has, in its various editions, outsold all others on British antique furniture simply because it is unique in explaining what to look for when assessing the value of individual pieces. In this, the fifth edition, the huge financial importance of patination and colour has been explained and illustrated - something which has become increasingly important in recent years.

This classic guide consists of over 1,600 photographs of furniture found in shops and auction rooms throughout the country with the author's down-to-earth comments on important features which affect individual prices. The reader will come to understand the rules and prejudices which apply while the eye will become aware of gradations of quality. He will come instinctively to assess the workmanship and how all this affects the final price tag. This is, above all, a reference book for the practising collector and dealer, a work from which the memory may be refreshed and points checked.

Each item is clearly referenced. This enables the annual price revision list to be compiled with a ready cross-reference. The list is available in January/February each year on a private subscription basis and details are contained within the book.

- The best-selling guide to British antique furniture for over thirty years, now in its fifth edition with over 400 new colour images
- Colour plates show the financial importance of patination
- Contains revised prices in both £ Sterling and US $

The best-selling guide to British antique furniture for over forty years, now in its sixth edition.

For the past forty years this book has, in its various editions, outsold all others on British antique furniture simply because it is unique in explaining what to look for when assessing the value of individual pieces. In this, the sixth edition, the huge financial importance of patination and colour has been explained and illustrated - something which has become increasingly important in recent years. This classic guide consists of over 1,600 photographs of furniture found in shops and auction rooms throughout the country with the author's down-to-earth comments on important features that affect individual prices. The reader will come to understand the rules and prejudices which apply while the eye will become aware of gradations of quality. He will come instinctively to assess the workmanship and how all this affects the final price tag. This is, above all, a reference book for the practicing collector and dealer, a work from which the memory may be refreshed and points checked.

John Andrews is both a founding member of, and the first author published by, the Antique Collectors' Club. His professional background as a market researcher and his love of furniture have made his books unique in their clear explanations and practical, factual approach. Apart from collecting, restoring and writing about furniture, he is an active businessman and fiction writer.

This landmark book celebrates the best of British design, documenting the transformation and impact of designers' work over the years between the post-war 'Austerity Games' of 1948 and the 2012 Olympics.

As well as essays by leading curators and commentators, British Design from 1948 incorporates pieces by key practitioners (including Peter Saville, Barbara Hulanicki, Paul Smith and Tom Dixon) to build a comprehensive survey of over 350 of the finest examples of fashion and textiles, furniture, ceramics and glass, theatre design, graphics, photography, architecture, fine art and sculpture from this period.

In addition to discussing works commissioned for official purposes, including the coronation of Queen Elizabeth II and the Festival of Britain, the book highlights the globally influential, and very British, counter-culture, from the sixties boutiques of Mary Quant and Ossie Clark through to the club cultures of Punk, the New Romantics and Rave.

350 illustrations

The first book to embrace the whole of the UK and its creative influence on international fashion, this book is aimed at industry professionals, students and anyone with an interest in fashion. Both inspirational and informative, it will also appeal as a coffee-table book, being visually inspiring and modern.
The UK is a creative and cultural melting pot for international designers to develop their creative identity. London Fashion Week is renowned for showing an edgier breed of fashion designer and for celebrating cutting-edge couture that pushes the boundaries of convention.
This book focuses on the British designers since 2000 who have made their influence resonate globally: designers such as Stella McCartney, Alexander McQueen, Hussein Chalayan, Vivienne Westwood, John Galliano, Julien Macdonald, Giles Deacon, Matthew Williamson and Paul Smith. Each chapter is devoted to one designer and defines visually how Britishness informs their work, showing final collections, process work and studio space. Text in the form of questions and answers or running text illustrates each designer's British influence and distinct style.

Hywel Davies is a Senior Lecturer in Fashion Communication and Promotion at Central St Martins College of Art and Design in London. Previously Fashion Editor of 'Sleazenation', he has also written for 'Arena', 'Vogue', 'ELLE', 'Wallpaper', 'Nylon', 'Dazed & Confused', 'Fashion Inc', 'Grafik', 'Time Out', The Guardian, The Sunday Telegraph, The Financial Times, The Observer, The Independent and 'SHOWstudio'.

Inspirational and informative, this book focuses on the British designers who, since 2000, have made their influence resonate globally: designers such as Stella McCartney, Alexander McQueen, Hussein Chalayan, Vivienne Westwood, John Galliano, Julien Macdonald, Giles Deacon, Matthew Williamson and Paul Smith. The chapter on each designer defines visually how Britishness informs their work, showing final collections, process work and studio space. Text in the form of questions and answers or running text illustrates each designer’s British influence and distinct style.

Focuses on the top 50 designers of British furniture. This manual is written for those who wish to know more but don`t know where to begin. It also provides maps and timelines to help plan a journey through four centuries of the world`s finest furniture and contains more than 500 images.

Drawing on the V&A’s wide-ranging poster collection, this book maps how the poster has evolved in Britain since 1945 in the hands of graphic designers and fine artists, advertising agencies and counter-cultural groups. The range spans ‘Keep Britain Tidy’ campaigns, lavishly produced Benson & Hedges billboards, punk rock posters, hand-printed indictments of politicians and public art projects on the Underground.

Defying regular predictions of its demise, the poster in Britain has adapted itself within achanging technological environment. It has absorbed new directions in art and design and has met unfolding social and commercial challenges. British Posters considers these developments and looks at the varying platforms that posters occupy. As part of the living skin of our cities, posters have entered into conflicts over the content and control of public space. Behind closed doors we have welcomed posters into our homes, Blu-Tacked them to our bedroom walls and made collections of them. Today, in an age of digital media and viral communication, the poster remains an irresistible proposition.

Broadcast design and television branding bear an important prominence in our world today. Audiovisual design, in terms of content and technology, is fast-paced: the TV landscape faces great changes in distribution channels and different content models. Those changes demand a strict strategic brand development, which should be suitable for the on-air designs as well as for a range of other media channels and merchandising.

With Broadcast Design Björn Bartholdy introduces the corporate design of ten selected international TV channels like BBC, FOX or arte. It gives examples of on-air design positions, introduces the collaboration between channels and design agencies and features interviews of the channel's representatives. Enclosed is a DVD to show the audiovisual media in their natural environment: on-screen.

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