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This is the first book devoted to Tiffany lamps in more than 20 years. Experts in the field have made a selection of exceptional lamps - many of which have rarely been seen or published - and each one has been newly photographed with the latest photographic techniques to reveal in extraordinary detail the artistic quality and high craftsmanship of these masterpieces of decorative art.

Martin Eidelberg and Alice Cooney Frelinghuysen have contributed essays on the history of the lamps, enlarging our understanding of Louis Comfort Tiffany's achievement. They have drawn upon a host of previously unpublished photographs, paintings, and watercolors by Tiffany and other artists in his employ, as well as on working drawings and studio photographs, and images evoking the lost gardens and interiors of Tiffany's country estate, Laurelton Hall, that so inspired him. They outline the development and manufacture of the Tiffany lamp from freehand sketch to finished form, as well as the chief decorative themes in Tiffany's glass masterpieces and their relation to the work of other fin de siecle glassmakers.

What do the designers John Galliano, Giorgio Armani, Martin Margiela, Custo Barcelona or those from Zara or H&M have in common?

Despite their personal style and different target audice, they speak a common language.

Designers must translate their ideas into technical illustrations understandable to those who bring them to life.

This book gathers over 200 of Maite Lafuente's fashion illustrations of contemporany trends, colours, textures, and cuts - a guide to the language of today's fashion.

For anyone trying to communicate in a new language, one has to first gain a complete understanding of its fundamentals; the ABC’s of that language—definitions, functions, and usage. The Language of Graphic Design provides graphic design students and practitioners with an in-depth understanding of the fundamental elements and principles of their language—graphic design—what they are, why they are important, and how to use them effectively. Organized by the building blocks of the graphic design language, this reference includes work by some of the most successful and renowned practitioners from around the world and how they have applied these fundamental principles to their work. By examining both student and professional work, this comprehensive handbook is a more meaningful, memorable, and inspiring reference tool for novice design students, as well as young designers starting their careers.

To understand visual communications one has to first understand by seeing. To develop this discipline or visual sense is similar to learning a new language with its own unique alphabet, lexicon (vocabulary), and syntax (sentence structure). This book provides clear, concise information that will enhance visual literacy, while using dynamic, memorable visual references to inspire and reinforce the skill of seeing.

Destined to be a classic, this modern introduction offers a contemporary twist on the age-old craft of leatherworking.

The Leathercraft Handbook guides you through all the skills, tools, and techniques you need to make beautiful and durable pieces, from elegant accessories to stylish homewares - without the need for expensive equipment.

Try your hand at more than 20 step-by-step projects, complete with easy-to-follow tutorials and templates that can be scaled up or down. Ranging from a classic glasses case to a chic tote bag, the pieces are suitable for beginners through to experienced leatherworkers and feature inspiration on how to make the designs your own.

Use this tactile, age-old craft to make your own unique and modern leather items.

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Пролистать книгу The Leathercraft Handbook: 20 Unique Projects for Complete Beginners на Google Books.

At last! A leatherworking book for amateurs by a top professional. Valerie Michael guides the leatherworker through techniques and projects, showcasing the very best of her knowledge and experience. After a thorough presentation of each of the key techniques - such as finishing edges, paring and hand stitching, making pockets, attaching studs and straps and decorating surfaces - there are ten projects, suitable for developing levels of skill, from belts and wallets to quilted work and three different types of leather bag. Not only is this book an ideal introduction to a centuries-old craft, but its comprehensive treatment of materials, tools and techniques makes it an invaluable work of reference.

This is the updated edition of Karl Lagerfeld and Carine Roitfeld's reinterpretation of Chanel's iconic little black jacket, expanded by twenty-one new photographs.

This award-winning book contains Lagerfeld's photographs of celebrities wearing the modern adaptable jacket with individual flair sometimes classic, sometimes irreverent, but always CHANEL with each of the protagonists styled by Carine Roitfeld.

A range of accomplished actors, musicians, designers, models, writers and directors receives the little black jacket treatment, including Claudia Schiffer, Uma Thurman, Kanye West, Tilda Swinton, Baptiste Giabiconi, Yoko Ono and Sarah Jessica Parker.

The project which has been accompanied by a worldwide travelling exhibition underlines the astounding versatility of Chanel's vision in Lagerfeld's hands and ensures this jackets future as a timeless classic.

This book is Karl Lagerfeld and Carine Roitfeld’s reinterpretation of Chanel’s iconic little black jacket.

Lagerfeld has redesigned the jacket, transforming it into a modern, adaptable garment to be worn by both sexes of all ages. The Little Black Jacket contains Lagerfeld’s photographs of celebrities wearing the jacket with individual flair – sometimes classic, sometimes irreverent, but always Chanel – and each styled by Carine Roitfeld. A range of accomplished actors, musicians, designers, models, writers and directors gets the little black jacket treatment, including Claudia Schiffer, Uma Thurman, Kanye West, Tilda Swinton, Baptiste Giabiconi, Yoko Ono and Sarah Jessica Parker.

This book shows the astounding versatility of Chanel’s vision in Lagerfeld’s hands and ensures the little black jacket’s future as a timeless classic.

Karl Lagerfeld, fashion designer, book dealer and publisher, began working as a photographer in 1987. Lagerfeld has received the Lucky Strike Design Award from the Raymond Lewy Foundation, the cultural prize from the German Photographic Society, and the ICP Trustees Award at the International Center of Photography’s Infinity Awards in 2007.

His recent exhibitions include “Konkret Abstrakt Gesehen” at the Langen Foundation, Neuss, and “Metamorphoses of an American – A Cycle of Youth, 2003–8” at Pace/MacGill, New York.

Steidl has published most of Lagerfeld’s books, including Casa Malaparte (1998), A Portrait of Dorian Gray (2004), Room Service (2006) and The Beauty of Violence (2010).

Carine Roitfeld is a fashion writer and stylist and was editor-in-chief of French Vogue from 2001 to 2011. Roitfeld began her career as a model before moving to French Elle as a journalist and stylist. Meeting Mario Testino then marked the beginning of an ongoing collaboration that saw the pair create groundbreaking advertising campaigns and editorial shoots. Roitfeld worked as a consultant with Tom Ford during his time at Gucci and Yves Saint Laurent, and her book Irreverent was published in 2010.

Julie Zerbo пишет:

To coincide with the release of his book, Little Black Jacket: Chanel's Classic Revisited, Karl Lagerfeld is putting the pages of the book on display. In late March, the exhibit opened in Tokyo. Then for eight days, the exhibit was housed at New York’s Swiss Institute. Its next destination is Taipei, China, and after that, even more, cities, which have not yet been announced. The book features 113 images of industry tastemakers from Coco Chanel herself, Anna Wintour, Yoko Ono, Daphne Guinness, designer Olivier Theyskens, wild child model Alice Dellal, models Aymeline Valade and Mariacarla Boscono, and more. All of the subjects wore similar iconic black Chanel jackets but were styled by ex-editor in chief of French Vogue, Carine Roitfeld, to reflect their own personalities. For instance: Alice Dellal, wore her jacket under a studded leather vest; designer, Alexander Wang, wore his in addition to his usual all-black ensemble; Daphne Guinness wore hers while dripping in diamonds; Jane Birkin wore hers while holding, what else? An Hermes Birkin bag. 

Bible Stories. Martin Luther’s revolutionary publication

Martin Luther’s Bible, first printed in 1534, was not only a milestone in publishing but also a seismic moment in world history, democratizing Christianity like never before, and providing printed reference for a whole new branch of faith: Protestantism. This splendid facsimile reveals the multilayered beauty of this UNESCO world heritage masterpiece, showcasing its exquisite script and woodcuts and ornaments from the workshop of Lucas Cranach.

Martin Luther’s Bible, first printed in 1534, was not only a milestone for the printing press, but also a momentous event in world history. A UNESCO world heritage masterpiece, Luther’s translation from Hebrew and ancient Greek into German made the Bible accessible to laypeople and gave printed reference to a whole new branch of Christian faith: Protestantism.

In this meticulous two-volume reprint, TASCHEN presents a complete facsimile of the Luther Bible. Based on a precious copy of the original and printed in colour, it reveals the multilayered splendour of this publication, showcasing the meticulous script, elaborate initials, and exquisite colour woodcuts from the workshop of Lucas Cranach.

In an accompanying booklet, Stephan Füssel, director of the Institute for Book Sciences at the Johannes Gutenberg University in Mainz, adds his expertise to the publication with detailed descriptions of the illustrations, as well as an introduction exploring Luther’s life and the seismic significance of his bible.

"A woman once rang me up and said, 'Mr. Escher, I am absolutely crazy about your work. In your print Reptiles, you have given such a striking illustration of reincarnation.' I replied, ‘Madame, if that`s the way you see it, so be it.`" An engagingly sly comment by the renowned Dutch graphic artist Maurits Cornelis Escher (1898–1972) - the complex ambiguities of whose work leave hasty or single-minded interpretations far behind. Long before the first computer-generated 3-D images were thrilling the public, Escher was a master of the third dimension. His lithograph "Magic Mirror" dates as far back as 1946. In taking that title for this book, mathematician Bruno Ernst is stressing the magic spell Escher`s work invariably casts on those who see it. Ernst visited Escher every week for a year, systematically talking through his entire œuvre with him. Their discussions resulted in a friendship that gave Ernst intimate access to the life and conceptual world of Escher. Ernst`s account was meticulously scrutinized and made accurate by the artist himself.

Escher`s work refuses to be pigeonholed. Scientific, psychological, or aesthetic criteria alone cannot do it justice. The questions remain. Why did he create the pictures? How did he construct them? What preliminary studies were necessary before he could arrive at the final version? And how are the various images Escher created interrelated? This book, complete with biographical data, 250 illustrations, and explications of mathematical problems, offers answers to these and many other questions and is an authentic source text of the first order.

This book takes an in-depth look at design processes, with twenty-five depictions of "the making of" products from a wide variety of industries. Its primary focuses are furniture design, transportation design, and household appliances.

Renowned designers like Konstantin Grcic, the Bouroullecs, Stefan Diez, Hella Jongerius, and Sir Norman Foster offer step by step accounts of how they go about designing products for Vitra, Grundig, Jura, and Authentics – the tools they use for visualization and how projects change during the model phase. Plus: an interview with design legend Dieter Rams on realized and unrealized products for Braun.

The latest instalment in the "Manufacturing Guides" series, this book is targeted at students and professionals who create graphics or packaging for mass production. With some 400 specially commissioned photographs and technical illustrations, it describes more than 35 manufacturing processes, from the traditional and long-established to cutting-edge technologies.

Index

How to use this book
Introduction
Part One, Forming and Construction:
Paper Pulp Molding
EPS Molding
Machine Glassblowing
Blow Molding
Metal Press Forming
Metal Joining
Injection Molding
Vacuum Forming
Blown Film Extrusion
Plastic Welding
Wood Joining
Machine Stitching
Die Cutting

Part Two, Graphics Production:
Engraving
Photo Etching
Abrasive Blasting
Water Jet Cutting
Laser Cutting
Vinyl Cutting
Letterpress
Screen Printing
Offset Lithography
Flexography
Rotogravure
Digital Printing
Risography
Dye Sublimation Printing
Decal Printing
Pad Printing
Hydro Transfer Printing

Part Three, Finishing Techniques:
Fill, Cap and Label
Vacuum Metalizing
Flocking
Embossing and Debossing
Foil Blocking
Varnishing and Laminating
Binding.

Towards the end of the nineteenth century, the master jewelers of the Western world began to emerge as individual voices, each with a unique and recognizable accent. As a result, the celebrated designers whose work is featured in this book can be instantly identified.

Castellani, for example, is known for his nostalgic glances back at Etruscan gold work. Fabergé emphasized originality of design and the quality of craftsmanship rather than the intrinsic value of the materials used. Lalique was fascinated by the strange forms he adapted from nature. And the searching, critical eye of a Cartier or a Boucheron could lend chic to their beloved abstract patterns.

The magnificent illustrations offer faithful representations of extraordinary confections of gold, silver and platinum, gems cut and polished in every conceivable fashion, and enamels, translucent, opaque, or as clear as stained glass windows – all designed and made to enhance the charm and allure of the people fortunate enough to wear them.

In fifteen chapters written by leading experts in the field, the world of fine jewelry, including its social, aesthetic and business aspects from around 1850 to our own day is brought vividly to life.

Human factors research impacts everything from the height of kitchen counters to the placement of automobile pedals to a book′s type size. And in this updated and expanded version of the original landmark work, you′ll find the research information necessary to create designs that better accommodate human need.

Featuring more than 200 anthropometric drawings, this handbook is filled with all of the essential measurements of the human body and its relationship to the designed environment. You′ll also discover guidelines for designing for children and the elderly, for the digital workplace, and for ADA compliance.

Measurements are in both English and metric units.

After the 1897 Munich Glass Palace exhibition – when Jugendstil was ‘born’ in Germany – the Stuttgart publisher Julius Hoffmann jr. had the brilliant idea of collating the most interesting illustrations from leading international specialist journals (including Art et Décoration, l’Art décoratif moderne, Revue des Arts Décorativs, La Lorraine artiste, Magazine of Art, Art Journal, The Artist, The Studio, The House, De Woning, Tidskrift for Kunstindustri, Magyar Iparmüvészet) and publishing them in a book entitled ‘Der Moderne Stil’. He also included reproductions of objects exhibited at the Paris Salons, by the La Maison Moderne and Art Nouveau Bing galleries and by artists and makers.

The first magazine of ‘Der Moderne Stil’ [the modern style] was published in 1899; it would be followed until 1905 by 84 issues with several thousand illustrations. Thus an invaluable source of material on Jugendstil objects (with the names of their designers and makers), most of them unknown to this day, was created. We have put all issues into a single book, divided into sections on metal, ceramics, glass, furniture and jewellery.

With approx. 2.000 objects reproduced, this reprint contains a wealth of source material. Authentic, for the most part unknown, illustrations from the heyday of European Jugendstil/Art Nouveau, with all designer and maker names. An indispensable reference work for art historians, dealers, auctioneers and collectors.

As feminine-themed illustrations and decorations become more and more popular in our daily lives, this book showcases the work of talented artists around the world, as well as a collection of lifestyle and entertainment products. A bonus "Behind the Scenes" chapter offers a precious peek inside artists' studios and their creative process.

The New Age of Feminine Drawing demonstrates clearly how and why illustration in fashion has made an amazing comeback. Having virtually reached saturation point, photography is no longer the all-powerful medium of creativity, and has once again given way to the age old art of drawing.

The drawings featured in this exciting new title represent many different styles and a broad cross section of artists. All works featured have one thing in common: they possess a uniquely feminine power of seduction.

Categories covered include magazine covers, posters, cosmetic advertisements, lifestyle advertisements and entertainment products. Artists featured include Akari Inogouchi, Annika Wester, Carine Brancowitz, Cecilia Carlstedt, Cedric Rivrain, Christina K. Coco, Elisa Johns, Laura Laine, Lotie, Maren Esdar, Jarno Kettunen and more.