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The New Big Book of Color is the second volume of its kind. The Big Book of Color in Design became a top seller in the graphics world. As we approached the new book, our goal was to make an even better volume. One change you will notice is that color formulae shown for each piece now includes not only CMYK for printed pieces, but also RGB for Internet use. So, for the designer who sees a great color combination, and wants something "just like that," the process is simple: the color mix is right there for you to use. Another addition to this book is a brief commentary on each piece. The more experienced designer may well find the notes interesting, but they are aimed at younger designers and are a learning tool a couple of steps beyond the classroom.

Fusing classical principles with today’s sensibilities, this book offers six takes on the twenty-first-century dandy.

Each section features a specially commissioned 16-page fashion shoot by a rising star of fashion photography and eight pages of bespoke inspiration, instruction, interviews and insight. The reference section has a tailor’s glossary and contact information.

Whether your taste runs to the classic or the modern, the English dandy sets the pattern for the twenty-first-century male.

After a number of years working in the London offices of the British Council, Alice Cicolini is now based in Delhi, where she heads the Arts and Culture Department of the British Council in India.

A monumental, two-volume slipcased collection featuring nearly a century’s worth of New Yorker cartoons

The New Yorker Encyclopedia of Cartoons is a slip-cased, two-volume, A to Z collection of cartoons by the magazine’s artists from 1924 to the present. Bob Mankoff – for two decades the cartoon editor of the New Yorker – has organized nearly 3,000 cartoons into more than 300 categories of recurring New Yorker themes and visual tropes, including cartoons on banana peels, meeting St. Peter, being stranded on a desert island, snowmen, lion tamers, Adam and Eve, the Grim Reaper – and dogs vs cats, of course. The result is hilarious and Mankoff’s commentary throughout adds both depth and whimsy. New Yorker editor David Remnick contributes a foreword.

This is a stunning gift for the millions of New Yorker readers and anyone looking for some humour in the evolution of social commentary.

About the Authors:

David Remnick has been editor of the New Yorker since 1998.

Bob Mankoff was the New Yorker cartoons editor from 1997 to 2017.

Contents List:

Volume I: A–K, featuring, among other themes, Adultery, Book Stores, Complaint Window, Dentistry, Elvis, Freud, Guns, Honey I’m Home, Intoxication, Jesus, Kissing 
Volume II: L–Z, featuring, among other themes, Laziness, Mobsters, Nepotism, Owls, Parties, Quarrels, Restaurants, Sex, Trump, Unicorns, Vegetarians, Writers, X-Rated, You’re Fired, Zombies

Japanese art was virtually unknown in the West until the middle of the nineteenth century, when the island nation emerged from 200 years of self-imposed isolation. A passion for Japanese culture swept Europe, and this landmark publication opened the eyes of the world to the grace and beauty of Japanese design.

George Ashdown Audsley, a leader in the revival of English decorative design and one of the first Britons to specialize in Japanese art, assembled this outstanding collection. Featuring 60 full-color plates, it offers spectacular examples of Japanese painting, printing, embroidery, lacquer work, and cloisonné as well as masterpieces in ivory and porcelain.

Informative captions accompany each illustration. Art lovers, rare book collectors, and enthusiasts of Japanese culture will treasure this magnificent selection of timeless art.

Dover original selection from The Ornamental Arts of Japan, volumes I and II, published by Sampson Low, Marston, Searle and Rivington, London, 1882–84

All wrapped up. An international guide to contemporary packaging design

Packaging is a highly underrated art form. As the first thing a consumer sees when looking at a product, the packaging can make or break a sale. Every year, the Pentawards celebrate the art of the package by presenting awards to designs from around the world. Designers compete in five main categories - beverages, food, body, luxury, and other markets - and no fewer than 44 sub-categories.

Featuring a selection of over 400 works from 39 countries, this book brings together all the Pentawards winners from 2009 and 2010 plus the main winners from 2008, providing a vivid demonstration of creativity in every form of packaging. Readers will also discover what drives design industry leaders and agencies behind these creations which are so much part of our everyday lives. This well of inspiration is not just aimed at design and marketing professionals but anyone with interest in the creative process of packaging.

The editors:
Pentawards is the first and only worldwide competition dedicated to packaging design in all its forms, open to anyone associated with its creation and/or marketing. Aside from prize-giving, Pentawards' mission is the worldwide promotion of packaging design among companies, media, economic and political authorities, and the general public.
Further information:
https://www.pentawards.org/

Julius Wiedemann was born in Brazil, studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN digital and media titles include Illustration Now!, Advertising Now, Logo Design, and Brand Identity Now.

All wrapped up. An international guide to contemporary packaging design

Packaging is a highly underrated art form. As the first thing a consumer sees when looking at a product, it can make or break a sale. Every year, the Pentawards celebrate the art of the package by recognizing the world's most groundbreaking and influential designs. Designers compete in five main categories — beverages, food, body, luxury, and other markets — and no fewer than 50 sub-categories.

Featuring a selection of hundreds of works, this book brings together Pentawards winners from 2008 to 2016, providing a vivid demonstration of creativity in every form of packaging. Readers will discover, through product descriptions and plenty of images, what drives design industry leaders and agencies behind these creations, which permeate all aspects of our everyday lives. This well of inspiration will not just serve design and marketing professionals, but anyone with an interest in the creative process of packaging.

The editors:

Pentawards is the first and only worldwide competition dedicated to packaging design in all its forms, and is open to anyone associated with its creation or marketing. Aside from prize-giving, Pentawards’ mission is the worldwide promotion of packaging design among companies, media, economic and political authorities, and the general public.

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

All wrapped up

An international roundup of contemporary packaging design

Packaging is a highly underrated art form. As the first thing a consumer sees when looking at a product, the packaging can make or break a sale. Every year, the Pentawards celebrate the art of the package by presenting awards to designs from around the world. Designers compete in five main categories - beverages, food, body, luxury, and other markets - and no fewer than 44 sub-categories.

Featuring a selection of over 400 works from 30 countries, this book brings together all the Pentawards winners from 2011 and 2012, providing a vivid demonstration of creativity in every form of packaging. Readers will discover, through introductory essays, product descriptions and plenty of images, what drives design industry leaders and agencies behind these creations which are so much part of our everyday lives. This well of inspiration is not just aimed at design and marketing professionals but anyone with an interest in the creative process of packaging.

The editor:
Pentawards is the first and only worldwide competition dedicated to packaging design in all its forms, open to anyone associated with its creation and/or marketing. Aside from prize-giving, Pentawards' mission is the worldwide promotion of packaging design among companies, media, economic and political authorities, and the general public. Further information: https://www.Pentawards.org

Посмотреть книгу The Package Design Book

Perfect Package. An anniversary edition of Pentawards winners

Good design stands out. Great design is transparent. Whether it is food, drinks, cosmetics, books, or luxury items, successful packaging serves to stir the senses and appeal to our emotions in ways that are as subtle as they are striking. In The Package Design Book 4, TASCHEN celebrates the tenth anniversary of the Pentawards with the stars of the 2015 and 2016 competitions.

Organized around the key competition categories of beverages, food, body, luxury, and other markets, over 400 examples from 40 countries reveal the innovation of individual projects and campaigns as much as the scope and experimentation of the industry at large. The designs are presented with descriptions and a fact sheet, and the book is prefaced with new essays from Pentawards founders Jean Jacques and Brigitte Evrard, as well as an insightful text from branding and marketing specialist Gérard Caron. 

The Complete Package. A fresh batch of winning designs from the 2017 and 2018 Pentawards

Each year, the Pentawards set a global benchmark for quality by scouting the cleverest and most eclectic designs in the field. Featuring more than 400 works from over 40 countries, this fifth edition of The Package Design Book presents all 2017 and 2018 winners in a celebration of packaging as a kaleidoscopic art form.

Attract, protect, inform, collect — good packaging is synonymous with multitasking. Creating these ultimate all-rounders calls for a deep understanding of the good, the market, the customer, the environment, the flow of trade — no easy task. Each year, the Pentawards spotlight the ingenious masterminds behind these complex containers and grant their coveted trophies to the cleverest and most innovative designs in the field.

This latest edition of The Package Design Book rounds up the winning designs from the 2017–2018 competitions. With introductory essays, product descriptions, and plenty of images, this book features more than 400 winners from over 40 countries across five main categories — beverages, food, body, luxury, and other markets — and no fewer than 57 subcategories. The result is an authoritative survey of the best of the best, and a rich celebration of packaging as a kaleidoscopic art form.

About the Author

Pentawards is the first and only worldwide competition dedicated to packaging design in all its forms, and is open to anyone associated with its creation or marketing. Aside from prize-giving, Pentawards’ mission is the worldwide promotion of packaging design among companies, media, economic and political authorities, and the general public.

The editor

Julius Wiedemann studied graphic design and marketing and was an art editor for newspapers and design magazines in Tokyo before joining TASCHEN in 2001. His titles include the Illustration Now! and Record Covers series, as well as the infographics collection and books about advertising and visual culture.

This is the eagerly anticipated follow-up to the bestselling The Packaging and Design Templates Sourcebook. With 100% new content The Packaging and Design Templates Sourcebook 2 is guaranteed to repeat the runaway success of the original volume. This indispensable sourcebook features 100 new, innovative, and classic packaging and paper engineering ideas across a variety of end uses, with detailed templates showing how to copy, fold, construct, and complete them from widely available materials. The accompanying CD features all of the templates as copyright-free, editable EPS files making The Packaging and Design Templates Sourcebook 2 an invaluable resource for designer, design students, and crafters.

Luke Herriott has been art directing, designing, and managing book projects for over 15 years, and is the director of book design and packaging company, Studio Ink. He is the author and designer of a number of books, including Instant Graphics, Art Directing Projects for Print, and The Packaging and Design Templates Sourcebook, published by RotoVision, as well as 1000 Restaurant, Bar, and Cafe Graphics published by Rockport Publishers. He lives in Hastings, UK.

The essential packaging design resource, now with more patterns than ever!

For more than two decades, The Packaging Designer's Book of Patterns has served as an indispensable source of ideas and practical solutions for a wide range of packaging design challenges.

This Fourth Edition offers more than 600 patterns and structural designs - more than any other book - all drawn to scale and ready to be traced, scanned, or photocopied. Online access to the patterns in digital format allows readers to immediately use any pattern in the most common software programs, including Adobe Photoshop and Illustrator. Every pattern has been test-constructed to verify dimensional accuracy. The patterns can be scaled to suit particular specifications - many are easily converted to alternate uses - and most details are easily customizable.

Features of this Fourth Edition include:

- More than 55 new patterns added to this edition - over 600 patterns in all
- A broad array of patterns for folding cartons, trays, tubes, sleeves, wraps, folders, rigid boxes, corrugated containers, and point-of-purchase displays
- Proven, scalable patterns that save hours of research and trial-and-error design
- Packaging patterns that are based on the use of 100% recyclable materials
- Includes access to a password protected website that contains all 600+ patterns in digital form for immediate use

Comprehensive and up to date, The Packaging Designer's Book of Patterns, Fourth Edition enables packaging, display, and graphic designers and students to achieve project-specific design objectives with precision and confidence.

A long-awaited survey of more than fifty years of art jewelry from the Padua School covering its work from 1950 to the present
Works by master goldsmiths Mario Pinton, Francesco Pavan and Giampaolo Babetto and other artists together add up to the distinctive, typically Paduan look in art jewelry

The Padua School originated from the Istituto Pietro Selvatico in Padua. The distinctive features of this jewelry are the use of gold reminiscent of the goldsmith's art in antiquity and a modern and abstract formal expression within the group. Mario Pinton, who brought the goldsmith movement international recognition and acclaim in the 1950s and '60s, is credited with founding the experimental goldsmith movement in Padua. Francesco Pavan has enlarged the scope of the Padua School with his kinetic and geometric formal idiom.
The breakthrough on the international jewelry scene took place in the late 1960s with Giampaolo Babetto, under whose support the geometric and Minimalist tendency was most pronounced. Other distinguished artists in jewelry such as Graziano Visintin, Renzo Pasquale, Annamaria Zanella, Stefano Marchetti and Giovanni Corvaya continued along these lines or went their own highly individual ways by experimenting with the use of new materials including plastic. The work of these creative artists is beautifully displayed through color photographs, which serve to highlight their great talent.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication, and an invaluable key both to design ideas and the jewellery of the period.

The catalogues of the Paris Salons from the turn of the century provide a unique archive of illustrations of the decorative arts at a pivotal time in their development. These volumes contain over 5,500 illustrations of items of jewellery by leading designers such as Boucheron, Chaumet and Lalique. The pictures have been sourced and re-photographed from the original and often rare catalogues. They have been rearranged alphabetically by artist-designer thus providing an indispensable and practical reference for this seminal twenty-year period. They are a unique source for identification and authentication and an invaluable key both to design ideas and the jewellery of the period.

Home of haute couture and the world’s leading fashion houses, Paris and its inhabitants represent sophistication and refinement to the rest of the world. In the city’s elegant neighborhoods, debonair Parisian men continue to participate in a centuries-long tradition of sartorial craftsmanship and quality.

The Parisian Gentleman is like a dream shopping excursion to the leading men’s style-makers, from hidden ateliers and little-known studios to internationally renowned labels such as shirtmakers Charvet, shoemakers Berluti, and the recently revived trunk makers Moynat. The stories behind each house, and the creative minds and artisans who give each brand its unique identity, bring the clothes alive, capturing an unceasing dedication to quality in an era overrun with new, mass-produced trends.

Author Hugo Jacomet’s portraits of these often-inaccessible marques (or brands) are intimate and illuminating, thanks to his personal connections to many of the leading figures associated with each. His text is accompanied by beautifully shot photographs of the designers, studios, garments, and locations, the majority of which were taken exclusively for this book.