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An evocative exploration of how travel – local and far away – can inform, inspire and enhance textile art.

Travel has always featured heavily in textile art, from artists’ ‘travelling sketchbooks’ to large-scale installations mapping coastal erosion or the effects of climate change. In this book, renowned textile artist Anne Kelly shows how to capture your travels, past and present, in stitch, with practical techniques sitting alongside inspiring images.

She begins the book by discussing maps in textile art, including their iconography as well as incorporating actual maps into textile work. She then goes on to explore the influence of different cultures from across the globe on textile art.

From India and Peru to Scotland and Scandinavia, the book shows how to harness traditional techniques, fabrics, motifs and colours for use in your own work. The chapter ‘Stopping Places’ captures the moments in time on a journey that can be distilled, remembered and documented to create stitched postcards, sketchbooks and other pieces. The final chapter, ‘Space and the Imagination’, explores the possibilities of space travel as a source of inspiration, and covers inner space too, with artists mapping their own emotional journeys.

Including a wealth of practical tricks and techniques as well as exquisite photography of both Anne’s own work and that of other leading textile artists, this fascinating book will inspire all textile artists, embroiderers and makers to use past travels to influence their work.

About the Author:

Anne Kelly is a textile artist and tutor. She trained in Canada and the UK and now teaches and speaks to guilds and groups. Her work is exhibited widely in solo and group exhibitions, including private collections in the UK and abroad, the Vatican Collection in Rome and at the Textile Museum of Canada in Toronto. She was recently artist-in-residence at Sussex Prairies Garden in West Sussex and exhibited at the international World of Threads Festival and the Prague Patchwork Meeting. She is the co-author of Connected Cloth, also published by Batsford.

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Пролистать книгу Textile Travels: Capturing World Travel in Cloth на Google Books.

The Ultimate Textile Bible

Textilepedia is an extensive textile dictionary that covers all essential fabric knowledge – from deciphering different types of materials to understanding your finishing options. A balance between text and imagery; it acts as a quick easy-to-navigate guide – simplifying complicated fabric and fiber information using comparisons and relatable stories.

An Easy Guide for Fabric

Textilepedia​ helps to provide answers for your fabric selection:

- Light or heavyweight?
- Rough or soft texture?
- Breathable or not?
- Easy to drape?

The book is here to answer all those questions – and then some.

- Why do fabrics have different widths?
- What makes a fiber or fabric elastic?
- Which fabrics are best for printing?
- Are all-natural fibers sustainable?

Packed with need-to-know information about textiles, Textilepedia is a benefit to an array of levels and roles within the fashion industry.

A Portable Textile Library

Textilepedia brings a comprehensive knowledge of textile applications to you. From how to choose fibers, the formation of yarns, the characteristics of common fabrics, and the effects of textile finishing, the book serves as an all-in-one textile information hub.

Visual Oriented - So Easy to Read

When it comes to understanding textiles, information can be tricky to digest – even for designers who work with materials and fabrics every day. That’s why we made sure Textilepedia is presented in a highly-visual, and easy-to-understand way. By incorporating clear and attractive images, illustrations, diagrams and icons, information is a breeze to read, understand, and remember.

Chapter 1 - Fiber

1. How to classify different types of fibers
2. The history, characteristics, and maintenance of individual fibers
3. Fiber shortcodes
4. Alternative substitutions for fibers
5. Common types of blended fibers
6. How to distinguish different fibers
7. Sustainable options for particular fibers

Chapter 2 - Yarns

1. Different yarn-spinning types and their pros and cons
2. How to calculate the yarn count in different yarn systems
3. Different types of ply and yarn twists
4. Common types of complex and textured yarns

Chapter 3 - Weaves

1. How to distinguish between different types of weaves
2. The thread count system
3. Principles of the weaving machines
4. Common woven fabric properties, applications, and variations
5. The stories of different woven fabrics
6. Common and alternative choices for particular fabrics

Chapter 4 - Knits

1. Types of stitches, wales, and courses
2. Yarn count choices for knitting fabrics
3. Different cutting types for knitted fabrics
4. The principles of knitting machines
5. The characteristics, common applications and a knitting diagram of the most common knitted fabric

Chapter 5 - Lace & Netting

1. Common types of laces
2. The lacing machine and the timeline of lace
3. The most common types of netting

Chapter 6 - Non-woven

1. Different production processes and the formation of non-woven fabrics
2. Common allocations for non-woven and felting fabrics

Chapter 7 - Hides

1. How to grade different types of leather
2. Classifications of different leathers
3. Characteristics of common leather types and their common applications

Chapter 8 - Finishings

1. Different dying processes and their properties
2. Different printing methods and how to choose the right one
3. Functional and aesthetic finishings for fabric enhancement

Chapter 9 - Pattern & color

1. Names of common patterns
2. Name suggestions for different fabric colors

Practicality comes first

We focus on presenting information using the most practical mindset possible, making knowledge easy to digest and apply. Skip the lengthy theory, and get straight to the information you need to know.

Textile Knowledge is the Foundation of Fashion Design

Fashion design is a combination of three important factors: imagination, fabrication, and execution. To ensure a strong fabrication foundation, knowledge of textiles is key. Not only is it the functional base of all your designs, but the stronger your understanding of textiles, the more you will be able to push the boundaries of creativity. Textilepedia will give you a head start in understanding textiles – and give you an edge in your fashion career.

From rugged Japanese firemen’s ceremonial robes and austere rural workwear to colourful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan’s rich tradition of textiles.

Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid-20th century. The Thomas Murray collection featured in this book includes daily dress, workwear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly coloured cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan’s complex textile history as well as inspiration for today’s designers and artists. This volume explores the range and artistry of the country’s tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.

About the Authors:

Thomas Murray is a dealer of Asian and tribal art and has an extensive personal collection of Japanese and Indonesian textiles. He is a past president of the Antique Tribal Art Dealers Association (ATADA), and served on President Obama's Cultural Property Advisory Committee at the Department of State in Washington, DC. Virginia Soenksen is Associate Director of the Madison Art Collection at James Madison University in Virginia. Anna Jackson is Keeper of the Asian Department at The Victoria and Albert Museum in London, where she is responsible for the museum's collection of Japanese textiles and dresses.

 

A guide to transforming found and cherished textiles.

Textile artist Mandy Pattullo shows how to source, refashion and repurpose vintage textiles to create beautiful collages and other unique textile objects. There are ideas for embellishment, stitch and appliqué as well as tips for transforming material into impressive quilts, bags, books, tablecloths, tapestry panels and wall hangings and much more.

Following the make-do-and-mend and folk art traditions of previous generations, Mandy provides simple instructions for working with a variety of vintage textiles and precious fragments. There are projects for working with quilts, patchworks, linen, lace, wool and even deconstructing pre-loved garments.

Each project beautifully demonstrates how fabrics and textiles can find a new and repurposed life and will inspire textile artists to incorporate these past beauties into their own work.

About the Author:

Mandy Patullo trained as a surface pattern and textile designer and now is a textile artist, exhibiting her own work around the UK and also running textile workshops. Her work is based on collage techniques and she makes a conscious effort not to buy new fabric but repurpose the range of beautiful existing pieces that can be found everywhere. 

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Пролистать книгу Textiles Transformed: Thread and Thrift with Reclaimed Textiles на Google Books.

A major new large-format, sumptuous publication that highlights the beauty and complexity of textiles around the world and down the ages

Textiles are the most ubiquitous and diverse creative art form on earth. This new book celebrates their spectacular and enduring appeal like no other.

Mary Schoeser's knowledge is gleaned from a lifetime in the textile arts to present a sweeping survey of the role textiles have played throughout history.

• Over 1,000 historical and contemporary images and highly informed texts illustrate the huge variety of materials, as well as their possible manipulations and treatments.
• Detailed descriptions include histories of private collections and underscore the importance of context for appreciating the detail of fabric and cloth.
• An extensive resource section provides information about museum and textile associations around the world, making this the one book that all lovers of textiles will want to own.

Three-Stripe Thrills. The history of the adidas shoe, from its earliest beginnings until today

The adidas story is one of groundbreaking designs, epic moments, and conceiving the all-around sports shoe, worn by the likes of Lionel Messi, Run DMC, and Madonna. A mecca for sneaker fans, this book presents adidas’s history through 357 pairs of shoes, including one-of-a-kind originals, vintage models, never-before-seen prototypes, and designs from Stella McCartney, Yohji Yamamoto, Parley for the Oceans, and more.

It all started in their mother’s laundry room in the quiet German town of Herzogenaurach. There, Adolf Dassler — known to everyone as “Adi” — and his brother Rudolf made their first pair of sports shoes. Hundreds of groundbreaking designs, epic moments, and star-studded collabs later, this book presents the first visual review of the adidas shoe through more than 357 models including never-before-seen prototypes and one-of-a-kind originals.

To further develop and tailor his products to athletes’ specific needs, Dassler asked them to return their worn footwear when no longer needed, with all the shoes eventually ending up in his attic (to this day, many athletes return their shoes to adidas, often as a thank you after winning a title or breaking a world record). This collection now makes up the adidas Historical Archive, one of the largest, if not the largest archive of any sports goods manufacturer in the world—which photographers Christian Habermeier and Sebastian Jäger have been visually documenting in extreme detail for years.

Shot using the highest reproduction techniques, these images reveal the fine details as much as the stains, the tears, the repair tape, the grass smudges, the faded autographs. It’s all here, unmanipulated and captured in extremely high resolution — and with it comes to light the personal stories of each individual wearer. We encounter the shoes worn by West Germany’s football team during its “miraculous” 1954 World Cup win and those worn by Kathrine Switzer when she ran the Boston Marathon in 1967, before women were officially allowed to compete; custom models for stars from Madonna to Lionel Messi; collabs with the likes of Kanye West, Pharrell Williams, Raf Simons, Stella McCartney, Parley for the Oceans or Yohji Yamamoto; as well as the brand’s trailblazing techniques and materials, like its pioneering use of plastic waste that is intercepted from beaches and coastal communities.

Accompanied by a foreword by designer Jacques Chassaing and expert texts, each picture tells us the why and the how, but also conveys the driving force behind adidas. What we discover goes beyond mere design; in the end, these are just shoes, worn out by their users who have loved them—but they are also first-hand witnesses of our sports, design, and culture history, from adidas’s beginnings in 1919 until today.

Concept and photography by

Christian Habermeier has been working as a photographer and designer since 1989. He studied taught communication design and has taught photography and digital illustration from 2000 to 2006. His own projects span from Cuba, Kenya, Nepal, India, Switzerland, to Hong Kong.

Sebastian Jäger studied design at the Georg-Simon-Ohm University of Applied Sciences in Nuremberg, focusing on moving images and photography, where he met former lecturer Christian Habermeier in 2005. Their joint company studio waldeck photographers serves customers from industry and the cultural sector. Since 2011, they have been creating a visual record of the holdings of the historical adidas archive.

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A fundamental guide on how to write a great ad: work out what you want to say, who you are saying it to, and how you want to say it

In creative advertising, no amount of glossy presentation will improve a bad idea. That's why this book is dedicated to the first and most important lesson: concept.

Structured to provide both a complete course on advertising and a quick reference on particular topics, it covers every aspect of the business, from how to write copy and learn the creative process to how agencies work and the different strategies used for all types of media. This edition features substantially revised and expanded chapters on both interactive and integrated advertising, plus an entirely new chapter on branded social media.

Pete Barry outlines simple but fundamental rules about how to 'push' an ad to turn it into something exceptional, while exercises throughout will help readers assess their own work and that of others. Fifty years' worth of international, award-winning ad campaigns - in the form of over 500 'roughs' specially produced by the author, many of which are new to this edition - also reinforces the book's core lesson: that a great idea will last forever.

Contents List:

1: Basic Tools; 2: The Strategy; 3: Print; 4: The Campaign; 5: The Tagline; 6: Generating Strategies & Ideas; 7: TV; 8: Ambient; 9: Interactive; 10: Social; 11: Copy; 12: Radio; 13: Integrated; 14: Execution; 15: Presenting & Selling Your Work; 16: The Student Book; 17: Conclusion

About the Author:

Pete Barry began his advertising career as an art director at Ogilvy, London. A former lecturer in Advertising Design at Syracuse University, he now works as a copywriter in New York City.

Third edition.

Dive into an art form existing at the intersection of design, commerce, and abstract expression.

Cut, paste, create: while collage was conceived in the early 1900's, it seems to be the perfect form of expression for the 21st-century, with all its juxtapositions, eclecticism, and strange bedfellows. In our present age of collage, the simple act of mixing together different elements allows us to question our reality and make new worlds.

The Age of Collage showcases a new crop of artistic vanguards advancing the medium’s possibilities, piece-by-piece. Equipped with a craft knife, paintbrush, stylus, scissors, or tablet, a collage artist’s toolkit is as varied as their creations and this book brings their work back to the paper page.

From the poignant and provocative to the comic and curious, The Age of Collage features the creations of more than 60 artists. Packed with visuals and a number of in-depth profiles revealing what drives the hands behind the pieces, this comprehensive volume is a celebration of the enduring power of collage.

The Age of Collage features work by Adam Pendleton, Amie Dicke, Anthony Zinonos, Collier Schorr, David Noonan, Dennis Busch, Eva Koťátková, Jesse Draxler, Johanna Goodman, Kelly Maker, Kensuke Koike, Larry Achiampong, Lola Dupre, Matthieu Bourel, Penny Slinger, Peter Horvath, Sergei Sviatchenko, Weronika Gęsicka, Yinka Shonibare, and many others.

The definitive book on the use of paint and colour in interior decoration from the 1660s to the 1960s

The definitive book on the use of colour and paint in interior decoration over a three-hundred-year period, The Anatomy of Colour is certain to appeal to both amateur and professional restorers, renovators, enthusiastic decorators and all those with an interest in interior decoration and design.

Drawing on his huge specialist archive, Patrick Baty traces the evolution of pigments and paint colours together with colour systems and standards, and examines their impact on the colour palettes used in interiors from the 1660s to the 1960s. He first charts the creation in paint of the common and expensive colours made from traditional earth pigments between 1650 to 1799. Next, he examines the emergence of colour systems and standards and their influence on paint colours together with the effect of industrialized production on the texture and durability of paints. Finally, Baty turns his attention to 20th-century colour standards, including those developed originally for the purpose of identifying flowers, such as the Répertoire de Couleurs des Fleurs, des Feuillages et des Fruits, each incarnation of the British Colour Standard cards, Walpamur paint swatch cards and Parson’s Tint Book of Historical Colours.

Throughout the book reproductions of interiors highlighting the distinctive colour trends and styles of painting particular to each period and room accompany the in-depth analysis of the history of colour and the development and use of paint colours in interior design.

About the author:

Historian of architectural paint and colour Patrick Baty works as a consultant in the decoration of historic buildings and is proprietor of ‘Papers and Paints’ in London. He has been employed by Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage, and he regularly lectures on the subject of paint and paint colour in 18th- and 19th-century interiors.

To the general public, Alphonse Maria Mucha (1860-1939) is perhaps best known for his posters of Sarah Bernhardt and magnificent decorative panels such as "The Seasons" — works that continue to grow in popularity and value as the resurgence of interest in Art Nouveau increases. Among graphic artists and commercial designers, Mucha is praised for the innovative style books that pioneered the use of Art Nouveau in commercial packaging, design, and ornament.

The most important of these style books was Documents Décoratifs, published in 1901 at the height of Mucha's fame as the high priest of the Art Nouveau movement. While the artist's fame rests largely on his posters, it is in the smaller works of the style books, or design portfolios, that the refinement of his technique can best be appreciated. The present volume, carefully reproduced from an extremely rare and valuable set of originals, contains all 72 plates of the Documents Décoratifs portfolio. Included are designs for jewellery, wallpaper, stained glass, furniture, and tableware; figure and botanical studies; and a selection of Mucha's famous panneaux décoratifs. Eighteen of the plates are in full colour, while the remaining 54 are reproduced in two or more colour tones.

In addition to numerous innovative designs for practical and decorative objects, the elegant craftsmanship and meticulous execution that characterized all of Mucha's work is evident in studies of langorous nudes, portrait sketches, delicately rendered plant and animal motifs, exquisite modelling of drapery and cloth, and the flowing, fantastic forms created as experiments in pure design. In the Foreword by Gabriel Mourey, specially translated for this edition, Mucha's own philosophy of art, and the relation of the Documents to the rest of his work, receive an appreciative and informative discussion.

Hitherto available only in scattered sources, or in the libraries of wealthy collectors, the complete Documents Décoratifs is now available in this inexpensive one-volume edition. Lovers of Mucha's work, admirers of Art Nouveau, and the application of that style to the decorative arts, will want to own this fine royalty-free collection by one of the greatest masters of the technique.

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Пролистать книгу The Art Nouveau Style Book of Alphonse Mucha на Google Books.

A unique approach to the history of art told through the story of colour and pigments.

Did you know that the ultramarine that shimmers at the centre of Vermeer’s Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusai’s perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankenstein’s Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.)

Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory – from the revelations of the Enlightenment to the radicalism of the Bauhaus – while reproductions of carefully selected artworks help illuminate the narrative’s twists and turns.

The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.

About the Author:

Kelly Grovier is a feature writer for BBC Culture and the author of several acclaimed studies of art, including 100 Works of Art That Will Define Our Age, Art Since 1989, and A New Way of Seeing: The History of Art in 57 Works, published by Thames & Hudson. His most recent book, On the Line: Conversations with Sean Scully, is based on revealing chats with his close friend, the internationally-acclaimed abstract artist. His writings have appeared in the Times Literary Supplement, The Independent, the Sunday Times, the Observer, the RA Magazine and Wired magazine. His history of London’s Newgate Prison, The Gaol, was a BBC Radio 4 ‘Book of the Week’. He is co-founder of the scholarly journal European Romantic Review.

He is the author of three collections of poetry, including THE LANTERN CAGE, and has been described by reviewers as “a poet of both truth and beauty” (The TLS) and “a kind of William Blake for the twenty-first century” (Planet magazine).

Kelly was born in Grand Rapids, Michigan, and grew up in the San Francisco Bay Area. He was educated at UCLA and Oxford University, where he earned his doctorate as a Marshall Scholar. He lives in Ireland with his wife and son.

Discover the daily habits of highly creative people.

What do most highly creative people have in common? What are the habits they cultivate? What is 'the flow' and how do you get into it?

The Art of Creativity is a practical guide to help you unlock your creative potential and find fulfilment and happiness in the process.

After 20 years working with some of the most creative people on the planet, writer and business coach Susie Pearl has unearthed the habits of highly creative people and takes you on a journey to unlock your own inner stream of creativity.

Over the course of this easy-to-follow guide, you will learn to take risks with your inner artist, ignore critics, release blocks and get into daily creative habits in order to build better projects, ideas and artistic collaborations, and unearth creative solutions and innovations.

Containing practical tools and exercises, and a step-by-step to help you along the way, The Art of Creativity will reveal a more fulfilled, passionate and creative you.

About the Author:

Susie is an author, podcaster and a speaker at workshops on creativity, visioning and meditation. She is a writer on happiness, success and creativity and has worked as a coach mentoring A-list names in the music and film industries. Susie is founder of a top 5 celebrity PR agency in London and represented creative artists including Madonna, George Michael, and Michael Jackson. She ran publicity and artist-handling for MTV Europe and headed up a personal development training company with Paul McKenna and Dr Richard Bandler, co-creator of NLP. Susie has been a TM meditator for over 15 years and works closely with the David Lynch Foundation helping to get Transcendental Meditation® out to the world. Susie lives between the UK and Ibiza.

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Пролистать книгу The Art of Creativity: 7 Powerful Habits to Unlock Your Full Potential на Google Books.

For more than twenty years, the artists behind Diablo have conjured new visions of the heavens and the hells, built nightmarish corridors filled with monsters and demons, and unleashed swarms of malevolent creatures upon tens of millions of players worldwide.

Featuring never-before-seen content, The Art of Diablo plunges into the concept, design, and environmental art that has defined the world of Sanctuary and the Eternal Conflict at the core of Blizzard Entertainment’s action-packed dungeon-crawling game.

Features all-new art from the upcoming Diablo 4!

In Sanctuary, a new age of terror is unleashed…

Blizzard Entertainment’s Diablo® franchise was growing with a monstrous new slate: Diablo II: Resurrected, Diablo: Immortal, as well as the blood-chilling Diablo IV. With the success of the first three acclaimed Diablo dungeon-crawlers under their belt, artists had to innovate horror in unexpected ways for these next installments, from twisted monster ecologies to stomach-churning special effects, environments that looked real, yet hummed with ancient evil. Join the artists from each Diablo® title in conversation as they discuss the crafting of the games’ stunning key art, uncanny creatures, and masterfully executed effects and environments that give the universe its iconic aesthetic.

With over 500 pieces of concept art from Diablo Immortal, Diablo II: Resurrected and Diablo IV, this incomparable volume showcases the next collection of choice artwork developed to frighten and delight horror fans everywhere.

Ron Ashtiani brings together twenty-five years of experience directing creative projects for games and film to share what it takes to be a successful art director in the entertainment industry today. Using his well-honed art direction skills and diverse project experience, real-world examples, and clear diagrams, he educates his readers on every element of stellar art design for both video games and movies.

Providing creative and business leadership, as well as being a specialist consultant and regular industry and educational public speaker, he is one of the most resourceful and well-educated practitioners in the field of video game and movie art design, making him perfectly poised to teach others in the industry.

The fully illustrated The Art of Direction book, leads the reader on the journey of the art director, from how to craft an artistic vision to how to successfully manage a team of artists in bringing that vision to life and making the best creative decisions along the way.

About the Author:

Ron Ashtiani is an award-winning Creative business leader, Art Director and Author.

Ron has had a 25-year career in the entertainment industry, first as an artist/art director, then a creative director and over the last decade, a business leader and entrepreneur.

Ron has built successful teams and businesses, worked on three Blockbuster Marvel movies, and contributed to over 30 video games. He has also delivered creative projects for J.K Rowling's Pottermore, Warner Bros., Sony, and Microsoft to name a small few. Ron is listed in the UK top 100 people in games and in the top 100 in digital media.

He provides creative and business leadership as well as specialist consultancy and is a regular industry and educational public speaker.