Книги по истории дизайна

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1950 – 1954: Architecture of the avant-garde
The early 1950s were characterized by great optimism, as memories of World War II receded. Architecture and design sought new forms, materials and applications – and domus captured the mood with detailed reports on Tapio Wirkkala, Finn Juhl, Carlo de Carli, Carlo Mollino, Piero Fornasetti, Harry Bertoia and George Nelson; via features on Le Corbusier’s famous Unité d’Habitation; the Case Study Houses of Charles and Ray Eames; Richard Neutra in California and Oscar Niemeyer in Brazil; and the futuristic Olivetti Showroom by Studio BBPR in New York. This book offers a superb overview of international architecture of the avant-garde in the early '50s.

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1955–1959: International affairs
The late 50s was an era of grand visions and increasing internationalization, as evidenced by the works included here by architects and designers like Oscar Niemeyer, Carlos Raúl Villanueva, Vittoriano Viganò, and Angelo Mangiarotti. Also featured are office machines by Olivetti, furniture by Ray and Charles Eames, ceramics and lights by Ettore Sottsass, the Herman Miller Showroom by Alexander Girard in San Francisco, Le Corbusier’s pilgrimage church in Ronchamp and Gio Ponti’s Villa Arreaza in Caracas.

The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1960–1964: Design goes pop
The early '60s saw the rise of Pop Art and popular culture, leading to Pop Design–particularly in interiors, where new synthetics and plastics replaced metal, glass or wood, leading to radical new designs. Volume V features designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. In architecture, buildings by Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and Eero Saarinen are among the highlights.

domus - The quintessential works of Modernism

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.

Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1965–1969: Looking to the future
In the late '60s, architecture and design changed radically. Functionality, elegance, and faithfulness to materials gave way to experimentation and exploration. Archizoom and Archigram questioned status symbols and consumerism, reflected in the Anti and Radical Design movements. Also featured are Joe Colombo, Ettore Sottsass, Gae Aulenti, Olivier Mourgue, Achille and Pier Giacomo Castiglioni, Verner Panton, Kenzo Tange, Luigi Moretti, Oscar Niemeyer, and Gio Ponti.

domus - The quintessential works of Modernism

For more than eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting design and architecture projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1970–74: Individuality reigns supreme
The early '70s saw seismic changes in architecture and design, as a trend towards individuality manifested in novel styles and construction methods. Futuristic work by Luigi Moretti stood in contrast to practical designs by Renzo Piano or Richard Rogers; elsewhere the first postmodern tendencies could be detected. Japanese architect Kisho Kuramata created metabolic buildings and city planning, while the living landscapes of designers Verner Panton and Joe Colombo opened new vistas.

For more than eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1975–1979: First signs of ecological awareness
The mid–'70s saw a global energy crisis resulting from oil shortages. As a result, architecture and design moved to embrace alternative resources, ecological building methods, and recyclable materials. Featured are postmodern buildings by Richard Meier, the modernistic structures by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the work of the Japanese architects Arata Isozaki and Kisho Kurakawa. Also included are designs for transport systems, office machines, and electrical appliances.

For over eight decades, domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, and Pop, to Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1980 – 1984: Postmodern preoccupations
The early '80s saw the rise of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned the functionality of design objects. Everyday items and classic designs were reinterpreted with ironic relish. In architecture, similar ideas took shape in the buildings of Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown, while deconstructivist tendencies were recognizable in early designs by Zaha Hadid.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1985–1989: The eighties in full force
Along with the Postmodern - buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and Arquitectonica – the High-Tech Style was dominant, led by the Hong Kong & Shanghai Banking Corporation offices by Foster Associates, and the Lloyds Building by Richard Rogers. Contemporary avant-garde led with designs by Daniel Libeskind in Berlin. In product design, furniture and lamps by Alberto Meda and Philippe Starck were published in domus for the first time.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.

Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1990–1994: The next generation
The early 1990s saw a generational shift in architecture and design: domus documented the rise of architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron, while still featuring architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, and Santiago Calatrava. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison and Fernando and Humberto Campana made waves.

For over eight decades domus has been the world's most influential architecture and design journal. Founded in 1928 by the great Milanese architect Gio Ponti, it has consistently highlighted the characteristic styles of each age, from Art Deco, Modernism, Functionalism, to Pop, Postmodernism and Late Modern. Beautifully designed and documented, domus presents the most exciting projects from around the world.
Each volume of TASCHEN's domus reprint collection reproduces a selection of the magazine's original pages, packed with articles tracing the history of modern design and architecture. Available as 12 separate volumes covering 1928-1999, this series is a major publishing event and a must-have item for design and architecture institutions and practices, architects, designers, students, and anyone who loves design.

1995–1999: Leaving the 20th century
At the century's end, domus remained the bible of avant-garde design, showcasing the best architecture, interiors, domestic and industrial designs. This volume features buildings by Mario Botta, Arata Isozaki, Josef Paul Kleihues, Richard Meier, Günther Domenig, Herzog & Meuron, Frank O. Gehry, Peter Zumthor, Daniel Libeskind, and designs by Philippe Starck, Ross Lovegrove, Jonathan Ive, Alberto Meda, Paolo Rizzatto, Perry A . King, and Santiago Miranda. It also includes a CD-ROM with a complete index of all 12 volumes in the domus reprint collection.

This lavish volume invites the reader into the glamorous fashions of the 1920s.

Virginia, a renowned antique clothing shop in London, has been a go-to for fashion designers, models, stylists, and fashionistas for years. With its carefully curated selection of perfectly preserved heirloom dresses, coats, lingerie, and accessories, Virginia’s rare clothing is collected by designers for inspiration and by serious clothing collectors (both museum curators as well as celebrities).

This stunning volume highlights the best of the collection, scaling the heights of Jazz Age fashion with chapters on sequined dresses, cocktail wear, bridge coats, opera coats, evening jackets, and house coats. Through sumptuous still-life photographs of the clothes and opulent film-set interiors, Dressed to Kill invites readers into a magical world.

The rare and precious beaded dresses, feathered capes, and silky kimonos are beautifully documented, highlighting the craftsmanship and ornamentation of the pieces. Historical information is accompanied by guidelines for the care of antique clothing.

With essays by leading fashion authorities, this is a must-have book for collectors, connoisseurs, and those who believe in evening style.

About the Author:

Virginia Bates was an actress before opening her eponymous shop in 1972. She writes a regular blog for Vogue.com UK. Daisy Bates is an actress and Virginia’s daughter. Suzy Menkes is fashion editor for the International Herald Tribune. Stephen Jones is a haute couture milliner. Daphne Guinness is a fashion writer, muse, and collector of haute couture. Naomi Campbell is a model and collector of haute couture. Malcolm Venville is a photographer and director.

Erwin Blumenfeld (1897–1969) was born into a Jewish family in Berlin. In 1941, he left Europe for the United States, where five years later he became a citizen. During the forties and fifties, he was one of the most sought-after fashion photographers in the world. However, most people are not familiar with the artist’s early work: the often bitingly humorous Dada montages he produced between 1916 and 1933.

This book by Helen Adkins, a renowned expert on the Berlin Dada movement, is the first to provide an extensive study of these early works. Blumenfeld did not intend for them to be shown publicly - they were personal gifts to his friends and acquaintances or enclosed in love letters to his fiancée. The approximately one hundred works - including many that have not previously been published and which the author discovered in the artist’s family archives and in other public and private collections - will be examined within the context of Blumenfeld’s life, photographs, drawings, and literary works.

A wide-ranging compilation of Art Deco graphics from six European countries, Euro Deco assembles a wealth of alluring and sophisticated design from an extraordinary period of creative vitality and political turmoil.

An essential reference for graphic artists, designers and anyone with an interest in advertising or art history, this book assembles a wealth of original artefacts from the 1920s to the 1940s, including samples of design and illustration from posters, packaging, magazines, advertisements and many other sources.

With sections featuring more than 2,000 samples of graphic ephemera from France, Germany, Spain, the United Kingdom, Italy and the Netherlands, Euro Deco offers inspiration for the designer and an engaging and original portrait of the time and place in which these works were created.

Text in Chinese, English, French, German, Italian, Japanese, Portuguese, Spanish

Fashion Accessories is a pictorial history of shoes, hats, bags, jewelry and other accessories. The hundreds of illustrations show examples ranging from the Roman era to well into the 20th century, and from all over the world. This book offers a wealth of visual information and inspiration for students, professionals and indeed anyone with an interest in fashion.

Дизайн одежды 1800-1940