Книги по истории дизайна

The rich colors of Fiestaware . . . the translucent beauty of Waterford crystal . . . nothing adds personality to a celebration like the right tableware. But beyond their appeal to all who want to entertain in style, and their value as collectibles, china and glass wares mirror the profound cultural and economic shifts in 20th-century America and provide a unique vantage point from which to view our society. Illustrated with more than 200 photographs of enticing glass and ceramic objects, this luxurious volume—which accompanies an exhibit organized by the Dallas Museum of Art—is the first to take a comprehensive look at the modern tableware used in American homes, treating its cultural and business history as well as its design. From table settings for turn-of-the-century ladies' luncheons to trendy accessories for suburban barbecues in the post-World War II years to the tinfoil trays invented for TV dinners, this fascinating book has it all.

February 2005 marked the ephemeral installation of a monumental work of art by Christo and Jeanne-Claude in New York City’s Central Park. First conceived in 1979 and rejected by New York City government in 1981, the project was approved by Mayor Michael Bloomberg’s administration in 2003. The work of art consisted of 7503 16-foot-high vinyl gates with saffron-colored fabric panels on twenty-three miles of the Park’s walkways. Seen from the buildings surrounding the Park, The Gates looked like a saffron flowing river, while those walking through them experienced the ambience of a fluid golden ceiling. Financed entirely by Christo and Jeanne-Claude through their C.V.J. Corporation, The Gates were assembled and installed by thousands of paid workers. Completed on February 12, 2005, The Gates remained in place for sixteen days, after which they were removed and the materials recycled. The work of art was free for all visitors, who continued to use Central Park during the whole process. This historic event provided a memorable and joyous experience for New Yorkers and visitors. This book, which documents the entire project from its beginnings in 1979 to its completion in 2005, is the perfect souvenir for who want to remember this ephemeral work of art. Christo and Jeanne-Claude, both born on June 13, 1935, have been working in collaboration since 1961. Previous large-scale projects include Wrapped Coast, Australia, 1968–69, Valley Curtain, Grand Hogback, Rifle, Colorado, 1970–72, Running Fence, Sonoma and Marin Counties, California, 1972–76, Surrounded Islands, Biscayne Bay, Greater Miami, Florida, 1980–83, The Pont Neuf Wrapped, Paris, 1975–85, The Umbrellas, Japan–USA, 1984–91, Wrapped Reichstag, Berlin, 1971–95, Wrapped Trees, Riehen, Switzerland, 1997–98.

Classic Design Styles is a beautifully illustrated chronology of European and American period styles from the medieval to the end of the nineteenth century. Top interior designer, Henrietta Spencer-Churchill shows us room-by-room, how elements of classic decorating styles can be adapted and used in the home today. Over 200 new photographs of previously unseen interiors accompany insider decorating tips and practical advice on how to recreate period living in your own home.

In Classic Design Styles well-known author and interior designer, Lady Henrietta Spencer-Churchill turns her attention to the history of American and European classic interior design traditions including: Victorian, Medieval, Renaissance, Baroque, Colonial, Federal Style, Queen Anne, Georgian, Empire, and Arts & Crafts. Spencer-Churchill outlines the enduring decorating movements of these classic styles, explaining and illustrating the distinguishing characteristics of each one. She show how elements of these classic decorating styles can be adapted and used today to recreate period living in your own home.

The first section is a richly illustrated chronology of period styles and a guide to the history of European and American interiors from the medieval to the end of the nineteenth century. In the second section, Spencer-Churchill takes us on a room by room tour of one spectacular house decorated in each style. She explains in detail the theory and methods behind each look, how to interpret traditional styles for your own home, and the enduring value and allure of each period. Illustrating how to work with an existing room, Spencer-Churchill includes a section on architectural and furnishing details like walls, windows, fabrics and paints. Beautiful and practical, Classic Design Styles is an insider's guide for decorators and enthusiasts of period living.

Classic Design Styles is a beautifully illustrated chronology of European and American period styles from the medieval to the end of the nineteenth century. Top interior designer, Henrietta Spencer-Churchill shows us room-by-room, how elements of classic decorating styles can be adapted and used in the home today. Over 200 new photographs of previously unseen interiors accompany insider decorating tips and practical advice on how to recreate period living in your own home.

In Classic Design Styles well-known author and interior designer, Lady Henrietta Spencer-Churchill turns her attention to the history of American and European classic interior design traditions including: Victorian, Medieval, Renaissance, Baroque, Colonial, Federal Style, Queen Anne, Georgian, Empire, and Arts & Crafts. Spencer-Churchill outlines the enduring decorating movements of these classic styles, explaining and illustrating the distinguishing characteristics of each one. She show how elements of these classic decorating styles can be adapted and used today to recreate period living in your own home.

The first section is a richly illustrated chronology of period styles and a guide to the history of European and American interiors from the medieval to the end of the nineteenth century. In the second section, Spencer-Churchill takes us on a room by room tour of one spectacular house decorated in each style. She explains in detail the theory and methods behind each look, how to interpret traditional styles for your own home, and the enduring value and allure of each period. Illustrating how to work with an existing room, Spencer-Churchill includes a section on architectural and furnishing details like walls, windows, fabrics and paints. Beautiful and practical, Classic Design Styles is an insider's guide for decorators and enthusiasts of period living.

Lady Henrietta Spencer-Churchill is the elder daughter of the 11th Duke of Marlborough, whose family home is Blenheim Palace. Her interest in interior design began when at the age of 16 she traveled to study fine art and languages in Florence and Paris. Later she returned to England to finish her formal studies at the world-famous Inchbald School of Design.

The high artistic quality of Czech glass became known in the West only in the 1970s. The artists drew attention to themselves mainly because they explored the sculptural potential of glass and claimed to create art works in their own right. As a result, Czech glass art established itself as the third European powerhouse together with Scandinavia and Murano. Since the 1980s, it has been the undisputed leader in European glass art.

After 1945, Czech glass art developed on a constantly high artistic level. Little is still known about the early works of artists like René Roubíček, Stanislav Libenský and his wife Jaroslava Brychtová, or Václav Cigler, Pavel Hlava, Vladimír Kopecký, and Jiří Harcuba. The crucial factor for the high standards of Czech glass design was the excellent training at the glass institutes of Northern Bohemia in Nový Bor, Kamenický Šenov, and Železný Brod, but most importantly the severe demands for quality in design inculcated by the Prague Academy upon nearly all the artists who later became successful.

The first comprehensive record of Czech glass art from 1945 to 1980. All 350 objects by 36 artists are reproduced in brilliant colour illustrations and discussed in detail. Informed contributions by international authors, biographies of artists and firms, and an index of signatures.

D&AD is a nonprofit educational charity that was launched in 1962 by a group of London-based designers and art directors including David Bailey, Terence Donovan and Alan Fletcher, with iconic and legendary professionals on both its judging panels and winners lists. By celebrating creative communication and rewarding its practitioners, D&AD raises standards across the industry. The annual D&AD Awards - the industry's biggest and best - rewards outstanding creativity, originality, technical excellence and innovation in design and advertising.

Featuring the latest D&AD award-winning work in the fields of:Art Direction, Book Design, Branding, Digital Advertising, Digital Design, Direct, Film Advertising Crafts, Graphic Design, Illustration, Integrated & Earned Media, Magazine & Newspaper Design, Mobile Marketing, Music Videos, Outdoor Advertising, Packaging Design, Photography, Press Advertising, Product Design, Radio Advertising, Spatial Design, TV & Cinema Advertising, TV & Cinema Communications, Typography, Writing for Advertising and Writing for Design.

TASCHEN's Decorative Art series, whose six installments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles.

Decorative Art 1950s explores the spirit of optimism and the fervent consumerism of the decade. Technology and construction had been enervated by research during the war and these discoveries could now be applied in peacetime. The popularization of plastics, fiberglass, and latex literally shaped the decade. Rising incomes and postwar rebuilding on bother sides of the Atlantic led to a massive housing boom in both the suburbs and inner cities, and these new homes reflected the new style.

While European design was extraordinarily inventive, American design was looking to an idealized vision of the future - between them a modern idiom was developed that can be seen vividly on these pages. This overview of the decade includes the work of such famous innovators as Charles and Ray Eames, George Nelson, Hans Wegner, and Gio Ponti.

TASCHEN's 25th anniversary - Special edition! Pop and space age interiors: Highlights from Decorative Art, The Studio Yearbook! TASCHEN's Decorative Arts series, whose six installments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook. Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles.

Decorative Arts 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also pedominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige.

Hippie or Pop? Opposing styles in 1960s design

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.

Decorative Art 1960s looks at the birth of pop in a decade of unprecedented social, sexual, and political change. All the restless energies bubbling throughout the world during the 1960s made their way into the design style of the decade. Liberation was in the air, men were rushing to the moon, and the sky was the limit as far as visual creativity was concerned. The concept of lifestyle really came into its own, and although the early years of the decade still saw a rivalry between the well-crafted object and industrial manufacture, by its end both ethnic and pop iconography had gained equal foothold in the aesthetic. Light was also predominant in shaping interiors. Freedom of choice and personal expression were the buzzwords for the young consumer, and so the likes of Pasmore, Panton, Safdie, Sottsass, Paolozzi, and Lomazzi did what they could to oblige.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

TASCHEN's Decorative Arts series, whose six instalments span the 20th century up through the 1970s, carefully reproduces the best of Decorative Art, The Studio Yearbook.

Published annually from 1906 until 1980, the yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers. Preserving the yearbooks' original page layouts, TASCHEN's Decorative Arts books bring you the authentic experience of each decade's design trends and styles. This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the '60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways, it was a more extreme era for design than the previous decade.

Experimentalism was everywhere, and many projects thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favour of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Arts 1970s includes the work of the decade's brightest stars, such as Afra and Tobia Scarpa, Luigi Coltani, Ettore Sottsass, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.

Looking forward. A decade marked by adventures in futurism

Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook was dedicated to the latest currents in architecture, interiors, furniture, lighting, glassware, textiles, metalware, and ceramics. Since the publications went out of print, the now hard-to-find yearbooks have become highly prized by collectors and dealers.

This volume spotlights the futuristic, experimental aesthetic of the 1970s. After the revolutions of the ’60s, the world of design and architecture became an increasingly exciting and fast-moving hotbed of ideas, rife with vehemently opposing schools and movements. In many ways it was a more extreme era for design than the previous decade. Experimentalism was everywhere, and many projects, thought not practical, were forward-thinking visions of a new kind of decorative art and design. Various groups advocated returning to natural methods, rejecting style in favor of craft or pushing the logic of industrial living to its concrete, high-rise extreme. Decorative Art 1970s includes the work of the decade’s brightest stars, such as Afra and Tobia Scarpa, Luigi Colani, Ettore Sottsass, Achille Castiglioni, Kisho Kurokawa, Norman Foster, Richard Meier, and Theo Crosby.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Georgian has come to define a period characterized by elegance and refinement, as seen in the work of designers such as Thomas Chippendale, Robert Adam, Thomas Sheraton, and Josiah Wedgwood.

Highlights include exquisitely carved and inlaid Jacobean furniture, including the famous bed of Ware...