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This is the premiere showcase for imaginative illustration, sculpture, and Fine Art. Challenging, controversial, educational, and irreverent, the award-winning "Spectrum" series reinforces both the importance and prevalence of fantastic art in today's culture.

With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital.

The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books.

Featured in "SPECTRUM 19" are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Seve.

With art from books, graphic novels, video games, films, galleries, and advertising, "Spectrum" is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else "Year In Review".

Contact information for each artist is included in a handy index. Often imitated, never equaled, "SPECTRUM 19" continues the freshness and excellence that was established seventeen years ago.

This is the premiere showcase for imaginative illustration, sculpture, and Fine Art. Challenging, controversial, educational, and irreverent, the award-winning "Spectrum" series reinforces both the importance and prevalence of fantastic art in today's culture.

With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital.

The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books.

Featured in "SPECTRUM 19" are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Seve. With art from books, graphic novels, video games, films, galleries, and advertising, "Spectrum" is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else "Year In Review".

Contact information for each artist is included in a handy index. Often imitated, never equaled, "SPECTRUM 19" continues the freshness and excellence that was established seventeen years ago.

During his more than forty years as a film historian, Ira M. Resnick amassed a superb collection of more than 2,000 vintage movie posters and 1,500 stills. They were never shared with the public until Starstruck: Vintage Movie Posters from Classic Hollywood was published in 2010. This remarkable volume features the best of Resnick’s collection, with vivid reproductions of 250 posters and 40 stills from 1912-1962, Hollywood's golden age.

Ira M. Resnick founded the Motion Picture Arts Gallery in Manhattan — the first gallery exclusively devoted to the art of the movies. A renowned institution amongst movie poster collectors, the gallery is now located just outside of New York City in East Rutherford, NJ. A respected figure in the NYC film community, Resnick served as chairman of the board of the Film Society of Lincoln Center from 1999 to 2005. A one-of-a-kind art book, STARSTRUCK combines cinematic history, a guide to poster collecting, firsthand account, and dramatic full-colour artwork — a blend of genres that is unlike any other movie poster book. Resnick offers entertaining anecdotes about how he managed to acquire such stellar examples of movie poster art, as well as historical information about the stars and films shown on the pieces he collected. Bonus material includes a list of Resnick’s fifty favourite one-sheets, advice for the movie poster collector, and a glossary of terms and poster sizes.

A must-have book for every collector and film buff, STARSTRUCK offers a beautifully illustrated, personal tour of a bygone age of the motion picture advertising industry.

About the Author:

Author Ira M. Resnick started his impressive collection while studying at New York University Film School. A professional photographer, he founded the Motion Picture Arts Gallery, the first gallery devoted exclusively to the art of the movies. Resnick is a trustee of the Film Society of Lincoln Center and served as chairman of the board from 1999 to 2005. Resnick is also a trustee of the International Center for Photography and MUSE Film and Television. He resides in New York City with his wife and two children.

Sweet Illustration is a collection of the finest pieces of work by twenty two female illustrators with very different styles and influences. Whether established professionals or up and coming newcomers, these women have shown us their original works of art in fields such as publishing, fashion, design, industrial design and publicity.

Pop art and manga join forces in this long-awaited monograph 

Painter, illustrator, sci-fi writer, and manga artist Aya Takano is one of the main artists of Kaikai Kiki, the artistic production studio created in 2001 by Takashi Murakami. Inspired by all art forms, from erotic stamps of the Edo Period to Impressionism, from Osamu Tezuka to Gustav Klimt, the artist has built a universe all her own. A universe made of infinite worlds, all a means of escaping reality, gravity, and its restraints, to attain a certain form of transcendence.

This book, her first monograph, will explore for the first time all the layers of this multifaceted career.

About the Author:

Aya Takano is a contemporary Japanese artist best known for her involvement with the aesthetics of the Superflat movement and manga art. Takano’s work is recognized for its use of sexually empowering images of women, animals, and often surreal mythology, creating a loose narrative of her artistic persona. Her work is part of a Postmodern tradition in Japan that appropriates popular art forms, using them to represent critical perspectives on Japanese contemporary life. Like Chiho Aoshima and Yoshitomo Nara, Takano’s oeuvre is an example of how artists have developed new modes of expression within Japanese visual culture. Born on December 22, 1976 in Saitama, Japan, she studied at Tama Art University in Tokyo before going to work as an assistant for the artist Takashi Murakami, the founder of the Superflat art movement. Her works are in the collections of the Museum of Contemporary Art in Los Angeles and the Rubell Family Collection in Miami, among others. Takano lives and works between Kyoto and Tokyo, Japan.

For 'Tales of the Brothers Grimm' thirty-six celebrated and lesserknown of the unsanitized fairy tales collected by the illustrious brothers were carefully chosen by artist Natalie Frank, re-interpret- ed in seventy-five gouache and chalk pastel drawings, and cast in a Surrealist dreamscape. This will be the largest collection of Grimm’s Fairy Tales ever illustrated by a fine artist. Frank’s irreverent palette, sophisticated use of color, and inventive depiction of these dark, far from storybook narratives, capture the original stories with a contemporary and unflinching eye. Each of the tales opens with a handdrawn title page, is framed by a unique border, and small drawings punctuate each story, all in the tradition of classic fairy tale editions.

The foremost Grimm scholar, Jack Zipes, introduces the book and contextualizes these stories and drawings within a history of the Brothers Grimm, its illustrations, and the tradition of the fairy tale. A complex and unique world of the imagination emerges from the pairing of these tales with Frank’s drawings, assembled by the celebrated designer, Marian Bantjes. Additional texts include a conversation between the artist and director Julie Taymor, as well as essays by Feminist art historian Linda Nochlin and curator Claire Gilman. This book marks Frank’s exhibitions of drawings based on the Brothers Grimm at The Drawing Center, New York, and Blanton Museum of Art at the University of Texas, Austin, in 2015.

Adorn your skin with these beautiful tattoos inspired by the animal kingdom

With over 100 designs, from birds, beetles and butterflies to seahorses and ladybirds, Tatouage: Wild also includes 21 art-print keepsakes.

A mix of colourful designs in a variety of sizes and shapes, makes these tattoos suitable for different parts of the body. There is also a book of quality art prints to use for animal identification, as art-print keepsakes, or as flash sheets to inspire further tattoos.

Each tattoo is non-toxic and transfers easily, leaving a vibrant design that will last a few days. When it begins to fade, it can be removed easily with baby oil.

The A–Z of Visual Ideas explains the key ideas, sources of inspiration and visual techniques that have been used throughout design history. Showing where ideas and inspiration come from, the book provides numerous strategies to help unlock the reader’s creativity.

Using a dynamic and easy-to-understand A–Z format, the book reveals techniques that can be exploited to deliver ideas with greater impact, each entry offering a different starting point. Looking at everything from, Art to Zeitgeist, Intuition and Instinct to Happy Accidents and Hidden Messages, the book also features a section explaining how to use the idea or technique, providing readers with an infallible ‘tool kit’ of inspiration.

Including hundreds of inspirational quotes and packed with great examples of advertising campaigns, posters, book and magazine covers and illustrations, this is an indispensable primer that shows design students and professionals how to solve any creative brief.

A prominent figure in the Victorian art world, Walter Crane not only participated in the late nineteenth century's publishing revolution but also led the way toward the Golden Age of Illustration. Crane was instrumental in the transition from simple black-and-white illustrations for children's books to gallery-quality artwork. This original collection features more than one hundred of the influential artist's brilliant images. It constitutes a survey of his paintings as well as a visual history of the development of the first color illustrations.
Few artists of Crane's generation achieved careers as varied and successful as his. This compilation reflects the diversity of his subjects, from images for alphabet books, nursery rhymes, and fairy tales to scenes from stories of King Arthur and Robin Hood to illustrations inspired by the classics of Shakespeare, Hawthorne, and Spenser. Editor Jeff A. Menges provides an Introduction that places the artist and his works in historic context.

Over 300 of the most sought-after examples of poster art created between the wars are included in this definitive volume.

This cavalcade of international poster design is organized by subject: aviation, communication, fashion and many more. Featuring rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall, each poster – carefully re-photographed – is accompanied by an extended caption that addresses the aesthetic, social, economic, and/or political context of the image.

Posters were by their very nature ephemeral: on a billboard or tacked to a newsstand, they lasted only a few weeks until advertisers issued another argument for a soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized by collectors.

Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential book for all interested in graphic design, Art Deco, and life and culture in the Jazz Age.

About the Authors:

William W. Crouse is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists and the Competition 1929-2009.
Alastair Duncan is the author of many books on the Art Deco period, including Art Deco Complete, American Art Deco, Art Deco and Art Deco Furniture, Art Deco Furniture: The French Designers

Posters by their very nature are ephemeral: crookedly plastered on a roadside billboard, tacked to the back of a tabac, they lasted a few weeks until advertisers issued another imaginative argument for soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized. William Crouse, long-time poster aficionado, has selected over three hundred of the most sought-after examples of poster art created between the wars to include in this definitive volume.

Organized thematically into subject categories (aviation, communication, fashion, etc.), The Art Deco Poster presents a jaunty cavalcade of international poster design and includes highly rare and even unique examples by masters of the art form, including Nizzoli and Beall.

Each poster — digitally photographed under carefully controlled conditions — is accompanied by an expanded caption that addresses the aesthetic, sociological, economic, and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.

William W. Crouse is a long-time collector of twentieth-century posters. He is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists, and the Competition 1929–2009. He lives in Florida and New York.

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the nineteenth and twentieth centuries. He is the author of many books on the Art Deco period, including Art Deco Complete, Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau, and Art Deco Bookbinding. He lives in New York.

Illustrations: over 750 colour photographs

For forty years Rob Roth has collected rare examples of rock tour posters, advertising posters, rock memorabilia, original artwork and items of merchandise. His spectacular collection is so vast that it has never all been put on public display but when visitors to his spacious New York loft apartment - visitors like Elton John and Alice Cooper - caught a glimpse of some of the material Rob has collected over the years, they were amazed and urged him to let rock fans see the dazzling array of artifacts from the 70s and 80s. For many, the images lovingly cataloged in the pages of this book will evoke nostalgic memories of the blazing lights, drifting smoke and all-pervading audio power of the rock concerts of their youth. It is also, however, a lavishly produced presentation of some of the most vivid and exciting artwork from the rock world featuring bands such as The Rolling Stones, Queen, Pink Floyd, The Who, Led Zeppelin and every other major rock act of the era. Each section of the book features a particular band covering different tours and different albums to show how design and graphic styles changed and to provide an overview of rock history from the period. An introduction to the section puts the images in context, outlining the stage the bands and acts had reached in their development and discussing the art and artists. Each piece that is portrayed carries a caption describing exactly what it is, while items with a particular story to tell are accompanied by longer, more detailed texts. The collection has been meticulously photographed specially for this book by leading photographer Richard Marot who spent hundreds of hours working with a team of technicians to ensure that the images appearing in "The Art of Classic Rock" are a sumptuous and accurate representation of the truly stunning Rob Roth Collection.

Maurice Sendak was one of the most admired artists in children’s literature. His uniquely expressive illustrations, which brought to life a world of fantasy and imagination, won him the Hans Christian Andersen Medal, the Caldecott Medal, and the Astrid Lindgren Memorial Award for Literature. Picking up where Selma Lane’s earlier, landmark monograph, The Art of Maurice Sendak, left off, this new book traces Sendak’s life and work, representing two decades filled with projects inside and outside the children’s book arena. This strikingly designed volume is overflowing with hundreds of wonderful Sendak illustrations: sketches and final art for opera, ballet, and theater productions, as well as children's books, adult book jackets, posters, and CD covers. An extended essay by Pulitzer Prize–winning playwright Tony Kushner, a friend of the artist, provides an intimate view of Sendak. With an insider's perspective, Kushner not only gives us a chronological overview of Sendak's work, but also allows us to see him as an accomplished author and artist redefining his legacy, and as a man coming to terms with himself. This survey will only add to our understanding and appreciation of this multitalented artist, whose creative endeavors remain among the most inventive and treasured of our time.

This oversized collector’s edition showcases antique paintings and drawings of birds and animals from the most important natural history collection in France.

An unparalleled collection of the most beautiful—yet scientific—depictions of flora and fauna ever produced, these artworks document three centuries of exploration of the far reaches of the world—a rich visual record harking back to a time when science relied upon painstaking human illustration as the only way to record exotic plants and unknown animals observed during voyages of discovery.

All the artworks included here were depicted on vellum, a high-quality, long-lasting parchment that fell out of use around 1900 when it was supplanted by photography. France’s national collection consists of over 7,000 such artworks and is among the world’s finest. Flora and fauna from every corner of the globe are represented in precisely rendered color and detail.

Sadly, many of the species depicted in these masterful yet hauntingly accurate portraits are now endangered, threatened—or in many cases, already extinct. This volume is both a celebration of the human quest for knowledge and an epitaph for a fast disappearing world—as well as a feast for the eyes for anyone who loves birds or vintage natural history art. This exquisite and timeless book is beautifully presented in a jacketed volume within a slipcase and luxuriously packaged within an illustrated mailer with a handle for portability.

About the Author:

Pascale Heurtel is chief curator and director of libraries and Michelle Lenoir is honorary director of the Muséum national d’histoire naturelle in Paris.

One Big Slice of Cheesecake. Pin-up travels the long road from barracks wall to high art

Since TASCHEN released The Great American Pin-up, international interest in this distinctly American art form has increased exponentially. Paintings by leading artists such as Alberto Vargas, George Petty, and Gil Elvgren that sold for $ 2,000 in 1996 are going for $ 200,000 and more today. Pin-up — drawings, paintings, and pastels of an idealized female face and figure intended for public display — was produced between 1920 and 1970 for calendars, magazine covers, and centerfolds. The majority of original paintings were discarded by publishers and calendar companies after printing, making the surviving art that much more precious.

Based on the formidably sized Art of Pin-up, this accessible edition gathers nearly 100 artists alongside in-depth showcases of the top 10 names in the game. Each chapter opens with a reproduction of an original calendar or magazine cover by that artist. The reproduction quality of the paintings, pastels, and preparatory sketches that follow — largely sourced from the original art — invites the viewer to trace the brushstrokes, while the exquisite period calendars, vintage prints, and original model photos document the artists’ creative process. Much of these ephemera were photographed on-site at the historic Brown & Bigelow Company, home to the world’s largest archive of vintage pin-up calendars.

In addition to the chapters on the 10 featured artists, the book includes bios and art of 85 painters, the most complete compendium of pin-up artists ever compiled. All this adds up to a hard-to-beat book on this popular subject.

The editor:

Dian Hanson produced a variety of men’s magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN’s Sexy Book Editor. Her titles include the “body part” series, The Art of Pin-up, Psychedelic Sex, and Ren Hang.

The contributing authors:

Sarahjane Blum is an author, cultural historian, and co-owner of Grapefruit Moon Gallery, which specializes in original American illustration art. She lives in Minneapolis, Minnesota.

Louis Meisel is owner of one of the oldest pin-up and illustration art galleries in New York. He is the co-author of TASCHEN’s The Great American Pin-up and Gil Elvgren: All his Glamorous American Pin-ups.