Учебники по дизайну

Illustrated survey with expert on Tiffany glass as its guide. Topics include traditional and stained glass items; Tiffany revival; varieties of glass and tools; soldering; cutting glass; design; window ornaments; lead cane lampshades; copper foil techniques. For crafters at every level of experience. 252 black-and-white illustrations. 8 full-color illustrations. Bibliography. Index.
Unabridged republication of the edition published by B. T. Batsford Ltd., London, 1975.

The Worldwide History of Dress covers every notable geographical region, historical period and style of costume worldwide – from Upper Paleolithic plant-fibre skirts, Ancient Egyptian linen shifts and Roman togas, through Mongolian shamanic robes, Japanese kimonos and Indian saris, to nineteenth-century Tyrolean dirndls, African ceremonial attire and Middle Eastern burqas.

All aspects of dress and accessories are discussed: men’s and women’s clothing, footwear, headgear, jewellery, armour, decoration, and face and body modification, using an astonishing variety of sources including mosaics, vintage photographs and colour plates of museum-quality displays.

Diagrams explain how garments are worn, line drawings illustrate traditional motifs and designs, and there are over fifty specially commissioned maps.

While tracing influences from culture to culture, this tour-de-force includes descriptions of each region’s population, geography and climate, allowing the reader to understand the development of an area’s clothing customs.

Complete with an extensive reference section

About the Author:

Patricia Rieff Anawalt is the founding Director of the Center for the Study of Regional Dress at the Fowler Museum at UCLA, Los Angeles. Her previous publications include the prize-winning, four-volume Codex Mendoza, as well as dozens of articles. She is a Fellow of the John Simon Guggenheim Memorial Foundation, a Fellow of the Society of Antiquaries of London, and also served on the initial President’s Cultural Property Advisory Committee.

In 2000, Austrian-born, New York-based graphic designer Sagmeister created this book's eponymous list in his diary, including twenty statements such as: "Trying to Look Good Limits My Life," "Assuming is Stifling", and "Worry Solves Nothing." These "maxims," which Sagmeister admits verge on the "banal" but which are also devoid of cynicism, were transformed into art projects: "Assuming is Stifling" graced the cover of a Japanese annual report; "Everybody Always Thinks They Are Right" was represented by six 33-foot white inflatable monkeys, each one displaying a different word. This "design book for non-designers" is itself an experiment in form, comprised of 15 booklets in a box whose cover is cut out of Sagmeister's face; when inserted, each completes the portrait in a different way. One of the booklets includes essays on Sagmeister's oeuvre, the most interesting by critic Heller, who states: "This is truly the nexus of art and design in the service of expression." This book is bound to be of interest to followers of Sagmeister's work, as well as to the general reader in search of an invigorating approach to graphic design and, one might argue, autobiography.

About the Author:

Stefan Sagmeister, born in Austria, received his MFA in graphic design from the University of Applied Arts in Vienna and, as a Fulbright scholar, a master's degree from the Pratt Institute in New York. Following stints at M&Co. in New York with Tibor Kalman and as creative director at the Hong Kong office of the advertising agency Leo Burnett, Sagmeister formed the New York-based Sagmeister Inc. in 1993. Peter Hall is a design critic and educator who has written widely about design in publications including Metropolis, Print, I.D. Magazine, The New York Times and The Guardian. He has previously served as the Senior Editor for the University of Minnesota Design Institute, written several books on design and currently teaches design at the University of Texas in Austin.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

How to design and market services to create outstanding customer experiences. The first practical book for companies, insitutions and governments that deliver a service

This is Service Design Thinking introduces an inter-disciplinary approach to designing services. Service design is a bit of a buzzword these days and has gained a lot of interest from various fields. This book, assembled to describe and illustrate the emerging field of service design, was brought together using exactly the same co-creative and user-centred approaches you can read and learn about inside. The boundaries between products and services are blurring and it is time for a different way of thinking: this is service design thinking.

23 international authors and even more online contributors from the global service design community invested their knowledge, experience and passion together to create this book.

It introduces service design thinking in manner accessible to beginners and students, it broadens the knowledge and can act as a resource for experienced design professionals. Besides an introduction to service design thinking through five basic principles, a selection of individual perspectives demonstrate the similarities and differences between various disciplines involved in the design of services.

Additionally, the book outlines an iterative design process and showcases 25 adaptable service design tools, exemplifying the practice of service design with five international case studies. The book concludes with an insight into the current state of service design research and sets service design thinking in a philosophical context.

Пролистать книгу  This is Service Design Thinking

How to design and market services to create outstanding customer experiences. The first practical book for companies, institutions and governments that deliver a service

This is Service Design Thinking introduces an interdisciplinary approach to designing services. Service design is a bit of a buzzword these days and has gained a lot of interest from various fields. This book, assembled to describe and illustrate the emerging field of service design, was brought together using exactly the same co-creative and user-centred approaches you can read and learn about inside. The boundaries between products and services are blurring and it is time for a different way of thinking: this is service design thinking.

23 international authors and even more online contributors from the global service design community invested their knowledge, experience and passion together to create this book.

It introduces service design thinking in manner accessible to beginners and students, it broadens the knowledge and can act as a resource for experienced design professionals. Besides an introduction to service design thinking through five basic principles, a selection of individual perspectives demonstrate the similarities and differences between various disciplines involved in the design of services.

Additionally, the book outlines an iterative design process and showcases 25 adaptable service design tools, exemplifying the practice of service design with five international case studies. The book concludes with an insight into the current state of service design research and sets service design thinking in a philosophical context.

About the Authors:

Marc Stickdorn is a German entrepreneur and service design consultant. He works with organizations to integrate service design in organizational structures and processes to reduce development costs of new products and services and to increase customer experience. In 2010, Marc and Jakob published the award-winning book “This is Service Design Thinking”. He is a visiting professor at various business and design schools.
In 2012, Marc co-founded smaply, a web-based software to visualize personas, stakeholder maps, and customer journey maps. In 2013, he co-founded ExperienceFellow, a combination of smartphone apps and web-based software to research customer experience. ExperienceFellow is based on mobile ethnography; an approach Marc develops since 2008. Although he won several best paper awards for his academic publications on mobile ethnography, he still did not finnish his PhD.

Jakob Schneider is a visual designer and consultant. He is partner and creative director of design agency KD1 as well as co-founder and lead designer of startups Smaply and ExperienceFellow. Since 2006, he has worked for brands like VW, Siemens, MetaDesign and Deutsche Telekom. Jakob co-published “This is Service Design Thinking” with Marc Stickdorn in 2010 and speaks at universities, conferences and agencies. Besides his daily agency business, Jakob works on digital tools for Service Designers.

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Synthèse de la publications de l'auteur, ce premier livre de technologie appliquée permet d'apprendre les bases du tournage en suivant la réalisation de pièces nécessitant l'utilisation de techniques différentes. Les étapes de fabrication sont abondamment détaillées et illustrées, ce qui facilite la compréhension.

Ce second volume constitue la suite logique des méthodes étudiées dans le précédent volume. Il continue d’explorer des tracés de plus en plus complexes.

Sommaire :
Le pentagone. L’hexagone. L’heptagone. L’octogone. L’ennéagone. Le décagone. Le dodécagone. Les polygones divers. Le cercle et arcs de cercles. Les arcs de cercles et les courbes. Les raccordements. Le tracé des moulures.

Ce livre termine l’étude des principaux assemblages utilisées en menuiserie et en ébénisterie. Il présente différentes réalisations nécessitant un traçage précis.

Sommaire :
Les assemblages : épaississement, élargissement, aboutage, entailles à vif, entailles à mi-bois, moises, enfourchements, rencontre à chant, contrecollage (lamelle), tenons et mortaises, tenons et mortaises avec profil. Les réalisations : l’établi, le guillaume, la table ronde, le coffre, le chevalet, les persiennes, la vitrine.

Ultimate Guide to House Framing leads homeowners through the steps of building a structure by means of platform framing, the most popular style of framing in use today. The book also covers the latest in eco-friendly materials as well as green framing techniques.
The most up-to-date source for framing information, the book provides readers with everything they need to know about building, including structural loads and how they interact, sizing lumber, working with tools, and reading blueprints. It then takes the reader through the framing process - from foundations to fl oor framing, wall framing, roof framing, sheathing, and more.
This expanded and revised edition ends with three project chapters: building stairs, finishing a basement with steel studs, and framing a bay window.
Each chapter covers both construction and design information.
 

825 photos and illustrations to guide readers through the framing process

Over 320,000 of previous editions sold to date. Has consistently ranked as one of BookScan's top 50 titles within the House & Home category

Step-by-step instruction on floor, wall, and roof framing, with information on selecting and sizing lumber

An entire section devoted to the latest in "green" framing materials and techniques

Building stairs, finishing a basement using steel studs, and installing a bay window

Resource guide, index, and glossary

In "Unfolded—Paper in Design, Art, Architecture and Industry" paper conquers the third dimension and demonstrates the undreamed-of possibilities it holds today for lightweight construction, product design, fashion and art.

From "Paper", the collection of bags by Stefan Diez, to Konstantin Grcic’s paper models and the scented paper garments of Issey Miyake, this book presents paper as a high-quality contemporary and ecological material.

An enormous selection of projects, the lavish design and numerous illustrations provide designers with invaluable inspiration for their work.

The content core of the book is a comprehensive list of state-of-the-art paper products and innovative paper technologies, supporting designers in their everyday work with detailed information on the "high-tech" material paper.

From Japanese washi paper and paper foam, to ceramic paper and carbon fiber paper, "Unfolded" presents the latest in research and development, as well as the most important methods and technologies in handcrafts and industry.

Visualizing information in the most elegant, entertaining, and informative ways.

Visual storytelling uses graphic design, infographics, illustration, and photography to convey information in the most elegant, entertaining, and informative way. Today, the creative scope of existing visual storytelling techniques is being expanded to meet the formidable challenge of extracting valuable news, surprising findings, and relevant stories from a daily flood of data head on. Visual Storytelling is the first book to focus solely on contemporary and experimental manifestations of visual forms that can be classified as such. The rich selection of cutting-edge examples featured here is put into context with text features by Andrew Losowsky and interviews with experts including the New York Times, Francesco Franchi, and Golden Section Graphics.

More About This Book

More and more data is being collected. We can access ever more information at any time and from any place. The fundamental challenge now is how to extract the most valuable news, the most surprising findings, and the most relevant stories from the flood of information that is available to us.

A new generation of designers, illustrators, data journalists, and graphic editors is addressing this challenge head on. They are expanding the creative scope of existing techniques in visual storytelling — using graphic design, infographics, illustration, and photography to convey information in the most elegant, entertaining, and informative way. The main idea behind visual storytelling is to take familiar image contexts and use them in a new way. By penetrating meaning and creating associations, abstract correlations can be visualized in a manner that is both easy to understand and aesthetically innovative. Today, visual storytelling is being used intensively in newspapers, magazines, websites, advertising, business reports, and museums.

Visual Storytelling is the first book to focus solely on contemporary and experimental manifestations of visual forms that can be classified as such. The rich selection of cutting-edge examples featured here is put into context with an introduction and text features by magazine expert Andrew Losowsky as well as interviews with the New York Times, Francesco Franchi, Density Design, Carl Kleiner, Antoine Corbineau, Golden Section Graphics, Les Graphiquants, and Peter Grundy. The inspiring, insightful, interactive, and entertaining work and texts collected in Visual Storytelling reveal how the contextualization of information is pushing the envelope of today’s design and aesthetics.

Visualizing and presenting your ideas convincingly is an indispensable part of day-to-day design, even in our age of digital design processes. No presentation is complete without layouts, storyboards or spontaneous sketches, often crucial to the outcome. No computer software, however good it is, can replace the non-computerized marker!

In this book, Gregor Krisztian and Nesrin Schlempp-Ülker explore and explain basic layout techniques, giving expert tips and demonstrating useful tricks employed by professionals. They show you how to present your ideas quickly and effectively, illustrating all stages of work with clear examples from teaching and practice. This will be an indispensable reference work for all professional designers and students – indeed, for anyone who wishes to present their ideas successfully and skilfully.

• Useful design tools
• Working more professionally with markers
• The basics of illustration
• Concrete examples
• Ideas, doodles, layouts
• Storyboards and presentations

What pareos, sarongs, saris, shawls, scarves, capes, and bandanas all have in common is that they consist of one piece of fabric. However, they differ enormously in size and shape and how they are wrapped, draped and secured. Linking the roots of one-piece clothing with modern fashion design, Wrap & Drape Fashion offers a comprehensive overview of the historical and cultural particulars of unstitched garments. Furthermore, this book contains practical instruction on creating new prints, and many unique examples of how to cut fabric to create exciting, fashionable one-piece apparel. This is accompanied by original cut designs, complete with measurements and fabric recommendations.

Contains more than 400 excellent, professional drawings, including many step-by-step examples of how to sketch the figure. As a source of inspiration and instruction, this book is an essential tool for fashion enthusiasts, students and professionals.

Дизайнеры - словно грызуны: они собирают все, что только можно, и тащат в свою нору, а затем начинают творить. Книга Анатомия дизайна раскрывает бесчисленные источники дизайнерских работ: известные, неизвестные, очевидные, не всегда понятные, но всегда существенные.

Если говорить образно, то эту книгу можно сравнить с анатомическим поперечным сечением. На операционном столе оказалось 49 современных дизайнерских работ. Разрезаем кожу, а под ней скелет, поддерживающий разные органы. Все находится в тесном взаимодействии. Лишив этот организм какого-то органа, мы обрекаем его на болезнь. Это анатомическое исследование помогает увидеть в современном дизайне отголоски прошлого, дает возможность проследить распространение (или, наоборот, исчезновение) каких-то идей. Посмотрите на любую афишу, упаковку, обложку книги или рекламный щит. Все это появилось на свет благодаря творческому началу, которое придает смысл нашему существованию.

Книга "Анатомия дизайна..." начинается с исследования факторов, влияющих на эту область дизайна, включая срок жизни публикации и стимулирование потребительского интереса, требования распространения и отображения изданий, а также защиту окружающей среды. Она прослеживает, как публикации привлекают внимание и устанавливают связь с читателем на эстетическом и эмоциональном уровне через предоставляемую информацию, внешний вид и то, насколько приятно держать их в руках.

Книга изучает дисциплину публикационного дизайна, рассматривая его отдельные элементы и формы. Она выводит принципы, лежащие в основе графического дизайна, учитывает материальные и финансовые предпосылки издания публикаций и обсуждает специфичные дизайнерские нужды для различных типов изданий. Она исследует все - от коммерческих требований к обложке и навигационной роли сетки и макета до физических требований к формату и переплету.

Эта международная подборка отражает широту и разнообразие дизайнерских работ в данной области, придавая вдохновение дизайнерам и студиям. Включенные работы дают наглядный пример широкого простора для творчества во всех областях публикационного дизайна.