Книги по дизайну ювелирных изделий

The luxury French jeweler Chaumet celebrates the beauty of tiaras with an exceptionally creative pop-up book featuring ten fairytales in mesmerizing dioramas.

Tiaras are symbols of power and sophistication that Chaumet has mastered throughout 240 years of history — crowning the beauty of prestigious clients, from Napoleon’s wife, Empress Joséphine, to contem-porary icons.

Celebrating their most emblematic examples, this exceptional piece of bookmaking features colorful illustrations and short stories. The ten tableaux, each highlighting one iconic Chaumet piece, invite readers to travel through space and time: strolling in the Malmaison garden with Napoleon and Joséphine; partying during the Roaring Twenties; wandering under the shade of Japanese cherry blossom trees; or dancing on a rooftop in contemporary Shanghai. Timeless and universal, the stories will appeal to a wide audience while intricate details of the laser-cut dioramas captivate the eye. An invitation to daydream, these scenes reflect an enchanting tale that readers can discover in one sitting or indulge in separately, according to their mood.  

About the Author:

Michèle Gazier was a literary critic before she began writing novels, which have won several literary prizes. Her latest publications include Silencieuse (Seuil, 2017) and Les Passantes (Mercure de France, 2020). Kristjana S. Williams is an Icelandic-born illustrator. She has illustrated several books including Alice, Curiouser and Curiouser to accompany the 2021 exhibition at the V&A Museum, London.

The French High Jewelry Maison through more than 500 creations and archival documents, from 1906 to nowadays 

This book presents the legendary jewellery and precious objects of Van Cleef & Arpels, and how they relate to time, nature and love. Time is a fundamental element for both creativity and craftsmanship. Time gives objects their shape; defines their style; determines their function, social utility, and the choice of materials and techniques; indicates origin; hones taste; and reveals context. Time is interpreted through eight values inspired by Italo Calvino’s Lezioni Americane, or Six Memos for the Next Millennium, to honor the iconic pieces created by Van Cleef & Arpels over the years, from Art Deco masterpieces to the illustrious Zip necklace, gravity-defying Mystery Set, or celebrated Minaudières ― some of the most important innovations in the history of 20th-century jewellery-making.

Nature plays an equally important role for Van Cleef & Arpels as an ever-present source of inspiration and tribute, embodied in unique gems and timeless masterpieces drawing on flora and fauna. Van Cleef & Arpels is founded on love, the most powerful energy in the world. Each object is handcrafted with love, and Van Cleef & Arpels jewellery has sealed some of the century’s most legendary love stories.

In a brilliant historical and critical essay, illuminated by a stunning iconographic selection of jewellery, precious objects and archive materials, this work describes the Maison’s eternal values of time, nature and love.

About the Authors:

Alba Cappellieri is Full Professor of Jewelry and Fashion Accessories Design at Politecnico di Milano, where she is Director of the International Master’s in Jewellery and Fashion Accessories and the Master’s in Fashion Design, and teaches Brand and Product Management at Milano Fashion Institute (under the consortium with Politecnico di Milano, Bocconi University and Università Cattolica).

From 2013 to 2016 she taught Design for Innovation at Stanford University. Alba Cappellieri is a member of the Scientific Council at the Van Cleef & Arpels School of Jewelry Arts in Paris and an advisor with the Creative Academy of the Cologni Foundation in Milan. She was appointed Ambassador of Italian Design for Italian Design Day in Osaka in 2017, in Sydney in 2018 and in Baku in 2019. Since 2014, she has been Director of the Museo del Gioiello jewelry museum in Basilica Palladiana in Vicenza, Italy’s first museum exclusively dedicated to jewelry.

Her recent publications include: Gioielli, Dall’Art Nouveau al 3d Printing (Skira, 2018), Catene, gioielli tra storia, funzione e ornamento(Silvana Editoriale, 2018), Brilliant (Corraini, 2016), Gioielli alla Moda (Corraini, 2016), Gioielli sentimentali (Marsilio, 2014), Il design italiano incontra il gioiello, with M. Romanelli (Marsilio, 2013).

From Empress Farah and the secrets of the treasure of Iran, to Queen Marie Amélie’s missing emeralds, via Fantômas and the blood-red rubies of the kings of Burma, entering the world of Van Cleef & Arpels is like embarking upon a fascinating treasure hunt. In this book, Vincent Meylan explores a century in the history of one of the most prestigious Parisian jewellery dynasties. He opens doors and unlocks caskets to reveal the mysterious, and sometimes fantastic, stories of its clients and the fabulous and exceptional stones that they entrusted to the “golden hands” of Van Cleef & Arpels. The Maharani of Baroda, the Duchess of Windsor, Princess Lilian of Belgium, Elizabeth Taylor, Marlene Dietrich, Princess Grace of Monaco, Maria Callas, Barbara Hutton and the Countess of Camargo: they are all the heroines of this incredible epic full of rubies, diamonds, emeralds, and sapphires.

Van Cleef & Arpels: Treasures and Legends is full of extravagant fairytales and fascinating behind-the-scenes revelations. It also tells the sometimes troubled story of a dynasty of jewellers, of gifted men and women who have, for over a century, helped to shape that inimitably Parisian art de vivre that is the envy of the world.

About the Author:

Vincent Meylan is responsible for the history and royalty pages in Point de Vue. He is also a specialist in precious stones and in 'haute joaillerie'. He is the author of several biographies, Queens' Jewels and Boucheron: The Secret Archives.

Vintage Jewellery explores the key designers and jewellery houses, technical developments and cultural influences that shaped jewellery design over 120 years, and shows you how to collect and wear vintage pieces.

Foreword by Gerda Flöckinger

Vintage Jewellery recounts 120 years of history, including Lalique's Art Nouveau enamelling at the turn of the twentieth century, Cartier's gemstones, Christian Dior's mid-century costume pieces and Harry Winston's diamonds.

Accompanied by archive images, fashion photography and specially commissioned photographs of period pieces, the most collectible and beautiful bracelets, necklaces, rings and brooches are showcased, including Elizabeth Taylor's peregrina pearl and Wallis Simpson's Cartier panther bracelet. The book explores the key designers and jewellery houses, technical developments and cultural influences that shaped jewellery design and shows you how to collect and wear vintage pieces.

About the Author:

Caroline Cox is professor of cultural history at University of the Arts London. She is a leading fashion authority whose work explores the relationship between fashion, beauty and culture. A lecturer and broadcaster, she is also a cultural trends advisor at Vidal Sassoon. Caroline's books on fashion history and theory have been published internationally and include Vintage Shoes and Vintage Jewellery.

With only some beads, a spool of wire, and a few simple tools, you can begin straight away, as Linda tells you everything you need to know to create beautiful twisted wire and bead pieces. With chokers, brooches, delicate chains, rings, earrings, bangles, and more, Wire and Bead Celtic Jewelry offers something for everyone.

Every piece is inspired by Celtic design, from a Celtic harp brooch and Lindisfarne choker, to lariats and bracelets echoing the forms of animals and elements of nature.

The projects are set up like recipes with materials lists and step-by-step instructions so they are perfect for beginners, but her unique designs will inspire those already experienced in the craft.

An exquisite volume documenting Cartier's most recent bespoke high jewelry collection, destined for eminent clients and collectors.

Devoted to the new High Jewelry and precious objects collection created by Cartier, this book celebrates nature's vitality, sensuality, and aesthetic force. Documents from the House's archives show that flora and fauna have been a major source of inspiration at Cartier since the very beginning.

The representations are numerous, and the interpretations complement each other: figurative, as realistic as possible; stylized, between an outline or suggestion; and all the way to abstraction, with the disconcerting visual play.

The jeweler's imagination and virtuosity transform precious materials and stones into splendid ensembles. For this groundbreaking new collection, the artists who create the designs go even farther than the known natural universe to visit unexplored territories: in addition to the Houses's emblematic species, such as panthers and crocodiles, we discover original creations, inspired, for example, by succulents and peacocks, or even imaginary creatures like reinvented chimeras.

In this richly illustrated volume, the new Cartier High Jewelry collection is accompanied by text that highlights the privileged relationship that exists between contemporary art and nature. Artists, fascinated by the power and the mystery of the environment that surrounds us, move beyond traditional art arenas to confront the immensity of landscapes or to work directly with materials from nature. The natural world is a marvel that never ceases to inspire and seduce.

About the Authors:

François Chaille is a writer. Passionate about art history, fashion, jewelry and watchmaking, he has published fifteen works with Flammarion, including Magnitude, Coloratura,The Cartier Collection: Timepieces, Audemars Piguet: Master Watchmaker Since 1875, and Girard Perregaux.
Hélène Kelmachter is an art historian and exhibition curator. She worked with the Fondation Cartier pour l'art contemporain for more than fifteen years. She was cultural attaché at the French Embassy in Tokyo (2007-2012) and in Buenos Aires (2014-2018). She has curated numerous exhibitions in France, Japan, China, and Argentina devoted to contemporary art and artisanal craft.
 

A visual catalog for jewellery, bead artists, and crafters for hundreds of ideas at their fingertips to inspire their own projects.

1,000 Jewelry Inspirations is a stunning showcase of contemporary jewellery pieces that will feed the creative appetites of crafters and jewellery makers everywhere. Become inspired by this feast of colour, sparkle, texture, dimension, and clever, creative use of materials. From simple and elegant to beautiful and elaborate “bling” styles, over 1,000 full-colour images will be at your fingertips to inspire your own creative projects. An exploration of jewellery-making techniques will help even inexperienced jewellery makers on their way to making beautiful jewellery.

What you’ll find:
Beads and Baubles
Paper and Mixed Media
Polymer and Precious Metal Clay
Vintage and Repurposed
Fibers and Fabric
Wire and Metal

A visual catalog for jewelry, bead artists, and crafters for hundreds of ideas at their fingertips to inspire their own projects.

1,000 Jewelry Inspirations is a stunning showcase of contemporary jewelry pieces that will feed the creative appetites of crafters and jewelry makers everywhere. Become inspired by this feast of color, sparkle, texture, dimension, and clever, creative use of materials. From simple and elegant to beautiful and elaborate “bling”styles, over 1,000 full-color images will be at your fingertips to inspire your own creative projects. An exploration of jewelry-making techniques will help even inexperienced jewelry makers on their way to making beautiful jewelry.

What you’ll find:
Beads and Baubles
Paper and Mixed Media
Polymer and Precious Metal Clay
Vintage and Repurposed
Fibers and Fabric
Wire and Metal

For many centuries the collecting of precious jewels was the preserve of kings and queens, emperors and maharajahs. But in the aftermath of the First World War, with the fall of several European monarchies, royal gems passed into the hands of a different kind of elite that included celebrities from the silver screen and a coterie which revelled in a new-rich social whirl.

This book profiles eleven of these rich and glamorous women, all of whom built up astonishing jewelry collections in the early and mid-20th century. The authors, both international jewelry experts, bring to life the worlds in which these women moved, as well as describing the gems in detail and providing a portrait of the work of the leading jewelers of the day.

The book is illustrated with close-up shots of the jewels as well as wonderful drawings of the original designs, and includes portraits of the women by Beaton, Horst and other leading photographers of the time.

The most comprehensive and detailed history and sourcebook of twentieth-century jewellery ever published

John Peacock charts the development of every kind and style of twentieth-century jewellery for both women and men: earrings, necklaces, pendants, bracelets, and bangles, brooches, rings, buckles and clasps, dress clips, hair and hat ornaments, watches, cufflinks, tiepins. . . Precious jewellery, costume and novelty jewellery are all included, and every style from Art Nouveau to Pop Art and retro.

John Peacock’s research, using not only paintings and photographs but also the jewellery itself, has allowed him to reproduce in meticulous detail a host of representative pieces from every year of the century. All the great twentieth-century designers and houses are featured – among them Lalique, Cartier, Chaumet, Georg Jensen, Fulco di Verdura, Schlumberger, Miriam Haskell, Harry Winston, Van Cleef & Arpels and Tiffany & Co. – as well as the mass-produced jewellery their designs inspired.

The pictures are accompanied by full descriptions, including details of materials, stones, designs, fastenings, mounts and surrounds.

An invaluable reference section includes a time chart summarizing the development of jewellery through the century, biographies of the leading international jewellers, and a concise bibliography.

This encyclopaedic survey is destined to become the unrivalled reference work in its field, indispensable to any jewellery enthusiast, designer, student or collector.

About the Author:

John Peacock has worked as a fashion and costume designer and lecturer in fashion history. He was for several years senior costume designer for BBC Television, and is the author of many books on costume.

This is the ultimate illustrated guide to the most exquisite vanity cases from the nineteenth century onward; an unmissable opportunity for lovers of jewelry and fashion.

This elegant and richly illustrated volume, featuring a slipcase and gilded page edges, showcases a rare private collection of vanity cases and includes an exquisite array of luxury accessories from the nineteenth century to the twentieth century. These vanity cases, carefully designed and mostly handmade, became covetable accessories with the advent of beauty products.

The vanity case, the ultimate jeweled fashion accessory, was designed and made mostly in Paris by skilled designers and craftsmen who understood that the fashionable modern woman needed a practical solution for carrying lipstick, powder compact, cigarettes, lighter, theater tickets, keys, and other small paraphernalia. Tiny, made of precious metals, including platinum and gold, with inlays of lacquer, gemstones, mother-of-pearl, jade, or enamel, these reticules took hundreds of hours of patient craftsmanship to complete.

About the Authors:

François Curiel is Chairman of Christie's Europe and heads Christie's global Luxury division. David Snowdon is Hon. Chairman for Christie's in Europe, the Middle East, Russia and India. Lyne Kaddoura is an independent jewelry specialist and advisor, as well as Senior Consultant with Christie's. Pierre Rainero is the Image, Style and Heritage Director of Cartier. Catherine Cariou is the former heritage director at Van Cleef & Arpels. Laurence Mouillefarine is a journalist, art market expert, and author of books on jewelry. Diana Scarisbrick is an art historian specializing in jewelry; she is the author of numerous publications and curator of many international jewelry exhibitions. Vivienne Becker is a London-based jewelry historian, journalist, and author of more than twenty books on the history of jewelry design and contemporary jewelry.

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460 illustrations

This showcase of new jewellery offers a global view of exciting work from nearly 200 cutting-edge jewellery designers. It highlights the diverse forms that contemporary jewellery takes, from simple wedding or commitment rings, to elaborate body jewellery that blurs the boundaries between art and adornment, to catwalk jewellery specially commissioned for couture collections. Adorn includes pieces made using the latest industrial technologies and processes, as well as more traditional methods and materials. Because most jewellers’ work crosses themes, categories and styles, and is produced using a variety of techniques, the chapters are arranged by type of jewellery and each designer might feature in several chapters. In this way, from headpiece to toe ring, the book takes the reader on a visual journey around the body and provides a rich source of inspiration for anyone looking to design, commission or buy their own jewellery.

Amanda Mansell graduated from the Royal College of Art, London with an MA in Goldsmithing, Silversmithing, Metalwork and Jewellery. She has been a designer–maker for 10 years, working from her workshop in Hatton Garden, London’s famous jewellery quarter. She manages the jewellery archives at the Royal College of Art and is the owner and director of a contemporary jewellery gallery in London.

Cartier’s peerless designers have continued to amaze decade after decade - from the 1930s into the twenty-first century - with their fanciful and trendsetting creations. Figurative pieces comprise a significant portion of the house’s collection - a veritable menagerie that includes bejeweled roosters and cobras cohabitating with tigers and angelfish. In addition to whimsical fauna and resplendent flora, Cartier crafted items of precisely mastered abstraction, from virtuoso work in gold to chromatic harmonies ranging from subtle to bold. The second half of the twentieth century was to provide an inexhaustible repertoire of forms for decorative objects and finery. Close-ups of hundreds of Cartier pieces are supplemented with archival drawings, as well as society and fashion photographs. This volume chronicles the rise of a pioneering firm and illustrates the power of constantly renewed styles based on a fine balance between imagination and know-how, creativity and experience. Fashion writer Nadine Coleno situates the emergence of Cartier’s creations in their historical and stylistic context. This volume offers an eloquent tribute to the multiple talents that have transformed the name of a dynasty of jewelers into the universal gold standard in jewelry design.

The firm of Tiffany & Co. has long been regarded as America's premier maker and retailer of fine luxury goods. This is especially true in the case of jewellery, an area in which the company emerged as an arbiter of taste and style by the mid-19th century. Charles Lewis Tiffany, one of the founders of the firm, was astutely aware of the desire of newly emerged elites for high-style jewels that would rival those owned by European aristocrats. A savy entrepreneur, Tiffany would eventually purchase part of the French Crown jewels for his American clients, selling them along with outstanding diamonds, precious gem-set jewellery, and Swiss-made watches. All would bear the company's mark and by the end of the 19th century, the brand was firmly established.

While Tiffany & Co. lavishly met the luxury needs of America's well-to-do, they also passionately developed an American style, promoting American materials and motifs. Their displays at the International Expositions met with great success, further increasing their reputation in the world-wide market. They were also quick to adapt technological advances, including the raised diamond mount ("Tiffany setting"), new diamond-cutting techniques, and a system of hallmarking. Charles Lewis Tiffany's successors in the 20th century continued to create extraordinary adornments designed by outstanding artists such as Louis Comfort Tiffany, Jean Schlumberger, Angela Cummings, Elsa Peretti, and Paloma Picasso. This book, through a series of original essays, pays tribute to the firm's enduring ingenuity.