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This title offers information that ranges from birth to death and beyond. This book depicts people at some of the most emotional moments of their lives. For more than seven years Anders Ryman traveled the world documenting life cycle rituals. The result is a book that in intimate and stunning pictures portrays more than thirty rituals from all parts of the globe. The rites range from the blessing of the newborn in a small village in Spain to a girl's initiation into womanhood among the Apaches of Arizona; from the Xhosa male initiation ceremony in South Africa to the communion with the dead during Todos Santos in Bolivia; from a woman's first childbirth in Palau to the wedding ceremonies in the Shinto shrines of Tokyo. This book is about the journey through life, about cultural diversity and what unites us all as human beings.

It is 1842: Pietro, a skilled caulker, leaves Lake Como and settles at Sarnico on Lake Iseo. This was the start of the Riva adventure. First he built fishing boats, then steamboats, followed by his first speedboats and pleasure boats. In the 1950s and 1960s the Riva Boatyard was internationally successful and the motorboats produced by Carlo, the latest embodiment of the family spirit, eclipsed the reputation of imported watercraft. The period that followed saw a marked evolution in the principles of design and construction of pleaseure craft. Materials changed, there were new technologies and uses.

The boats launched at Sarnico were designer products, appreciated for their form, the quality of their engines and the care lavished on the details of construction. In May 2000 Ferretti Spa, in the person of the president Norberto Ferretti, took over the yard with a clear commitment to safeguard and develop Riva's corporate culture.

Aquariva now paid tribute to Aquarama, reinventing its type and "embodying the principle of the evolution of the Riva guidelines in the most advanced technological scenario". There followed founding models such as Rivarama and Rivale, Ego, Ego Super and Sportriva.

In the pages of this book, Decio Giulio Riccardo Carugati relates, in his characteristic manner, a story, the history of a legend, the evolution of a myth. Refined illustrations present the finest images of some of the best-known craft and the people who have helped to create the intriguing and fascinating world of yachting in over a century.

1950s French Riviera: a haven for movie stars who came to the Cannes Film Festival and then stayed on. Away from agents and studio heads, they could relax with their families and spend their days by the pool at the famous Eden Roc, or exploring the tiny sunbaked villages along the coastline. In the evenings there was a glittering choice of events - gala nights, the Sporting d’Ete, or dinner and dancing at Les Ambassadeurs in Cannes. Irish photographer Edward Quinn stepped, by accident, into this international society when visiting a friend in Monte Carlo a few years after the war. He fell in love with the Côte d’Azur and realised he might make his living photographing the stars taking their ease, off the screen.

The stars he photographed are names that are a roll call of cinematic artistocracy: Garbo, Taylor, Brando, Grant, Peck, Bergman, Hayworth, Hepburn, Cooper, Welles, Loren, Lollobrigida, Dietrich…and of course Grace Kelly and Prince Rainier.

Many of these photographs have never been exhibited or published before. They are a record of an age when "star quality" came with a lifestyle to match, when tiaras, ballgowns and dinner jackets were de rigeur every evening: an age of elegance.

156 duotone photographs

The French Riviera of the Fifties was an exciting place with much change in the air. Rock and roll and the bikini, existentialism and the atom bomb. Edward Quinn chronicled a playground that was influenced by international trends, but very much its own universe. On the Riviera every night was a party.

Born in Dublin in 1920, Edward Quinn played Hawaiian guitar in Belfast, then went into the Royal Air Force. He eventually made his way to the Cфte d'Azur, where he photographed world leaders, glamour girls and playboys, as well as figures from the worlds of art, music and literature. His most memorable work included images of an unknown Audrey Hepburn, Grace Kelly's first meeting with Prince Rainier, and a precocious Brigitte Bardot. His exacting eye showcased Picasso, T.S. Eliot, and Gary Cooper. With a polished technique and great patience and charm, Quinn caught some of the post-war Riviera's most memorable moments.

* A tantalizing look at post-war leisure, sure to appeal to photography aficionados and culture buffs alike
* Packaged in a special linen slipcase, and accompanied by an authentic Edward Quinn photo print, signed by his widow Gret Quinn
* A must-have for lovers of Riviera glamour, fifties-style

The history of jazz, which began at the start of the 20th century, is the story of artists who developed their music especially in big cities like New Orleans, Chicago or New York. The roads of jazz are marked by great names and they present different styles; they do not end in America but reach every continent.

6 CDs present the music of different jazz styles, from classic New Orleans jazz, swing and bebop up to cool and West Coast jazz. The recordings of creative innovators or of jazz musicians who were typical at a certain time demonstrate the development of the music.

This stunning collection showcases this legend’s most famous works as well as some recently re-discovered images.

Born in Budapest in 1913, the self-schooled Robert Capa is considered the father of photo-journalism.

A fervent anti-war campaigner, it was his powerful record of the Spanish Civil War that brought him global fame. On moving to the USA in 1939, he became a war correspondent for Life magazine and the US military and cofounded the Magnum photo agency. His fearless chronicle of the Allied landings gained critical and public acclaim. Capa’s untimely death in 1954 came after a serious landmine injury in Vietnam.

 - A worthy tribute to a crucial figure in photo-journalism
 - A fascinating chronicle of some of the 20th-Century’s key moments

A photographic view of the world through the eyes of a driven humanist, including hundreds of previously unseen images and encompassing the suffering of his work, as well as the tenderness, humor, and wonder of his subjects

Capa's (1913-1954) photographs have become icons of the horrors and futility of war. This volume contains some of his most dramatic pictures of the battles he covered the Spanish Civil War, the Japanese invasion of China in 1938, the European theater during WWII, the Israeli War for Independence in 1948 and the French-Indochina War.

Capa risked his life to capture these images, going ashore in Normandy with the first wave of troops to hit Omaha Beach on D-Day, parachuting into Germany with American troops in 1945 and accompanying French soldiers on a mission in Vietnam, where he was killed when he stepped on a land mine. Whelan (Alfred Stieglitz: A Biography) points out that Capa showed sympathy for soldiers and civilians on both sides of every conflict, and the compassionate aspect of his work is underscored by the inclusion of sensitive pictures that have nothing to do with war, such as scenes of Chinese children playing in the snow and a U.S. medic treating a German soldier in 1943.

This beautifully produced book is a fitting tribute to one of the great photographers of our time.

Capa's (1913-1954) photographs have become icons of the horrors and futility of war. This volume contains some of his most dramatic pictures of the battles he covered the Spanish Civil War, the Japanese invasion of China in 1938, the European theater during WWII, the Israeli War for Independence in 1948 and the French-Indochina War.

Capa risked his life to capture these images, going ashore in Normandy with the first wave of troops to hit Omaha Beach on D-Day, parachuting into Germany with American troops in 1945 and accompanying French soldiers on a mission in Vietnam, where he was killed when he stepped on a land mine. Whelan (Alfred Stieglitz: A Biography) points out that Capa showed sympathy for soldiers and civilians on both sides of every conflict, and the compassionate aspect of his work is underscored by the inclusion of sensitive pictures that have nothing to do with war, such as scenes of Chinese children playing in the snow and a U.S. medic treating a German soldier in 1943. This beautifully produced book is a fitting tribute to one of the great photographers of our time.

This is the first book to reproduce the definitive set of 937 rarely seen and classic images by Robert Capa (1913-54), one of the most influential documentary photographers of the twentieth century. Capa, a founding member of Magnum photographic agency, had the mind of a passionate and committed journalist and the eye of an artist. His lifework, consisting of more than 70,000 negatives, constitutes an unparalleled documentation of a crucial 22-year period (1932-54), encompassing some of the most catastrophic and dramatic events of the last century.

This book represents the most definitive selection of Capa's work ever published - 937 photographs meticulously selected by his brother Cornell Capa (himself a noted Life photographer), and his biographer, Richard Whelan. The photographs, arranged in chronological order as stories and accompanied by brief commentaries, reveal the dramatic shifts in location and subject matter that Capa experienced from day to day - from war-torn Israel to Pablo Picasso on a sunny beach in France, and from Ernest Hemingway carousing in London to Capa's historic images of the Allied landing on Omaha Beach in Normandy in 1944.

About the Authors:

Robert Capa, born in Hungary, was known for his extreme bravery, amazing eye, and irresistible charm. He was a co-founder of the Magnum cooperative picture agency and died in 1954 after stepping on a landmine while on an assignment in Indochina. His life and work were inextricably linked, and both have had a marked influence on generations of photographers.
Richard Whelan is an outstanding authority on Capa's life and work. He is a New York-based independent cultural historian and the author of several books, including acclaimed biographies of Robert Capa and Alfred Stieglitz.

Robert Capa, the most celebrated photojournalist of the 20th century and a founder of Magnum Photos, used Paris as a global platform for his photog­raphy throughout his career. Robert Capa: The Paris Years 1933–1954 tells Capa’s story by focusing on his Paris studio.

Recently many artefacts have surfaced, including the so-called “Mexican suitcase,” which contained Capa’s Spanish civil war negatives. These newly discovered documents, which were either created in or found in his Paris studio, are featured in the book.

With original textual analysis and both rare and renowned images, Robert Capa offers a newly informed, fresh look into the life of this revered photographer.

Robert Doisneau (1912-1994) is best known for his magical, timeless 35mm street portraits taken in Paris and its suburbs. Fresh, unstaged, and full of poetry and humor, his photographs portray everyday people (in everyday places, doing everyday things) frozen in time, unwittingly revealing fleeting personal emotions in a public context. Doisneau`s gift was the ability to seek out and capture, with humanity and grace, those little epiphanies of everyday Parisian life. This book traces Doisneau`s life and career, providing a wonderful introduction to the work of this seminal photographer.

Robert Doisneau (1912–1994) is one of the most important representatives of humanistic photography. For many years he has been looked upon as the minstrel of picturesque Paris, with a charming eye and a unique sense of the unexpected visual anecdote. As a result he has been championed as a poet of the "pure" moment. Doisneau's oeuvre is however much deeper and complex than that reputation suggests.

Contemplating his work as a whole, one discovers Doisneau's pleasure in creating a language to capture the treasures of everyday life. The sensitivity and naturalism of his approach slowly reveal themselves: his images of the modest architecture of the Parisian suburbs for example display gravity, irony and even a degree of hard-heartedness.

The Fondation Cartier-Bresson has organized an exhibition of around 100 original prints from Doisneau's estate. From Craft to Art, the catalogue for the upcoming exhibition, presents these treasures alongside a new version of Jean-François Chevrier's essay, first published in 1983, which explores Doisneau's rare ability to capture "the shining melancholy that separates an individual from the crowd".

Doisneaus photographs of the now vanished Les Halles evoke nostalgia for the days when the vast market, which sprawled haphazardly over the center of the city, was known as the belly of Paris. Once alive with the cries of fruit-sellers, fish-vendors, butchers, and florists, the scent of brightly-colored flower bouquets intermingling with wafts of freshly baked bread, and heaving with swarms of market-goers, today there is no trace of the nine-hundred-year-old market place that used to stand in the center of Paris at Les Halles.

The immense Baltard Pavilions were torn down in 1971 to make way for a modern underground shopping precinct, but Parisians still hold a special affection for days gone by when, to borrow an expression used by Émile Zola, the bustling markets formed the belly of their city. One such Parisian in particular was Robert Doisneau, one of the best loved French photographers of all time. Driven by his relentless curiosity and a sense of social conscience, Doisneau paced the Pavilions and their neighboring streets at length, and here he captured the heart of daily life at Les Halles.

Many of Doisneaus romantic photographs have become iconic representations of twentieth-century Paris, but this volume exhibits some of his lesser-known but nonetheless extraordinary works. He had an uncanny capacity for capturing poetry in ordinary moments: a smiling fruit-seller bellows from behind a pyramid of oranges, while a fish-vendor hauls a cart of gigantic fish past a mountain of flower bouquets ready to grace Parisian dinner tables, which you can virtually smell.

Doisneau has immortalized the bustling magic of Les Halles in his bold and busy photographs. Coinciding with the long-awaited redevelopment of this area that began in 2011, this volume plunges the reader back through time to the sights, smells, sounds, and tastes of the vanished era of Doisneaus Les Halles, whilst commentary from the photographers personal notebooks places his images in their economic and political context.

First published in France in 1958, then in the United States in 1959, Robert Frank’s The Americans changed the course of twentieth-century photography. In eighty-three photographs, Frank looked beneath the surface of American life to reveal a people plagued by racism, ill-served by their politicians, and rendered numb by a rapidly expanding culture of consumption. Yet he also found novel areas of beauty in simple, overlooked corners of American life. And it was not just Frank’s subject matter — cars, jukeboxes, and even the road itself — that redefined the icons of America; it was also his seemingly intuitive, immediate, off-kilter style, as well as his method of brilliantly linking his photographs together thematically, conceptually, formally, and linguistically, that made The Americans so innovative. More of an ode or a poem than a literal document, the book is as powerful and provocative today as it was fifty-six years ago.