Фото

The Studio Photographer’s Lighting Bible explores lighting through the working relationships of the studio photographer, and the skills and techniques used for lighting in other disciplines. Covering commercial, practical, technical and creative issues, it identifies how studio photographers can work successfully with other professionals, what skills they can learn from related fields, and how they can use these to benefit their own work.

Showcase images, backed up with clear 3-dimensional lighting set-up diagrams, are presented as case studies, from brief to final image, to give readers solid practical knowledge and reveal successful working methods. These cover creative and technical issues, unusual techniques, tools and equipment, props, and accessories. Instances in which the requirements for digital and film photography differ are highlighted, and key features and considerations, including postproduction issues, are noted.

Книга "The Studio Photographer’s Lighting Bible" содержит практические советы и раскрывает профессиональные секреты успешной работы в студии. Интервью со специалистами по освещению, работающими в других сферах, позволят узнать об альтернативных взглядах на многие вопросы, а интервью с профессионалами из смежных областей позволят понять, каким образом добиться успеха, работая в команде.
В рассказе о жизни студийного фотографа Кэлви Тэйлор-Хоу делится с читателями своими знаниями, а также радостями, составляющими каждодневную работу человека этой уникальной профессии. Его впечатляющие снимки выбраны из каталога, который составлялся более сорока лет; они иллюстрируют все ключевые творческие решения и технические вопросы, а также демонстрируют использование самых необычных подходов, инструментов, приборов и объектов.

Vanity Fair parties have become a legend of their own. Larry Fink, famous for a keen, uniquely sensual documentary eye, has been the official photographer of these events. His look is clear and honestly searing; his flashlight is married to the instant in devilishly expressive ways. He shows the main celebrities of the glamorous movie world anxiously at leisure.

Die Oscar-Partys von Vanity Fair sind in den letzten zehn Jahren selbst zur Legende geworden. Diese Gipfeltreffen der größten Hollywoodstars sind das ultimative Stelldichein der Schönen, Berühmten, Glamourösen und Reichen. Larry Fink, berühmt für sein scharfes, lustvoll-dokumentarisches Auge ist seit zehn Jahren offizieller Vanity Fair-Photograph der Veranstaltung. Sein Blick auf Superstars und ihre Entourage steht in starkem Kontrast zu allem, was wir vom offiziellen Hollywood kennen und erwarten: Er ist klar und unerbittlich. Und sein Blitzlicht verbündet sich in diabolisch aufschlussreicher Weise mit dem viel zitierten Augenblick. Seine Bilder halten die Atmosphäre der Partys fest, die an Soireen an einem königlichen Hof erinnern. Mit seinem sinnlichen und intuitiven Auge zeigt uns Larry Fink die wichtigsten Stars der glamourösen Filmwelt in krampfhaft guter Laune.

VICE’s irreverence and determination not to kowtow to advertisers has led to an aesthetic that began simply as unique but has grown into a culture that has defined an entire epoch of underground photography. Whether it’s ex-cons showing how to make a shiv-proof vest out of National Geographics or the homeless garbage eaters in Bangladesh posing for a hipster fashion shoot, VICE is never satisfied with simply presenting a well-composed photograph. There’s always a story and that is precisely why VICE photography is as respected as it is imitated.

The book will be divided into five parts. "Vice Photographers" will juxtapose the work of established names (see above) against up-and-comers like Jamie Warren, Jerry Hsu and Patrick O’Dell. After interviews with and portfolios from seven of each group, we’ll turn to "Vice’s Photojournalism" highlights. These images will be culled both from the magazine’s editorial content over the years and from the photo issues VICE has put out annually since April 2001. The third section will be "Vice Fashion," which includes shoots like "Anna Wintour, You’re Wrong" wherein VICE featured overweight women in seductive poses, or the "Sex Issue’s" fashion shoot that had every well-dressed model fornicating with the next. The final two sections are a collage of previously published VICE favorites and new stuff discovered since the last photo issue.

The result is an eye-popping anthology that beautifully illustrates the best of recent alternative photography from around the world.

Broodingly powerful, intensely emotional, seductively erotic, and always dramatic, this collection of 142 truly extraordinary images bears witness to the career of one of our greatest photographers.

Albert Watson has made his mark as one of the world's most successful fashion and commercial photographers during the last three decades, while creating his own art along the way. Over the years, his striking images have appeared on more than 250 covers of Vogue and have been featured in countless other publications - many of the photographs iconic portraits of rock stars, actors and other celebrities. Albert Watson, born in Edingburgh in 1942, is among the world's most revered fashion and commercial photographers. He studied graphic design and film before launching his career in photography in Los Angeles in 1971. He moved to New York in 1976 and began photographing extensively for magazines as Vogue, Harper's Bazaar, GQ, Live, Time, Rolling Stone and Stern. He was the official Royal Photographer for Prince Andrew's wedding to Sarah Ferguson.

The vivid voices that speak from these pages are not those of historians or scholars. They are the voices of ordinary men and women who experienced - and helped to win - the most devastating war in history, in which between 50 and 60 million lives were lost.

Focusing on the citizens of four towns - Luverne, Minnesota; Sacramento, California; Waterbury, Connecticut; Mobile, Alabama; - The War follows more than forty people from 1941 to 1945. Woven largely from their memories, the compelling, unflinching narrative unfolds month by bloody month, with the outcome always in doubt. All the iconic events are here, from Pearl Harbor to the liberation of the concentration camps - but we also move among prisoners of war and Japanese American internees, defense workers and schoolchildren, and families who struggled simply to stay together while their men were shipped off to Europe, the Pacific, and North Africa.

Enriched by maps and hundreds of photographs, including many never published before, this is an intimate, profoundly affecting chronicle of the war that shaped our world.

The world of watches is in transition; so-called smart watches are playing a larger role. However, classic timepieces with mechanical movement will not disappear from people’s wrists, because the ticking of a mechanical watch has been and will continue to be the heartbeat of human culture. After the success of The Watch Book in 2015, the new follow-up volume, just as beautifully done, is a must-have. Informative text and many pictures highlight 22 additional watch brands and show their unique features and quirks. However, this book includes a much broader spectrum of timepieces than the previous volume: along with many watches that fall into the “affordable luxury” segment, there are timepieces from the chronometric crème de la crème. Along with long-standing traditional brands, the book profiles newer ones whose unusual designs and exclusive technical developments have contributed to the history of the watch.

This volume also includes a helpful glossary of important terms, making The Watch Book II an absolute must for both timepiece experts and collectors and those new to the world of watch artistry.

 - Renowned watch expert and historian Gisbert L. Brunner shares his expansive knowledge with us once more
 - This volume picks up where the previous one left off
 - A can’t-miss gift for watch collectors and connoisseurs

The Watch Book I and II in one volume: Expansive knowledge from renowned watch expert and historian Gisbert L. Brunner alongside almost 1,000 high-quality color photographs brings together the latest innovations and most important names in top-end timekeeping under one roof. Few objects combine function, elegance, and status as well as a wristwatch.

A blend of precise mechanics, craftsmanship, fine materials, and innovation distinguishes the truly superlative examples. With so-called smart watches playing a larger role, the world of watches is in transition. However, classic timepieces with mechanical movement will not disappear from people's wrists, because the ticking of a mechanical watch has been and will continue to be the heartbeat of human culture. After their individual success, the bestsellers The Watch Book I and The Watch Book II are finally available together in one comprehensive volume. Readers can feast their eyes and minds on a magnificently-illustrated and well-documented chronicle of the world's best timepieces.

Portraits of more than 40 watch brands, from premium manufacturers Patek Philippe, Rolex, and Cartier to watches from the "affordable luxury" segment, right up to timepieces from the chronometric creme de la creme. We explore their unique features and quirks and learn about the remarkable breakthroughs and exclusive technical developments that have contributed to the history of the watch. This volume also includes a helpful glossary of important terms, making it an absolute must for both timepiece experts and collectors and those new to the world of watch artistry.

133 color photographs

A series of panoramic photographs were taken of an alpine view from the balcony of a mountain lodge called the Rechenau, near Kiefersfelden in Bavaria. Maryam and Rolf Sachs focused their camera on two majestic mountain peaks, ‘Der Zahme Kaiser’ (The Tame Emperor) on the left and ‘Der Wilde Kaiser’ (The Wild Emperor) on the right, that lie over the German border in Austria. The discipline for the project was rigorous, throughout 2004 the camera, which was housed in a purpose built shelter shot over 50,000 photographs, each taken every 10 and half minutes. The pictures succeed in capturing nature’s ever changing moods.

Rolf Sachs studied business management and is a renowned London-based furniture and object designer. Maryam Sachs who holds a Masters in International Affairs, has published anthologies such as ‘Der Mond’ (the moon) and ‘Der Kuss (the kiss).

* Includes a Foreword by Wilfried Dickhoff, noted art critic and curator of such exhibitions as the Art Project “In Between” at the EXPO 2000

133 color photographs

A series of panoramic photographs were taken of an alpine view from the balcony of a mountain lodge called the Rechenau, near Kiefersfelden in Bavaria. Maryam and Rolf Sachs focused their camera on two majestic mountain peaks, ‘Der Zahme Kaiser’ (The Tame Emperor) on the left and ‘Der Wilde Kaiser’ (The Wild Emperor) on the right, that lie over the German border in Austria. The discipline for the project was rigorous, throughout 2004 the camera, which was housed in a purpose built shelter shot over 50,000 photographs, each taken every 10 and half minutes. The pictures succeed in capturing nature’s ever changing moods.

Rolf Sachs studied business management and is a renowned London-based furniture and object designer. Maryam Sachs who holds a Masters in International Affairs, has published anthologies such as ‘Der Mond’ (the moon) and ‘Der Kuss (the kiss).