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The complete manual to boudoir, one of the fastest growing trends in photography

Once popular mainly with brides, boudoir portraits are now enjoyed by women of all ages to celebrate everything from anniversaries to birthdays to their own independent spirit. This isn’t old-fashioned glamour photography - it’s an altogether new genre, with a focus on flattering the subject and creating stunning, intimate images.
In this one-stop guide, successful boudoir photographer Critsey Rowe reveals all you need to get started with your own boudoir studio, whether you’re an amateur shooting at home or a professional looking to tap into this exciting new revenue stream. Inside you’ll discover:

- A complete guide to boudoir, from equipment, makeup, and styling, to lighting, shooting, and step-by-step retouching.
- Thirty poses to flatter any subject, whatever her body type.
- Essential postproduction techniques to lift, smooth, and tone.
- Tips on making clients comfortable and collaborating with them to produce portraits they’ll love.

Harlots, hoodlums, and heathens in Brassaï's Paris

"Brassaï is a living eye," wrote Henry Miller of the Hungarian–born artist who adopted Paris after World War I and became one of its most celebrated photographers. Originally a painter before he moved on to writing, sculpture, cinema and, most famously, photography, Brassaï (1899-1984) was a member of Paris`s cultural elite, counting Miller, Picasso, Sartre, Camus, and Cocteau, among his friends. Camera in hand, he scoured the streets and bars of Paris, unabashedly capturing the city`s inhabitants in their natural habitats. Prostitutes, hoodlums, and other ‘marginal` characters were the most famous heroes of Brassaï`s moody, gritty photographs taken often by night. Including an extensive selection of Brassaï`s finest photographs and an essay describing his life and work, this book explores the world of Brassaï in thematic chapters: Minotaure magazine, Paris at Night, Secret Paris, Day Visions, Artists of My Life, and Graffiti and Transmutations.

Roaming Paris streets by night in the early 1930s, Brassai created arresting images of the city's dramatic nocturnal landscape. The back alleys, Metro stations, and bistros he photographed are by turn hauntingly empty or peopled by prostitutes, laborers, thugs, and lovers. Paris by night, first published in French as Paris de nuit in 1932, collected sixty of these images, which have since become photographic icons. Original and subsequent editions of the book are highly sought after by collectors. For Brassai, 1932 and 1933 were the most important years in his life: they were the years in which he met Picasso, published Paris by Night - his first book - and collaborated with the Surrealists on the magazine Minotaure. But he distinguished himself from the Surrealist group by commenting, "The surreal effect of my pictures was nothing more than reality made fantastic through a particular vision. All I wanted to express was reality, for nothing is more surreal." The strange, bewitching poetry of Paris by Night faithfully embodies this credo.

Interest in Brassai's work has been fuelled in recent years by major retrospective exhibitions of his work at the Centre Pompidou in Paris, at the Houston Museum of Fine Arts, and at the National Gallery of Art in Washington, D.C. Complementing the catalogues of his work that accompanied these shows, and publishing to coincide with the exhibition Brassai: The Soul of Paris (Hayward Gallery, London, 22 February to 13 May 2001), this long-overdue reissue of Paris by Night in photogravure brings one of Brassai's finest works back into print.

Brassai (1899-1984), born in Hungary as Gyula Halasz, began his artistic apprenticeship in Berlin before moving to Paris in 1923 and launching a career that would establish him as a key figure in the evolution of twentieth-century photography. Brassai's importance as a photographer was recognized early in his career, affording him a privileged position from which to witness the varied aspects and milieus of Parisian life during the 1920s and 1930s. During and just after the war, Brassai collaborated with other artists and writers, and displayed his own artistic proficiency in multiple domains including theatre, cinema, sculpture, drawing, and writing. The late 1940s marked the beginning of a new period in Brassai's life, during which he married and became a naturalized French citizen. In the 1950s and early 1960s, he travelled extensively and executed his original graffiti compositions that would acquire international fame. Toward the end of his life, the artist returned to reading and writing. Brassai, who remained at the cutting edge of avant-garde, refused to espouse a single style; his rich body of work exceeds definition.

This illustrated biography is based largely on unpublished documents and photographs from the artist's personal archives. The author shares stories told to her by Brassai's wife Gilberte and by several of the artist's friends, including Henry Miller, Miro, Henri Michaux, and Raymond Queneau. Filtering a rich variety of sources, "Brassai" offers a very intimate and multi-faceted view of the artist's life and of the bonds that link him and his legendary images to Paris.

Brassaï (1899–1984) war der erste und ist bis heute der berühmteste Chronist des nächtlichen Paris. Als der vielseitig begabte gebürtige Ungar 1924 nach Frankreich kam, stürzte er sich nicht nur mit Begeisterung in das Pariser Nachtleben, sondern begann auch bald, auf seinen nächtlichen Streifzügen durch die Stadt zu photographieren.

Kaum zehn Jahre später, 1932, erschien sein Buch Paris de Nuit, das ihn schlagartig berühmt machte – ein Klassiker der Photoliteratur und phototechnisch gesehen eine damals unerhörte Meisterleistung. Das Licht, die Existenzbedingung jeder Photographie, reduziert sich in Brassaïs Bildern auf ein paar Bühnenscheinwerfer oder Lampen in den einschlägigen Etablissements, auf spärlich erleuchtete Fenster, eine Straßenlaterne im Nebel, Reflexe auf regennassem Asphalt …

Die großzügige Schenkung von Brassaïs Witwe 2002 an den französischen Staat und die Versteigerung seiner Werkstatt 2006 förderten weiteres Bildmaterial zu Tage und riefen Spezialisten und Photohistoriker auf den Plan. Ergebnis ihrer Arbeit ist dieses große Brassaï-Buch, das sich auf seine Nachtbilder der 30er Jahre konzentriert. Angesiedelt zwischen Reportage, Sozialdokumentation und poetischer Vision, ist Brassaïs nächtliches Paris der Zwischenkriegszeit vor allem auch ein Meilenstein in der Geschichte der Photographie des 20. Jahrhunderts.

The first study exclusively dedicated to Brassaï’s night photographs from the 1930s, his most productive period, reconstituting their genesis and their chronology through Brassaï’s various influences and complexity.

Born and raised in Syracuse, New York, Brian Bowen Smith became a professional photographer by a less traditional route than most. While performing as a pro athlete, Bowen Smith happen to catch the eye of legendary photographer Herb Ritts, who invited him to appear in a Gap ad campaign. Ritts subsequently became his mentor and friend.

Four years spent as Ritts’ assistant helped Bowen Smith to establish his photographic style, and assignments for W, Vanity Fair, Esquire, Self and Interview soon followed. Now living in Los Angeles, Bowen Smith has established himself as a veteran celebrity and beauty photographer, having worked with some of the best-known TV, music and movie stars of today (both up-and-coming and established), among them Ben Affleck, Jennifer Aniston, Warren Beatty, Orlando Bloom, Adrian Brody, Cindy Crawford, Sheryl Crow, Cat Deeley, Emily Deschanel, James Franco, Scott Glenn, Ethan Hawke, Demi Moore, Carolyn Murphy, Winona Ryder, Brooke Shields, Hillary Swank and Billy Bob Thornton, among many others.

As this first monograph shows, many of these stars have gone on to become close friends. Projects spans the gamut of Bowen Smith’s work, from personal work to commissioned assignments done over the past ten years.

A bridge is a link between two worlds, a point of tension between two separate and often disparate locations. Free, belonging neither to one region or another, the bridge imposes itself upon the landscape and defies nature. Its existence embodies the will of mankind to construct these necessary bonds between people and places. A symbol of progress and innovation, the bridge, anonymous demonstration of the mastery and the durability of new techniques, is gradually becoming more and more light and fluid, constantly defying state-of-the-art technology. As veritable aesthetic creations, bridges appear today not only as examples of masterful engineering, but also as incredible works of art. With its magnificent photographs, this book invites the reader to rediscover these modern-day sculptures.

The British motor industry has created many of the world’s landmark car designs. Its famous names – Jaguar, Bentley, AC, Rolls-Royce, Aston Martin – are inextricably linked with some of the most recognized and coveted cars ever made. Now in an unabridged compact edition, this beautifully presented book gathers together more than 50 of the most significant British cars designed between 1907 and the present. With an introduction describing the often tortuous story of British motoring and its great marques, a succinct description of each car’s history, design and performance, and unparalleled images by one of the world’s foremost car photographers, this book is an authoritative tribute to the nation that gave the world the sports car.

New compact edition of this bestselling title, featuring many of the most seductive and exhilarating cars ever made

Includes biographies of all the key designers, a full technical glossary and details of where the cars may be seen worldwide

A lavishly illustrated book that will appeal to classic car enthusiasts

Great Britain’s role in shaping the history of the automobile cannot be overestimated. The British motor industry has been responsible for many of the world’s landmark car designs, and its famous names – including Jaguar, Bentley, AC, Rolls-Royce, Aston Martin, MG and Lotus – are inextricably linked with some of the most recognized and coveted models ever made. Now reissued in hardback format, this beautifully presented book gathers together more than 50 of the most significant and seductive British cars designed between 1907 and the present day, from the Roll-Royce Silver Ghost to the Jaguar XK180. With an introduction describing the often tortuous story of British motoring and its great marques, a succinct description of each car’s history, design and performance, and unparalleled images by one of the world’s foremost car photographers, this book is an authoritative tribute to the nation that launched the sports car.

• A reformatted hardback edition of this bestselling title, featuring many of the most exhilarating cars ever made
• Includes biographies of all the key designers, a full technical glossary and details of where the cars may be seen worldwide
• A lavishly illustrated book that will appeal to classic car enthusiasts

BRUMMM is a bi-annual visual feast for any and every motorcycle lover. The tempting bookazine acts as both an archive and platform for outstanding motorcycle photography: an event rarely found in the popular magazine world. A glimpse through the eyes of photographers who possess a notorious passion for purring engines, this collection of images promises to convey personal stories, provide exclusive insights into otherwise closed collector garages, preserve archival treasures, and capture iconic events. BRUMMM encapsulates a timeless experience, one which will be taken from your shelf time and time again.

A treasure trove of pin-up girl images from photographer Bunny Yeager, celebrated for her playfully erotic photos of Bettie Page that continue to influence photography and fashion today.

The only woman pin-up photographer of her day, Bunny Yeager was also a model in her own right. After winning several beauty pageants in Miami, Yeager went to photography school, and in 1955, she hit the jackpot with her shot of Bettie Page scantily clad in a Santa hat, which sold instantly to the fledgling Playboy magazine. The beginning of a long collaboration, her photographs of Bettie have now been featured on more magazine covers than those of Marilyn Monroe.

This glamorous volume gathers more than a hundred lens-fogging photographs embodying the naughty girl-next-door eroticism of pin-up culture. Culled from Yeager’s extensive archive, the collection includes her most iconic shots of the legendary Bettie as well as many previously unpublished images.

Yeager’s pioneering self-portraits and excerpts from her charming 1960s how-to manuals are featured alongside dozens of wholesome beauties shot in the studio and on location.

A fun and sexy book, it is sure to tap into the current burlesque trend and the popularity of glamour photography and vintage American culture.

About the Author

Petra Mason is a cultural historian and creative director whose East Coast-centric book credits include: Last Train to Paradise: Centennial edition, South Beach Stories, The Carlyle, In the Spirit of Miami Beach and New York. Photographic installations include: The Glass House Icon Project.
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Пролистать книгу  Bunny Yeager's Darkroom: Pin-up Photography's Golden Era

On one side, Dita Von Teese shares the beauty of the burlesque world, with bubblegum dreams and show tunes to strip to. Flip over for fantasies in fetish with dramatic costumes and the allure of submission.

Burlesque and the Art of the Teese

"I advocate glamour. Every day. Every minute."

I'm a good dancer and a nice girl, but I'm a great showgirl. I sell, in a word, magic. Burlesque is a world of illusion and dreams and of course, the striptease. Whether I am bathing in my martini glass, riding my sparkling carousel horse, or emerging from my giant gold powder compact, I live out my most glamorous fantasies by bringing nostalgic imagery to life.

Let me show you my world of gorgeous pin-ups, tantalizing stripteases, and femmes fatales. I'll give you a glimpse into my life, but a lady never reveals all.

Fetish and the Art of the Teese

You may have come for the fetish. Or you may just be sneaking a peek at this mysterious and peculiar other side. No matter what you've come for, there is something for you to indulge in.

My world of fetish may not be the one that you would expect. As a burlesque performer, I entice my audience, bringing their minds closer and closer to sex and then -- as good temptress must -- snatching it away. As a fetish star, I apply the same techniques. . . .

An opera-length kid leather glove, a strict wasp waist, an impossibly high patent leather heel, a severely painted red lip. . . . Come with me into my world of decadent fetishism.

It was the Belle Époque, a time before air travel or radio, at the brink of a revolution in photography and filmmaking, when Burton Holmes (1870–1958) began a lifelong journey to bring the world home. From the grand boulevards of Paris to China’s Great Wall, from the construction of the Panama canal to the 1906 eruption of Mount Vesuvius, Holmes delighted in finding “the beautiful way around the world” and made a career of sharing his stories, colorful photographs, and films with audiences across America. As a young man, Holmes was mentored by John L. Stoddard, a pioneer of the U.S. travelecture circuit, who passed on his well-established mantle when he retired. Holmes roamed the globe throughout the summer and traversed the United States all winter, transforming the staid lecture tradition into an entertaining show. He coined the term “travelogue” in 1904 to advertise his unique performance and thrilled audiences with two-hour sets of stories timed to projections of multihued hand-painted glass-lantern slides and some of the first “moving pictures.” Paris, Peking, Dehli, Dubrovnik, Moscow, Manila, Jakarta, Jerusalem: Burton Holmes was there. He visited every continent and nearly every country on the planet, shooting over 30,000 photographs and nearly 500,000 feet of film. This book represents the best of the Holmes archive, brimming with brilliant color photographs not published in decades. A rare window on the world of 100 years ago, Burton Holmes Travelogues will transport you to a time that has all but evaporated, and inspire you to strike out on a journey of your own.

It was the Belle Époque, a time before air travel or radio, at the brink of a revolution in photography and filmmaking, when Burton Holmes (1870–1958) began a lifelong journey to bring the world home.

From the grand boulevards of Paris to China’s Great Wall, from the construction of the Panama Canal to the 1906 eruption of Mount Vesuvius, Holmes delighted in finding “the beautiful way around the world” and made a career of sharing his stories, colourful photographs, and films with audiences across America. He coined the term “travelogue” in 1904 to advertise his unique performance and thrilled audiences with two-hour sets of stories timed to projections of multihued, hand-painted glass-lantern slides and some of the first “moving pictures.”Paris, Beijing, Delhi, Dubrovnik, Moscow, Manila, Jakarta, Jerusalem: Burton Holmes was there. He visited every continent and nearly every country on the planet, shooting over 30,000 photographs and nearly 500,000 feet of film. This book represents the best of the Holmes archive, brimming with brilliant colour photographs. A rare window onto the world of 100 years ago, it is also the ultimate inspiration to strike out on a travel adventure of your own.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

Celebrating BUTT magazine`s fifth anniversary, this book is a selection of the most fantastic and the most ridiculous
interviews and photos that have appeared in BUTT so far. This anthology also finally makes a lot of material from the now rare, earlier issues of BUTT available again. For your (in)convenience, the timeline in the book runs backwards, from the here and now all the way back to the summer of 2001, when the first issue of BUTT landed with a bang.

Like the magazine itself, this book offers an often amazingly realistic view on today`s homosexual man, including conversations with Michael Stipe, Gus van Sant, Rufus Wainwright,Marc Jacobs, as well as contributions from Wolfgang Tillmans, Terry Richardson, Hedi Slimane, Asianpunkboy, and Helmut Lang, just to name a few. "BUTT has single-handedly pioneered the notion of a smart, literate gay magazine yet also manages to be very dirty," notes filmmaker Bruce LaBruce in his foreword. "BUTT matters. BUTT fills a hole."

With sexy pictures of, and candid interviews with: Asianpunkboy, Bruce Benderson, Peter Berlin, AA Bronson, Christopher Ciccone, Martin Degville, Tommy Deluca, Ed Droste, Al Eingang, Thomas Engel Hart, Marc Jacobs, Heinz Peter Knes, Marcelo Krasilcic, Bruce LaBruce, Inez van Lamsweerde, Lutz, Ryan McGinley, Alasdair McLellan, Matmos, Walter Pfeiffer, Terry Richardson, Paul Rutherford, Gus van Sant, Jeremy Scott, Jake Shears, Casey Spooner, Michael Stipe, Jonsi Thor Birgisson, Wolfgang Tillmans, Viktor & Rolf, Dominic Vine, Matthias Vriens, Rufus Wainwright, John Waters, Edmund White, Bernhard Willhelm, and Jonny Wooster.