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A visual history of the 20th century, the photographs in this volume cover events which range from the hard history of politics to new inventions, the arts, society and fashion. The images have been drawn from international agencies such as Life, Magnum, Picture Post and Stern. The book is divided into six chronological sections corresponding to significant historical moments. Each section opens with a short historical overview which introduces the main concerns during the period covered. There is also a selection of quotations which capture the flavour of the period covered. There are extended captions at the end of each section providing historical information about each photograph.

This selection of over 1,000 photographs was assembled under the direction of the photo editor of London's Sunday Times Magazine, Bruce Bernard, who provided the text. These photographs provide a wide scope of 20th-century life. Most are documentary in style, representing major historical events, but the worlds of fashion, entertainment and popular culture are represented, too.

85 colour plates

The first joint project of photographer Bettina Rheims and writer/art critic Serge Bramly. The cultivated literary confessions of Monsieur X, a perfectly discreet voyeur with an obsessive curiosity about the female body, are set against photographs speaking a far clearer language that tells of female eroticism and exhibitionism as no one else does.

Charlie Chaplin was one of Hollywood s most pivotal stars. He lived an interesting life both in his films and behind the camera. He is most recognized as the icon of the silent film era, mostly as the little tramp ; the man with the toothbrush moustache, bowler hat, bamboo cane, and a funny walk. He was born in London in 1889 to music hall-performing parents. After his parents split, he and his half brother spent time in and out of charity homes and workhouses between their mother's bouts of insanity. He started acting at 8, and began to tour with a vaudeville troupe that visited America. He never looked back. In 1913 in California, he signed on with Keystone Studios' popular comedy director Mack Sennett. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all. In November 1914 he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917 Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919 he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA). Chaplin was married four times and had a total of 11 children. He is considered one of the greatest filmmakers in the history of cinema.

The oversized volume "China" is sheer beauty from cover to cover, with 238 magnificent photos depicting sites obscure and well-known across the vast, ancient country.

We see scenes from such popular tourist sites as the Forbidden City, the terra-cotta soldiers of the Emperor Qin and the Great Wall. But we also get to see the lakes of Huanglong Valley, the Yungang Grottoes, vast gardens and the spectacular countryside; the imperial palace; the earthen houses of Fujian province; the skylines of China's thriving and modern cities, mountainside temples rising through the mist and much more.

The oversized volume "China" is sheer beauty from cover to cover, with 238 magnificent photos depicting sites obscure and well-known across the vast, ancient country.

We see scenes from such popular tourist sites as the Forbidden City, the terra-cotta soldiers of the Emperor Qin and the Great Wall. But we also get to see the lakes of Huanglong Valley, the Yungang Grottoes, vast gardens and the spectacular countryside; the imperial palace; the earthen houses of Fujian province; the skylines of China's thriving and modern cities, mountainside temples rising through the mist and much more.

Arguably the most famous fashion designer of the twentieth century, Christian Dior created feminine fashions that were desired, worn, and emulated by women around the world.

This lavishly illustrated volume explores the brilliance behind Dior's dramatic creations, which revived the entire Paris haute couture industry after the devastation of World War II.

This volume features the Royal Ontario Museum's collection of Christian Dior couture, accompanied by sketches and material from Christian Dior Heritage along with photographs of the collection taken by world-renowned Dior photographer Laziz Hamani. In addition to showcasing Dior's most striking designs, from daytime to evening wear, the book examines how the lighthearted and contoured "New Look" swept away the gloom and gravity of the wartime silhouette, and explains the innovative dressmaking techniques behind key Dior signatures.

Christian Dior is an essential read for anyone interested in fashion, art, culture, and history.

The first monograph of one of the most exciting contemporary photographers, featuring all of his photography series to date and a look behind the scenes

Since the beginning of his career, Swiss-Italian photographer Christian Tagliavini has been fascinated by mise-en-scène photography and Renaissance portraiture. Referencing the painting style of the Old Masters, his carefully-staged photo portraits exude the dignity and composure of 15th and 16th-century courtly culture, meticulously replicating their dimensions, framing, and chiaroscuro effects. After his breakthrough with the series 1503, Tagliavini returns to the art historical theme with his new series, 1406, published for the first time in this book. In his process, however, Tagliavini takes a step further back from the Renaissance artist ideal, presenting himself instead as a “photographic craftsman” who designs each of his costumes and props by hand with a small team.

Particularly elaborate was the work on his most extensive series to-date, Voyages Extraordinaires, for which Tagliavini constructed entire scenes inspired by Jules Vernes’ novels. All of Tagliavini’s series are meticulously composed mise-en-scènes with a stunning, fantastical effect partly reminiscent of his early photographic idols Jeff Wall, Erwin Olaf, and Gregory Crewdson. This Tagliavini monograph includes all of his photographic series to-date as well as the images documenting the evolution of his projects he spent months working on. The result is both a comprehensive Tagliavini catalogue and a fascinating insight into the working process of one of the most original and talented photographers working today.

 About the Author:

Christian Tagliavini was born in 1971 and grew up in Italy and Switzerland. Before his photography career, he worked in engineering and architecture firms and as graphic designer, as reflected in his comprehensive approach.

Katalog Museum of Modern Art New York

Working as her own model for more than 30 years, Cindy Sherman has captured herself in a range of guises and personas, from screen siren to clown to aging socialite. Schirmer/Mosel is publishing the catalogue of her upcoming MoMA retrospective plus, on the occasion, reprints of two seminal series, Clowns and History Portraits

Published to accompany the first major survey of Cindy Sherman's work in the United States in nearly 15 years, this publication presents a stunning range of work from the groundbreaking artist's 35-year career. Showcasing approximately 180 photographs from the mid-1970s to the present, including new works made for the exhibition and never before published, the volume is a vivid exploration of Sherman's sustained investigation into the construction of contemporary identity and the nature of representation. The book highlights major bodies of work including her seminal Untitled Film Stills (1977-80); centerfolds (1981); history portraits (1989-90); head shots (2000-2002); and two recent series on the experience and representation of aging in the context of contemporary obsessions with youth and status. An essay by curator Eva Respini provides an overview of Sherman's career, weaving together art historical analysis and discussions of the artist's working methods, and a contribution by art historian Johanna Burton offers a critical re-examination of Sherman's work in light of her recent series. A conversation between Cindy Sherman and filmmaker John Waters provides an enlightening view into the creative process.
Cindy Sherman (born 1954) is widely recognized as one of the most important and influential artists in contemporary art. To create her photographs, she assumes multiple roles of photographer, model, makeup artist, hairdresser and stylist. With an arsenal of wigs, costumes, makeup, prosthetics and props, the artist has altered her physique and surroundings to create myriad tableaux, from screen siren to clown to aging socialite. Over the past 35 years, Sherman has sustained a provocative investigation into the nature of identity, drawn from movies, television, magazines, the Internet and art history. Sherman lives and works in New York City.

Vor genau dreißig Jahren, 1982, hat Schirmer/Mosel das erste Cindy Sherman-Buch überhaupt veröffentlicht und in die Welt getragen. Die 1954 in Glen Ridge, New Jersey, geborene Künstlerin hat seitdem in atemberaubendem Tempo internationale Anerkennung erfahren, die ihren – bisherigen – Höhepunkt jetzt in der großen Einzelaus stellung im New Yorker Museum of Modern Art findet. Es ist uns zugleich Pflicht und Vergnügen, den zur Retrospektive erscheinenden MoMA-Katalog in einer deutschen Ausgabe vorzulegen.
Mit dem vielschichtigen, zwischen Kunst und Photographie anzusiedelnden Werk Cindy Shermans haben sich seit ihren Anfängen vor gut dreißig Jahren Kunstkritiker und -historiker, Soziologen, Feministinnen und Philosophen auseinandergesetzt. Ihre Selbstportraits, die keine sind, bieten nach wie vor Stoff für gesellschaftstheoretische Diskurse über Gender, Repräsentation, Identität, und die oft radikalen thematischen Brüche von Serie zu Serie werfen immer wieder Fragen nach der Person auf, die hinter all diesen Maskeraden und Inszenierungen steckt.
„Möge die wahre Cindy Sherman bitte vortreten“ betitelt Kuratorin Eva Respini in Anlehnung an eine amerikanische Fernsehshow der 50er Jahre ihren Essay für diese Publikation – um zu dem Schluss zu kommen: „Es gibt keine wahre Cindy Sherman, nur unendlich viele Figuren, in denen sich die zahllos vermittelten Bilder widerspiegeln, von denen wir täglich bombardiert werden … und die letzten Endes unser Selbstbild beeinflussen.“
Schirmer/Mosel. Hrsg. von Eva Respini. Mit Beiträgen von Johanna Burton und John Waters. Aus dem Amerikanischen von Matthias Wolf, Saskia Bontjes van Beek und Ursula Wulfekamp. 264 Seiten, 255 Tafeln in Farbe und Duotone. Format: 24,2 x 30,5 cm, gebunden. Deutsche Ausgabe.

A look at the seminal work of this conceptual artist, who photographed her trademark performances and created dramatic narrative collages using the results.

Created in 1975, A Play of Selves is a visual tale of a young woman overwhelmed by her various, conflicting alter-egos and her final triumph over self-doubt. Acted out with sixteen separate characters, the seventy-two photographic assemblages mark Sherman’s earliest explorations of her trademark use of herself as the subject in staged photographs.

Sherman originally shot hundreds of photographs of herself costumed as the various characters in dozens of poses. After cutting out the individual images from black-and-white prints, she used an elaborately formulated, handwritten script to organize the images into the five-act “play.” The piece was first shown in 1975, in Buffalo, New York, where Sherman was a student.

A beautifully illustrated survey of more than sixty-five years of work by one of the most pioneering and influential names in bicycle design.

Since Cino Cinelli began making frames in Italy in the 1940s, Cinelli has set the standards for bicycle and component design. Cinelli has led the evolution of professional cycling and defined the ideal of the classic bicycle: from the classic Supercorsa racing frame to the cutting-edge MASH fixed-gear pursuit bikes ubiquitous on the urban riding scene; from innovations such as the first plastic racing saddles to the controversial Spinaci handlebars, banned from competition; and from timeless components, such as the Alter stem, to iconic meetings of art and design such as Keith Haring’s treatment of the hour record-setting Laser.

With contributions by legendary riders such as Felice Gimondi and Gilberto Simoni, and by collaborators, from artists like Mike Giant to designers such as San Francisco’s graphic impresario Benny Gold, and featuring a conversation between fashion designer Sir Paul Smith and Cinelli president Antonio Colombo, Cinelli is the definitive look at how beauty and technology can meet in this simplest form of design.

This charming and adorable collection of the best cinematic dogs is sure to delight dog lovers and movie-goers alike. The Citizen Canine pack includes sixty of the bravest, cutest and furriest pooches ever to grace the silver screen. Covering 100 years of films from top-billed hounds like Lassie and Benji to comedic scene-stealers like Asta from Bringing Up Baby and Puffy from There's Something About Mary, all your favourite furry friends are here. Whether you have a canine companion or just wish you did, Citizen Canine is your perfect guide to dogs, movies and the magical moments when they come together.

A light, entertaining introduction covers the history of dogs in movies, from Charlie Chaplin to contemporary indie darlings, while fun facts and stories from behind the camera bring the all the featured films to life.

Find all about the tricks trainers used to train these canine actors, the following are included in the book:

Scraps (A Dog's Life)
Toto (The Wizard of Oz)
Matisse (Down and Out in Beverly Hills)
Sandy (Annie)
Cujo (Cujo)
Hooch (Turner & Hooch)
Beethoven (Beethoven)
Chance (Homeward Bound: The Incredible Journey)
Fly (Babe)
The puppies (101 Dalmatians)
Buddy (Air Bud)
Lou (Cats & Dogs)
Shaggy (The Shaggy Dog)
Sam (I Am Legend)
Marley (Marley & Me)
Rocco (The Drop)
Bailey (A Dog's Purpose)

About the Author:

Wendy Mitchell is a contributing editor for Screen International. She has been a staff writer and editor at Entertainment Weekly, IndieWire and Rolling Stone and has written for The Guardian, Variety, Time Out New York, Glamour and Billboard. She consults for film festivals including San Sebastian, Zurich, Rotterdam and Goteborg.

A symbol of massive crowds and solitary desires, the city holds promise for all those that pass through it. Its meandering streets, unexplored neighbourhoods and incessant noise create a landscape that captivates the observer. The lights of the city can conceal or reveal it, transforming its appearance hour by hour, offering countless facets to the passer-by.
While the light of morning pulls the city from its torpor and renews it for the dawning day, the nocturnal illumination plunges the pedestrian into the strangeness of its mysteries, creating a striking and ephemeral beauty. Between the shadow and the light, these original photographs reveal the fragile glow of the city, and help us rediscover the eternal pulse of these great capitals, simultaneously surprising and sublime.

He was born Eric Patrick Clapton, but you can just call him “Slowhand.”

Over the years, fans of Eric Clapton have debated the high points of an epic career in blues and rock ‘n’ roll spanning nearly fifty years. Which song best epitomizes Clapton’s skills as a songwriter? Which era—the Yardbirds, Cream or his solo work—stands about above the rest? Where does Clapton rank on the list of all-time guitar greats?

Whatever your opinions may be, one this is for sure: few artists have contributed as much to the world of music as the six-string magician from Ripley.

Put simply, one look at Clapton’s five-decade-long résumé is enough to blow any rock ‘n’ roll junkie’s mind. It includes time with the Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, the Plastic Ono Band, Bonnie & Delaney, Derek and the Dominoes, and his own solo discography, not to mention his Crossroads festivals and appearances at the Concert for Bangladesh, the Last Waltz, Live Aid, the Secret Policeman’s Other Ball, and so much more.

Along the way, Clapton has won seven Grammy Awards and eighteen gold, eight platinum, and seven multi-platinum albums—including one ten-times platinum LP. And if that weren’t enough, he’s also the only musician to have been inducted in the Rock ’n’ Roll Hall of Fame three times—as a solo performer and as a member of the Yardbirds and Cream.

From respected author and rock journo Chris Welch, Clapton: The Ultimate Illustrated History is a beautifully illustrated celebration of all things Clapton. Packed with more than 400 photographs, guitars, concert posters, and other memorabilia, this first-of-its kind book also houses eleven chapters following Clapton’s remarkable career—from its earliest days to his various work in several now-legendary bands to his stunning solo career. Also included is a wealth of sidebars covering the gear Clapton has used through the years, as well as extensive appendices detailing his complete discography.