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A stunning visual tribute to Italian photographer Paolo Roversi’s celebrated images for the house of Dior.

A fashion house beloved for designs evoking modern Parisian elegance. A photographer renowned for hauntingly delicate portraits. This definitive volume, Dior Images: Paolo Roversi, is an ode to their legendary rapport.

Presenting photographs from British Vogue, Vogue Paris, and W, this tome spotlights creations by Dior’s artistic directors Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. It also contains exclusive pictures from a photoshoot supervised by Grace Coddington featuring designs by Christian Dior himself. Equal parts fashion monograph and photographic portfolio, this exquisite volume will enthral photography, style, and art lovers.

About the Authors:

Paolo Roversi is a fashion photography luminary who has collaborated with top brands and publications on advertisements and editorials. He lives in Paris. Emanuele Coccia is an Italian philosopher who specializes in analyzing the status and power of images, especially in fashion.

The transformation of Dior’s mythic Parisian headquarters at 30 Avenue Montaigne as seen through the eyes of Robert Polidori.

Following the reopening of 30 Avenue Montaigne in 2022, this exquisite volume offers a unique look into the metamorphosis of the House of Dior’s legendary Parisian headquarters via images captured by acclaimed photographer Robert Polidori.

For over two years, the iconic hôtel particulier underwent a radical transformation, during which Polidori was granted exclusive access to the site for the entire duration of the restoration — documenting the original state, the demolition phase, and the reconstruction of Dior’s home. Registering the past, present, and future of the spaces within a single frame, Polidori’s images capture layers of history in extraordinary detail. This impressive iconography offers an extraordinary visual experience recorded in one of the finest pieces of bookmaking, featuring neon printing, hand-tipped images on crystal paper, and a beautiful hemstitched cloth cover for an oversized book with a slipcase.

About the Author:

Robert Polidori is an acclaimed habitat photographer. He lives and works in Ojai, California. Emanuele Coccia is an Italian philosopher and associate professor at the École des Hautes Études en Sciences Sociales in Paris.

Famed photographer Sheryl Nields brings burlesque superstar Dita Von Teese to life in a series of flip books that capture the dancer′s most intimate performances. A perfect collectible book for fans of Dita, classic burlesque devotees, or for anyone who loves a playful and beautifully packaged book, DITA: STRIPTEASE is an exquisite visual tribute to this one-of-a-kind performer, featuring three of her most beloved dances:

Martini Glass Show: Performed all over the world, the martini glass show is Dita′s most famous burlesque act. Featuring her in her "Diamonds in the Buff" costume, Dita performs a traditional striptease that culminates with her bathing herself in an oversize martini glass, complete with olive sponge.

Bird of Paradise Show: Inside a posh gilded Victorian birdcage, burlesque′s brightest star reinvents the classic feather fan dance with two lush oversize feather fans of exotic, rare magenta pheasant feathers. In an extraordinary costume of beautifully curved feathers, Dita spins around on her golden perch, and treats audiences to an unforgettable wet and wild finale as sparkling water showers over her body.

Classic Striptease: This striptease features Dita dressed in a vintage suit complete with a veiled hat, seamed stockings, and sky-high stilettos. Audiences get a glimpse into Dita′s personal wardrobe and what she reveals underneath it!

Shoot yourself: Sexy self-portraits by everyday women

The importance of Manuel Alvarez Bravo, Henri Cartier-Bresson and Walker Evans appears so clear today, so indisputable, that one hesitates to draw attention to it for fear of stating the obvious. Yet in 1935, when the New Yorker Julien Levy, one of the most influential collectors of the 20th century, conceived the exhibition Documentary and Anti-Graphic Photographs by Cartier-Bresson, Walker Evans & Alvarez Bravo, no one could imagine the eminent place the trio would occupy in the avant-garde of their time, nor the immense influence the photographers would have on future generations.

Gathered together here again for the first time since 1935, these period prints represent an exceptional set of essential and sometimes unknown images. This selection of early works of three masters of photography places us face to face with the history of the medium in the making.

The show in New York in 1935 was one of the first exhibitions Henri Cartier-Bresson ever had. This book is the last project he considered before leaving us - the wheel has come full circle.

Surprising answers to the question: What if your dog were human?

What dog owner hasn’t done this? You anthropomorphize your four-legged friend, put thoughts and feelings into his or her head that he or she almost certainly doesn’t have, and basically turn your pet into a four-legged person. That is exactly how photographer Sandra Müller feels about her dog Maja — who inspired Dog People — the book that provides hilarious and creative photographic answers to the question: “What kind of person would this dog be?” Whether it’s Great Dane Holly as a couch potato or “Gismo” riding a Harley, these images and more make up the unforgettable and endearing collection of portraits of man’s best friend in Dog People.

“No, this book is not meant to be a fashion show for dogs and dog owners. This book is simply a thought experiment: what kind of person would my dog be? And let’s be honest: who hasn’t given his or her dog a lengthy explanation which the dog seems to listen to raptly but surely doesn’t understand every word of? Yes, yes, I know…YOUR dog understands every word! So does mine!” (Sandra Müller, photographer/author of Dog People)

The book is a colorful parade of dogs, from Giant Schnauzers to Pugs, from registered purebreds to street mutts. There is also a humorous description of each dog explaining how the outfit was chosen to make the particular animal a Dog Man or Dog Lady. For example, take “Gisbert,” a Pug who would surely be a doctor if he were human — as he loves his vet so much that all you have to do is say “Dr. Uwe” and he pricks his ears — as much as any Pug can prick his ears, at least.

Dog People shows us 83 wonderful dog portraits – from a purebred Standard Schnauzer to a street mutt – and a panoply of human characters.

About the Author:

Sandra Muller, who is now 23, bought her first SLR camera at 14. She has been a big animal lover since childhood – from guinea pigs to her aunt’s dog, with whom she spent entire summer vacations. Today, she is the proud owner of Maja, the “most beautiful Bernese Mountain Dog mix in the world,” (of course, she is in the book!) and has found her calling in photography. She specializes in portraits of people and dogs. She feels it is very important to capture the unique personality of each of her subjects, two-legged or four-legged, in each shot. Sandra Müller lives in Haimendorf (near Nuremberg), Germany.

In a heartfelt and original tribute to man’s best friend, Elliott Erwitt captures all the diversity of the canine kingdom. We witness Fido’s many moods from playful, perky scamp to quiet and constant companion. Ranging from daring little imps to lumbering and gentle beasts, Erwitt’s images unveil the quirkiness that makes these creatures so beloved while combining an unerring sense of composition with the magic of the moment.

Elliott Erwitt’s masterpiece is now available in a handy format and an unbeatable price

Since the wolf first snuck into the caves of our ancestors to take warmth from the fire, dogs have been man’s constant companion. Dogs, multi-award-winning photographer Tim Flach’s stunning follow-up to the critically acclaimed Equus, delves deep into the psyche of this enduring bond with Canis familiaris to present an exquisite study of “man’s best friend.”

From specimens on show at Crufts and Westminster to shelter dogs lovingly rescued by volunteers; from the grace and agility of racing greyhounds to adored domestic companions; from Afghan hounds to Hungarian komondors to Chinese crested, the images featured in Dogs promise to deliver one of the most appealing, popular, and exciting photographic tributes to dogs ever published.

A declaration of love to Paris in 600 photographs, arranged in strolls through the city and through time.

As a photographer, Robert Doisneau is known for his ability to infuse images of daily life with poetic nuance that imbued his photojournalism with an enduring popular appeal. The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked.

Doisneaus work immortalized the magic of Paris for posterity; this stunning compact edition, edited by the artists daughters, includes over six hundred photographs. Doisneau is celebrated for his ability to infuse images of daily life with poetic nuances that have brought enduring popular appeal to his photojournalism. This collection pairs aesthetically-composed photographs alongside snapshots that offer a more personal account of Doisneaus Paris. Organized thematically, this bookunprecedented in scopegives an entrancing tour through the gardens of Paris, along the Seine, and amid the crowds of Parisians who live in and define their magical city. An enchanting cross-section of Parisian life by one of the photographers who best captured its many charms.

As a photographer, Robert Doisneau is known for his ability to infuse images of daily life with poetic nuance that imbued his photojournalism with an enduring popular appeal. The unprecedented scope of this collection provides the opportunity to study his more composed, aesthetically structured images alongside his snapshots, which offer a more anecdotal account of Doisneau's Paris. Organized thematically, the book leads us on an entrancing tour through the gardens of Paris, along the Seine, and through the crowds of Parisians who define their beloved city. More than 600 photographs-many rare, forgotten, and previously unpublished-are assembled in this beautiful volume to create a unique portrait of Paris. From toddlers scrambling to cross rue de Rivoli to fresh-faced accordionists, from elegant dog walkers to exuberant roller skaters, and from the indelible kiss in front of the Hétel de Ville to cyclists beneath the Eiffel Tower, the magic of Paris in black and white is a timeless treasure. The photographs, edited by Doisneau's daughter, are complemented by citations from the photographer himself, which reveal his profound fascination with the city where he lived and worked.

During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the artists working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau’s intimate view on the work and lives of these artists. Many remain famous - Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita - while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist’s social status - whether major figure of the day or struggling newcomer - Doisneau approached each subject with the same humble eye. His signature black-and-white photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world’s finest art. This book, published in cooperation with Doisneau’s daughters, is a fascinating document of the daily lives of artists by one of the world’s most famous and popular photographers.

During the golden age when Montparnasse was teeming with artists, Robert Doisneau gained remarkable access to the artists working in Paris from 1937 onwards, and he visited their studios and caught them in various private moments: working, reflecting, and even playing with their children. This book, which includes some previously unpublished photographs, shares Doisneau’s intimate view on the work and lives of these artists. Many remain famous - Picasso, David Hockney, Jasper Johns, Giacometti, Saul Steinberg, Marcel Duchamp, Le Corbusier, Foujita - while others have fallen into obscurity, perhaps one day to be rediscovered. Regardless of the artist’s social status - whether major figure of the day or struggling newcomer - Doisneau approached each subject with the same humble eye. His signature black-and-white photographs capture the nostalgia of the period and bear witness to these artists in the act of creating some of the world’s finest art. This book, published in cooperation with Doisneau’s daughters, is a fascinating document of the daily lives of artists by one of the world’s most famous and popular photographers.

Robert Doisneau (1912–1994) worked as an industrial photographer at Renault, a photojournalist for the Alliance Photo agency, and a staff photographer at Vogue, and he pursued creative projects that won him worldwide acclaim. He received the Kodak Award (1947) and the Nièpce Prize (1956), and held many solo exhibitions. Since his death, major retrospectives of his work have been held in Paris, at the Art Institute of Chicago, and at the Bruce Silverstein gallery in New York. Robert Doisneau: Paris was published by Flammarion in 2005.

For this volume, Dolce + Gabbana have decided to highlight the sensual photographic work of Mariano Vivanco, one of the world's leading photographers. Vivanco collects a series of photographs that celebrate the beauty and vigor of the male body at its most perfect.

The allure of postwar Italy continues to seduce and captivate us, and now our love affair is rekindled through these remarkable and candid photos of stars whose timeless glamour endures: Audrey Hepburn with her hairstylist; Anna Magnani hailing a cab in Rome; Ingrid Bergman and Roberto Rossellini on Capri.

The Italy of the 1950s and '60s was a time of high style that bedazzled Americans and ignited a love of all things Italian, particularly film and fashion. Through these unabashed portraits of the cult of celebrity, we can revisit an Italy that was sensuous yet innocent, simple yet courageous, cosmopolitan yet insulated.

This book is both a visually stunning tribute to larger-than-life personas and a unique reminiscence of a time when being bold and outrageous was to be at the height of fashion. With more than 130 lovingly executed duotone separations, Dolce Italia celebrates la dolce vita and allows us to relive this stylish era anew.

DOLOMITI is the first in a collection of annual books on the Dolomites, with a different and more detailed view than that offered by the traditional iconography of this place, recently declared a World Heritage site by UNESCO. This view, the result of the overlapping work in photography, architecture and urban planning is explained together with research on the alpine landscape produced by the Dolomites Workshop, established at the University of Trento in cooperation with other European schools of architecture. This first volume consists of original images by photographer Gregor Sailer and a series of texts describing the various stages of the UNESCO nomination process.

DOLOMITI è il primo di una collezione di volumi annuali sulle Dolomiti, con uno sguardo diverso e più acuto rispetto alla iconografia tradizionale di questi luoghi, di recente patrimono Unesco. Uno sguardo frutto del lavoro incrociato tra fotografia, architettura e urbanistica che articolano, insieme, ricerche sul paesaggio alpino nell’Atelier Around Dolomiti, istituito presso l'Università di Trento in collaborazione con altre Scuole di Architettura europee.
Questo primo volume è composto da originali immagini del fotografo Gregor Sailer e da una serie di testi che descrivono i diversi passaggi, dalla candidatura Unesco, alla natura delle Dolomiti, fino alle prime ricerche avviate sul questo affascinante complesso naturale.
"Geoscape" è la sintesi che rappresenta al meglio l'area dolomitica, frutto di uno straordinario incrocio tra geografia e geologia determinanti il paesaggio, ma alludendo anche ad una nuova maniera di affrontare la conoscenza e il progetto per i contesti di particolare sensibilità.

Don McCullin is one of the greatest photographers of conflict in our time. His career has encompassed the last fifty years – a relentlessly photographed era steeped in conflict.

His photographs reveal the bleak underbelly of northern England, wars in Cyprus, Biafra, Vietnam, Cambodia and Beirut, riots in Derry, and famine and disease in Bangladesh. All are photographed with unswerving compassion. With all the beauty of classical tragedies, collectively McCullin’s photographs constitute one of the great documents of human conflict and its attendant grief, expressed with a visual lyricism that allows us to glimpse the unbearable.

PHOTOFILE brings together the best work of the world’s greatest photographers, in an attractive format and at an easily affordable price. Handsome and collectable, the books are produced to the highest standards. Each volume contains some sixty full-page reproductions printed in superb duotone, together with a critical introduction and a full bibliography. The series has been awarded the first annual prize for distinguished photographic books by the International Center of Photography, New York.