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This book is one in a series of titles being brought out by the Hutton Getty Picture Collection. Within the next year or so, every decade of the 20th century should have its own volume. Although widely available as a remaindered title, even full price these books are extraordinary bargains. Each volume contains over 300 photographs that provide a visual record of each decade.

This book is one in a series of titles being brought out by the Hutton Getty Picture Collection. Within the next year or so, every decade of the 20th century should have its own volume. Although widely available as a remaindered title, even full price these books are extraordinary bargains. Each volume contains over 300 photographs that provide a visual record of each decade.

Decay can possess the drama of a landslide or the intimacy of cracked skin. In Decay, photographers Nathan Troi Anderson and J.K. Putnam share how decay looks to them through their lenses. Shot in color and black & white, with their cameras trained on a wide array of subjects, decay begins to take shape, framed by written insights about how they perceive this natural phenomenon.

In a distinctly MBP twist, Decay also doubles as a pattern book, providing readers with 50 high-resolution, royalty-free patterns of decay that can be used for any number of graphic design applications.

The Many Worlds of Dennis Hopper. A reluctant icon captures a decade of cultural transformation

During the 1960s, Dennis Hopper carried a camera everywhere—on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way, he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade’s cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama.

From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi, this extensive volume, finally back in print in a new edition, distils the essence of Hopper’s prodigious photographic career. Also included are introductory essays by Shafrazi and legendary West Coast art pioneer Walter Hopps, as well as an extensive biography and new afterword by journalist Jessica Hundley. With excerpts from Victor Bockris’s interviews of Hopper’s famous subjects, friends, and family, this volume revives an unprecedented exploration of the life and mind of one of America’s most fascinating personalities.

The photographer

Dennis Hopper (1936–2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961 after his then-wife Brooke Hayward gave him a 35 mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, “Dennis Hopper and the New Hollywood” in Paris. Dennis Hopper passed away May 29, 2010, in Venice, CA.

The contributing authors

An Englishman who moved to New York in 1973 and became connected to Andy Warhol, the Factory, and Interview, Victor Bockris has written books on Lou Reed, Andy Warhol, Keith Richards, William S. Burroughs, Patti Smith, and Muhammad Ali.

Walter Hopps (1933–2005) was one of the premier curators of 20th-century art. Co-founder of Los Angeles’s Ferus Gallery and director of the Pasadena Museum of Art, he was responsible for the first retrospectives of Kurt Schwitters, Joseph Cornell, and Marcel Duchamp. A key advocate of American Pop art, his 1962 survey “New Painting of Common Objects” was the first of its kind. After directing the Washington Gallery of Modern Art, he went on to build the Menil Collection museum in Houston and became its founding director in 1987.

Jessica Hundley is an author, filmmaker and journalist. She has written for the likes of Vogue, Rolling Stone, and The New York Times, and has authored books on artists including Dennis Hopper, David Lynch, and Gram Parsons. Hundley often explores the counterculture in her work, with a focus on metaphysics, psychedelia, and magic.

The editor and author

Born in Abadan, Iran, to Armenian parents, Tony Shafrazi was educated in England from age 13, graduating from the Royal College of Art in 1967. Moving to New York in 1969, he exhibited as a conceptual artist throughout Europe and New York. From 1974 to 1978, he advised and helped build an outstanding collection for the Museum of Contemporary Art in Tehran. In 1979, he opened his New York gallery, introducing groundbreaking American artists of the 1980s including Haring, Basquiat, Scharf, Brown, and Baechler, while exhibiting masters of the ’60s: Warhol, Ruscha, and Hopper. From 1990, he exhibited the work of Brian Clarke, Patrick Demarchelier, Robert Williams, Michael Ray Charles, and David LaChapelle. Since 1997 he has represented the Estate of Francis Bacon, and continues to mount museum-quality exhibitions, most recently the critically acclaimed “Who’s Afraid of Jasper Johns?”

During the 1960s, Dennis Hopper carried a camera everywhere - on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye. A reluctant icon at the epicenter of that decade’s cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama.

In many ways, this work is photography as film, a poignant narrative expressed through a series of stark images - early shots of Tijuana bullfights, LA happenings and urban street scenes show an experimental freedom that would translate into the vivid cinematic imagery of Easy Rider and beyond.

From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi - more than a third of them previously unpublished - this extensive volume distills the essence of Hopper's brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris's interviews of Hopper's famous subjects, friends, and family, this volume is an unprecedented exploration of the life and mind of one of America’s most fascinating personalities.

About the photographer:

Dennis Hopper (b. Dodge City, KS, 1936) is an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in. Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Basquiat (1997), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. He works and lives in Venice, CA, with wife Victoria Duffy and his three children, Marin, Ruthanna and Henry.

This exciting collection of four hundred vintage prints from the 1960s — taken by Dennis Hopper and recently rediscovered — brilliantly documents the social, political, and creative highlights from a tumultuous era.

Lying hidden away in Dennis Hopper’s home until their discovery months after the artist’s death in 2010, this collection of spectacular photographs, exhibited only once in 1969–70 at the Fort Worth Art Center Museum, is a testament to Hopper’s prolific and enormous talent behind the camera. These photographs are spontaneous, intimate, poetic, observant, and decidedly political. While some are portraits of figures within Hopper’s circle of actor, artist, musician, and poet friends — including Jane Fonda, Paul Newman, and Robert Rauschenberg — they also include images from his extensive travels in Los Angeles, New York, London, Mexico, and Peru.

Hopper’s abiding support of the Civil Rights movement and social justice is evident in his shots from the march on Selma and Harlem street scenes. In images of beauty and stillness he transfers Abstract Expressionism into the artistic language of photography.

Throughout this stunning volume Hopper’s sensitive, keenly observant eye shines through, making it clear that he was a deeply committed chronicler of the events that were unfolding around him.

Departures and Arrivals compiles world-renowned photographer Charles Harbutt’s favorite photographs.

Harbutt (born 1935) has been a prominent member of the American postwar photojournalist tradition ever since his documentation of the Cuban revolution in 1959. He subsequently joined Magnum Photos and was twice elected its president.

Harbutt’s pictures have been exhibited and collected by The Museum of Modern Art and the Whitney Museum in New York, the Art Institute in Chicago and the Corcoran in Washington. In 1997, his negatives, master prints and archives were acquired for the collection of the Center for Creative Photography in Tucson.

Departures and Arrivals is his third book. The black-and-white photographs gathered here highlight ordinary moments in extraordinary historical circumstances, as well as less fraught images of city living.

As Harbutt writes in his introduction to the volume: “There are pictures of men and boys, women and girls, statues, pensive monkeys, moments that took my breath away, angered me, made me smile. That broke my heart”. He adds: “History belongs to all of us, not just kings and generals”.

Departures and Arrivals records Harbutt’s half-century career at the forefront of American photography.

Paris, the city of love, twinkling lights and baguettes! Who has never dreamed of endlessly roaming the history-packed streets of the world's most romantic city? This passionate collection of dynamic images depicts Paris in all its cosmopolitan variety. Stunning photography on each and every page provides memorable portraits of cutting edge architecture and awe-inspiring skylines alongside wonderful stills of the River Seine, Parisian street life, the parks and cemetaries and all the iconic landmarks and attractions from the Eiffel Tower to the Mona Lisa. The beating heart of Paris is captured in 300 pages of spectacular photography and fascinating quotations from celebrities associated with the city.

154 ills., 73 in color

Dialogues & Attitudes is the first book in the series Concept: Photography. In cooperation with leading museums around the world, a loose series of books will explore particular key themes that follow the current discourse and provide new insights into the further development of the bank’s art collection. Dialogues & Attitudes concentrates on themes such as reflection in media, cinematography, and the staging of the self. With works by Matthew Barney, Christian Boltanski, Hanne Darboven, Tacita Dean, Robert Rauschenberg, Klaus Rinke, Cindy Sherman, Taryn Simon, William Wegman, and many others, as well as essays by Luminita Sabau, Wulf Herzogenrath, Hubert Beck, Veronika Baksa-Soos, and Josef Tillmann, it will present a representative spectrum of current positions in art. An appendix with biographies and bibliographies of the artists, as well as a list of works on display, will round off the volume.