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Raised on the blues, James Marshall Hendrix exploded onto the international stage in 1967 fronting the Jimi Hendrix Experience trio. The world had seen nothing like him before: a wild-haired, blues-rocking, singer-songwriter whose virtuoso psychedelic guitar style and showmanship captivated audiences on both sides of the Atlantic. Wowing fans and critics alike, Hendrix took blues-rock as the basis for a unique sound filled with amplified distortions, wild feedback and liquid solo riffs. His live performances became legendary, hallmarked with teeth-playing antics and guitar-burning rituals, while his personal life followed an equally fascinating and destructive path. Dead at just 27, Hendrix became the poster boy for the psychedelic era's sex, drugs and rock'n'roll lifestyle. Transforming the landscape of rock music forever, the seminal recordings from his four studio albums broke new ground and his unrivaled southpaw fret-work has influenced successive generations of musicians. Hendrix's music and legacy burn as brightly today as they did 40 years ago.

The Music Icons series:
Each title contains a painstaking selection of approximately 150 portraits, colorful posters and record covers, rare concert photos, and previously unpublished candid photos. These images—each matching an important biographical event—are accompanied by text tracing the progression of each subject’s life and career and are complemented by a section containing lists of essential recordings and selected chart rankings.

Photographer Jimmy Nelson has travelled the world with his camera, visiting some of its most remote and ancient cultures: the resulting images will uplift us individually, unite us spiritually and help motivate us to save our humanity.

The new global language is not Chinese, English or Spanish.  Jimmy Nelson believes it is the visual language of photography. His travels to visit native peoples within small remote communities have become addictive.  The bright, colourful, ecstatic feeling that comes through in the resulting photographs is in sharp contrast to a world that sometimes feels emotionally beige. They demonstrate the unique beauty of all the varieties of human life for the viewers and the subjects alike. It is the story he wants to tell and share with the world.

The parallels between the biodiversity of the planet and its cultural diversity are very clear. Our ethnodiversity, our ‘ethnosphere’, must also be protected.  It is the sum total and manifestation of all the thoughts, dreams, myths, ideas, inspirations and intuitions produced by the human imagination since the dawn of consciousness. It is all that we have created through our endeavours as a wildly inquisitive and astonishingly adaptive species. In short, it is humanity’s greatest legacy. 

We all come from the same source and together we are going through an amazing period of cultural evolution. Peoples with unique cultural identities need to be truly and effectively-respected, cherished and supported, for them and for all of us If we are to do so we will all need some of the humility, vulnerability, kindness, generosity and good humour that comes through in these arresting images.

About the Authors:

In 1986, after spending a year traversing the length of Tibet by foot, Jimmy Nelson published a unique visual diary to wide international acclaim. In 1987, he was commissioned to cover a variety of culturally newsworthy themes for many of the world’s leading publications. In early 1994 he and his wife Ashkaine Hora Adema produced “Literary Portraits of China,” the result of a forty-month project that took them across the newly opening People’s Republic, and was about the indigenous cultures in China and their translated literature. From 1997, Jimmy successfully undertook commercial advertising assignments for many of the world’s leading brands. Simultaneously, he started accumulating images of the remote and unique cultures he photographed, and awards followed. In 2010, he began his journey to create the dignifying artistic document that became “Before They Pass Away”, and was published to international acclaim in October 2013. Today, Jimmy is still travelling and photographing to produce HOMAGE TO HUMANITY. He exhibits in international museums, shows his work at the world’s leading photographic art galleries, speaks at international conferences, and launched the Jimmy Nelson Foundation in October 2016. 

Donna Karan was born in Queens and raised on Long Island. She attended Parsons School of Design before beginning her career with an internship at Anne Klein, where she rose to head designer in 1974 at age twenty-five. She and her husband, Stephan Weiss, founded Donna Karan International, launching Donna Karan New York collection in 1985, DKNY in 1989, and the beauty line in 1992. 

Karan's philanthropic efforts are extensive including the Seventh on Sale benefit, the New York Kids for Kids event and since 1993 she has Co-chaired Ovarian Cancer Research Fund. In 2007, Karan established Urban Zen, a luxury lifestyle brand and foundation that addresses wellness, education, and the preservation of culture through their artisan communities. 

Mundiya Kepanga is a Papuan chief from the Tari region in the Highlands of Papua New Guinea.
Originating from a traditional tribal community, Mundiya Kepanga has a unique vision on Western society, acquired following his multiple trips across Europe and North America.

He is a seasoned speaker, regularly hosted by schools, natural history museums, scientists and assemblies devoted to indigenous people. Through his lectures, he seeks to raise awareness of the culture of his people while encouraging us to reflect upon our view of indigenous people and of ourselves.© wikipedia

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Пролистать книгу Jimmy Nelson: Homage to Humanity на сайте издательства.

A selection of Jimmy Nelson’s most sublime photographs highlighting the beauty of Indigenous peoples around the world

The spectacular shots of the award-winning photographer discovering the beauty of humanity.

Jimmy Nelson: Humanity is about the renowned photographer Jimmy Nelson's personal and artistic journey across the world, an expedient to take people across a deeper journey of reflection on their own identity as part of the universal family of humans. His travels are similar to field expeditions, with lots of preparation and contingencies to take into account. They can last weeks, if not months. For Jimmy Nelson, traveling is part of his artistic process, epitomizing a resolute search into what it means to be human, deeply, at the core of our shared origins from one same source in the African continent. In the process, he has reconnected with his own deeper self and has realized that humanity is all one.

In Jimmy Nelson: Humanity, the photographer is passionate to share why he is obsessively searching for a form of art that can embrace what he experiences in the field, when he finds alignment with the people, nature, light; a sense of balance that creates a symphony of experiences that analogue photography, in the form of the giant 10x8 negatives, gets close to express and that allows him to funnel all the emotions that he wants to record visually, in just one instant.

Through his spectacular shots, Jimmy Nelson's journey becomes our journey and indigenous peoples, normally photographed as an ethnographic subject, become the protagonists of a story of "unadulterated beauty" that empowers the beholders to perceive all humanity.

About the Author:

Jimmy Nelson (1967) started working as a photographer in 1987. After his journey in Tibet, his unique visual diary, featuring revealing images of a previously inaccessible Tibet, was published to wide international acclaim. Soon after, he was commissioned to cover a variety of culturally newsworthy themes for many of the world leading publications ranging from the Russian involvement in Afghanistan and the ongoing strife between India and Pakistan in Kashmir to the beginning of the war in former Yugoslavia. In early 1994, he and his Dutch wife Ashkaine produced Literary Portraits of China, a 40-month project that took them to all the hidden corners of the newly opening People's Republic. His latest works, Before They Pass Away and Homage to Humanity, have established the photographer internationally.

One quarter of the world's most famous group, one half of the most successful songwriting team of all time and one voice for world peace - all achieved in one tragically shortened career. John Lennon's remarkable talent and uncompromising character gave him a unique and extraordinary life, achieving a level of success and public adoration that few can imagine. Never far in his mind from his working-class roots, his lifestyle was conversely rich and free, his celebrity affording him a musical and political soapbox few have attained. Music Icons: Lennon takes a look at both his personal and professional life before, during and after the Beatles: the progression of his creative genius as a solo artist and songwriter, his battles with the US government, his devotion to his wife and their mutual goal for a peaceful revolution. Having become a controversial and outspoken idealist and a mercurial music legend, Lennon's senseless murder in 1980 shook the world. While his widow has continued to keep his cause and ideals alive, it is Lennon's music - both as a Beatle and as an iconic solo artist - which continues to inspire and move music lovers around the globe.

The Music Icons series:
Each title contains a painstaking selection of approximately 150 portraits, colorful posters and record covers, rare concert photos, and previously unpublished candid photos. These images—each matching an important biographical event—are accompanied by text tracing the progression of each subject’s life and career and are complemented by a section containing lists of essential recordings and selected chart rankings.

The quintessential British landscape - the seaside - is the subject of these nostalgic Polaroids by the acclaimed English photographer Jon Nicholson.

Anyone who grew up holidaying on England’s beaches is familiar with the distinctive features of these historic resorts - not the exclusive haunts of the rich and famous, but the gritty, often rocky shores of the Atlantic and the Irish and North Seas, filled with amusement arcades, bathing huts, beach umbrellas, and people of all ages and classes.

Jon Nicolson’s Polaroid SX-70 camera is the perfect vehicle to capture the color and character of summers at the sea. At once immediate and ephemeral, these delicately hued, slightly muted images taken with original, outof- date film stock depict the faded glory of Yarmouth’s giant piers, Brighton’s pebbly shores, the Blackpool Pleasure Beach amusement park, and many other resorts across Britain.

Each of the 70 photographs is beautifully reproduced on its own page with descriptive captions. A foreword by Joseph Galliano provides a wry, contemporary perspective on these beloved, centuries-old locations.

It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country's major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger's pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an "economic miracle." The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created.

The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between German Gemütlichkeit and the constant threat of the Cold War. They show the winners and losers of the "economic miracle," people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century. Of his color photographs, the Frankfurter Allgemeine Zeitung wrote, "they are exceptional contemporary documents indicating how swiftly the greyness of everyday life became infused with color again."

On August 21, 1968, theatre photographer and aeronautics engineer Josef Koudelka took pictures of the Prague invasion by Warsaw Pact tanks and smuggled them out of the country. Magnum circulated them credited to an “unknown photographer” in order to prevent reprisals, Koudelka won the Robert Capa Award anonymously. 40 years later, Koudelka reviewed his archive and presents 249 mostly unpublished pictures from the series in this volume.

130 tritone images

In a career that spanned nearly seven decades, Josef Sudek, one of the masters of twentieth-century photography, created his own solitary world of shadow and light, of theme and variation. The more than one hundred images in this monograph convey the spirit of Prague as well as the spirit of Sudek.

Jungles is a personal exploration of nature in the tropics by master photographs, storyteller, and naturalist Frans Lanting. In a unique collection of images made over a period of 20 years in jungles from the lowlands of the Congo to the cloud forests of the Andes, Frans Lanting interprets the aesthetic splendor and the remarkable natural history of the tropical rainforest—a realm of bewildering complexity where nothing is the way it first appears. “While the essence of photography is to show, jungles hide, or at best, suggest,” Lanting writes. “So I opted to show impressions of jungles to evoke a sense of their kaleidoscopic nature—the glimpses of faces that melt into shadows, the bursts of color and shimmering light.” The book features four portfolios of images that blend the results of travels years and continents apart. Within the portfolios are stories of field expeditions into tropical wilderness areas. “Water and Light” shows the interplay of these elements with plant and animal life, and ends with a story about life after dark in the jungles of Central America. “Color and Camouflage” explores the need to hide and the desire to be seen, and details a journey to a remote part of the Amazon Basin to document macaws. “Anarchy and Order” features impressions of growth and movement, and leads to a trek up a mountain in Borneo whose forested flanks show a unique layering of life zones. “Form and Evolution” is an ode to the wonders of natural selection, and culminates in encounters with primates in the forests of Madagascar and Africa. In photographs that range from spectacular gatherings of rainbow-colored macaws to the misty exhalations of a forest at dawn, Frans Lanting evokes the luscious sensuality and intricate natural order of the forests that shelter the ultimate expression of life on earth.

“The impression of the image upon the viewer is the most important element for me, whether sensuous or erotic, it doesn’t matter, the image is intended to capture the viewer. Therefore it’s not much of a difference to me. I blend a variety of techniques because the original photograph itself doesn’t offer enough possibilities.”

                                   Stefan Gesell

Viele empfinden sie als surrealistisch, futuristisch, als etwas nie da Gewesenes. Andere erleben sie schlichtweg als packend oder einfach nur „stark“. Wann immer man sie betrachtet: Emotionen wecken sie – die Fotografien von Stefan Gesell – in jedem!
Dem Betrachter eröffnen sich dabei Räume von ungewöhnlicher Tiefe, zeigen sich Farben von enormer Intensität. Ein Reichtum an Details, ein facettenreiches Spiel von Licht und Schatten. Und doch klammert sich der Blick an seine Models, an den spannend inszenierten Frauenmotiven. Mal ein leichter Schauer hier, mal knisternde Erotik dort begleiten die Sequenzen.

German photography pioneer Karl Blossfeldt (1865-1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the nineteenth and twentieth century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still-lifes, piercingly final statements on their subject, and have endured owing to their technical brilliance and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.

A fascination for flora. Timeless photos in which plants become sculptures

German photography pioneer Karl Blossfeldt (1865–1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself.

Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form. Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt’s images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still lifes, piercingly final statements on their subject, and have endured owing to their aesthetics and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

"I take photographs. I don't do Photoshop," is a telling statement by photographer Karl Louis. Karl Louis was born 1959 and grew up in the Swiss Alps. He started taking pictures at 12 and learned a lot about photography from an older photographer with great Nikon equipment. His first camera - bought when he was 15 with money he earned himself - was an affordable Praktica. He works digitally with Canon equipment, has been published in many books and on many websites. He organizes workshops and phototrips to Sardinia.

Karlheinz Weinberger’s day job may have been relatively uneventful ― working in a Siemen’s warehouse ― but the photos he took in his spare time are anything but conformist.

Weinberger’s passion, and the focus of this book, is the rebel youth of 1950s and ’60s Switzerland, who channelled American rock-’n’-roll culture and made it their own with their rolled-up jeans and denim jackets, bouffant hairdos, striped T-shirts, and customized belts boasting images of Elvis and James Dean.

Weinberger’s lusty, free-spirited and self-confident portraits posit the defiant attitude of youth as a response to the conservative post-war era. Swiss Rebels also includes homoerotic images of rockers, bikers, construction workers and athletes, many of whom occupy positions outside of social norms.

This publication is the first to present an overview of Weinberger’s provocative oeuvre.