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This exhibition, consisting of works created in or after 1990 and selected from the museum's collection, attempts to reflect not only the new paradigm that has emerged in contemporary art but also how it has gradually worked its way into the collection. Janus: The Double Face of Photography takes its name from the mythological Roman god who was represented by two faces looking in opposite directions, symbolising change and transition. The name of Janus has been used as a metaphor for the transformation of photography, arrayed in a series of dichotomies: analogue/ digital, negative/ positive, monochrome/ colour, reality/ fiction, creation/ manipulation and documentary/ artistic. The exhibition is divided into three thematic sections where the critical perspectives of the different artists converge: architecture, nature and people. A political dimension ties them together and connects with the viewing public.

Timeless Beauty. Land of the Rising Sun at the Turn of the Century

The Golden Age of Travel neatly overlaps with the reign of the Emperor Meiji, which began in 1868 with the overthrow of a feudal order that had kept Japan secluded from the outside world for more than 200 years. In the ensuing four-and-a-half decades, Japan became a less remote and more attractive destination for the international traveler and a popular subject for photographers, both Japanese and foreign.

In 536 pages, this book presents more than 700 vintage images of Japan, texts by a specialist in early Japanese photography, and extensive commentary through thematic sections exploring traditions as varied as tea, silk and Buddhism, as well as itineraries across five regions, all of which guide the reader through this captivating land.

Our travels take us from the enchanting vistas of Nagasaki to the seagirt shrine of Miyajima, long esteemed among the "Three Views" considered the most beautiful in Japan; from the rambling streets of Kobe to the energetic bustle of Osaka; from the cornucopia of historic sights in the ancient cities of Kyoto and Nara to the twin delights of shopping and sex in the vibrant modern port of Yokohama; from the timeless beauty of Mount Fuji and the mountainside scenery of nearby Hakone to the urban melange of Japan’s modern capital, where the traditions of Edo and the modernity of Tokyo co-existed; and, finally, from the jewel-like architecture of Nikkō set amidst forests and waterfalls to the islet-studded bay of Matsushima, until our journey ends in the remote wilds of Hokkaido, home to the indigenous Ainu.

The authors:

Sebastian Dobson is an independent scholar of the history of early photography in Japan and East Asia. He lectures widely in Europe, the United States, Australia and Japan, and his publications include encyclopedia entries, book reviews, numerous articles and catalogue essays for exhibitions hosted in Boston, Singapore and Tokyo.

Sabine Arqué is a photo researcher, editor, and author. She has collaborated on numerous publications on the themes of travel, the history of tourism, and photography.

200 black & white plates

Jean-Louis Dumas always carries with him two things, a small red notebook and an old Leica. He has taken photographs all his life, mostly in black and white, cataloguing momentous moments and trivial asides on his extensive travels with work, family and friends. Dumas is a sophisticated amateur photographer whose professional milieu, as creative director of Hermès for 30 years, and friendships with masters of the medium such as Edouard Boubat, have instilled in his photography an elegant sensibility. This collection brings together a life’s work and reflects a love affair with photography.

“I have been searching for time past all my life.” - Jeanloup Sieff In this unique monograph, Jeanloup Sieff (1933-2000) retraces in word and image the course of forty years of photographs, encounters, and memories. Divided into four chapters, from the 50s to the 90s, the book brings together the major photographs of a creator who left his imprint on a generation with prolific work in the fields of fashion, advertising, and portrait photography. Sieff’s art testifies to his tireless quest to capture the fleeting beauty of “temps perdu,” or “time which cannot recur.”

In this unique monograph, Jeanloup Sieff (1933-2000) retraces in words and images the course of 40 years of photographs, encounters, and memories. Divided into four chapters, from the 50s to the 90s, the book brings together the major photographs of a creator who left his imprint on a generation with prolific work in the fields of fashion, landscape, advertising, and portrait photography. Sieff's art testifies to his tireless quest to capture the fleeting beauty of "temps perdu," or "time which cannot recur."

About the photographer:

Jeanloup Sieff (1933–2000) was one of the most highly regarded art, fashion, portraiture photographers of his generation, who worked mainly in black and white. After photgraphic studies in his native Paris he travelled the world working for Magnum, before settling in New York during the 1960s, working for Esquire, Glamour, Vogue and Harper's Bazaar. He was awarded the Chevalier des Arts et Lettres in 1981, and his work was exhibited in museums and galleries around the world.

Photographs. Reprint
Jim Rakete’s focus has always been on the movers and shakers: in politics and sports, on stage, in the media and arts; his favorite location is Berlin. Ten years after his first book Rakete revisits his then protagonists to explore the marks life and time have left on them, adds new celebrities and, for the first time, landscapes, impressions, and fading places. Now available in an unaltered reprint

Jim Rakete, der Mann mit dem magischen Namen (kein Pseudonym!), Jahrgang 1951 und gebürtiger Berliner, begann bereits als Sechzehnjähriger die nächtliche Rock-Szene Berlins zu photographieren. Seine Leidenschaft für den Rock ’n’ Roll und das Bühnenleben der Stadt sollte ihn von da an nicht mehr loslassen. Sie überlebte auch Jim Raketes höchst erfolgreiches Intermezzo als Musikproduzent von Nina Hagen, Nena und vielen anderen Repräsentanten der »Neuen Deutschen Welle«. Zwar pflasterten Goldene Schallplatten buchstäblich seinen Weg, letztendlich hat er jedoch das stumme visuelle Medium den Tonträgern vorgezogen. Seine Photosammlung, die wir 1997 erstmals in Buchform der Öffentlichkeit vorstellten, ist einzigartig. Sie umfaßt von Jimi Hendrix über Samuel Beckett bis zu Wigald Boning so ziemlich alle Größen und Größenordnungen, die auf den deutschen Theater- und Musikbühnen in den letzten drei Jahrzehnten des vergangenen Jahrhunderts gastiert haben.

Raised on the blues, James Marshall Hendrix exploded onto the international stage in 1967 fronting the Jimi Hendrix Experience trio. The world had seen nothing like him before: a wild-haired, blues-rocking, singer-songwriter whose virtuoso psychedelic guitar style and showmanship captivated audiences on both sides of the Atlantic. Wowing fans and critics alike, Hendrix took blues-rock as the basis for a unique sound filled with amplified distortions, wild feedback and liquid solo riffs. His live performances became legendary, hallmarked with teeth-playing antics and guitar-burning rituals, while his personal life followed an equally fascinating and destructive path. Dead at just 27, Hendrix became the poster boy for the psychedelic era's sex, drugs and rock'n'roll lifestyle. Transforming the landscape of rock music forever, the seminal recordings from his four studio albums broke new ground and his unrivaled southpaw fret-work has influenced successive generations of musicians. Hendrix's music and legacy burn as brightly today as they did 40 years ago.

The Music Icons series:
Each title contains a painstaking selection of approximately 150 portraits, colorful posters and record covers, rare concert photos, and previously unpublished candid photos. These images—each matching an important biographical event—are accompanied by text tracing the progression of each subject’s life and career and are complemented by a section containing lists of essential recordings and selected chart rankings.

Photographer Jimmy Nelson has travelled the world with his camera, visiting some of its most remote and ancient cultures: the resulting images will uplift us individually, unite us spiritually and help motivate us to save our humanity.

The new global language is not Chinese, English or Spanish.  Jimmy Nelson believes it is the visual language of photography. His travels to visit native peoples within small remote communities have become addictive.  The bright, colourful, ecstatic feeling that comes through in the resulting photographs is in sharp contrast to a world that sometimes feels emotionally beige. They demonstrate the unique beauty of all the varieties of human life for the viewers and the subjects alike. It is the story he wants to tell and share with the world.

The parallels between the biodiversity of the planet and its cultural diversity are very clear. Our ethnodiversity, our ‘ethnosphere’, must also be protected.  It is the sum total and manifestation of all the thoughts, dreams, myths, ideas, inspirations and intuitions produced by the human imagination since the dawn of consciousness. It is all that we have created through our endeavours as a wildly inquisitive and astonishingly adaptive species. In short, it is humanity’s greatest legacy. 

We all come from the same source and together we are going through an amazing period of cultural evolution. Peoples with unique cultural identities need to be truly and effectively-respected, cherished and supported, for them and for all of us If we are to do so we will all need some of the humility, vulnerability, kindness, generosity and good humour that comes through in these arresting images.

About the Authors:

In 1986, after spending a year traversing the length of Tibet by foot, Jimmy Nelson published a unique visual diary to wide international acclaim. In 1987, he was commissioned to cover a variety of culturally newsworthy themes for many of the world’s leading publications. In early 1994 he and his wife Ashkaine Hora Adema produced “Literary Portraits of China,” the result of a forty-month project that took them across the newly opening People’s Republic, and was about the indigenous cultures in China and their translated literature. From 1997, Jimmy successfully undertook commercial advertising assignments for many of the world’s leading brands. Simultaneously, he started accumulating images of the remote and unique cultures he photographed, and awards followed. In 2010, he began his journey to create the dignifying artistic document that became “Before They Pass Away”, and was published to international acclaim in October 2013. Today, Jimmy is still travelling and photographing to produce HOMAGE TO HUMANITY. He exhibits in international museums, shows his work at the world’s leading photographic art galleries, speaks at international conferences, and launched the Jimmy Nelson Foundation in October 2016. 

Donna Karan was born in Queens and raised on Long Island. She attended Parsons School of Design before beginning her career with an internship at Anne Klein, where she rose to head designer in 1974 at age twenty-five. She and her husband, Stephan Weiss, founded Donna Karan International, launching Donna Karan New York collection in 1985, DKNY in 1989, and the beauty line in 1992. 

Karan's philanthropic efforts are extensive including the Seventh on Sale benefit, the New York Kids for Kids event and since 1993 she has Co-chaired Ovarian Cancer Research Fund. In 2007, Karan established Urban Zen, a luxury lifestyle brand and foundation that addresses wellness, education, and the preservation of culture through their artisan communities. 

Mundiya Kepanga is a Papuan chief from the Tari region in the Highlands of Papua New Guinea.
Originating from a traditional tribal community, Mundiya Kepanga has a unique vision on Western society, acquired following his multiple trips across Europe and North America.

He is a seasoned speaker, regularly hosted by schools, natural history museums, scientists and assemblies devoted to indigenous people. Through his lectures, he seeks to raise awareness of the culture of his people while encouraging us to reflect upon our view of indigenous people and of ourselves.© wikipedia

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Пролистать книгу Jimmy Nelson: Homage to Humanity на сайте издательства.

A selection of Jimmy Nelson’s most sublime photographs highlighting the beauty of Indigenous peoples around the world

The spectacular shots of the award-winning photographer discovering the beauty of humanity.

Jimmy Nelson: Humanity is about the renowned photographer Jimmy Nelson's personal and artistic journey across the world, an expedient to take people across a deeper journey of reflection on their own identity as part of the universal family of humans. His travels are similar to field expeditions, with lots of preparation and contingencies to take into account. They can last weeks, if not months. For Jimmy Nelson, traveling is part of his artistic process, epitomizing a resolute search into what it means to be human, deeply, at the core of our shared origins from one same source in the African continent. In the process, he has reconnected with his own deeper self and has realized that humanity is all one.

In Jimmy Nelson: Humanity, the photographer is passionate to share why he is obsessively searching for a form of art that can embrace what he experiences in the field, when he finds alignment with the people, nature, light; a sense of balance that creates a symphony of experiences that analogue photography, in the form of the giant 10x8 negatives, gets close to express and that allows him to funnel all the emotions that he wants to record visually, in just one instant.

Through his spectacular shots, Jimmy Nelson's journey becomes our journey and indigenous peoples, normally photographed as an ethnographic subject, become the protagonists of a story of "unadulterated beauty" that empowers the beholders to perceive all humanity.

About the Author:

Jimmy Nelson (1967) started working as a photographer in 1987. After his journey in Tibet, his unique visual diary, featuring revealing images of a previously inaccessible Tibet, was published to wide international acclaim. Soon after, he was commissioned to cover a variety of culturally newsworthy themes for many of the world leading publications ranging from the Russian involvement in Afghanistan and the ongoing strife between India and Pakistan in Kashmir to the beginning of the war in former Yugoslavia. In early 1994, he and his Dutch wife Ashkaine produced Literary Portraits of China, a 40-month project that took them to all the hidden corners of the newly opening People's Republic. His latest works, Before They Pass Away and Homage to Humanity, have established the photographer internationally.

A striking tribute to John Galliano's highly creative collections for his eponymous label (1996–2011), captured behind the scenes by American Vogue photographer Robert Fairer

Robert Fairer – American Vogue’s exclusive backstage photographer for over a decade – opens up his archive to unveil stunning photographs that were, until now, one of fashion’s best-kept secrets.

Presenting John Galliano’s creations for his eponymous label (1996–2011), John Galliano: Unseen celebrates the visionary and exquisitely multi-layered collections that acted as a showcase for the designer’s romantic, theatrical, radical ideas, granting rare behind-the-scenes access to a highly charged world of fantasy, collaboration and beauty.

One quarter of the world's most famous group, one half of the most successful songwriting team of all time and one voice for world peace - all achieved in one tragically shortened career. John Lennon's remarkable talent and uncompromising character gave him a unique and extraordinary life, achieving a level of success and public adoration that few can imagine. Never far in his mind from his working-class roots, his lifestyle was conversely rich and free, his celebrity affording him a musical and political soapbox few have attained. Music Icons: Lennon takes a look at both his personal and professional life before, during and after the Beatles: the progression of his creative genius as a solo artist and songwriter, his battles with the US government, his devotion to his wife and their mutual goal for a peaceful revolution. Having become a controversial and outspoken idealist and a mercurial music legend, Lennon's senseless murder in 1980 shook the world. While his widow has continued to keep his cause and ideals alive, it is Lennon's music - both as a Beatle and as an iconic solo artist - which continues to inspire and move music lovers around the globe.

The Music Icons series:
Each title contains a painstaking selection of approximately 150 portraits, colorful posters and record covers, rare concert photos, and previously unpublished candid photos. These images—each matching an important biographical event—are accompanied by text tracing the progression of each subject’s life and career and are complemented by a section containing lists of essential recordings and selected chart rankings.

The quintessential British landscape - the seaside - is the subject of these nostalgic Polaroids by the acclaimed English photographer Jon Nicholson.

Anyone who grew up holidaying on England’s beaches is familiar with the distinctive features of these historic resorts - not the exclusive haunts of the rich and famous, but the gritty, often rocky shores of the Atlantic and the Irish and North Seas, filled with amusement arcades, bathing huts, beach umbrellas, and people of all ages and classes.

Jon Nicolson’s Polaroid SX-70 camera is the perfect vehicle to capture the color and character of summers at the sea. At once immediate and ephemeral, these delicately hued, slightly muted images taken with original, outof- date film stock depict the faded glory of Yarmouth’s giant piers, Brighton’s pebbly shores, the Blackpool Pleasure Beach amusement park, and many other resorts across Britain.

Each of the 70 photographs is beautifully reproduced on its own page with descriptive captions. A foreword by Joseph Galliano provides a wry, contemporary perspective on these beloved, centuries-old locations.

It was no more than eight years after the surrender of the Nazi government when Josef Heinrich Darchinger set out on his photographic journey through the West of a divided Germany. The bombs of World War II had reduced the country's major cities to deserts of rubble. Yet his pictures show scarcely any signs of the downfall of a civilization. Not that the photographer was manipulating the evidence: he simply recorded what he saw. At the time, a New York travel agency was advertising the last opportunity to go and visit the remaining bomb sites. Darchinger's pictures, in color and black-and-white, show a country in a fever of reconstruction. The economic boom was so incredible that the whole world spoke of an "economic miracle." The people who achieved it, in contrast, look down-to-earth, unassuming, conscientious, and diligent. And increasingly, they look like strangers in the world they have created.

The photographs portray a country caught between the opposite poles of technological modernism and cultural restoration, between affluence and penury, between German Gemütlichkeit and the constant threat of the Cold War. They show the winners and losers of the "economic miracle," people from all social classes, at home, at work, in their very limited free time and as consumers. But they also show a country that looks, in retrospect, like a film from the middle of the last century. Of his color photographs, the Frankfurter Allgemeine Zeitung wrote, "they are exceptional contemporary documents indicating how swiftly the greyness of everyday life became infused with color again."

On August 21, 1968, theatre photographer and aeronautics engineer Josef Koudelka took pictures of the Prague invasion by Warsaw Pact tanks and smuggled them out of the country. Magnum circulated them credited to an “unknown photographer” in order to prevent reprisals, Koudelka won the Robert Capa Award anonymously. 40 years later, Koudelka reviewed his archive and presents 249 mostly unpublished pictures from the series in this volume.