История фотографии

The definitive book on the work of a virtuosic and revered American photographer Irving Penn (1917-2009) was among the most esteemed and influential photographers of the 20th century.

Over the course of a nearly seventy-year career, he mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail.

This indispensable book features one of the largest selections of Penn's photographs ever compiled, including famous and beloved images as well as works that have never been published. Celebrating the centennial of Penn's birth, this lavish volume spans the entirety of his groundbreaking career. An enlightening introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs.

Lively essays acquaint readers with Penn's primary subjects and campaigns, including early documentary scenes and imagery; portraits; fashion; female nudes; peoples of Peru, Dahomey (Benin), New Guinea, and Morocco; still lifes; and much more.

Irving Penn: Centennial is essential for any fan of this artist's work or the history of 20th-century photography.

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The catalogue produced to accompany the landmark "Irving Penn: Centennial" retrospective (on view at The Metropolitan Museum of Art from April 24 through July 30) offers an extensive and scholarly look at the many facets of Penn’s career.

An enlightening introduction situates his work in the context of the various artistic, social, and political environments and events that affected the content of his photographs. Lively essays acquaint readers with Penn's primary subjects and campaigns, including early documentary scenes and imagery; portraits of cultural figures and celebrities; fashion; female nudes; peoples of Peru, Dahomey (Benin), New Guinea, and Morocco; and still-lifes. Rounding out the book are discussions of Penn's advertising pictures and his painstaking printing processes, as well as an illustrated chronology. 

Irving Penn: Centennial, by Maria Morris Hambourg, Jeff L. Rosenheim; with contributions by Alexandra Dennett, Philippe Garner, Adam Kirsch, Harald E.L. Prins, Vasilios Zatse

Published by The Metropolitan Museum of Art, New York
Distributed by Yale University Press, New Haven and London
Printed in Italy
372 pages; 365 color, tritone, and quadtone illustrations; chronology; index

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Пролистать книгу Irving Penn: Centennial на Google Books.

La Strada is a photographic history of Italy from the end of the Second World War to the early 1970’s, with 162 photos by 64 photographers selected from the Keith de Lellis collection, the prestigious black and white archives in New York.

The images are introduced in an essay (Italian and English) by Vicki Goldberg, photography critic and historian and contributor to the New York Times.

The photographers include Mario De Biasi, Nino Migliori, Gianni Berengo Gardin, Mario Giacomelli and an extensive group of lesser-known or unknown artists whose work is seen for the first time in this book. With the definitive passing of Mussolini years photography – “pretty babies, swans and old peasants” – and the kind still subordinate to the figurative arts, post-war Italian photographers operated in a country half destroyed by bombs and politically divided, a land of farms and little industry.

From north to south the subject portrayed is always the road which, in its natural theatricality and variety of landscape, offered an almost inexhaustible series of themes and situations. Many languages are employed in the composition of the images, ranging from a neo-realist sensibility (these were the years of the cinematographic poetics elaborated by Rossellini, Zavattini and De Sica) to a reiterated recourse to the portrait which is sometimes charged with openly expressionist tones (Zovetti, M. Cattaneo).

Then there is aesthetic research that presses on to the limits of the figurative: passers-by and means of transport that move on streets made of flagstones, cobbles and paving slabs that design geometries of a metaphysical flavour (Ranati, Spadoni, Crepaz, Ronconi, Bornaccini). There is also powerful use of the panoramic view to shoot broad sections of crowds and trajectories of movement. Shots from above (Migliori) reveal urban spaces in a new, previously unknown spatiality.

"The book has the effect of a time capsule, bringing back an era that continues to resonate for us in shades of Technicolor and black and white." - Los Angeles Times Book Review, Los Angeles

At a time when surfing is more popular than ever, it`s fitting to look back at the years that brought the sport into the mainstream. Developed by Hawaiian islanders over five centuries ago, surfing began to peak on the mainland in the 1950s, taking America - and the world - by storm. Surfing became not just a sport, but a way of life, and the culture that surrounded it was admired and exported across the globe. One of the key image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing the scene in California and Hawaii in the longboard Gidget era of the early 1960s.

This collection, drawn from Grannis`s personal archives, showcases an impressive selection of surf photographs - from the bliss of catching the perfect wave at San Onofre to dramatic wipeouts at Oahu`s famed North Shore. An innovator in the field, Grannis suction-cupped a waterproof box to his board, enabling him to change film in the water and stay closer to the action than other photographers of the time. Equally notable is his work covering an emerging surf lifestyle, from "surfer stomps" and hoards of fans at surf contests to board-laden woody station wagons along the Pacific Coast Highway. It is in these iconic images that a sport still in its adolescence embodied the free-spirited nature of an era - a time before shortboards and celebrity endorsements, when surfing was at its bronzed best.

Men Love Girls. Who Love Girls. 125 years of faux lesbian fantasy photography

Straight men have always had a thing for lesbians, or more correctly, for essentially straight women willing to do other women for their viewing pleasure. When a man sees two women together there’s no jealousy that another man’s getting the woman he can’t, as with heterosexual porn, just the joy of everything he likes times two, and the unshakable fantasy that women that wild would surely invite him to join in.

Yes, it’s unrealistic, but that doesn’t make it any less popular, and photographers have been documenting these faux lesbian couplings for over 100 years. Lesbians for Men is the first photo book to acknowledge such photos are created to fuel male fantasy, to explore the reasons, and to trace their origins back to 1890, and forward to the present day.

Over 300 photos, in black & white and color, celebrate the obliging women who’ve kissed, fondled, and fulfilled men’s lesbian cravings, in images created for pornography as well as “fine art.” Contemporary photographers include Nobuyoshi Araki, Guido Argentini, Bruno Bisang, Bob Carlos Clarke, Ed Fox, Ren Hang, Petter Hegre, Richard Kern, Will Santillo, and Kishin Shinoyama. Subjects range from simply affectionate to everything two women can do when they want to please male viewers as much as each other.

Few photography books can lay claim to being truly groundbreaking.
This is one of them.

‘This books allows us to see the mixture of talent, chance, watchfulness and diligence behind each successful picture. ...there are very many reasons to celebrate the images in this huge and beautiful book’ – The Guardian

Presenting a remarkable selection of contact sheets and related material, Magnum Contact Sheets lays bare the creative methods, strategies and editing processes behind some of the world’s most iconic images — was the final image a set-up, or a serendipitous encounter; did the photographer work to extract the potential from a situation, or was it the fabled ‘decisive moment’?

'The book is utterly absorbing. To be able to follow dozens upon dozens of the most recognised images of the 20th century backwards through the selection process gives these pictures a new immediacy and vitality'– The Telegraph

Published just as the shift to digital photography threatens to render the contact sheet obsolete, this landmark book celebrates the sheet as artifact, as personal and historic record, as editing tool, and as a fascinating way of accompanying great photographers as they work towards, and capture, the most enduring images of our time.

139 contact sheets, containing over 3,600 frames, representing 69 photographers, are featured, as well as zoom-in details, selected photographs, press cards, notebooks and spreads from contemporary publications, including Life magazine and Picture Post. Insight into each contact sheet is provided in texts written by the photographers themselves or by experts chosen by members’ estates.

Many acknowledged greats of photography are here, such as Henri Cartier-Bresson, Elliott Erwitt and Inge Morath, as well as Magnum’s latest generation, Jonas Bendiksen, Alessandra Sanguinetti and Alec Soth among them. These photographers cover over seventy years of history, from the Normandy landings by Robert Capa, the Paris riots of 1968 by Bruno Barbey and war in Chechnya by Thomas Dworzak to images of Che Guevara by René Burri, Malcolm X by Eve Arnold and classic New Yorkers by Bruce Gilden.

Contents include:
• 139 contact sheets by 69 photographers from Magnum Photos, plus selected details and ancillary visual material
• 435 illustrations, including over 200 prints, 60 contextual images and 40 contact-sheet enlargements, encompassing black-and-white, colour, standard 35mm, large-format and panoramic photography.
• Texts include commentaries by Magnum photographers and specially commissioned authors.
• 508 pages: Page size: 342 X 280 mm (13 1/2 X 11 inches). Printing specification: five colours throughout plus spot varnish on all photographs. Paper stock: 150gsm matt art.

'It’s the context however, that this book gives to those images that really sets it apart. As included with each contact sheet is a well-crafted narrative written by the photographers themselves or by experts given the blessing by member’s estates to capture the thought process. That combination of scribbled notes on the contact sheet, the images, those marked for stardom and those cruelly crossed out as not making the grade, together with words that take us into the mind of the photographer, those are the ingredients that what make this a book to keep and revisit – TheUsualShutterSpecs

Kristen Lubben is Associate Curator at the International Center of Photography in New York. Her previous books include Susan Meiselas: In History and Amelia Earhart: Image and Icon.

An exciting monograph dedicated to an extraordinary figure and one of last century’s most famous and influential artists. ​

Man Ray (1890-1976) was a photographer, painter, and creator of objects, experimental films, and images which were at times enigmatic. This catalogue, which presents more than 200 works and compares and contrasts images with biographical details, is divided into three main sections: Man Ray’s formative years spent between New York and an artists’ colony in Ridgefield, New Jersey; the Paris period; and the period spent between Hollywood and Paris, France-the city he ultimately chose to adopt as his home.

The publication describes the creation of some of his most famous pieces and the motifs-very often of females-that inspired the works. Man Ray’s life was marked by a succession of love affairs with famous and intriguing women, and this catalogue dedicates several sections to this topic.

The book also deals with the themes permeating Man Ray’s work throughout the years, such as his passion for chess, the relationship between reality and illusion, and experimental photography and film. Comparisons are also made with the works of some of the most important artists of the twentieth century, such as Pablo Picasso, Marcel Duchamp, Constantin Brancusi, Jean Arp, and Francis Picabia.

Experiments in photography

The artist who brought Surrealism to a new medium

Man Ray (1890-1976) is indisputably one of the most original artists of the 20th century. His revolutionary nude studies, fashion work, and portraits opened a new chapter in the history of photography. Born under the name of Emmanuel Radnitzky in Philadelphia, he began his artistic career in New York. In 1921 he moved to Paris, where he was enthusiastically welcomed into Dadaist and Surrealist circles. Man Ray experimented tirelessly with new photographic techniques, multiple exposure, rayography, and solarization being some of his most famous. Erotic, playful, and sometimes sinister, his compositions show unusual bodies and objects: strange, striking images that transform our perceptions of reality. This collection of famous, lesser known, and unknown works fully illustrates Man Ray’s singular visionary power.

A masterful survey of the finest portraits by one of the most inventive photographic artists of the 20th century

Man Ray was one of the most inventive photographic artists of the twentieth century. His creativity and appetite for innovation and experimentation are showcased in this remarkable book, which accompanies a major exhibition and brings together more than 150 of Man Ray’s best portraits from his long and varied international career.

The book delineates the evolution of photography from its invention until the 21st century, through the main figures who have done the history of this modern art. The appearance of photography have led to a revelation in the art and culture's world. From Stieglitz to Beaton, from Baron de Mayer to Mapplethorpe, from Capa to Rodchenko, through Doisneau, Cartier Bresson and Berengo Gardin.

70 colour plates

Modernist Photography reexamines the classic period of twentieth-century photography using new critical approaches to consider five recurrent visual themes during the years 1915 to 1945. These themes cut across such stylistic movements as Pictorialism, Surrealism, and the New Vision, and include the transformation of objects, experimental images of the body, visions of the city, the industrialization of the countryside, and experimental directions in poster design and typography. This thematic approach fosters new perspectives on such key photographers as Bernice Abbott, Brassaï, Walker Evans, Raoul Hausmann. Dorothea Lange, Gordon Parks, and Man Ray and emphasizes the interactions between European and American practitioners. The catalogue will include chapters on each of the five themes by ICP curators Christopher Phillips and Vanessa Rocco. It is based on a selection of seventy works from the Daniel Cowin Collection, a recent donation to the International Center of Photography.

Photographs have a strange and powerful way of shaping the way we see the world and influencing our perceptions of reality. To demonstrate the unique and profound influence on culture and society that photographs have, Photo Icons puts the most important landmarks in the history of photography under the microscope.

Each chapter of this special edition focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. The book begins with the very first permanent images (Nicéphore Niépce's 1827 eight-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the present day, via the avant-garde photography of the 1920s and works such as Dorothea Lange's Migrant Mother (1936), Robert Doisneau's Kiss in Front of City Hall (1950), and Martin Parr's 'New European photography.'

Photographs have a strange and powerful way of shaping the way we see the world and influencing our perceptions of reality. To demonstrate the unique and profound influence on culture and society that photographs have, Photo Icons puts the most important landmarks in the history of photography under the microscope. Each chapter focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. Volume I begins with the very first permanent images (Nicéphore Niépce's 1827 8-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the avant-garde photography of the 1920s.

The Shot. The stories behind history’s most extraordinary photographs

From Nicéphore Niépce’s 1827 eight-hour-exposure rooftop pictures to the horror of Nick Ut’s “napalm girl,” the 50 photographs in this collection have defined eras, made history, or touched something so fundamentally human that they have become resonant icons around the world. Each image goes under the microscope, revealing the history of the medium and its social, historical, and artistic impact.

Photographs have a strange and powerful way of shaping the way we see the world. The most successful images enter our collective consciousness, defining eras, making history, or simply touching something so fundamentally human and universal that they have become resonant icons all over the globe. To explore this unique influence, Photo Icons puts some of the most important photographic landmarks under the microscope.

From some of the earliest photography, such as Nicéphore Niépce’s 1827 eight-hour-exposure rooftop picture and Louis Daguerre’s famous 1838 street scene, through to Martin Parr, this is as much a history of the medium as a case-by-case analysis of its social, historical, and artistic impact. We take in experimental Surrealist shots of the 1920s and the gritty photorealism of the 1930s, including Dorothea Lange’s Migrant Mother.

We witness the power-makers (Che Guevara) and the heartbreakers (Marilyn Monroe) as well as the great gamut of human emotions and experiences to which photography bears such vivid witness: from the euphoric Kiss in Front of City Hall (1950) by Doisneau to the horror of Nick Ut’s Napalm Against Civilians showing nine-year-old Phan Thi Kim Phúc running naked toward the camera from South Vietnamese napalm.

The author:

Hans-Michael Koetzle, born 1953, is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), René Burri (2004), Photographers A-Z (2011) and Dr. Paul Wolff & Tritschler (2019).

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

The Museum of Modern Art has one of the greatest collections of twentieth-century photography in the world.

As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective on the most prominent artists working with the photographic medium of the late twentieth and early twenty-first centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as an excellent resource for understanding the expanded field of contemporary photography today.

The book is organized with an in-depth introductory chapter and eight chapters of full-colour plates, each introduced by a short essay, and features work by over 250 artists, including Diane Arbus, John Baldessari, Jan Dibbets, Rineke Dijkstra, William Eggleston, Lee Friedlander, Louise Lawler, Zoe Leonard, Helen Levitt, Sigmar Polke, Cindy Sherman, Wolfgang Tillmans, Jeff Wall, Carrie Mae Weems, Hannah Wilke and Garry Winogrand, among many others.

The fourth edition of this comprehensive history of photography has been thoroughly revised and updated. Spanning the entire history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey.

Mary Warner Marien discusses photography from a truly global viewpoint and looks at a wide-ranging collection of images through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. In addition to representing the established canon of Europe and the United States, key work from Latin America, Africa, India, Russia, China and Japan is also included. Professional, amateur and art photographers are all discussed, with ‘Portrait’ boxes devoted to highlighting important individuals and ‘Focus’ boxes charting particular cultural debates.

New additions to this fourth edition include an overview of photography’s involvement in conceptual art, a detailed review of the photographic work of artist Ed Ruscha and new material on European Worker Photography during the 1920s and 30s. Many new pictures have been added throughout the book, including superior versions of historical photographs and recent images from contemporary photographers, including Walead Beshty, Youssef Nabil, Lalla Essaydi and Ryan McGinley. A rich and vivid account of the history of photography placed in an essential cultural context, this indispensable book shows how photography has charted, shaped and sharpened our perception of the world.

‘Here is the history we’ve been waiting for … erudite and entertaining … she shows how pictures really did change our world. Her shrewd selection of over 600 fascinating photos (many in colour) illustrate a history that meets the ultimate test: open to any page and you’re hooked … and it’s free from tormenting academic jargon.’ Camera Arts

About the Author:

Mary Warner Marien is Professor Emerita in the Department of Fine Arts at Syracuse University, New York. She continues to lecture in the United States and Europe and in 2008 won an Andy Warhol Foundation Arts Writer award for her continuing work on the history and theory of documentary photography. She is the author of Photography and its Critics (Cambridge University Press, 1997) and 100 Ideas that Changed Photography (Laurence King, 2012) as well as numerous articles on photography.

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Посмотреть новое издание книги Photography: A Cultural History, Fifth Edition