Історія фотографії

The Museum of Modern Art has one of the greatest collections of twentieth-century photography in the world.

As one of three volumes dedicated to a new history of photography published by the Museum, this publication comprises a comprehensive catalogue of the collection post-1960s and brings much-needed new critical perspective on the most prominent artists working with the photographic medium of the late twentieth and early twenty-first centuries. At a moment when photography is undergoing fast-paced changes and artists are seeking to redefine its boundaries in new and exciting ways, Photography at MoMA serves as an excellent resource for understanding the expanded field of contemporary photography today.

The book is organized with an in-depth introductory chapter and eight chapters of full-colour plates, each introduced by a short essay, and features work by over 250 artists, including Diane Arbus, John Baldessari, Jan Dibbets, Rineke Dijkstra, William Eggleston, Lee Friedlander, Louise Lawler, Zoe Leonard, Helen Levitt, Sigmar Polke, Cindy Sherman, Wolfgang Tillmans, Jeff Wall, Carrie Mae Weems, Hannah Wilke and Garry Winogrand, among many others.

The fourth edition of this comprehensive history of photography has been thoroughly revised and updated. Spanning the entire history of the medium, from its early development to current practice, and providing a focused understanding of the cultural contexts in which photographers have lived and worked throughout, this remains an all-encompassing survey.

Mary Warner Marien discusses photography from a truly global viewpoint and looks at a wide-ranging collection of images through the lenses of art, science, travel, war, fashion, the mass media and individual photographers. In addition to representing the established canon of Europe and the United States, key work from Latin America, Africa, India, Russia, China and Japan is also included. Professional, amateur and art photographers are all discussed, with ‘Portrait’ boxes devoted to highlighting important individuals and ‘Focus’ boxes charting particular cultural debates.

New additions to this fourth edition include an overview of photography’s involvement in conceptual art, a detailed review of the photographic work of artist Ed Ruscha and new material on European Worker Photography during the 1920s and 30s. Many new pictures have been added throughout the book, including superior versions of historical photographs and recent images from contemporary photographers, including Walead Beshty, Youssef Nabil, Lalla Essaydi and Ryan McGinley. A rich and vivid account of the history of photography placed in an essential cultural context, this indispensable book shows how photography has charted, shaped and sharpened our perception of the world.

‘Here is the history we’ve been waiting for … erudite and entertaining … she shows how pictures really did change our world. Her shrewd selection of over 600 fascinating photos (many in colour) illustrate a history that meets the ultimate test: open to any page and you’re hooked … and it’s free from tormenting academic jargon.’ Camera Arts

About the Author:

Mary Warner Marien is Professor Emerita in the Department of Fine Arts at Syracuse University, New York. She continues to lecture in the United States and Europe and in 2008 won an Andy Warhol Foundation Arts Writer award for her continuing work on the history and theory of documentary photography. She is the author of Photography and its Critics (Cambridge University Press, 1997) and 100 Ideas that Changed Photography (Laurence King, 2012) as well as numerous articles on photography.

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Посмотреть новое издание книги Photography: A Cultural History, Fifth Edition

From the invention of the camera obscura to the birth of digital photography, this history of photography’s greatest advances focuses on individual artists, works, and moments that decisively shaped the evolution of a genre.

Chronologically arranged, each chapter focuses on a particular work or idea that changed the course of photography. Presented in beautiful spreads and with informative text, the book opens with photography’s genesis in the form of the camera obscura. Centuries later, Daguerre, Niepce, and Talbot invented their own means of capturing light on paper. The book covers groundbreaking genres such as still life, landscape, portraiture, and nudes. Sections on the role of photography in journalism illustrate how the camera’s presence on battlefields, on city streets, and in factories helped inform and reform the modern world. Fashion, animals, Surrealism, and staged portraits are also explored. Perfect for perusing or reading from cover to cover, this book illustrates how photography developed from a concept to a world-changing force — one that attempted to shed light on truth yet can also obscure and alter reality in dazzling ways.

250 illustrations, 64 in full color

Ever since Roger Fenton inaugurated the genre by photographing the Crimean War in 1855, the worlds great photojournalists have used a variety of approaches to bear witness to their times. At one end of the photojournalistic spectrum are war photographers like Robert Capa and Larry Burrows, who capture the most extreme events of human existence as they happen; at the other are social documentarians like Lewis Hine and Sebastião Salgado, who step back from the single dramatic incident to cover in depth such economic and cultural issues as labor and migration. By compiling 250 of the most memorable images from photojournalism’s 150-year history, Photojournalism 1855 to the Present: Editor’s Choice provides a fascinating introduction to the entire range of the field.

Author Reuel Golden, a noted authority on photojournalism, selected the fifty-four photographers featured in this book based on their critical reputations and historical importance. For each photographer, Golden provides a portfolio of representative images - many reproduced at full-page size - as well as a brief biography and an insightful critical commentary on his or her career. In these commentaries and in his informative introduction, Golden discusses the particular challenges of photojournalism, such as the relationship between photographer and subject, and the moral ramifications of aestheticizing human suffering. Yet perhaps most importantly, his text also encourages the reader to look closer and discover how well the photographs speak for themselves. From Frank Hurley’s groundbreaking World War I battlefield shots to Mary Ellen Mark’s stark portraits of American poverty and James Nachtwey’s haunting pictures of the September 11 attacks, the images in this book prove that even in our era of twenty-four-hour video-on demand, the still photograph remains as powerful as ever.

Peace, love, and pudenda. How men's magazines turned hot and hippy between 1967–1972

In a brief golden span between 1967 and 1972, the sexual revolution collided with recreational drug exploration to create "psychedelic sex." While the baby boomers blew their minds and danced naked in the streets, men’s magazine publishers attempted to visually recreate the wonders of LSD, project them on a canvas of nubile hippie flesh, and dish it up to men dying for a taste of free love.

Way Out, Groovie, Where It’s At — each magazine title vied to convince the straight audience it offered the most authentic flower power sex trip, complete with mind-bending graphics and all-natural hippie hotties. Along the way hippies joined in the production, since what could be groovier than earning bread in your birthday suit?

At its height, psychedelic sex encompassed posters, tabloids, comics, and newsstand magazines, but the most far-out examples of all were the glossy magazines from California, center of both hippie culture and the budding American porn industry. It’s these sexy, silly reminders of peace, love, and pudenda we celebrate in Psychedelic Sex. So put on your beads, tune up your sitar, and let the love-in begin!

This book focuses from a chronological perspective on photography as a tool for a new visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War. This space documents the exhibitions designed by Lissitzky (Pressa, Film und Foto, etc); German, Italian and Spanish exhibitions in the 1930s, and exhibitions in MOMA during the Second World War.

This is the first book to reproduce the definitive set of 937 rarely seen and classic images by Robert Capa (1913-54), one of the most influential documentary photographers of the twentieth century. Capa, a founding member of Magnum photographic agency, had the mind of a passionate and committed journalist and the eye of an artist. His lifework, consisting of more than 70,000 negatives, constitutes an unparalleled documentation of a crucial 22-year period (1932-54), encompassing some of the most catastrophic and dramatic events of the last century.

This book represents the most definitive selection of Capa's work ever published - 937 photographs meticulously selected by his brother Cornell Capa (himself a noted Life photographer), and his biographer, Richard Whelan. The photographs, arranged in chronological order as stories and accompanied by brief commentaries, reveal the dramatic shifts in location and subject matter that Capa experienced from day to day - from war-torn Israel to Pablo Picasso on a sunny beach in France, and from Ernest Hemingway carousing in London to Capa's historic images of the Allied landing on Omaha Beach in Normandy in 1944.

About the Authors:

Robert Capa, born in Hungary, was known for his extreme bravery, amazing eye, and irresistible charm. He was a co-founder of the Magnum cooperative picture agency and died in 1954 after stepping on a landmine while on an assignment in Indochina. His life and work were inextricably linked, and both have had a marked influence on generations of photographers.
Richard Whelan is an outstanding authority on Capa's life and work. He is a New York-based independent cultural historian and the author of several books, including acclaimed biographies of Robert Capa and Alfred Stieglitz.

Robert Doisneau (1912-1994) is best known for his magical, timeless 35mm street portraits taken in Paris and its suburbs. Fresh, unstaged, and full of poetry and humor, his photographs portray everyday people (in everyday places, doing everyday things) frozen in time, unwittingly revealing fleeting personal emotions in a public context. Doisneau`s gift was the ability to seek out and capture, with humanity and grace, those little epiphanies of everyday Parisian life. This book traces Doisneau`s life and career, providing a wonderful introduction to the work of this seminal photographer.

Robert Doisneau (1912–1994) is one of the most important representatives of humanistic photography. For many years he has been looked upon as the minstrel of picturesque Paris, with a charming eye and a unique sense of the unexpected visual anecdote. As a result he has been championed as a poet of the "pure" moment. Doisneau's oeuvre is however much deeper and complex than that reputation suggests.

Contemplating his work as a whole, one discovers Doisneau's pleasure in creating a language to capture the treasures of everyday life. The sensitivity and naturalism of his approach slowly reveal themselves: his images of the modest architecture of the Parisian suburbs for example display gravity, irony and even a degree of hard-heartedness.

The Fondation Cartier-Bresson has organized an exhibition of around 100 original prints from Doisneau's estate. From Craft to Art, the catalogue for the upcoming exhibition, presents these treasures alongside a new version of Jean-François Chevrier's essay, first published in 1983, which explores Doisneau's rare ability to capture "the shining melancholy that separates an individual from the crowd".

Mark Markov-Grinberg (1907–2006) is one of the Soviet era’s greatest photographers, ranking alongside Aleksandr Rodčenko and Gustav Klutsis in his energetic portrayals of an optimistic, rapidly changing country as it segwayed into the Stalin years. Markov-Grinberg learned photo-journalism in the mid-1920s, while working at the newspaper Sovyetski Yug (Soviet South). In the early 1930s he moved to Moscow to become a correspondent for the Soyuzfoto agency. Today he is perhaps best known for his photographs of red stars replacing double-headed eagles on the Kremlin towers, or his portraits of Nikita Izotov (Coal and Roses series), Yuri Gagarin, Maksim Gor'kij, David Oistrakh, Ilya Ehrenburg and Sergej Ėjzenštejn - photographs that helped to define the culture of the USSR in the 1930s, and all of which are included here. Often juxtaposing the march of industrialization with rural scenes, this volume reproduces those iconic images of those heady times alongside numerous previously unseen pictures, recording a pivotal and dramatic half-century of Russian history.

This book represents the work of every LIFE magazine staff photographer from the 20th century, as well as a handful of others closely affiliated with the magazine, including Alfred Eisenstadt, Margaret Bourke-White, Gordon Parks, Eugene Smith, and Joe McNally. THE GREAT LIFE PHOTOGRAPHERS presents the most iconic images of the past century, as well as little-known gems from the LIFE archives. Many of these images are markers of the major milestones of history--the first pictures from inside the womb or from outer space, Robert Capas falling soldier, and memorable scenes from Tiananmen Square. Defining celebrity portraits of Sophia Loren, Marilyn Monroe, the Beatles, and Michael Jackson are also featured. This startingly rich collection of both color and black-and-white photographs is a vivid fulfillment of Henry Luces charge: To see life; to see the world....To be amazed!

The best work of every LIFE magazine staff photographer, as well as that of a handful of others closely affiliated with the magazine, is on display in this book. Here are portfolios by over 100 great photographers, including Alfred Eisenstaedt, Margaret Bourke-White, Carl Mydans, Gordon Parks, W. Eugene Smith, Robert Capa, Ralph Morse, Nina Leen, Harry Benson, Philippe Halsman, and, most recently, Joe McNally's memorable work for LIFE in the aftermath of September 11.

Here are Capa’s pictures from the D-Day landing, Mydans’s of MacArthur striding ashore, Bourke-White’s evidence of the Holocaust, David Douglas Duncan’s Korea, Larry Burrows’s Vietnam, Ralph Morse’s chronicle of the Mercury 7 astronauts. Here are intimate, defining – and revealing – portraits of celebrities, from Sophia Loren and Marilyn Monroe to the Beatles and Michael Jackson.

Short biographical profiles, along with portraits of all the photographers, accompany the portfolios making the book an indispensable reference.

The nude has always particularly captivated artists and viewers, with the depiction of the human body a classic exercise in all forms of fine art. This fascination in no way waned with the arrival of a new art form – photography. In fact, it has undoubtedly contributed both to the exploration of human anatomy and morphology as well as to the collective erotic imagination. Taken from the end of the nineteenth century to the present day, a selection of more than 300 photographs guides the reader through countless variations in the depiction of the nude, each with their own aesthetic, political, social, artistic and formal implications, through the works of major photographers. The volume concludes with an index of artists and biographies of the main photographers.

A unique new history of contemporary photojournalism to mark the 50th anniversary of World Press Photo 'Things As They Are' tells the story of modern photojournalism, from The Family of Man and the heyday of Life magazine in 1955 to the era of the camera-phone in the present day. With 120 picture essays shown as they were first seen – on the pages of newspapers and magazines, 'Things As They Are' reveals how the events of the world, the art of photographers, and the interests of the press have converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography – and a changing world.
Including landmark photo essays by photographers such as Richard Avedon, Henri Cartier-Bresson, Walker Evans, Nan Goldin, W Eugene Smith, Wolfgang Tillmans, Mary Ellen Mark, Sebastião Salgado and James Nachtwey, as shown on the pages of publications including Life, Paris Match, National Geographic, Stern, i-D and the Sunday Times, each is accompanied by an expert commentary. The book includes a introductory essay by Mary Panzer, a timeline of the last 50 years illustrated by the iconic winners of the annual World Press Photo awards, and an afterword essay by Christian Caujolle that looks to the future of photojournalism.

Over 800 colour & b&w photographs

The history of photography is teeming with portraits of musicians made iconic by their album covers: Thelonious Monk by W. Eugene Smith, Miles Davis by Irving Penn, Grace Jones by Jean-Paul Goude, Laurie Anderson by Robert Mapplethorpe.

The history of album cover art also includes collaborations between prominent figures, such as Mick Rock and David Bowie, Annie Leibovitz and John Lennon, Lee Friedlander and John Coltrane, Nobuyoshi Araki and Björk, Anton Corbijn and U2, and Robert Frank with the Rolling Stones ― not to mention Francis Wolff’s legendary work with Blue Note, the record label he cofounded.

Musicians and designers have also sifted through photography’s rich history for powerful photographs to match and keep company with the music enclosed within: Anders Petersen’s classic Café Lehmitz portrait of a man nestling into a woman’s bosom stands in for Tom Waits on the cover of Swordfishtrombones; Big Star and Alex Chilton push the listener into a corner with William Eggleston’s Red Ceiling on their album Radio City; Rage Against the Machine goes for the jugular on its self-titled album with the anonymous Vietnam War photo of the self-immolation of a Buddhist monk. Images like the Abbey Road crosswalk are deeply inscribed in our collective memory, yet few details are known about the photographer.

All of these ― and more ― are included in this compendium of electrifying images and the albums they grace. Includes albums featuring images by David Bailey, Guy Bourdin, Anton Corbijn, Roy DeCarava, Robert Frank, Lee Friedlander, Nan Goldin, Luigi Ghirri, Jean-Paul Goude, Brian Griffin, William Klein, David LaChapelle, Danny Lyon, Robert Mapplethorpe, Jean-Baptiste Mondino, Ryan McGinley, Helmut Newton, Martin Parr, Anders Petersen, Pierre et Gilles, Hiro, Cindy Sherman, W. Eugene Smith, Pennie Smith, Juergen Teller, Jeff Wall, Andy Warhol, Albert Watson, William Wegman, and more.