Мода, гламур

A stunning visual tribute to Italian photographer Paolo Roversi’s celebrated images for the house of Dior.

A fashion house beloved for designs evoking modern Parisian elegance. A photographer renowned for hauntingly delicate portraits. This definitive volume, Dior Images: Paolo Roversi, is an ode to their legendary rapport.

Presenting photographs from British Vogue, Vogue Paris, and W, this tome spotlights creations by Dior’s artistic directors Gianfranco Ferré, John Galliano, Raf Simons, and Maria Grazia Chiuri. It also contains exclusive pictures from a photoshoot supervised by Grace Coddington featuring designs by Christian Dior himself. Equal parts fashion monograph and photographic portfolio, this exquisite volume will enthral photography, style, and art lovers.

About the Authors:

Paolo Roversi is a fashion photography luminary who has collaborated with top brands and publications on advertisements and editorials. He lives in Paris. Emanuele Coccia is an Italian philosopher who specializes in analyzing the status and power of images, especially in fashion.

The transformation of Dior’s mythic Parisian headquarters at 30 Avenue Montaigne as seen through the eyes of Robert Polidori.

Following the reopening of 30 Avenue Montaigne in 2022, this exquisite volume offers a unique look into the metamorphosis of the House of Dior’s legendary Parisian headquarters via images captured by acclaimed photographer Robert Polidori.

For over two years, the iconic hôtel particulier underwent a radical transformation, during which Polidori was granted exclusive access to the site for the entire duration of the restoration — documenting the original state, the demolition phase, and the reconstruction of Dior’s home. Registering the past, present, and future of the spaces within a single frame, Polidori’s images capture layers of history in extraordinary detail. This impressive iconography offers an extraordinary visual experience recorded in one of the finest pieces of bookmaking, featuring neon printing, hand-tipped images on crystal paper, and a beautiful hemstitched cloth cover for an oversized book with a slipcase.

About the Author:

Robert Polidori is an acclaimed habitat photographer. He lives and works in Ojai, California. Emanuele Coccia is an Italian philosopher and associate professor at the École des Hautes Études en Sciences Sociales in Paris.

For this volume, Dolce + Gabbana have decided to highlight the sensual photographic work of Mariano Vivanco, one of the world's leading photographers. Vivanco collects a series of photographs that celebrate the beauty and vigor of the male body at its most perfect.

The allure of postwar Italy continues to seduce and captivate us, and now our love affair is rekindled through these remarkable and candid photos of stars whose timeless glamour endures: Audrey Hepburn with her hairstylist; Anna Magnani hailing a cab in Rome; Ingrid Bergman and Roberto Rossellini on Capri.

The Italy of the 1950s and '60s was a time of high style that bedazzled Americans and ignited a love of all things Italian, particularly film and fashion. Through these unabashed portraits of the cult of celebrity, we can revisit an Italy that was sensuous yet innocent, simple yet courageous, cosmopolitan yet insulated.

This book is both a visually stunning tribute to larger-than-life personas and a unique reminiscence of a time when being bold and outrageous was to be at the height of fashion. With more than 130 lovingly executed duotone separations, Dolce Italia celebrates la dolce vita and allows us to relive this stylish era anew.

Drag (a man ""dressed as a girl"") has become a diverse form of expression that challenges, entertains and educates by pushing boundaries, while embracing beauty, comedy and glamour. The performers in this illustrated book are evidence of that diversity, captured by some of the top photographers working in the world today. All of them have graciously donated their work to make this book possible. What started as a small independent film fundraiser has grown into this beautiful coffee-table book. Features drag royalty such as Frank Marino, Eddie Edwards, Randy Roberts, Mr. Kenneth Blake, Chad Michaels, Elaine Lancaster, Jackie Beat, Charles Busch, Lady Bunny, Joey Arias, our amazing 'Marilyn Monroe centrespread' Jimmy James, Miss Coco Peru and the legendary Jim Bailey.

Edward Steichen was already a famous painter and photographer when, in 1923, he was offered one of the most prestigious and most lucrative positions in photography – that of chief photographer for Condé Nast’s Vogue and Vanity Fair.

Over the next fifteen years, Steichen produced an oeuvre of unequalled brilliance, dramatizing and glamorizing contemporary culture and its achievers – in politics, literature, journalism, dance, theatre, opera and, above all, the world of high fashion.

The 1920s and 1930s represent the high point in Edward Steichen’s photographic career, and the work he did for Condé Nast will stand forever among the most striking creations of 20th-century photography. The list of Steichen’s portraits is astounding in its range.

Steichen created a new style of fashion photography: his crisp, detailed, high-key style is a strong wind felt in the field to this day – George Hoyningen-Huene, Horst P. Horst, Richard Avedon, Robert Mapplethorpe and Bruce Weber are only his most illustrious descendants.

The Steichen archive at Condé Nast contains more than two thousand original vintage prints. A few of the images are well-known and indeed feature as iconic images in various histories of photography. Until now, however, no more than a handful of these prints has been exhibited or published.

They’re not your girls next door. Fashion and fetish in a female fantasyland

Ellen von Unwerth was a supermodel before the term was invented, so she knows a thing or two about photographing beautiful women. Now one of the world’s most original and successful fashion photographers, she pays homage to the world’s most delectable females in Fräulein. This celebration of our era’s sexiest female icons includes Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more.

Switching effortlessly between color and immaculate black and white, von Unwerth’s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last 15 years and many are previously unpublished.

The photographer:

Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her advertising campaigns include Victoria’s Secret, Banana Republic, and Chanel. Von Unwerth’s TASCHEN books include Heimat, Fräulein, and The Story of Olga.

This book, published in conjunction with the exhibition of the same title (Milan, Spring 2009), is produced in collaboration with Dolce & Gabbana.

Always audacious, sometimes outrageous, Vogue’s images distinguish themselves by their willingness to explore the limits of contemporary ideas of beauty and they are created by the greatest photographers of the twentieth and twenty-first centuries. The one hundred or so featured prints reveal profoundly sensual and highly provocative narratives that bear witness to complex cultural attitudes toward female appearance and self-expression.

From the neoclassical figures of Edward Steichen to the unconventional nudes of Annie Leibovitz, the aggressive portraiture of Helmut Newton, and the modernism of Steven Klein, the photographs in this volume consider the evolving female subject, in all her strength and contradiction. An entire section is devoted to Irving Penn, who transforms the face and body into images of extraordinary imaginative and aesthetic power.

Fashion and music have long shared a powerful mutual attraction: from the Sex Pistols to Madonna, Kylie Minogue to Lady Gaga, fashion has consistently amplified our understanding of the band (and in many cases the brand) – fuelling the fantasy, giving context to the sound and adding depth to artists’ wider agendas.

From pop videos to editorial shoots, via the evolution of some of the industry’s most significant and era-defining pairings/collaborations, this book focuses on the power of fashion as a make-or-break tool within the music industry’s creative process – making it an essential reference point for anyone interested in fashion’s role as a medium with which to innovate, communicate and build enduring brands.
About the Author

Katie Baron is a London-based writer, editor, creative consultant and global Head of Retail (insights and innovations) for trend-forecasting, research and advisory agency Stylus. She has contributed to The Times, Volt, Hole & Corner, 125, Dazed & Confused, Vogue, Luxure, experimental fashion broadcaster SHOWstudio, and regularly speaks at fashion-tech forum, Decoded Fashion. She is also a founder member of the London College of Fashion's future-scoping think-tank, Digital Anthroplogy Laboratory, and author of Stylists: New Fashion Visionaries (Laurence King Publishing).

Contents:

1. B. Akerlund

Artists: Madonna, Beyoncé, Britney Spears, Lady Gaga, Laleh.

2. William Baker

Artists: Kylie Minogue.

3. Judy Blame

Artists: Boy George, Neneh Cherry, Massive Attack, Björk, Iggy Pop, Baaba Maal. 

4. Jeffrey Bryant

Artists: Pet Shop Boys, Goldfrapp, Lady Gaga, Duran Duran, Marina & The Diamonds,

5. Es Devlin

Artists: Pet Shop Boys, Kanye West, Lily Allen, Miley Cyrus (note most are for set only). Now working on staging the next three Louis Vuitton fashion shows.

6. Franc Fernandez

Artists: Lady Gaga, Scissor Sisters, Sam Sparro, Fischerspooner.

7. Nicola Formichetti

Artists: Lady Gaga, Brooke Candy, Color Code (J-Pop).

8. Jean-Paul Goude

Artists: Grace Jones.

9. Andrea Lieberman

Artists: P-Diddy, Gwen Stefani, Jennifer Lopez, Shirley Manson,

10. Anastasia Marano

Artists: MIA, Azalea Banks, Usher, Taylor Momsen, Santigold.

11. Jordan Mooney

Artists: Sex Pistols, Adam and the Ants

12. Arianne Phillips

Artists: Madonna, Lenny Kravitz, Courtney Love.

13. Antony Price

Artists: Roxy Music, Rolling Stones, Duran Duran.

14. Michael Schmidt

Artists: Cher, Debbie Harry, Tina Turner, Britney Spears, Rihanna, Lady Gaga, Madonna, Aerosmith. 

15. Jo & Pat Skinny

Artists: Blur, Pulp, Suede, Republica, The Longpigs

16. Stevie Stewart

Artists: Bodymap era to Kylie Minogue, Britney Spears, Girls Aloud. 

17. Jenke-Ahmed Tailly

Artists: Beyoncé.

18. Johnny Wujek

Artists: Katy Perry

19. Kansai Yamamoto

Artists: David Bowie, Lady Gaga.

This book traces the history of fashion photography from its origins. Approximately 500 illustrations chart its birth and development in the 1930s and 1940s, its rebirth in the period following the Second World War, British Style in the Sixties, then the Seventies and Eighties, right up to the present day. The volume concludes with an index of photographers.

72 tritone photographs, 19 color photographs

Heavenly Body. The rise and rise of Gisele Bündchen

Born in the Brazilian countryside, and nearly six feet tall by the age of 14, Gisele Bündchen grew from humble roots into the most successful supermodel in the world. This book celebrates her 20-year milestone in the industry with a unique and spectacular collection of jaw-dropping glamour and intimate, personal insights.

Gisele was just 18 when she made her breakthrough in the S/S 1998 ready-to-wear “Rain” show of Alexander McQueen, who chose “The Body” thanks to her ability to walk in towering heels on a slippery runway. The same year, Gisele secured her first British Vogue cover, and swiftly became the most in-demand cover girl of her generation. The following year, she was chosen for the cover of American Vogue, shot by Steven Meisel, and lauded as “the return of the sexy model” with her bronzed, athletic beauty defying late-’90s grunge. Since then, Gisele has appeared on more than 1,000 covers around the globe, in approximately 450 fashion shows, and in multinational campaigns for the biggest fashion and beauty brands.

With more than 300 photographs, this book is curated and art directed by Giovanni Bianco. From Gisele’s legendary nude portrait by Irving Penn, chosen as the book’s cover, to iconic shots from such industry luminaries as Steven Meisel, Mario Testino, Peter Lindbergh, David LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott, and Corinne Day, it is a unique artistic presentation of the most famous Brazilian export together with Pelé and Senna and the highest-earning model in the world. The breathtaking image collection is accompanied by an introduction by Steven Meisel and tributes from Gisele’s closest friends, family, and fashion leaders, who shed light on how and why she has become one of the greatest models of all time.

An introduction to the groundbreaking work of Guy Bourdin (1928–91), a great innovator in the field of fashion photography

About the author(s)
Alison Gingeras is an international curator and writer based in Paris. She held the post of Curator of Contemporary Art Exhibitions and Collections at the Centre Pompidou, Paris (1999 to 2004) and was a member of the curatorial team at the Solomon R. Guggenheim Museum, New York from 1995 to 1999. She is on the editorial committee of Tate.Etc. magazine and has written dozens of exhibition catalogue texts and essays on contemporary artists.

Whether the incredible pieces of haute couture were designed by Chanel, Dior, Gaultier, Lacroix, Elie Saab, Philip Treacy, or Valentino, their beauty is preserved in the gorgeous images captured with a large-format camera using Polaroid material by Cathleen Naundorf and collected in this book. Her well-honed technique, inspired by her mentor Horst P. Horst, which combines instant film’s distinctive colors and shadow with the artist’s remarkable instinct, results in photographs that resemble paintings - haunting, muted, and raw. Not only are they a feast for fashion-hungry eyes, but they are also a testament to the talents of this young artist who has forged a formidable reputation in the fashion world. Featuring stunning couture images, this book presents renowned fashion photographer Cathleen Naundorf’s work with Polaroid photography from the past six years..

Instant Newton. A collection of Helmut Newton's test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when "instant photography" meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Selected by his widow, June Newton, from over 300 photos featured at the 2011 exhibition "Helmut Newton Polaroids" at the Museum für Fotografie in Berlin, this collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

The photographer:

Helmut Newton (1920-2004) was one of the most influential photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He first achieved international fame in the 1970's while working principally for French Vogue, and his celebrity and influence grew over the decades. Newton preferred to shoot in streets or interiors, rather than studios. Controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the Grand Prix national de la photographie; in 1992 the German government awarded him Das Grosse Verdienstkreuz for services to German culture, and he was appointed Officier des Arts, Lettres et Sciences by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed Commandeur de l'Ordre des Arts et des Lettres by Philippe Douste-Blazy, the French Minister of Culture at the time. Working and living in close companionship with his wife until his death at 83, his images remain as distinctive, seductive and original as ever.