Мода, гламур

Приголомшлива візуальна данина відомим знімкам італійського фотографа Паоло Роверсі для дому Dior.

Модний дім, улюблений своїми дизайнами, що відображають сучасну паризьку елегантність. Фотограф, відомий своїми неймовірно ніжними портретами. Цей вишуканий том «Зображення Dior: Паоло Роверсі» – це ода їхньому легендарному взаєморозумінню.

Представляючи фотографії з британського Vogue, Vogue Paris та W, цей том висвітлює творіння художніх директорів Dior Джанфранко Ферре, Джона Гальяно, Рафа Сімонса та Марії Грації К'юрі. Він також містить ексклюзивні фотографії з фотосесії, проведеної під керівництвом Грейс Коддінгтон, з роботами самого Крістіана Діора. Цей вишуканий том, що є одночасно і монографією про моду, і фотопортфоліо, захопить любителів фотографії, стилю та мистецтва.

Про авторів:

Паоло Роверсі – відомий фотограф у сфері моди, який співпрацював з провідними брендами та виданнями над рекламою та редакційними статтями. Він живе в Парижі. Емануеле Кочча — італійський філософ, який спеціалізується на аналізі статусу та сили образів, особливо в моді.

The transformation of Dior’s mythic Parisian headquarters at 30 Avenue Montaigne as seen through the eyes of Robert Polidori.

Following the reopening of 30 Avenue Montaigne in 2022, this exquisite volume offers a unique look into the metamorphosis of the House of Dior’s legendary Parisian headquarters via images captured by acclaimed photographer Robert Polidori.

For over two years, the iconic hôtel particulier underwent a radical transformation, during which Polidori was granted exclusive access to the site for the entire duration of the restoration — documenting the original state, the demolition phase, and the reconstruction of Dior’s home. Registering the past, present, and future of the spaces within a single frame, Polidori’s images capture layers of history in extraordinary detail. This impressive iconography offers an extraordinary visual experience recorded in one of the finest pieces of bookmaking, featuring neon printing, hand-tipped images on crystal paper, and a beautiful hemstitched cloth cover for an oversized book with a slipcase.

About the Author:

Robert Polidori is an acclaimed habitat photographer. He lives and works in Ojai, California. Emanuele Coccia is an Italian philosopher and associate professor at the École des Hautes Études en Sciences Sociales in Paris.

For this volume, Dolce + Gabbana have decided to highlight the sensual photographic work of Mariano Vivanco, one of the world's leading photographers. Vivanco collects a series of photographs that celebrate the beauty and vigor of the male body at its most perfect.

The allure of postwar Italy continues to seduce and captivate us, and now our love affair is rekindled through these remarkable and candid photos of stars whose timeless glamour endures: Audrey Hepburn with her hairstylist; Anna Magnani hailing a cab in Rome; Ingrid Bergman and Roberto Rossellini on Capri.

The Italy of the 1950s and '60s was a time of high style that bedazzled Americans and ignited a love of all things Italian, particularly film and fashion. Through these unabashed portraits of the cult of celebrity, we can revisit an Italy that was sensuous yet innocent, simple yet courageous, cosmopolitan yet insulated.

This book is both a visually stunning tribute to larger-than-life personas and a unique reminiscence of a time when being bold and outrageous was to be at the height of fashion. With more than 130 lovingly executed duotone separations, Dolce Italia celebrates la dolce vita and allows us to relive this stylish era anew.

Drag (a man ""dressed as a girl"") has become a diverse form of expression that challenges, entertains and educates by pushing boundaries, while embracing beauty, comedy and glamour. The performers in this illustrated book are evidence of that diversity, captured by some of the top photographers working in the world today. All of them have graciously donated their work to make this book possible. What started as a small independent film fundraiser has grown into this beautiful coffee-table book. Features drag royalty such as Frank Marino, Eddie Edwards, Randy Roberts, Mr. Kenneth Blake, Chad Michaels, Elaine Lancaster, Jackie Beat, Charles Busch, Lady Bunny, Joey Arias, our amazing 'Marilyn Monroe centrespread' Jimmy James, Miss Coco Peru and the legendary Jim Bailey.

Edward Steichen was already a famous painter and photographer when, in 1923, he was offered one of the most prestigious and most lucrative positions in photography – that of chief photographer for Condé Nast’s Vogue and Vanity Fair.

Over the next fifteen years, Steichen produced an oeuvre of unequalled brilliance, dramatizing and glamorizing contemporary culture and its achievers – in politics, literature, journalism, dance, theatre, opera and, above all, the world of high fashion.

The 1920s and 1930s represent the high point in Edward Steichen’s photographic career, and the work he did for Condé Nast will stand forever among the most striking creations of 20th-century photography. The list of Steichen’s portraits is astounding in its range.

Steichen created a new style of fashion photography: his crisp, detailed, high-key style is a strong wind felt in the field to this day – George Hoyningen-Huene, Horst P. Horst, Richard Avedon, Robert Mapplethorpe and Bruce Weber are only his most illustrious descendants.

The Steichen archive at Condé Nast contains more than two thousand original vintage prints. A few of the images are well-known and indeed feature as iconic images in various histories of photography. Until now, however, no more than a handful of these prints has been exhibited or published.

They’re not your girls next door. Fashion and fetish in a female fantasyland

Ellen von Unwerth was a supermodel before the term was invented, so she knows a thing or two about photographing beautiful women. Now one of the world’s most original and successful fashion photographers, she pays homage to the world’s most delectable females in Fräulein. This celebration of our era’s sexiest female icons includes Claudia Schiffer, Kate Moss, Vanessa Paradis, Britney Spears, Eva Mendes, Lindsay Lohan, Dita von Teese, Adriana Lima, Carla Bruni, Eva Green, Christina Aguilera, Monica Bellucci and dozens more.

Switching effortlessly between color and immaculate black and white, von Unwerth’s photography revels in sexual intrigue, femininity, romance, fetishism, kitsch humor, decadence and sheer joie de vivre. Whether nude or in lingerie and a dazzling smile, her subjects are never objectified. Some flaunt personal fantasies; others are guarded, suggesting that we have stumbled into a secret world. Fashion and fantasy were never so enchantingly combined. These images were shot over the last 15 years and many are previously unpublished.

The photographer:

Ellen von Unwerth worked as a top fashion model for 10 years, before taking up the camera and becoming one of the world’s most in-demand fashion photographers. Her work has featured in countless magazines, including Vogue, Interview, Vanity Fair, and i-D, while her advertising campaigns include Victoria’s Secret, Banana Republic, and Chanel. Von Unwerth’s TASCHEN books include Heimat, Fräulein, and The Story of Olga.

This book, published in conjunction with the exhibition of the same title (Milan, Spring 2009), is produced in collaboration with Dolce & Gabbana. Always audacious, sometimes outrageous, Vogue’s images distinguish themselves by their willingness to explore the limits of contemporary ideas of beauty and they are created by the greatest photographers of the twentieth and twenty-first centuries. The one hundred or so featured prints reveal profoundly sensual and highly provocative narratives that bear witness to complex cultural attitudes toward female appearance and self-expression. From the neoclassical figures of Edward Steichen to the unconventional nudes of Annie Leibovitz, the aggressive portraiture of Helmut Newton, and the modernism of Steven Klein, the photographs in this volume consider the evolving female subject, in all her strength and contradiction. An entire section is devoted to Irving Penn, who transforms the face and body into images of extraordinary imaginative and aesthetic power.

The first comprehensive monograph on the work of one of the world’s most influential art directors, Ezra Petronio

Having a strong brand identity has never been more vital than it is today, and yet the real creative visionaries who can transform and reinvigorate a brand are few. Ezra Petronio is a true master, and his work with leading fashion and beauty brands is bold and impactful.

An immersive visual survey of 25 years of impactful art direction, product design, and image making, with examples taken from across the entire range of his work, this book includes work for Chanel, Chloé, Comme des Garçons, Gucci, Hermès, Louis Vuitton, Prada, Saint Laurent, and Jil Sander, as well as Glossier, H&M, Revlon, and Zara. With 1,000 images of ad campaigns, branding, Self Service magazine spreads, graphics, and his polaroid series, which features the likes of Louise Bourgeois, Edward Enninful, Kim Kardashian, Kylian Mbappé, Kylie Minogue, Rick Owens, and Juergen Teller, it also includes texts that reflect on the process of image making; conversations with industry insiders on the art of art direction; and quotes from the likes of Honey Dijon, Marc Jacobs, and Chloë Sevigny on their creative process.

This impressive book is the first retrospective monograph on his career, illustrating the full breadth of his creative vision, from ad campaigns to his iconic Polaroid series, and demonstrating what it takes to make a brand truly stand out.

About the Author:

Ezra Petronio is the New York-born, Paris-based founder and creative director of the multi-disciplinary creative and strategic agency Petronio Associates, established in 1993, and he has been the editor-in-chief and creative director of the cult biannual fashion magazine, Self Service, since 1994. Petronio is also a highly respected photographer and runs Content Matters, an agency specializing in digital marketing and brand storytelling.

Fashion and music have long shared a powerful mutual attraction: from the Sex Pistols to Madonna, Kylie Minogue to Lady Gaga, fashion has consistently amplified our understanding of the band (and in many cases the brand) – fuelling the fantasy, giving context to the sound and adding depth to artists’ wider agendas.

From pop videos to editorial shoots, via the evolution of some of the industry’s most significant and era-defining pairings/collaborations, this book focuses on the power of fashion as a make-or-break tool within the music industry’s creative process – making it an essential reference point for anyone interested in fashion’s role as a medium with which to innovate, communicate and build enduring brands.
About the Author

Katie Baron is a London-based writer, editor, creative consultant and global Head of Retail (insights and innovations) for trend-forecasting, research and advisory agency Stylus. She has contributed to The Times, Volt, Hole & Corner, 125, Dazed & Confused, Vogue, Luxure, experimental fashion broadcaster SHOWstudio, and regularly speaks at fashion-tech forum, Decoded Fashion. She is also a founder member of the London College of Fashion's future-scoping think-tank, Digital Anthroplogy Laboratory, and author of Stylists: New Fashion Visionaries (Laurence King Publishing).

Contents:

1. B. Akerlund

Artists: Madonna, Beyoncé, Britney Spears, Lady Gaga, Laleh.

2. William Baker

Artists: Kylie Minogue.

3. Judy Blame

Artists: Boy George, Neneh Cherry, Massive Attack, Björk, Iggy Pop, Baaba Maal. 

4. Jeffrey Bryant

Artists: Pet Shop Boys, Goldfrapp, Lady Gaga, Duran Duran, Marina & The Diamonds,

5. Es Devlin

Artists: Pet Shop Boys, Kanye West, Lily Allen, Miley Cyrus (note most are for set only). Now working on staging the next three Louis Vuitton fashion shows.

6. Franc Fernandez

Artists: Lady Gaga, Scissor Sisters, Sam Sparro, Fischerspooner.

7. Nicola Formichetti

Artists: Lady Gaga, Brooke Candy, Color Code (J-Pop).

8. Jean-Paul Goude

Artists: Grace Jones.

9. Andrea Lieberman

Artists: P-Diddy, Gwen Stefani, Jennifer Lopez, Shirley Manson,

10. Anastasia Marano

Artists: MIA, Azalea Banks, Usher, Taylor Momsen, Santigold.

11. Jordan Mooney

Artists: Sex Pistols, Adam and the Ants

12. Arianne Phillips

Artists: Madonna, Lenny Kravitz, Courtney Love.

13. Antony Price

Artists: Roxy Music, Rolling Stones, Duran Duran.

14. Michael Schmidt

Artists: Cher, Debbie Harry, Tina Turner, Britney Spears, Rihanna, Lady Gaga, Madonna, Aerosmith. 

15. Jo & Pat Skinny

Artists: Blur, Pulp, Suede, Republica, The Longpigs

16. Stevie Stewart

Artists: Bodymap era to Kylie Minogue, Britney Spears, Girls Aloud. 

17. Jenke-Ahmed Tailly

Artists: Beyoncé.

18. Johnny Wujek

Artists: Katy Perry

19. Kansai Yamamoto

Artists: David Bowie, Lady Gaga.

This book traces the history of fashion photography from its origins. Approximately 500 illustrations chart its birth and development in the 1930s and 1940s, its rebirth in the period following the Second World War, British Style in the Sixties, then the Seventies and Eighties, right up to the present day. The volume concludes with an index of photographers.

72 tritone photographs, 19 color photographs

Heavenly Body. The rise and rise of Gisele Bündchen

Born in the Brazilian countryside, and nearly six feet tall by the age of 14, Gisele Bündchen grew from humble roots into the most successful supermodel in the world. This book celebrates her 20-year milestone in the industry with a unique and spectacular collection of jaw-dropping glamour and intimate, personal insights.

Gisele was just 18 when she made her breakthrough in the S/S 1998 ready-to-wear “Rain” show of Alexander McQueen, who chose “The Body” thanks to her ability to walk in towering heels on a slippery runway. The same year, Gisele secured her first British Vogue cover, and swiftly became the most in-demand cover girl of her generation. The following year, she was chosen for the cover of American Vogue, shot by Steven Meisel, and lauded as “the return of the sexy model” with her bronzed, athletic beauty defying late-’90s grunge. Since then, Gisele has appeared on more than 1,000 covers around the globe, in approximately 450 fashion shows, and in multinational campaigns for the biggest fashion and beauty brands.

With more than 300 photographs, this book is curated and art directed by Giovanni Bianco. From Gisele’s legendary nude portrait by Irving Penn, chosen as the book’s cover, to iconic shots from such industry luminaries as Steven Meisel, Mario Testino, Peter Lindbergh, David LaChapelle, Juergen Teller, Inez & Vinoodh, Mert Alas & Marcus Piggott, and Corinne Day, it is a unique artistic presentation of the most famous Brazilian export together with Pelé and Senna and the highest-earning model in the world. The breathtaking image collection is accompanied by an introduction by Steven Meisel and tributes from Gisele’s closest friends, family, and fashion leaders, who shed light on how and why she has become one of the greatest models of all time.

Вступ до новаторської роботи Гі Бурдена (1928–91), великого новатора в галузі модної фотографії

Гі Бурден народився в Парижі в 1928 році та отримав свою першу фотографічну підготовку під час проходження військової служби в Сенегалі в 1948 році. Його фотографії вперше були представлені в Парижі в 1952 році, каталог цієї виставки містив вступ Мана Рея, а він почав працювати для французького Vogue в 1954 році.

Натхненний сюрреалізмом Мана Рея, Бурден відмовився від описової ролі фотографії на користь дослідження здатності цього засобу до розбіжностей. Поряд з деякими американськими фотографами, зокрема Едвардом Вестоном, Бурден усвідомлював зацікавленість формальною досконалістю та надзвичайно високою обробкою, що стало його власною метою, ідеально адаптованою до оманливої вишуканості модних образів, ландшафту, в якому він розвивав свої ідеї понад тридцять років.

У французькому Vogue Бурден вимагав і отримував унікальний редакційний контроль, і, що дивовижно, він поширив його на свого головного клієнта в рекламі, взуттєву компанію Charles Jourdan, яка вперше замовила йому роботу в 1960-х роках. Підхід Бурдена до кампаній відображав суттєві зміни в рекламі цього періоду. Бурден відмовився від «продуктової зйомки» на користь атмосферних, часто сюрреалістичних картин та натяків на наратив. Бурден був не єдиним, хто демістифікаціював об'єкт, але він був найрадикальнішим у своєму підході.

Вплив образів Гі Бурдена як на комерційну, так і на художню фотографію продовжує резонувати й сьогодні. Бурден вніс радикальні зміни як у стиль, так і в значення комерційних зображень. Його модні зйомки загадкові, гіпнотичні, сюрреалістичні, розкриваючи справжню та тривожну природу бажання. Він показує, що в контексті моди рідко нас приваблює продукт. Саме образ – ретельно поставлена розповідь про сексуальні фантазії, прагнення недосяжного, натяк на небезпеку – стимулює споживче бажання.

- Вступ до новаторської роботи Гі Бурдена (1928–91), великого новатора в галузі фешн-фотографії
- Високий гламур та спокусливі, часто сюрреалістичні роботи Бурдена революціонізували жанр фешн-фотографії
- Вступне есе Елісон Джинджерас пропонує свіжий погляд на життя та творчість Бурдена, включаючи його значний вплив на світ комерційної та художньої фотографії
- Документує розвиток фотографії Бурдена через хронологічну послідовність з 55 зображень
- Представляє менш відомі та раніше неопубліковані зображення поряд із відомими класичними роботами, такими як його кампанії для Шарля Журдана та Dior, а також його роботи для французького Vogue

Про автора:

Елісон Джинджерас — міжнародна кураторка та письменниця, яка мешкає в Парижі. Вона обіймала посаду куратора виставок та колекцій сучасного мистецтва в Центрі Помпіду, Париж (1999–2004), а також була членом кураторської команди Музею Соломона Р. Гуггенхайма, Нью-Йорк, з 1995 по 1999 рік. Вона входить до редакційної ради журналу Tate.Etc. та написала десятки текстів для каталогів виставок та есе про сучасних художників.

Whether the incredible pieces of haute couture were designed by Chanel, Dior, Gaultier, Lacroix, Elie Saab, Philip Treacy, or Valentino, their beauty is preserved in the gorgeous images captured with a large-format camera using Polaroid material by Cathleen Naundorf and collected in this book. Her well-honed technique, inspired by her mentor Horst P. Horst, which combines instant film’s distinctive colors and shadow with the artist’s remarkable instinct, results in photographs that resemble paintings - haunting, muted, and raw. Not only are they a feast for fashion-hungry eyes, but they are also a testament to the talents of this young artist who has forged a formidable reputation in the fashion world. Featuring stunning couture images, this book presents renowned fashion photographer Cathleen Naundorf’s work with Polaroid photography from the past six years..