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“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
— Annie Leibovitz

Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

About the Author:

Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was a career officer in the Air Force and her childhood was spent on a succession of military bases. While studying painting at the San Francisco Art Institute she took night classes in photography, and in 1970 she began working for Rolling Stone magazine. She became Rolling Stone’s chief photographer in 1973. By the time she left the magazine, ten years later, she had shot one hundred and forty-two covers and published photo essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. She joined the staff of Vanity Fair in 1983 and in 1993 also began working for Vogue. In addition to her magazine editorial work, Leibovitz has created influential advertising campaigns for American Express, the Gap, the Milk Board, and Louis Vuitton. She has worked with many arts organizations, including American Ballet Theatre, the Brooklyn Academy of Music, and the Mark Morris Dance Group, and with Mikhail Baryshnikov. Her books include Annie Leibovitz: Photographs (1983), Photographs: Annie Leibovitz, 1970—1990 (1991), Olympic Portraits (1996), Women (1999), American Music (2003), and A Photographer’s Life (2006). Exhibitions of her work have appeared in museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Brooklyn Museum; the Stedelijk Museum in Amsterdam; the Maison Européenne de la Photographie in Paris; and the National Portrait Gallery in London. Leibovitz has been designated a Living Legend by the Library of Congress and is the recipient of many other honors including the Barnard College Medal of Distinction and the Infinity Award in Applied Photography from the International Center of Photography. She was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. She lives in New York with her three children, Sarah, Susan, and Samuelle.

“The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it."
— Annie Leibovitz

Annie Leibovitz describes how her pictures were made, starting with Richard Nixon's resignation, a story she covered with Hunter S. Thompson, and ending with Barack Obama's campaign. In between are a Rolling Stones Tour, John Lennon and Yoko Ono, Demi Moore, Whoopi Goldberg, The Blues Brothers, Arnold Schwarzenegger, Keith Haring, Mikhail Baryshnikov, Patti Smith, George W. Bush, William S. Burroughs, Kate Moss and Queen Elizabeth. The most celebrated photographer of our time discusses portraiture, reportage, fashion photography, lighting, and digital cameras.

About the author:

Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was a career officer in the Air Force and her childhood was spent on a succession of military bases. While studying painting at the San Francisco Art Institute she took night classes in photography, and in 1970 she began working for Rolling Stone magazine. She became Rolling Stone’s chief photographer in 1973. By the time she left the magazine, ten years later, she had shot one hundred and forty-two covers and published photo essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. She joined the staff of Vanity Fair in 1983 and in 1993 also began working for Vogue. In addition to her magazine editorial work, Leibovitz has created influential advertising campaigns for American Express, the Gap, the Milk Board, and Louis Vuitton. She has worked with many arts organizations, including American Ballet Theatre, the Brooklyn Academy of Music, and the Mark Morris Dance Group, and with Mikhail Baryshnikov. Her books include Annie Leibovitz: Photographs (1983), Photographs: Annie Leibovitz, 1970—1990 (1991), Olympic Portraits (1996), Women (1999), American Music (2003), and A Photographer’s Life (2006). Exhibitions of her work have appeared in museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Brooklyn Museum; the Stedelijk Museum in Amsterdam; the Maison Européenne de la Photographie in Paris; and the National Portrait Gallery in London. Leibovitz has been designated a Living Legend by the Library of Congress and is the recipient of many other honors including the Barnard College Medal of Distinction and the Infinity Award in Applied Photography from the International Center of Photography. She was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. She lives in New York with her three children, Sarah, Susan, and Samuelle.

Annie Leibovitz, our most celebrated living photographer, explains how her pictures are made

Leibovitz addresses young photographers and readers interested in what photographers do, but any reader interested in contemporary history will be fascinated by her account of one of the richest bodies of work in the photographic canon. The subjects include photojournalism, studio work, photographing dancers and athletes, working with writers, and making the transition from shooting with film to working with digital cameras. Originally published in 2008, this revised and updated edition brings Leibovitz's bestselling book back into print.

About the Author:

Annie Leibovitz is one of the most influential photographers of our time. For nearly five decades, her distinctive portraits have appeared on the covers of Rolling Stone, Vanity Fair, and Vogue. She is a Commandeur in the French government's Ordre des Arts et des Lettres and has been designated a Living Legend by the Library of Congress. Her work is exhibited in museums all over the world.

Annie Leibovitz, our most celebrated living photographer, explains how her pictures are made

Leibovitz addresses young photographers and readers interested in what photographers do, but any reader interested in contemporary history will be fascinated by her account of one of the richest bodies of work in the photographic canon. The subjects include photojournalism, studio work, photographing dancers and athletes, working with writers, and making the transition from shooting with film to working with digital cameras. Originally published in 2008, this revised and updated edition brings Leibovitz's bestselling book back into print.

About the Author:

Annie Leibovitz is one of the most influential photographers of our time. For nearly five decades, her distinctive portraits have appeared on the covers of Rolling Stone, Vanity Fair, and Vogue. She is a Commandeur in the French government's Ordre des Arts et des Lettres and has been designated a Living Legend by the Library of Congress. Her work is exhibited in museums all over the world.

“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990 to 2005. “This is one life, and the personal pictures and the assignment work are all part of it.”

Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, and William Burroughs–appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes. The pictures form a narrative of a life rich in contrasts and continuities. The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while, she is working, and the public work resonates with the themes of the life.

About the Author:

Annie Leibovitz is one of the most influential photographers of our time. In 1970, she began creating what became her legendary work for Rolling Stone. Since the early 1980s, she has expanded her repertoire at Vanity Fair and Vogue and in independent projects. She is the recipient of many honors, including the International Center of Photography’s Lifetime Achievement Award and the Centenary Medal of the Royal Photographic Society.

Pilgrimage took Annie Leibovitz to places that she could explore with no agenda. She wasn’t on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson’s house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. “That’s when I started making lists,” she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud’s final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal.

Leibovitz went to Concord to photograph the site of Thoreau’s cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson’s home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln’s portraits have been saved. Lincoln’s portraitists - principally Alexander Gardner and the photographers in Mathew Brady’s studio - were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years.

The final list of subjects is perhaps a bit eccentric. Georgia O’Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson’s Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. “From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal,” she says. “It taught me to see again.”

About the Author:

Annie Leibovitz is one of the most influential photographers of our time. In 1970, she began creating what became her legendary work for Rolling Stone. Since the early 1980s, she has expanded her repertoire at Vanity Fair and Vogue and in independent projects. She is the recipient of many honors, including the International Center of Photography’s Lifetime Achievement Award and the Centenary Medal of the Royal Photographic Society.

The Origins of a Legendary Photographer. Annie Leibovitz’s photographic beginnings and Rolling Stone reportage

Annie Leibovitz began working as a photographer in the early 1970s, which was a volatile and frenetic time in America. The lines had yet to be drawn between journalists and the people they covered, so she had access that would now be considered unusual. This unique collection provides a vivid account both of Leibovitz’s development as an artist and of a pivotal era.

For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, business people, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.

The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.

Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.

Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road — the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

The photographer:

Annie Leibovitz’s body of work encompasses some of the most well-known portraits of our time. Leibovitz began her career as a photojournalist for Rolling Stone in 1970 while she was still a student at the San Francisco Art Institute. In 1983, when she joined the staff of the revived Vanity Fair, she was established as the foremost rock music photographer and an astute documentarian of the social landscape. At Vanity Fair, and later at Vogue, her work with actors, directors, writers, musicians, athletes, and political and business figures, as well as her fashion photographs, expanded her collective portrait of contemporary life. Leibovitz has published several books and has exhibited widely. She is a Commandeur in the French government’s Ordre des Arts et des Lettres and has been designated a Living Legend by the Library of Congress.

The authors:

Luc Sante teaches writing and the history of photography at Bard College in Annandale-on-Hudson, New York. He is a frequent contributor to The New York Review of Books and the recipient of the 2010 Infinity Award for Writing from the International Center of Photography.

Jann S. Wenner founded Rolling Stone in 1967. He has been inducted into the Hall of Fame of the American Society of Magazine Editors and is the recipient of the Norman Mailer Center’s Prize for Lifetime Achievement in Magazine Publishing.

The impulse to do AMERICAN MUSIC, writes famed photographer Annie Leibovitz, “came from a desire to return to my original subject and look at it with a mature eye. Bring my experience to it…make it a real American tapestry.” Her ambitious idea became AMERICAN MUSIC, a stunning collection of photographs of the musicians, places and people that enrich the landscape of American music.

As Rolling Stone’s chief photographer for over thirteen years, Leibovitz created a legendary body of work. Her portraits of some of the world’s most talented musicians capture more than the performer, they convey the art of making music. For AMERICAN MUSIC, Leibovitz traveled across the country to juke joints in the Mississippi Delta, honkytonks in Texas, and jazz clubs in New Orleans “to take pictures in places that mean something.” In her signature style, she shares stunning portraits of American greats -- B.B. King, Willie Nelson, Bonnie Raitt, Bruce Springsteen, Beck, Bob Dylan, Mary J. Blige, Jon Bon Jovi, Steve Earle, Ryan Adams, Miles Davis, Etta James, Pete Seeger, Emmylou Harris, Tom Waits, The Dixie Chicks, Dr. Dre, The Roots and many more.

AMERICAN MUSIC includes a commentary about the American Music project by Leibovitz, short essays by musicians Patti Smith, Rosanne Cash, Steve Earle, Mos Def, Ryan Adams, and Beck as well as biographical sketches of all the musicians.

About the Author:

Annie Leibovitz is one of the most influential photographers of our time. In 1970, she began creating what became her legendary work for Rolling Stone. Since the early 1980s, she has expanded her repertoire at Vanity Fair and Vogue and in independent projects. She is the recipient of many honors, including the International Center of Photography’s Lifetime Achievement Award and the Centenary Medal of the Royal Photographic Society.

In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz.

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

About the Authors:

Annie Leibovitz is one of the most influential photographers of our time. Her career spans nearly five decades, starting in the 1970s when she was a widely acclaimed photographer at Rolling Stone. At Vanity Fair and Vogue and in independent projects, Leibovitz expanded her repertoire as a portraitist with a distinctive style. Her many honors include being designated a Living Legend by the Library of Congress, and her work is exhibited at museums around the world.

Alexandra Fuller is a prize-winning writer, whose memoirs Don't Let's Go to the Dogs Tonight and Leaving Before the Rains Come have met with public and critical acclaim. Her articles and reviews have appeared in numerous publications, including The New Yorker, Granta, The New York Times, Guardian, and National Geographic.

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In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz.

Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

About the authors:

Annie Leibovitz is one of the most influential photographers of our time. Her career spans nearly five decades, starting in the 1970s when she was a widely acclaimed photographer at Rolling Stone. At Vanity Fair and Vogue and in independent projects, Leibovitz expanded her repertoire as a portraitist with a distinctive style. Her many honors include being designated a Living Legend by the Library of Congress, and her work is exhibited at museums around the world.

Alexandra Fuller is a prize-winning writer, whose memoirs Don't Let's Go to the Dogs Tonight and Leaving Before the Rains Come have met with public and critical acclaim. Her articles and reviews have appeared in numerous publications, including The New Yorker, Granta, The New York Times, Guardian, and National Geographic.

___________

Пролистать книгу Annie Leibovitz: Portraits 2005-2016

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Посмотреть новое издание книги Annie Leibovitz: Portraits 2005-2016

ANSEL ADAMS AT 100 was published in conjuction with an outstanding international exhibition that opened in August 2001 at the Museum of Modern Art in San Francisco and has travelled to Chicago, New York, Los Angeles, Berlin and London. This book presents a fresh look at Adams' classic images, an unexpected and sometimes unfamiliar body of his work, offering the first serious effort to reconsider Adams' contribution to the art of photography in half a century. A critical and interpretive essay on this master photographer by John Szarkowski speaks of the importance of Adams as a modern artist.

The book boasts extremely high production values, featuring 110 tritone images printed on a special paper, a linen cloth binding with matching slipcase and a reproduction print (suitable for framing) embossed with the AA seal and inserted in an envelope at the back of the book. Without a doubt, this is the most important and influential book yet published on Ansel Adams.

Adams began to photograph in colour in the mid-1930s. He did significant personal or 'creative' photography in colour and his distinctive visualisation of a scene and technical mastery is immediately evident in these photographs. Overall, he made nearly 3,500 colour images, but only a small fraction have ever been published.

 Ansel Adam thought seriously about publishing his colour images but the task was not accomplished during his lifetime. The Ansel Adams Publishing Rights Trust - with advice and counsel from John Szarkowski, former Director of Photography at New York's Museum of Modern Art; David Travis, Curator of Photographs at the Art Institute of Chicago and James Enyeart, former Director of the International Museum of Photography at George Eastman House--asked the distinguished master photographer Harry Callahan to select the best of Adams' colour work for publication in this book.

Revered for his photo portraits of rock and pop stars, Dutch born son of a preacherman and image maker Anton Corbijn has meanwhile become a cult figure himself. In his new book, he carries the ego and idol spiel to an ironic extreme with self-portraits of Anton Corbijn as John Lennon, Jim Morrison, Kurt Cobain, Frank Zappa and more.

Of course, Anton Corbijn’s longtime bestseller is available again: his portrait gallery of the heroes and enfants terribles of film, literature, fashion, pop and rock.

With 25,000 copies sold, Anton Corbijn's blockbuster book documenting his 22-year friendship with the Irish rock group U2 is now available in an inexpensive reduced-size version. It presents a wealth of official and private pictures taken between 1982, when they first met in New Orleans, and their April 2004 Lisbon shooting for U2's How to Dismantle an Atomic Bomb album.