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The night shots by Axel Hütte, born 1951, present empty riverside promenades dotted with lanterns, illuminated office buildings, landscapes immersed in darkness with a single light at the horizon, and one sunset showing the last glow in the blackness of the night.

Die beruflichen Anfänge eines der wichtigsten Photographen des 20. Jahrhunderts waren bisher kaum erforscht. August Sander (1876-1964), der mit seinem epochalen Portraitwerk Menschen des 20. Jahrhunderts ästhetisch und konzeptuell Maßstäbe setzte, die bis heute gültig sind, begann seine Laufbahn als selbständiger Photograph im österreichischen Linz. Dort eröffnete er 1901 ein Atelier für Portrait- und Landschaftsaufnahmen, knüpfte gesellschaftliche Kontakte, die seinem Geschäft zugute und den eigenen künstlerischen und musikalischen Neigungen entgegenkamen und beteiligte sich - auch mit Gemälden - an Ausstellungen und Wettbewerben. In Sanders Linzer Zeit fallen die auf breiter Front geführten Diskussionen um eine Erneuerung des Mediums. Der »Piktoralismus« der Jahrhun- dertwende und die kommerzielle Studiophotographie gerieten mehr und mehr ins Kreuzfeuer der Kritik. Vor allem beim Portrait wurde der Ruf nach mehr Lebensnähe und Authentizität laut. August Sander fand sich hier in seiner eigenen Suche nach neuen gestalterischen Mitteln bestätigt - und anerkannt. Als die Familie 1909 nach Köln übersiedelte, waren die Grundlagen für die weitere Entwicklung seines photographischen Werks gelegt. Rund 330 Originale haben sich aus Sanders Linzer Jahren erhalten. Ergänzt durch weiteres Bildmaterial, das nur in Reproduktionen oder über Beschreibungen in Katalogen und Fachblättern greifbar ist, ergab sich ein »Linzer Bestand«, den die Photographische Sammung/SK Stiftung Kultur, Köln in Kooperation mit der Landesgalerie Linz einer eingehenden wissenschaftlichen Recherche unterzogen hat. Ergebnis dieser mehr- jährigen Forschungsarbeit ist die vorliegende Publikation, die eine Ausstellung in Linz und Köln begleitet.

No photographer had a more serious and deeply felt response to the political and cultural impact of the 1960s and early 1970s than Richard Avedon, whose iconic portraits of key figures of the era influenced the course of photography in the decades that followed.

In four monumental photographic murals (reproduced in large gatefolds) and many related portraits, he portrayed Andy Warhol’s gender-bending Factory, with Viva and Candy Darling; Abbie Hoffman and the radical agitators of the Chicago Seven; Allen Ginsberg’s family, friends, and fellow artists; and the U.S. Mission Council in Saigon alongside searing portraits of victims of the Vietnam War.

The photographs are accompanied by images of archival material, including Avedon’s diaries, correspondence, and contact prints. Major essays explore Avedon’s penetrating incursions into the history and spirit of these tumultuous years

Although her first magazine "Jill" remains an iconic reference even today, Babeth Djian has also initiated numerous other cult moments in the world of fashion, be it with "Vogue France", "Vogue Italie", "Glamour", "Mixte", and now "Numero". Some of the most renowned photographers, designers, make-up artists, hairstylists and models working in the fashion world today began their careers working with Babeth. She is always bubbling with enthusiasm: Jadore. Do it! She is a rare woman, daring, untamed, sophisticated, androgynous, a vamp so French! This book will include illustrations by major names such as: Mert Alas and Marcus Pigott; Inez van Lamsweerde and Vinoodh Matadin; Nathaniel Goldberg; Karl Lagerfeld; Peter Lindbergh; Jean-Baptiste Mondino; Guido Mocafico; Sofia Sanchez and Mauro Mongiello; Liz Collins; Solve Sundbo; Camilla Akrans; Greg Kadel; Dusan Rejlin; Ellen von Unwerth; Paolo Roversi; and, more.

Backstage & Frontrow is an all-access pass to the heady world of fashion and glamour, via the eyes of Gauthier Gallet. For almost ten years, Gallet scanned behind-the-scenes and the front-rows at the ready-to-wear and couture shows in Paris, Milan, New York and Tokyo, as well as some of the most star-laden parties of the past decade. Uncontrived, personal images, his photos render the untouchably fabulous surprisingly human. They are documents of our times, a compilation of encounters, a continuous expression of his great talent.

Gallet’s uncalculated images reveal the strength of his subjects and capture, in a split-second, the “now,” the moment. His unique working relationship with models, designers and celebrities, their mutual trust, is reflected in his lasting images. Backstage & Frontrow is at once a tribute to his work and a testimony to a great talent.

After four years of collaboration with choreographer Peter Martins and the New York City Ballet, Swiss portrait photographer Henry Leutwyler was granted unprecedented backstage access to the Company during the winter of 2012. The resulting book, Ballet, reflects 30 years of his passion for the art form, realized in 30 days of photographing.

Leutwyler inhabited the shadows of the stage and became "invisible," recording images of the dancers using nothing more than his 35mm Leica. He was able to explore the performers' immediate space, affording a more abstract portrait of their frenzied existence in an art form predicated on perfection. This clothbound masterpiece is a homage to the gritty world behind the curtain. With impresario Lincoln Kirstein, George Balanchine co-created the New York City Ballet in 1948. What followed is arguably one the most revolutionary periods in ballet history as he redefined the art form, introducing abstract works performed with a signature speed, musicality and precision. Under the leadership of Peter Martins, these are the hallmarks of the Company to this day.

About Henry Leutwyler

Henry Leutwyler was born in Switzerland in 1961. He lived and worked in Paris for a decade before finding his way to New York City in 1995, where he established his reputation as a portrait photographer. Steidl published Leutwyler’s first book Neverland Lost: A Portrait of Michael Jackson, in 2010. The images from Neverland Lost and Ballet have been exhibited in solo shows in Los Angeles, New York City, Paris, Moscow, Madrid and Zurich. 

Berlin is a concept album that represented a brave departure from the familiar sounds and themes of Lou Reed’s earlier solo work, a tragic tale about heartbreak and addiction meant to be played live as a rock opera, in the vein of The Who’s Tommy. But its poor reception meant that plans for a live performance were put on hold until 2007, when, with a renewed confidence in the material, Reed toured with a full orchestra and choir, giving some of the most personal and powerful performances of his career.

The tour was filmed by legendary artist Julian Schnabel, a longtime friend of Reed’s who also designed the spare and beautiful set, and whose daughter Lola contributed moving images projected behind the stage. This immeasurably powerful book draws on stills from Schnabel’s film, photographs of the set design, printed lyrics of Reed’s original verse, and images from Schnabel’s projections to tell the twin stories of Berlin as rock opera and as unique collaboration between two geniuses of contemporary art, music, words, and film.

The book also includes a rare conversation between Reed and Schnabel.

About the Author

Lou Reed is a founding member of the Velvet Underground and an accomplished solo artist, poet, writer, and photographer. He lives in New York. Julian Schnabel is a celebrated artist and filmmaker whose work is in the permanent collections of The Metropolitan Museum and MoMA in New York, and whose film The Diving Bell and the Butterfly was nominated for four Academy Awards. He lives in New York.

This publication is the English language edition of Helmut Newtons most successful book. It is an anthology of his best portraits, his most famous fashion photographs and his most provocative nudes.

About the photographer: 

Helmut Newton (1920-2004) was one of the most influential fashion photographers of all time. Born in Berlin, he arrived in Australia in 1940 and married June Brunell (a.k.a. Alice Springs) eight years later. He achieved international fame in the 1970`s while working principally for French Vogue, and over the next three decades, his celebrity and influence continued to grow. Eschewing studios, for the most part, Newton preferred to shoot in the streets or in interiors. His mixture of controversial scenarios, bold lighting, and striking compositions came to form his signature look. In 1990 he was awarded the "Grand Prix National" for photography; in 1992 was awarded by the German government "Das Grosse Verdienstkreuz" for his services to German culture and was appointed "Officer des Arts, Lettres et Sciences" by S.A.S. Princess Caroline of Monaco. In 1996, he was appointed "Commandeur de l`Ordre des Arts et des Lettres" by Philippe Douste-Blazy, the French Minister of Culture. Working and living in close companionship with his wife until his death at 83, through his last click of the shutter he continued to be as distinctive and influential as ever.

Bettina is back. 35 years of daring, defiant photography

Since her first photographs in the late ’70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional iconography and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.

This Rheims retrospective showcases more than 500 photographs from 35 years of daring, often defiant, photography. Personally selected and assembled by Rheims, the collection juxtaposes renowned series such as Chambre Close, Héroïnes, and Rose, c’est Paris with many previously unpublished archival images and entries from Rheims’s own “diaries,” detailing behind-the-scenes work and personal memories.

Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheims’s subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheims’s particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood.

Bettina is back. 35 years of daring, defiant photography

Since her first photographs in the late ’70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers (1980) to her cycle on the life of Jesus in I.N.R.I. (1998), from Chanel commercials to Gender Studies (2011), her work has shaken up traditional iconography and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection.

This Rheims retrospective showcases more than 500 photographs from 35 years of daring, often defiant, photography. Personally selected and assembled by Rheims, the collection juxtaposes renowned series such as Chambre Close, Héroïnes, and Rose, c’est Paris with many previously unpublished archival images and entries from Rheims’s own “diaries,” detailing behind-the-scenes work and personal memories.

Spanning commercial work and artistic series, the retrospective impresses with each turn of the page, as much for the strength of each image as for the thrilling variety of Rheims’s subjects and aesthetics. With equal attention to anonymous subjects cast in the street as to global celebrities, including Kate Moss, Madonna, Monica Bellucci, Claudia Schiffer, and Naomi Campbell, the book showcases Rheims’s particular interest in female fragility and strength, and of the magic encounter between model and artist which disrupts codes of so-called eroticism to build up a new image system for womanhood.

Femme Fantômas. A detective story, told in photos and film, that unfolds in the streets, cafés, cabarets, abandoned factories, and grand hotels of Paris

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film on DVD. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.

Equal parts erotica, fashion shoot, art monograph, metaphysical mystery, social and cultural archaeology of the French capital, and neo-noir art-house film - Rose, c'est Paris is the steamy tale of twin sisters, known only as B and Rose, and a third principal - the city itself. An abduction leads to a detective story that unfolds in the streets, cafés, cabarets, museums, abandoned factories, and grand hotels of Paris. What happened to the missing sister? Was there a plot? Was she really kidnapped? Is she alive or dead? Is it, in fact, a case of mistaken identity? Rheims and Bramly create a series of extraordinary tableaux suggesting all these possibilities and many more, featuring a host of celebrity figures, including Naomi Campbell, Michelle Yeoh, Monica Bellucci, Charlotte Rampling, Valérie Lemercier, Inès Sastre, Anna Mouglalis, Audrey Marnay, Anthony Delon, Rona Hartner, Jean-Pierre Kalfon, Azzedine Alaïa, Louise Bourgoin, and Hélèna Noguerra.

After our limited and art editions, this book is now available in a trade edition.

The artists:
French artist Bettina Rheims produced numerous major photographic series, which have been exhibited all over the world. Her books include Female Trouble (1989), Modern Lovers (1990), Chambre Close (1994), I.N.R.I. (1998), X'Mas (2000), Shanghai (2003), Héroïnes (2007), and The Book of Olga (2008 for TASCHEN).

Serge Bramly is an artist, writer and essayist and frequently collaborates on artistic and photographic projects with Bettina Rheims. His books include Leonardo: The Artist and the Man (1995) and Le Premier Principe (Prix Interallié, 2008).

94 colour and duotone plates

Since th eearly 1980x, Bettina Rheims has been the most sought-after French photographer. From her very beginnings, the female body has been the central focus of her work. Her unusual and provocative portraits and nude images each reveal a hidden part of the subject. She regularly caused stirs with projects such as Chambre close (1992), the story of a Paris voyeur watching women in hotels; KIM, a docuemntary ona transsexual;  I.N. R.I (1999), a sequence on the life of Chris, Shanghai (2004), featuring women in the midst of a powerful cultural, economic and spiritual evolution, and, most recently, Heroines (2006). This volume is a Best of. . . survey of Bettina Rheims' photographic oeuvre of 30 years.

Bettina Rheims, born in Paris in 1952, started her career in 1978 with a series on female acrobats and strippers. She has worked for major fashion magazines. The 1994 recpient of the Grand prix de la photographie, she took the official portrait of newly-elected French president Jacques Chirac in 1995 and was appointed Chevalier de la Legion d'Honneur in 2002. She lives in Paris.

Bettina Rheims, born in Paris in 1952, is one of the most sought after photographers in France. Both famous and unknown women have posed for her unusual portraits and nude photographs, which particularly contributed to her fame: film stars, artists, models, friends, acrobats and nude dancers at fairs. Over one hundred photographs exhibit Bettina Rheims’ individuality, intuition, confident approach and feeling for the facets of female charisma and erotic photography.

140 color and duotone photographs

73 color and 52 duotone photographs

GABO has succeeded like no other female photographer in using her camera to plough through the field of German celebrities in politics, culture and society and also to earn commissions from international stars as "the favourite German people photographer".

Big Shots is a collection of her best work over the last two decades, grand stagings, respectful portraits and sensitive shots of the human body.

This collection displays not only GABO's undeniable talent, but also her lust for life and constant quest for originality.

GABO was born in Hamburg. After completing her education, she worked as a model, studied graphic design, and directed music videos. Since her first photography assignment for Stern magazine in 1986, her photographs have been published in magazines such as GQ, Cosmopolitan, Playboy, and Max. She has won the Kodak prize and the Italian "Internazionale Venere d'Argento."