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Henri Cartier-Bresson
ID: 1918
Видавництво: Schirmer/Mosel Verlag

"Die frühen Photographien" ist ein Klassiker von Henri Cartier-Bresson, der bislang im deutschen Sprachraum noch nicht veröffentlicht wurde. Er versammelt 80 Photographien aus den Jahren 1926 bis 1934, die 1987 im Museum of Modern Art ausgestellt wurden. Nach ersten photographischen Versuchen während seines Studiums der Malerei in Paris widmete sich Henri Cartier-Bresson ab 1930 endgültig und ganz der Photographie. Seit 1932 photographiert er mit seiner Lieblingskamera, der unauffälligen Leica M, deren Optik dem menschlichen Auge entspricht. Viele Aufnahmen sind Straßenszenen aus Paris und anderen französischen Städten. Andere brachte er von seinen Reisen nach Spanien, Italien, Marokko und Mexiko mit. Immer ist in ihnen die aufgewühlte Stimmung zwischen den beiden Weltkriegen spürbar. Daneben finden sich erste Künstlerportraits, die später zu einem seiner großen Sujets werden sollten. Am 18. September eröffnet in der Kunsthalle der Versicherungskammer Bayern in München eine Ausstellung mit diesen frühen Photographien von Henri Cartier-Bresson.

Henri Cartier-Bresson
ID: 5783
Видавництво: Schirmer/Mosel Verlag

Neugierde und Abenteuerlust lockten den 20jährigen Henri Cartier-Bresson nach Afrika; für Magnum war er in Mexiko, China und Nordamerika unterwegs; Neigung und eine tiefe Seelenverwandtschaft führten ihn nach Indien und Indonesien, wo er mehrere Jahre blieb. Doch der erklärte Weltbürger Henri Cartier-Bresson (1908-2004) kehrte immer wieder nach Europa zurück. Hier machte er seine erste Reise mit der Leica, 1932 durch Spanien und Italien, von der er berühmt gewordene Bilder und seine Berufung zum Photographen mit nach Hause brachte. Hier erlebte - und photographierte - er den Krieg und die Befreiung. Unser Band, den wir aus Anlass einer Ausstellung in der Kunsthalle Erfurt in diesem Herbst in einer Neuauflage anbieten, versammelt die poetischen und zeitgeschichtlich relevanten Bilder, die Cartier-Bresson auf seinen Reisen durch Europa über fast sechzig Jahre hinweg aufgezeichnet hat: Es ergibt sich das sensible Bild eines zerrissenen Kontinents, gesehen durch das Auge eines der bedeutendsten europäischen Photographen.

Henri Cartier-Bresson
ID: 1911
Видавництво: Schirmer/Mosel Verlag

The 50 most famous iconic photographs by Henri Cartier-Bresso, doyen of picture journalism.

Seit den 30er Jahren des vergangenen Jahrhunderst hat Henri Cartier-Bresson (1908-2004) immer wieder neue - und nach ihm selten erreichte Maßstäbe gesetzt wenn es darum ging, Photojournalismus und Photokunst miteinander zu verbinden. Sein Name, der untrennbar mit der von ihm mitbegründeten legendären Photoagentur Magnum verbunden ist, wurde zum Gütesiegel einer Bildberichterstattung, der künstlerischer Anspruch und humanes Interesse ebensoviel gelten wie der Informations- oder auch Sensationswert einer Photographie. In unserer Serie Meisterwerke bieten wir diesen handlichen Band mit den berühmtesten HCB-Ikonen aus 50 Jahren an. Der begleitende Text stammt vom Meisters selbst: Es ist seine 1952 verfaßte Definition des entscheidenden Augenblicks, die zur theoretischen Grundlage jedes engagierten Photojournalismus werden sollte.

Text von Peter Galassi
ID: 6510
Видавництво: Schirmer/Mosel Verlag

Henri Cartier-Bresson (1908–2004) ist die herausragende Persönlichkeit unter den Photographen des 20. Jahrhunderts. Sein zwischen Journalismus und Kunst oszillierendes Werk umfasst nicht nur sechs Jahrzehnte, in seiner ästhetischen Qualität und geistigen Haltung wirkte es auch stilbildend für alle nachfolgenden Photographengenerationen. Das New Yorker Museum of Modern Art bereitet zur Zeit eine Retrospektive vor, die zum ersten Mal auf die reichen Bestände der Fondation Henri Cartier-Bresson in Paris zurückgreifen kann. Aus Tausenden von Abzügen und einer Fülle von Dokumenten zum Leben und Werk des Jahrhundertphotographen stellte Kurator Peter Galassi eine Hommage an Henri Cartier-Bresson zusammen, die ihresgleichen kaum mehr haben wird. 300 Photographien werden gezeigt, eingeteilt in zwölf Werkkapitel, die alle Facetten seines Schaffens erfassen und mit berühmten, aber auch bisher unbekannten Bildern illustrieren. Den begleitenden Katalog, der einen weit ausgreifenden Essay von Peter Galassi und reichhaltiges Informations- und Quellenmaterial enthält, legen wir in deutscher Übersetzung vor.

Henri Cartier-Bresson
ID: 1910
Видавництво: Schirmer/Mosel Verlag

"Photography is nothing, it's life that interests me." With his ever-present Leica camera, Henri Cartier-Bresson captured the raw and the sweet, the comic and the profound moments of lives that were lost in the grind or relegated to someone else's memory - the coincidental moment at which a reflection in a puddle of water mimics a poster on a nearby wall or when lovers kiss, oblivious to the not-so-pristine world around them. It is the familiar beauty and cruelty of the day-to-day that is so engaging in his photographs: two cosmopolitan woman chat nonchalantly while surrounded by empty lettuce crates; mourners at a funeral stare directly into the camera; postwar Paris awakens in the fog. Cartier-Bresson was the master of the "decisive moment," that fleeting instant for which a picture really is worth a thousand words, which is the essence of photojournalism. In no place is this more exemplified than in his images of Paris. Cartier-Bresson personally selected the more than 130 black-and-white photographs of Paris for this publication. With photographs taken over a period of 50 years, the work is beautifully and generously printed in duotone. The accompanying essays, both short and unobtrusive, are also familiar and personal. One essayist captures the essence of Cartier-Bresson's camera work: "When life calls, he is always there, to assist, or to admire; to rebel, or to say no to exploiters and imposters, and to all those who demean its value."

Henri Cartier-Bresson
ID: 2117
Видавництво: Bulfinch Press

"Photography is nothing, it's life that interests me." With his ever-present Leica camera, Henri Cartier-Bresson captured the raw and the sweet, the comic and the profound moments of lives that were lost in the grind or relegated to someone else's memory -- the coincidental moment at which a reflection in a puddle of water mimics a poster on a nearby wall or when lovers kiss, oblivious to the not-so-pristine world around them. It is the familiar beauty and cruelty of the day-to-day that is so engaging in his photographs: two cosmopolitan woman chat nonchalantly while surrounded by empty lettuce crates; mourners at a funeral stare directly into the camera; postwar Paris awakens in the fog. Cartier-Bresson was the master of the "decisive moment," that fleeting instant for which a picture really is worth a thousand words, which is the essence of photojournalism. In no place is this more exemplified than in his images of Paris.

Cartier-Bresson personally selected the more than 130 black-and-white photographs of Paris for this publication. With photographs taken over a period of 50 years, the work is beautifully and generously printed in duotone. The accompanying essays, both short and unobtrusive, are also familiar and personal. One essayist captures the essence of Cartier-Bresson's camera work: "When life calls, he is always there, to assist, or to admire; to rebel, or to say no to exploiters and imposters, and to all those who demean its value." -- Manine Golden

Henri Cartier-Bresson
ID: 4086
Видавництво: Thames & Hudson

This volume presents photographer Cartier-Bresson's own selection of 130 of his photographs of Paris, taken over 50 years. Accompanying text discusses the history of Cartier-Bresson's engagement with the city and its place in his achievement.

Clément Chéroux
ID: 12284
Видавництво: Thames & Hudson

A lavishly illustrated monograph that traces Cartier-Bresson’s development as a photographer, activist, journalist and artist

This is an indispensable work for lovers of photography and admirers of Henri Cartier-Bresson, whose influence continues to endure so powerfully today. In addition to some of his best-known photographs, here are many seldom seen or unpublished images, and some rarities in colour as well as black and white.

This is an indispensable work for lovers of photography and admirers of Henri Cartier-Bresson, whose influence continues to endure so powerfully today.

His work embraced art, politics, revolution and war. But more powerful than any of these overarching themes was his evident concern for the human individual at every social level. Cartier-Bresson’s observations of the effects of poverty and revolution around the world led directly to his pioneering photojournalism, and his co-founding of Magnum Photos. He also became renowned for his penetrating portraits of the most prominent figures of his time: Cartier-Bresson’s biographer Pierre Assouline called him ‘the eye of the century’.

About the Author:

Clément Chéroux is senior curator of photography at the San Francisco Museum of Modern Art. He was formerly head curator of photography at the Centre Pompidou, Paris.

Contents List:

Introduction • 1. Early Years • 2. An Attraction to the Surreal • 3. Activism • 4. Cinema and War • 5. Photojournalism • 6. Visual Sociology • 7. After Photography

Henri Cartier-Bresson
ID: 5025
Видавництво: Aperture

Henri Cartier-Bresson reveals - as only a few great artists have done consistently - the variety and richness of human experience in the twentieth century. This second volume of Aperture's Masters of Photography series confirms the genius of the photographer who - with the new, smaller, hand-held cameras and faster films - defined the idea of "the decisive moment" in photography.

Cartier-Bresson's imagery is intimate but utterly respectful of his subjects. In his travels throughout the world, he has captured glimpses of individual lives in scores of countries. Taken together, Cartier-Bresson's works constitute a personal history of epic scope.

Yves Bonnefoy
ID: 5156
Видавництво: Thames & Hudson

Henri Cartier-Bresson is probably the greatest photographer of the 20th century. Since the 1920s he has roamed the streets of the world seeking that decisive moment when meaning and composition unite to make an image at once significant and beautiful.

Henri Cartier-Bresson: Photographer is the crowning publication of an illustrious career. The foreword by Yves Bonnefoy discusses Cartier-Bresson's creative process, and Cartier-Bresson himself selected all the images for this summation of his finest work.

Using the finest quality duotone printing and large-scale one-to-a-page presentation, all the famous photographs are here in these pages, alongside recent, less familiar work. In each classic image, the moment is eternal and compassion spills from the frame.

 

Agnès Sire, Jean-François Chevrier
ID: 4641
Видавництво: Thames & Hudson

Walker Evans and Henri Cartier-Bresson belonged to the same generation and shared an insatiable intellectual curiosity. Their works were exhibited together in 1935 at the Julien Levy Gallery in New York, and they shared a period working in America when Cartier-Bresson was preparing his show at the Museum of Modern Art between 1946 and 1947.

This book draws a parallel between their work about America. As John Szarkowski, Director of Photography at the Museum of Modern Art, argued, ‘Evans defined in his work the essence of the documentary aesthetic.’ Cartier-Bresson, on the other hand, was making a fresh start, leaving behind his work in moving imagery and embracing a career as a stills photographer. But they were both approaching their work as a form of social criticism, imbued with references to literature and painting.

 

Peter Galassi, Jean Clair, Claude Cookman, Robert Delpire, Jean-Noel Jeanneney, Jean Leymarie, Serge Toubiana
ID: 3440
Видавництво: Thames & Hudson

This collection of work by Henri Cartier-Bresson is the ultimate retrospective look at a lifetime’s achievement. It brims with classic photographs that have become icons of the medium, as well as rarely seen work from all periods of Cartier-Bresson’s life, including a significant number of previously unpublished photographs and a generous selection of drawings, paintings and film stills. The book also features personal souvenirs from Cartier-Bresson’s youth, his family and the founding of Magnum.

Cartier-Bresson’s extraordinary images are shaped by an eye and a mind legendary for their intelligent empathy and for their unerring ability to get to the heart of the matter. This definitive collection of the master photographer’s work is an essential book for anyone interested in photography – indeed, for anyone interested in the people, places and events of the last century.

Peter Galassi
ID: 5582
Видавництво: Thames & Hudson

• A major new monograph on Henri Cartier-Bresson, published to accompany the exhibition at The Museum of Modern Art in New York in June 2010
• Many world-famous images, many little-known and rarely seen even by specialists

Henri Cartier-Bresson is one of the most influential and beloved figures in the history of photography. His early work helped define the creative potential of modern photography, and his unerring ability to capture life on the run made his work synonymous with ‘the decisive moment’ – the title of his first major book.

Released to accompany an exhibition at The Museum of Modern Art, Henri Cartier-Bresson: The Modern Century is the first major publication to make full use of the extensive holdings of the Fondation Henri Cartier-Bresson in Paris – including thousands of prints and a vast resource of documents relating to the photographer’s life and work.

The heart of the book surveys Cartier-Bresson’s career through 300 photographs while a wide-ranging essay by Peter Galassi, Chief Curator of Photography at the Museum of Modern Art, offers an entirely new understanding of Cartier-Bresson’s extraordinary career and its overlapping contexts of journalism and art.

The extensive supporting material – featuring detailed chronologies of the photographer’s professional travels and his picture stories as they appeared in magazines – will revolutionize the study of Cartier-Bresson’s work.

The final section of the book – which runs to more than eighty pages of often newly discovered and systematically ordered reference material based on the hitherto unexplored archive of the Fondation Henri Cartier-Bresson in Paris – is almost a publication in itself.

Peter Galassi is Chief Curator of Photography at The Museum of Modern Art.

Edited by Paul Martineau; with an essay by James Crump
ID: 7526
Видавництво: Schirmer/Mosel Verlag

Herb Ritts: L.A. Style traces the life and career of the iconic Californian photographer through a compelling selection of renowned, as well as previously unpublished, photographs and two insightful essays.

Herb Ritts (1952-2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits.

Charles Churchward
ID: 6504
Видавництво: Rizzoli

The definitive book on the life of the legendary photographer Herb Ritts, with never-before-seen images and interviews with his closest confidants.

At the time of his death in 2002, Herb Ritts was among the most celebrated photographers in celebrity portraiture, fashion, and music videos. During a career that spanned nearly thirty years, he was virtually in a league of his own in terms of style and productivity.

Ritts was Hollywood royalty, as were his closest friends and the subjects he photographed.

The Golden Hour reveals for the first time the personal aspects of Ritts’s world, work, and legacy. The book includes many never-before-seen photographs and scores of interviews from business associates, curators, staff, lovers, and family, such as Cindy Crawford, Elton John, Anna Wintour, Madonna, Calvin Klein, and Christopher Buckley (Ritts’s college roommate).

The book includes images from Ritts’s personal archive - behind the scenes at photo shoots, parties, travels, intimate portraits, and moments with friends - along with notes and contact sheets that show how ideas became his best-known iconic images.

Herb Ritts (1952-2002) was a Los Angeles-based photographer who established an international reputation for distinctive images of fashion models, nudes, and celebrity portraits.

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