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A portrait in photographs and texts of Istanbul from the 1940s to the 1980s, captured by two greats of contemporary Turkish culture

Ara Güler's Istanbul is a vivid photographic record of daily life in the cultural capital of Turkey from the 1940s to the 1980s. Captured through the unerring lens of the award-winning Ara Güler, the 'Eye of Istanbul', the city's melancholy aesthetic oscillates between tradition and modernity. As the crossroads between Europe and Asia, Istanbul has lived through several empires and has a character that is as many-layered as its history - something that Güler's photographs convey with great sensitivity. These remarkable black-and-white images are accompanied by an evocative foreword by Orhan Pamuk, the first Turkish recipient of the Nobel Prize in Literature.

Both writer and photographer were born in Istanbul, and each in his youth held the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his home town and captures, through the image and the word, its very soul.

About the Author:

Nicknamed ‘The Eye of Istanbul’, Ara Güler (1928–2018) chronicled the city with melancholic black-and-white pictures taken mostly with a Leica camera. He received countless awards, and photographed many luminaries, including Winston Churchill, Indira Gandhi, Bertrand Russell, Alfred Hitchcock, Maria Callas, Marc Chagall, Salvador Dalí and Pablo Picasso.

Clive Arrowsmith is a celebrated London-based international photographer. After leaving art school, where he studied painting and design, he began taking photographs whilst working as a graphic designer for television. Leaving television to work as a photographer, he soon gained commissions from leading fashion magazines, most notably, British and French Vogue, Harpers, The Sunday Times Colour Magazine, Vanity Fair, Esquire U.S.A., and F.T. “How to Spend It”.

Clive continues to work in this genre in both editorial and advertising photography and is equally known for his music and celebrity images: Paul McCartney, Wings, Mick Jagger, Jeff Beck, George Harrison, Daniel Barenboim, Anna Netrebko, Art Garfunkel, Def Leppard, Prince Charles, Michael Caine and Damien Hirst to name a few. Clive is also an accomplished landscape and still life photographer and is the only photographer to have shot the Pirelli Calendar two years in succession.

Having worked on many major stills advertising campaigns, such as De Beers, Revlon, G.H.D. Morello, Caroline Castigliano, Lexus, Hassleblad etc, Clive has continued to broaden his creative scope moving on to direct commercials for Heinz, Revlon, Hamlet Cigars (winner of The Silver Lion Cannes Film Festival), Rapeed Sunglasses, Greenmail Whitney Beer, music videos for artists like Lee Griffiths, Jamiroquai, Jools Holland, ZTT and Def Leppard, and album covers such as Wings’ ‘Band on the Run.’ This is the first book to celebrate his career.

- Clive Arrowsmith is one of the world's most celebrated fashion and celebrity photographers
- Clive Arrowsmith has photographed a who's who of celebrities including Yves Saint Laurent, Richard Gere, Yoko Ono and The Dalai Lama. He has worked extensively for Vogue and for fashion designers such as Kansai Yamamoto
- Introduction by Michael Roberts (Vanity Fair, Tatler, Sunday Times, Vogue)

“Clive could always come up with a psychedelic vision to suit the current mood of far-out fantasy in fashion. In one sitting, he was able to capture not only the romance of a Dior coat but the futurism of Pierre Cardin.” – Grace Coddington quoted from her book Thirty Years of Fashion at Vogue.

“Clive Arrowsmith is the Caravaggio of the 21st century. He creates magic and dreams, he is the master of light.” – Marcella Martinelli, Fashion director.

“Clive is like the St. Francis of photography – he can charm the birds right out of the trees, but then tells better stories. His work combines not only a creative mind and technical excellence, but most importantly, a real connection with his subjects.” – Michael Daks, Professor of Photography at Paris College of Art & Istituto Marangoni, Paris.

“Clive Arrowsmith’s insightful portraits shimmer with artful lighting and technical mastery, reflecting his own deep humorous humanity.” – Nicholas Vreeland.

The first survey of Richard Avedon’s influential advertising work

Richard Avedon was one of the most sought-after and influential advertising photographers in America from the 1940s to the beginning of the 21st century, creating work that exemplified Madison Avenue at the height of its influence in world culture. Working with a talented cadre of models, copywriters, and art directors, Avedon made images that enticed consumers to embrace the new, especially in the areas of fashion and beauty, with campaigns for Revlon, Chanel, Calvin Klein, Dior, and Versace, among many others. Avedon Advertising tells this story, reproducing memorable ads that range from the buoyant 1940s and 1950s when post-war prosperity opened up new experiences to consumers; through the explosive ’60s; and into the era defined by celebrity culture and global brand awareness.

About the Authors:

Laura Avedon and James Martin are the directors of the Richard Avedon Foundation in New York City. Rebecca Arnold is senior lecturer in history of dress and textiles at the Courtauld Institute of Art in London. Her books include The American Look (2008) and Fashion: A Short Introduction (2009). She lives in London. 

Exploring Richard Avedon’s fascination with France, Avedon’s France brings together a collection of spectacular photographs; selected interviews, letters, publications, and writings (including new material from the Avedon Foundation archives); and substantive essays by the authors.

In addition to five portfolios of French sitters spanning a lifetime of portraiture, it looks at Avedon’s apprenticeship to his mentor, Alexei Brodovitch; his encounters with French fashion; his idealized version of Paris in the movie Funny Face; his fresh take on the belle epoque in his book on Jacques-Henri Lartigue, Diary of a Century; and his fruitful association with the magazine Egoïste later in his life.

Avedon’s France offers a full account of Avedon’s restless pursuit of new ways of looking at the world, and it reveals a master image maker, a true artist for his time.

A substantial retrospective on one of the world’s most remarkable and critically acclaimed art photographers.

Separated into four parts, Ballenesque takes readers on a visual, chronological journey through Roger Ballen’s entire oeuvre, including both iconic images and previously unpublished photographs. Part I explores his formative artistic influences and his later rediscovery of boyhood through photography, culminating in his first published monograph, Boyhood, in 1979. Part II then charts the period between 1980 and 2000, during which time his deeper search for the elemental self-found its way into the ‘Dorps’, or small towns, of South Africa and concluding with the release of his seminal monograph Outland. Part III covers the years 2000–2013, when Ballen achieved global recognition with Shadow Chamber and Boarding House and his work began to veer away from portraiture altogether. Finally, in Part IV, Ballen reflects upon his career in its entirety.

With over 300 photographs and an introduction by eminent academic Robert J. C. Young, this book provides both an entirely new way of seeing Ballen’s work for those who already follow his career and a comprehensive introduction for those encountering his photographs for the first time.

Contents List:

Introduction by Robert J. C. Young
1. Finding the Core: Early work; Boyhood
2. Digging Deeper: Dorps; Platteland; Outland
3. Refining and Expanding: Shadow Chamber; Boarding House; Asylum of the Birds
4. The Space of the Mind: Leica photographs; Theatre of Apparitions; Ah Rats
Notes and epilogue

About the Author:

Roger Ballen is an American-born photographer who has lived and worked in South Africa since the 1970s. His previous award-winning books include Platteland (1994), Outland (2001), Shadow Chamber (2005), Boarding House (2009), Asylum of the Birds (2014) and The Theatre of Apparitions (2016). Ballen’s photographs are collected by some of the most important institutions in the world and he has won numerous prestigious awards in photography and filmmaking. Robert J. C. Young is a British postcolonial theorist, cultural critic and historian. He is currently the Dean of Arts and Humanities at New York University Abu Dhabi.

A contemporary look at Cecil Beaton's portraits of the Royal Family and how they helped create the public face of the House of Windsor.

Cecil Beaton: The Royal Portraits looks back in time to tell a very modern tale: the creation of a public image. Offering a fresh appraisal of Beaton's portraits of the British royal family, the book explores not only the finished images but also the sittings in which they were created, revealing Beaton's central role in shaping the public face of the House of Windsor and the ways in which he collaborated with his subjects.

Organised chronologically, from the 1930s to the 1970s, each of the book's four chapters comprises an introductory essay, plates with extended captions, and one or two in-depth analyses of a particular sitting. Throughout, a variety of contextual material - contact sheets, test shots, out-takes, sketches, letters, journals, tear-sheets - helps build a detailed picture of Beaton's working methods, the relationships he developed with his sitters, and how the eventual portraits were received.

Drawing on the Victoria and Albert Museum's unparalleled collection of Beaton's photographs, Cecil Beaton: The Royal Portraits will appeal not only to those interested in the photographer and his work, but also to anyone for whom the distinction between the private world and the public face of the royal family remains a source of fascination.

About the Author

Claudia Acott Williams is a collections curator at Historic Royal Palaces, specializing in royal, court and dress history from the 18th century to the present day. Currently the Curator of Kensington Palace, she is responsible for the presentation of the palace interiors and the displayed and stored collections. Exhibitions she has curated or co-curated include Victoria: A Royal Childhood, Victoria Revealed, Diana: Her Fashion Story and Fashion Rules: Restyled. She is also the author of The Crown in Focus: Two Centuries of Royal Photography, published by Merrell in 2020.

Charles Fréger explores the masks, costumes and characters created by the descendants of Africans and indigenous peoples in the Americas

All across the Americas, from the 16th century onwards, enslaved Africans escaped their captors and struck out on their own. These runaways, having found their freedom, established their own communities or joined with indigenous peoples to forge new identities.

Cimarron, borrowing a Spanish-American term for these fugitive former slaves, is a new series of photographic portraits of their descendants. From Brazil, Colombia, the Caribbean islands and Central America, as far as the southern USA, elaborate masquerades are staged that celebrate and keep alive the memory of African slaves and their descendants. Stock characters are portrayed in costume, or in grotesque or satirical representations. A huge variety of African tribal dress, wild ritual regalia and shimmering Mardi Gras outfits feature in breathtaking succession. Vividly coloured silks and cottons combine with woven fibres, leaves, feathers, and bodypaint; props include emblems of slavery and slavemasters – ropes, sticks, guns and machetes. These photographs record real people whose collective sense of memory, folk history and imagination dramatically challenges our expectations.

Charles Fréger’s work has established a large and growing following among connoisseurs of contemporary photography, defining a new genre of documentary portraiture that extends and deepens our sense of the human past and the present.

Table of Contents:

Introduction • The Photographs • Cimarron: Slavery, Freedom and Ritual Masquerade, Krystel Gualde • Description of characters and groups, Ana Maria Ruiz

About the Authors:

Charles Freger is a photographer based in Rouen, France. Internationally acclaimed for his subtle and poetic portraiture, he has devoted himself to the representation of social groups. Previous books include Wilder Mann, Portraits in Lace and Yokainoshima.

Ishmael Reed is the author of numerous bestselling novels, including the critically acclaimed Mumbo Jumbo and Conjugating Hindi. Two of his novels have been nominated for National Book Awards, and his poetry has been nominated for the Pulitzer Prize.

"Circesque" is a celebration of an idea Christian Tagliavini had in 2008 and resulted in his photographic series of the same title produced in 2019. Exploring the world of the circus, this specially crafted book is a unique invitation for the reader to form their own stories through exquisitely detailed costumes, unexpected props, and a glimpse of the people behind the greasepaint and powder.

"Circesque", explores the untold lives of circus folk. Stripped of the tired clichés of circus life, these mise-en-scène portraits reveal the human behind the archetype. The images betray the protagonists’ innermost feelings as they mount the platform, put themselves on the line, and take the risk: all under the watchful eye of their audience. Acrobats. Trapezists. High-wire performers. Escape artists. Tattooed ladies. Jugglers. Nature-defying contortionists. All present and accounted for as in any traditional Big Top. But a closer look reveals some unusual details.

After the eponymous first book by artist Christian Tagliavini, which was also published by teNeues in 2018, the second to his latest photo series Circesque is now published. The exceptional artist, whose art uniquely combines craft, photography and stage design, dedicates himself here to the actors of the circus world. Sometimes enigmatic, sometimes touching, always rich in detail and stylistically driven to the extreme, these latest works of the Swiss fascinate his viewers anew.

 About the Author:

Christian Tagliavini was born in 1971 and grew up in Italy and Switzerland. Christian Tagliavini studied graphic design and worked as an architect and graphic artist before he focused on photographic art in 2000. His artistic development shaped his complex relationship with the art form. His works are not only pictures but designed narratives for which Christian Tagliavini produces all visible components himself: ranging from the interior of the set to the clothing of the protagonists. He regards himself as photographic craftsman with these unique compositions. His highly praised series 1503 (2010), Carte (2012), Voyages Extraordinaires (2015), 1406 (2017), and Circesque (2019/20) have been part of numerous international exhibitions and art fairs. He ranks among the most influential contemporary photographic artists in the field of staged photography. Christian Tagliavini’s works are part of leading international private, public, and corporate collections. Christian Tagliavini works and lives in Switzerland.

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Widely considered Japan’s most influential and prolific photographer, Daido Moriyama has been challenging conventions of the art form for more than a half-century.

This exhaustive and electrifying retrospective, published in cooperation with the Daido Moriyama Foundation and based on entirely new research, looks at every stage of Moriyama’s extensive career, including his extraordinary images as well as his conceptual contributions to photography.

One of a generation of postwar Japan’s groundbreaking artists, Moriyama has continually established his own visual grammar. This book features more than 190 chronologically arranged images that reveal his constantly evolving career: his early editorial work of the mid-1960s, focused on the American occupation and the experimental theater; his radical experimentation of late 1960s and the 1970s; the self-reflexive photos of the 1980s and 1990s; and his ongoing exploration of cities, among other relevant moments. It also includes more than 400 spreads from Moriyama’s rarely-seen publications, mapping the sources of his visual production. Rounding out the volume are texts by the editor and leading Japanese scholars, a personal essay by the artist, and a full chronology of his life and work. Accompanying a major exhibition on Moriyama’s output this impressive volume reframes Moriyama’s legacy, and is certain to become the definitive publication on his work.

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An exceptional selection of photographs from Record, Daido Moriyama’s self-curated journal, published in the early 1970s and from 2006 to the present day

Record is drawn from the first thirty issues of Daido Moriyama’s personal publication, dating back to its origins in the seventies. The magazine provided a diaristic platform for this extraordinary photographer. Beside the pictures taken on his familiar ground in Tokyo and Osaka, Moriyama photographed the streets of New York, Los Angeles, Florence, Paris and London as he would have recorded the lanes and alleys of his hometowns. Once regarded as the leading Japanese photographer of his generation, Moriyama has come to transcend such a description. He is an artist in constant motion and his subject matter is both stark and universal.

Daido Moriyama Wins Hasselblad Foundation Photography 2018

About the Author:

Mark Holborn is an internationally recognized editor and designer of illustrated books working with a diverse range of artists, from William Eggleston to Lucian Freud. He is also a curator, author and specialist on Japanese culture. His books as an editor with Thames & Hudson include Antony Gormley on Sculpture, Susan Meiselas: On the Frontline and Daido Moriyama.

Dancers After Dark is an amazing celebration of the human body and the human spirit, as dancers, photographed nude and at night, strike poses of fearless beauty.

Without a permit or a plan, Jordan Matter led hundreds of the most exciting dancers in the world out of their comfort zones—not to mention their clothes—to explore the most compelling reaches of beauty and the human form. After all the risk and daring, the result is extraordinary: 300 dancers, 400 locations, more than 150 stunning photographs. And no clothes, no arrests, no regrets.

Each image highlights the amazing abilities of these artists—and presents a core message to the reader: Say yes rather than no, and embrace the risks and opportunities that life presents.

About the Author:

Jordan Matter is the author of the New York Times bestseller Dancers Among Us. He and his work have been featured on television, in print, online, and in exhibitions throughout the world, including Buzzfeed, ABC World News Tonight, Today, the BBC, The New York Times, The Huffington Post, #1 on Reddit, Daily Mail U.K., O, The Oprah Magazine, NPR, and the Savina Museum of Contemporary Art in Seoul, Korea. Matter lives with his wife and two children in New York.

The mystery of the body in motion. The surprise of seeing what seems impossible. And the pure, joyful optimism of it all. Dancers Among Us presents one thrilling photograph after another of dancers leaping, spinning, lifting, kicking—but in the midst of daily life: on the beach, at a construction site, in a library, a restaurant, a park. With each image the reader feels buoyed up, eager to see the next bit of magic.

Photographer Jordan Matter started his Dancers Among Us Project by asking a member of the Paul Taylor Dance Company to dance for him in a place where dance is unexpected. So, dressed in a commuter’s suit and tie, the dancer flew across a Times Square subway platform. And in that image Matter found what he’d been searching for: a way to express the feeling of being fully alive in the moment, unself-conscious, present.

Organized around themes of work, play, love, exploration, dreaming, and more, Dancers Among Us celebrates life in a way that’s fresh, surprising, original, universal. There’s no photoshopping here, no trampolines, no gimmicks, no tricks. Just a photographer, his vision, and the serendipity of what happens when the shutter clicks.

About the Author:

Jordan Matter, a portrait and dance photographer, is the author of the New York Times bestselling books Dancers Among Us and Born To Dance. His work has created a viral phenomenon, making him one of the most recognizable photographers on the planet. He has over 18M followers across social media, and his dance photography videos have been viewed over 2B times. In addition, he has been featured on YouTube’s Instant Influencer, ABC World News, Nightline, Late Night with Seth Meyers, Today and the BBC, and in The New York Times, the Huffington Post, O. The Oprah Magazine, Daily Mail UK, New York Magazine, and newspapers, magazines and exhibitions all over the world. "In Jordan Matter's photos, dancers make all the world their stage," wrote The New York Times. Jordan lives in Los Angeles with his wife and two children.

David Bailey was part of a new generation who revolutionized fashion photography in the 1960s and made stars of models such as Jean Shrimpton. He was also among the first photographers to become a celebrity in his own right, socializing with and photographing many of the cultural icons of the 1960s and 1970s, such as Catherine Deneuve, The Beatles, Rolling Stones, Michael Caine and Andy Warhol. He has held contracts with British, American and Italian Vogue and contributed to many other major magazines and newspapers over more than 40 years. His simple and direct style is accompanied by an intimacy that reveals the personality and sensuality of his subjects.

Over the course of his successful career, Bailey has produced books, paintings, commercials, documentaries and feature films and remains a high-profile figure in photography and filmmaking. This book delves into the photographer's archive and provides an engaging overview of his career, including early and previously unpublished work alongside his iconic portraits from London and New York in the 1960s.

'In Dreams. Scenes from the Archive' adds to our understanding of Dennis Hopper’s personal vision as an artist by tracing the threads of Hopper’s life through photography, and connecting his roles as an actor, husband, father, and photographer.

'In Dreams' eschews Hopper’s iconic stand-alone images and instead looks to distill the archive into a connected set of photographs that offer new impressions and stories. Themes emerge, visual rhymes are made, and characters come and go while the reader is invited along for the journey. Hopper’s photographic output was especially concentrated in the ‘60s, a period in which his film career had cooled off. During these years Hopper’s primary creative outlet was his photography. The Nikon camera his wife Brooke Hayward gifted him hung so prominently around his neck that friends jokingly called him ‘the tourist.’

While 'In Dreams', which references Roy Orbison’s song by the same name made famous in Blue Velvet, includes appearances by famous faces, they are intimately intertwined with Hopper’s peripatetic life and his everyday use of the camera. Hopper was very much an insider — at ease with celebrities and artists of his day — but this new conversation with his archive shows that, like many photographers, Hopper was also distinctly an outsider. Famous himself, but also an observer: it’s this unique duality that allowed Hopper to view the world in his unique way.

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To ensure the ongoing availability of Diane Arbus Revelations, Aperture is proud to release this vitally important volume on the fiftieth anniversary of the posthumous 1972 Arbus retrospective at the Museum of Modern Art and the simultaneous publication of Diane Arbus: An Aperture Monograph.

Diane Arbus redefined the concerns and the range of the art she practiced. Her bold subject matter and photographic approach have established her preeminence in the world of the visual arts. Her gift for rendering strange those things we consider most familiar, and uncovering the familiar within the exotic, enlarges our understanding of ourselves.

Diane Arbus: Revelations affords the first opportunity to explore the origins, scope, and aspirations of what is a wholly original force in photography. Arbus’s frank treatment of her subjects and her faith in the intrinsic power of the medium have produced a body of work that is often shocking in its purity, in its steadfast celebration of things as they are. Presenting many of her lesser-known or previously unpublished photographs in the context of the iconic images reveals a subtle yet persistent view of the world.

The book reproduces two hundred full-page duotones of Diane Arbus photographs spanning her entire career, many of them never before seen. It also includes an essay, “The Question of Belief,” by Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art, and “In the Darkroom,” a discussion of Arbus’s printing techniques by Neil Selkirk, the only person authorized to print her photographs since her death. A 104-page Chronology by Elisabeth Sussman, guest curator of the San Francisco Museum of Modern Art show, and Doon Arbus, the artist’s eldest daughter, illustrated by more than three hundred additional images and composed mainly of previously unpublished excerpts from the artist’s letters, notebooks, and other writings, amounts to a kind of autobiography. An Afterword by Doon Arbus precedes biographical entries on the photographer’s friends and colleagues by Jeff L. Rosenheim, associate curator of photographs at The Metropolitan Museum of Art. These texts help illuminate the meaning of Diane Arbus’s controversial and astonishing vision.

About the Author:

I want to photograph the considerable ceremonies of our present because we tend while living here and now to perceive only what is random and barren and formless about it. While we regret that the present is not like the past and despair of its ever becoming the future, its innumerable inscrutable habits lie in wait for their meaning...These are our symptoms and our monuments. I want simply to save them, for what is ceremonious and curious and commonplace will be legendary. Diane Arbus–born Diane Nemerov in New York City in 1923–first began taking pictures in the early 1940s following her marriage to Allan Arbus. She studied photography with Berenice Abbott, Alexey Brodovitch, and Lisette Model. Her first published photographs appeared in Esquire in 1960. Over the next ten years, her work continued to appear in Esquire, Harper’s Bazaar, and other magazines.

In 1963 and 1966 she was awarded John Simon Guggenheim Fellowships. She was one of three photographers whose work was the focus of New Documents, a 1967 exhibition at The Museum of Modern Art. In 1970 Arbus made a portfolio of prints entitled A box of ten photographs, which was to be the first of a series of similar limited editions of her work. She taught photography in the late sixties at Parsons School of Design, Rhode Island School of Design, and Cooper Union, and, in 1971, gave a private master class at the artists’ cooperative where she lived.

A year after her death in 1971, her work was selected for inclusion at the Venice Biennale–the first work of an American photographer to be so honoured. The Museum of Modern Art hosted a major retrospective that travelled throughout the United States and Canada from 1972 to 1975. The three books of her work, Diane Arbus: An Aperture Monograph (1972), Diane Arbus: Magazine Work (1984), and Untitled: Diane Arbus (1995), were published posthumously and have remained continuously in print. Diane Arbus: Revelations, in conjunction with the first major international retrospective of her work in thirty years, is the only comprehensive and intimate study of this singularly daring photographic artist.

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Другие альбомы Diane Arbus

Diane Arbus: An Aperture Monograph (Hardcover)

Diane Arbus: An Aperture Monograph (Paperback)

Diane Arbus: Magazine Work