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The cosmos of John Heartfield – lavishly illustrated and highly explosive

The political collages of John Heartfield (1891–1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin’s Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact.

Heartfield was a sharp and uncompromising observer who subverted the documentary character of the press photograph. He employed his art as political propaganda, and fought against war and Fascism with gripping pictures and trenchant humour. This catalogue will include not only the working materials which reveal Heartfield’s method but also his trick films, work for the theatre and book design. The original art-works and documents all derive from his personal estate in Berlin. Statements by contemporary artists formulate positions and pose questions, which Heartfield’s work raises in the age of fake news.

One of the most powerful documents of the spiritual and physical state of exile ever published

About Exiles, Cornell Capa once wrote, 'Koudelka's unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night...'

In this revised and expanded edition of the 1988 classic, which includes new images, Josef Koudelka's work once more forms a powerful document of the spiritual and physical state of exile. Most of the images were taken in Europe during Koudelka's own twenty-year exile from his native Czechoslovakia, starting in 1970, after having left in the wake of photographing the Soviet-led invasion of Prague. The sense of private mystery that fills these photographs speaks of passion and reserve, of his rage to see. Solitary, moving, deeply felt and strangely disturbing, the images in Exiles suggest alienation, disconnection and love.

Exiles evokes some of the most compelling and troubling themes of the twentieth century, still resonating with equal force during this time of migrations and profound transience.

About the Author:

Josef Koudelka was born in Moravia in 1938. In 1968, he photographed the Soviet invasion of Prague, for which he was awarded the Overseas Press Club’s Robert Capa Gold Medal. He has published over a dozen books, including Exiles, Chaos and Invasion 68: Prague.

An intimate meditation on love and loss from the acclaimed non-conformist photographer, featuring portraits of luminaries such as Vivienne Westwood

Throughout his 35-year career, Juergen Teller has been renowned for his non-conformist style, defying expectations with a unique combination of seriousness and self-irony, creating authentic narratives from his insatiable curiosity for life and the endlessly surprising world around him. i need to live, accompanying Teller’s major solo exhibition at the Grand Palais Éphémère, Paris, in 2023–24 and the Triennale Milano in 2024, captures the depth of his unmatched photographic achievement. Storytelling has always been integral to Teller’s practice, realized through the unconventional merging of his personal experience and commercial work in a range of genres: from portraiture and landscapes, to nudes, still lifes and the ever-changing self-portrait. This book embodies Teller’s interest in the unpredictable circle of life and a desire to explore his self and his familial relationships with a new poignancy — reflecting on the loss of close collaborators and friends including fashion designer Vivienne Westwood and gallerist Suzanne Tarasieve, while celebrating the arrival of his third child and the fruitful creative relationship with his wife and muse, Dovile Drizyte.

You have good experiences, bad experiences, funny experiences. Life is full of complexity, and I wanted to show that. - Juergen Teller

About the Author:

Juergen Teller, born in Erlangen in 1964, studied at the Bayerische Staatslehranstalt für Photographie in Munich. His work has been published in influential magazines such as Vogue, System, i-D, POP and Arena Homme+, and has been the subject of solo exhibitions including those at the Institute of Contemporary Arts in London, the Fondation Cartier pour l’art contemporain in Paris and Martin-Gropius-Bau in Berlin. Teller won the prestigious Citibank Photography Prize in 2003, and from 2014 to 2019 held a professorship at the Akademie der Bildenden Künste Nürnberg. His books with Steidl include Louis XV (2005), Marc Jacobs Advertising, 1998–2009 (2009), Siegerflieger (2015), Handbags (2019), Leben und Tod (2020), William Eggleston 414 (2020), Auguri (2022), The Master V (2023) and Notes About My Work (2023).

Lee Miller not only Man Ray’s muse, but above all a professional in her own right

Model, photographer, muse, the first female war correspondent to report the horrors of the concentration camps liberated by American troops, and 20th-century icon. Lee Miller was all this and much more. She went through life with passion and determination and life repaid her with love and friends, but also with pain and posthumous, or at least tardy, acknowledgement.

Through approximately 140 photographs by Lee Miller and Man Ray, some objects d’art, and video documents loaned by Lee Miller Archives and Fondazi one Marconi, this book intends to do justice to this woman as beautiful as she was clever and talented, taking her out of Man Ray’s overpowering shadow. It will reveal a deep but complicated relationship more objectively (Man Ray was first her teacher, then lover, and in the end friend), and document the effect they both had on each other and how it inspired their work.

Published on the occasion of the exhibition in Venice, the volume features texts by the curator, Ami Bouhassane (Miller’s grand-daughter), and Anthony Pen rose (Miller’s son). Moreover it includes portraits by Man Ray of friends and important protagonists of the period (Max Ernst, Pablo Picasso, Giorgio de Chirico, Jean Cocteau, Salvador Dalí), as well as surrealist shots of Lee Miller in which she seeks to investigate and reveal her soul and torments.

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The exhibition offers a portrait of Surrealism through two of its greatest exponents, with more than 100 photographs, art works and new relevant documentation.

In 1929, Elizabeth “Lee” Miller, a young American model often seen in Vogue magazine, arrived in Paris with the intention of becoming a photographer. Uninvited and with no prior introduction, she presented herself at the studio of Man Ray, a noted Surrealist artist and photographer specializing in portraits of contemporary society, insisting that she become his apprentice. The encounter marked the beginning of a life-long relationship. The years 1929-1932 were a time of particularly fertile collaboration, during which the fiercely independent, highly-motivated Lee was soon alternating in the roles of apprentice, photography assistant, lover and muse. After that period, Lee opened and successfully managed her own studio. As prominent figures in avant-garde society (Paris, New York and London) and close friends of such leading artists as Picasso, Jean Cocteau, Max Ernst, and Paul Eluard, Ray and Miller formed part of the early liberal surrealist milieu of the 20s and 30s.

The book, published to complement the Milan exhibition, aims to establish Miller’s remarkable talent as a photographer, setting her on a par with Man Ray, whose work has tended to overshadow hers, and to re-examine the couple’s professional and personal relationship. It also reveals the crucial ways in which Lee Miller inspired Man Ray’s work at that time as well as later, including the discovery of the photographic technique of solarization, which quickly became Ray’s most widely-recognized style. Through a wide selection of their portraits of famous people, their relationship is used as a lens through which to critically re-evaluate and re-interpret the relationship between the two within the Surrealist movement and the broader avant-garde society of Paris between the mid-20s and the late 30s.

About the Author:

Victoria Noel-Johnson is an independent British art historian and curator, specialising in early 20th century European art.

An intimate, one-of-a-kind photographic journey that documents Liam Wong’s nocturnal wanderings through the world’s most captivating cities

Liam Wong’s world starts after dark and ends at first light. When the night draws in and the lights go down, his urban explorations and cinematic narratives truly begin.

In his previous career as a game designer, Wong learned that ‘real life is just as potent, bizarre and interesting as things we can imagine.’ In his début monograph, TO:KY:OO, he captured the beauty of the city at night. In this new publication, Wong widens his lens from the city that became his photographic muse to Osaka, Kyoto, London, Seoul, Paris and more.

The eerie emptiness of London’s Piccadilly Circus at 4:00 am, silhouettes in Seoul captured during monsoon season, a salaryman waiting on an empty subway platform in Tokyo’s Akihabara district in front of the world’s largest electronics store – mysterious ghosts representing lives lived in shadow, portrayed as intricate cinematic visions, all before the sun rises. In this evocative study of cities after midnight, Wong documents how people and places are altered when darkness falls. He weaves slivers of life, delicate and covert threads, into an insomniac’s journey through the solitude and uncertainty of the night.

Contents List:

Intro
1. Society
2. Alone Together
3. Solitude
4. Emptiness

About the Author:

Liam Wong is an award-winning freelance art director. Graphic designer, former game developer and now photographer, he is best known for defining, designing and directing visual identities. His first book, the bestselling TO:KY:OO, was published by Volume and Thames & Hudson in 2019.

An extraordinary record of great photographs being captured, edited and made

Few photography books can lay claim to being truly groundbreaking. The first edition of Magnum Contact Sheets was one of them. This exceptional book, presented here in a new, accessible and democratically priced format for the first time, reveals how Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice - was the final image a set-up, or a serendipitous encounter; did the photographer work diligently to extract the potential from a situation, or was the fabled 'decisive moment' at play? - this book lays bare the creative methods, strategies and editing processes behind some of the world's most iconic images.

139 contact sheets, representing 69 photographers, are featured, as well as zoom-in details, selected photographs, press cards, notebooks and spreads from contemporary publications, including Life magazine and Picture Post. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by members' estates.

Many acknowledged greats of photography are included, such as Henri Cartier-Bresson, Elliot Erwitt and Inge Morath, as well as Magnum's latest generation, such as Jonas Bendiksen, Alessandra Sanguinetti and Alec Soth. These photographers cover over seventy years of history, from the Normandy landings by Robert Capa, the Paris riots of 1968 by Bruno Barbey and war in Chechnya by Thomas Dworzak to images of Che Guevara by Rene Burri, Malcolm X by Eve Arnold and classic New Yorkers by Bruce Gilden.

This landmark book, published just as the shift to digital photography threatens to render the contact sheet obsolete, celebrates the sheet as artifact, as personal and historic record, as invaluable editing tool, and as a fascinating way of accompanying great photographers as they work towards, and capture, the most enduring images of our time.

About the Author:

Kristen Lubben, former longtime curator at the International Center of Photography, is now executive director of the Magnum Foundation.

The photographer and visual artist Erik Johansson creates surreal worlds through his own unique method. It often takes him months just to make one image, in a process where his photographs are combined so that an original place emerges. The result is often humorous, sometimes even scary, but always mind-blowing. Erik Johansson has become world-famous through his captivating and detailed images. This is his biggest book so far, presenting almost a hundred of his best images in large format. He also reveals the secrets of his methods and shares many of the original sketches that work both as a concept and as a road map to his art.

About the Author:

Erik Johansson was born in Sweden and started taking pictures when his parents gave him a digital camera for his 15th birthday. He has lived in Berlin and currently lives in Prague. His pictures have been exhibited all over the world and his latest major exhibition is opening at Fotografiska in Stockholm in December 2019.

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Пролистать книгу Make Believe: Erik Johansson

The photographer and visual artist Erik Johansson creates surreal worlds through his own unique method. It often takes him months just to make one image, in a process where his photographs are combined so that an original place emerges. The result is often humorous, sometimes even scary, but always mind-blowing. Erik Johansson has become world-famous through his captivating and detailed images. This is his biggest book so far, presenting almost a hundred of his best images in large format. He also reveals the secrets of his methods and shares many of the original sketches that work both as a concept and as a road map to his art.

About the Author:

Erik Johansson was born in Sweden and started taking pictures when his parents gave him a digital camera for his 15th birthday. He has lived in Berlin and currently lives in Prague. His pictures have been exhibited all over the world and his latest major exhibition is opening at Fotografiska in Stockholm in December 2019.

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Пролистать книгу Make Believe: Erik Johansson

Published in connection with an exhibition opening at Photo Elysée in spring 2024, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s

Man Ray (1890–1976) was a man both of and ahead of his time. With his conceptual approach and innovative techniques, he liberated photography from previous constraints and opened the floodgates to new ways of thinking about the medium.

A close friend of Marcel Duchamp and André Breton, he was one of the few photographers to be mentioned among the Dada artists and Surrealists. He also worked as a fashion photographer, first for Vogue, and later for Harper’s Bazaar and Vanity Fair. Renowned as the creator of Ingres’ Violin – a photograph from 1924 that broke records when it was sold for $12.4 million in 2022 – Man Ray remains an influential figure in the worlds of art, fashion and pop culture, with many other artists referencing his work.

Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton’s Surrealist Manifesto, this book presents more than 150 of Man Ray’s portraits, primarily from the 1920s and 30s. It includes portraits of the leading lights of the Paris art scene, among them Marcel Duchamp, Robert Delaunay, Georges Braque, Alberto Giacometti and Pablo Picasso, as well as a selection of his fashion work. As an innovator of photographic techniques and compositional form, Man Ray found the studio portrait – be it of the artists and writers with whom he had longstanding friendships, or of the objects and sculptures he collected – to be the playground in which he could express the visual wit and experimentation for which he is renowned.

About the Authors:

Nathalie Herschorfer is the Director of Photo Elysée in Lausanne, Switzerland. Her previous books for Thames & Hudson include Deborah Turbeville: Photocollage, Body and Coming into Fashion. Wendy A. Grossman is an independent scholar and curator. She is the author of Man Ray, African Art, and the Modernist Lens.

A close look at Man Ray’s interwar portraiture, as well as the friendships between the photographer and his subjects: the international avant garde in Paris

Shortly after his arrival in Paris in July 1921, Man Ray (1890–1976) — the pseudonym of Emmanuel Radnitzky — embarked on a sustained campaign to document the city’s international avant-garde in a series of remarkable portraits that established his reputation as one of the leading photographers of his era. Man Ray’s subjects included cultural luminaries such as Berenice Abbott, André Breton, Jean Cocteau, Marcel Duchamp, Ernest Hemingway, Miriam Hopkins, Aldous Huxley, James Joyce, Lee Miller, Méret Oppenheim, Pablo Picasso, Alice Prin (Kiki de Montparnasse), Elsa Schiaparelli, Erik Satie, and Gertrude Stein. As this lavishly illustrated publication demonstrates, Man Ray’s portraits went beyond recording the mere outward appearance of the person depicted and aimed instead to capture the essence of his sitters as creative individuals, as well as the collective nature and character of Les Années folles (the crazy years) of Paris between the two world wars, when the city became famous the world over as a powerful and evocative symbol of artistic freedom and daring experimentation.

About the Author:

Michael R. Taylor is chief curator and deputy director for art and education at the Virginia Museum of Fine Arts, Richmond.

Ciao! Mario Testino’s ode to Italy

Widely regarded as one of the most influential fashion and portrait photographers, Mario Testino is responsible for the creation of emblematic images, transmitting emotion and energy in an open and intimate way. Throughout his four-decade career, Testino has been on a journey beyond the world of fashion capturing Earth’s traditions and cultures with unparalleled access and an extraordinarily unique point of view.

Peruvian by birth, Testino’s intimate connection to Italy found its roots in his Italian heritage, but blossomed when he experienced the country for himself. Discovering Italy was, for Testino, synonymous with discovering his passion for fashion. “Rome was all about the hottest, latest trends and fresh new styling, and I loved the way Italians could shed the latest look for an even newer thing without ever losing their own identity.”

In Ciao, Testino handpicks his favorite images of Italy, a country that has featured heavily in his life, from his friendships and breathtaking vistas to quintessentially Italian iconic fashion shoots and Italians’ ever-evolving allure to their effervescent lifestyle. Featuring three sections, IN GIRO (out and about), ALLA MODA (in fashion), and AL MARE (at sea), the result is a highly personal journey across the country through Testino’s lens paying homage to Italy, and it’s culture as well as a chronicle of 40 years of genre-defining photography.

Also available in an Art Edition limited to 100 copies, each with a signed print by Mario Testino

The photographer and author:

With a four decades career as a leader in the fields of fashion, culture and lifestyle, Peruvian-born Mario Testino OBE has many facets that take him beyond the surface of a photographer and artist placing him as a cultural visionary. Testino’s universe is broad, his impact is uniquely powerful and his lifestyle is completely authentic. Testino’s has seen his works published and exhibited in hundreds of cities around the world. Throughout his career he built unprecedent relationships with editorial and commercial partners such as Vogue, Burberry, and Gucci to name a few. His past and present muses include HRH Princess Diana, Madonna, Donatella Versace, Kendall Jenner and Mariacarla Boscono. His solo exhibitions have shown in museums and galleries worldwide, including the National Portrait Gallery, London; and the Museum of Fine Arts, Boston.

The contributing author:

Alain Elkann is a New York–born author and journalist. Since 1989, he has maintained a weekly interview column for the Italian daily newspaper La Stampa. Elkann has lectured on art, Italian literature and Jewish studies at the Universities of Oxford, Columbia, Jerusalem, Pennsylvania and Milan’s IULM. He is President of The Foundation for Italian Art & Culture (FIAC) in New York and in 2009 was awarded the Légion d’Honneur by the French Republic.

Man in Focus. A gallery of men from photography’s maestro

“The way men are seen in photography, in fashion, and the way that men look at pictures of themselves has changed in recent years. It is a subject that has come into focus: The masculine image, a man's personal style, changing attitudes to the male face and body.”
— Mario Testino

From Rio to London, Cusco to Seville, Mario Testino is renowned for his free-spirited chronicles of dress and demeanor. In SIR the influential photographer presents over 300 photographs in his search to define the allure of men.

Featuring an essay by Pierre Borhan, an interview with Patrick Kinmonth, and many previously unpublished works from Testino’s archive of thousands, this book traces the evolution of male identity over the past three decades. Costume, tradition, gender play, portraiture, photojournalism, and fashion collide as Testino observes masculinity in all its modern manifestations: through the dandy and the gentleman, the macho and the fey, the world-famous face to the unknown passerby.

Every photograph represents a unique point of view, and a new visual connection between photographer and sitter. With Josh Hartnett for VMAN (2005), Testino evokes the fall of Helmut Berger in the abyss of Luchino Visconti’s The Damned. Studies of Brad Pitt, George Clooney, Jude Law and Colin Firth are as candid as they are curious. David Beckham, David Bowie, Mick Jagger and Keith Richards feature for the courage they have taken in redefining male identity. Through a kaleidoscope of guises, these portraits define a period in which men’s changing role, style and appearance has never escaped Testino’s eye and impeccable intuition.

The photographer:

With a four decades career as a leader in the fields of fashion, culture and lifestyle, Peruvian-born Mario Testino OBE has many facets that take him beyond the surface of a photographer and artist placing him as a cultural visionary. Testino’s universe is broad, his impact is uniquely powerful and his lifestyle is completely authentic. Testino’s has seen his works published and exhibited in hundreds of cities around the world. Throughout his career he built unprecedent relationships with editorial and commercial partners such as Vogue, Burberry, and Gucci to name a few. His past and present muses include HRH Princess Diana, Madonna, Donatella Versace, Kendall Jenner and Mariacarla Boscono. His solo exhibitions have shown in museums and galleries worldwide, including the National Portrait Gallery, London; and the Museum of Fine Arts, Boston.

The editor:

Patrick Kinmonth is a creative polymath, working across opera, film, dance, architecture, and exhibition design. He has collaborated with Mario Testino since the 1980s, when he commissioned the young Testino’s earliest portraits for British Vogue.

The author:

Pierre Borhan is a writer, curator, and art collector. Former editor in chief of Clichés magazine, he was also director of photographic heritage at the French Ministry of Culture between 1988 and 2003.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Mark Seliger’s extraordinary portfolio is 30 years in the making.

In 1987 Seliger began shooting small assignments for Rolling Stone; in 1992 he became their chief photographer, a position he kept for 15 years. During the course of his time at the magazine, he photographed more than 125 covers. He has captured some of the most iconic images of the most famous and influential faces of our time, including Kurt Cobain, Nelson Mandela, Leonardo DiCaprio, Barack Obama, Hillary Clinton, Emma Stone, Angelina Jolie, Bruce Springsteen, David Byrne, Matthew Barney, Jennifer Lawrence, Mick Jagger, Bob Dylan, Jerry Seinfeld, Jay-Z, Misty Copeland, Amy Schumer, and Paul McCartney.

Mark Seliger Photographs showcases his best-known portraiture, as well as never before seen outtakes and select standouts from his landscape and personal work including portraits of Holocaust survivors and transgender men and women on Christopher Street, and documentary photography of Cuba. Accompanying the photographs is an interview between Mark Seliger and Judd Apatow, in which Seliger shares stories behind some of his most iconic work: Kurt Cobain showing up for a Rolling Stone shoot in a “Corporate Magazines Still Suck” T-shirt; taking a road trip with Brad Pitt; and navigating a room full of Tibetan monks while shooting His Holiness the Dalai Lama. In addition, the book also features an essay by Lyle Lovett. Mark Seliger Photographs is the ultimate celebration of one of the most in-demand portrait photographers.

About the author:

Mark Seliger is a preeminent American photographer. Seliger began working for Rolling Stone in 1987, and served as its chief photographer from 1992 to 2001. His work has appeared in Vanity Fair, ELLE, GQ, Vogue Italia, The New Yorker, Purple, and in museums and galleries worldwide. He lives in New York City.

A fun collection of Martin Parr's food pictures, which documents the simple notion that 'we are what we eat'.

Real Food celebrates all things food through the eyes of the renowned British photographer Martin Parr - a kaleidoscope of foods the world over, from hot dogs to sticky buns and langoustine to lemon meringue pie.

Featuring photographs taken throughout Martin Parr's prolific career to date, Real Food will comprise the very best of Parr's iconic imagery - a collection of close-up food shots, in typical garish colour, taken by Parr throughout his travels across the world.

Introduced with an essay by Fergus Henderson, British chef and founder of the restaurant St John's in London, which considers Parr's photographs in the context of global cuisine, and Parr's fascination with the social aspect of food that is at the heart of these photographs.

About the Author:

The work of Martin Parr bridges the divide between art and documentary photography. His studies of the idiosyncrasies of mass culture and consumerism around the world, his innovative imagery and his prolific output have placed him firmly at the forefront of contemporary art. A member of the international photo agency Magnum, Parr is an avid collector of books and a world authority on the photobook.

Fergus Henderson is a British chef and cookbook author, who opened London's St. John restaurant in 1994, and later St. John Bread and Wine, to wide critical acclaim. He is well known for his simple, pared down cooking and his philosophy of 'nose-to-tail eating', also the name of his first cookbook.

The first career retrospective of leading contemporary photographer Mona Kuhn

Mona Kuhn: Works is the first retrospective by one of the most respected and widely exhibited contemporary art photographers at work in the world today. Over a career spanning more than twenty years, Kuhn’s underlying theme has always been humanity’s longing for spiritual connection and solidarity. She is renowned for developing close relationships with her subjects, resulting in images of remarkable intimacy. Her use of playful visual strategies reveals glimpses into the psyche as it is expressed through the human form, ultimately reinterpreting the nude in the canon of contemporary art.

Featuring images from throughout Kuhn’s career, including previously unseen work, this book introduces her distinct aesthetic to a wide, popular audience. Texts by Rebecca Morse, Chris Littlewood, Darius Himes and Simon Baker, and an interview with Elizabeth Avedon, offer invaluable insights into Kuhn’s creative process and the ways in which she works with her subjects and settings, and achieves the visual signature of her imagery. Mona Kuhn: Works is an essential volume for anyone with an interest in the human form in contemporary art.

Contents List:

Introduction by Rebecca Morse • 1. Evidence 2000-2007 • 2. Native 2007-2009 • 3. Venezia 2009-2010 • In Conversation: Interview by Elizabeth Avedon • 5. Bordeaux Series 2009-2011 • Essay by Simon Baker • 6. Private 2012-2014 • 7. Bushes and Succulents 2017-2018 • 8. She Disappeared into Complete Silence 2014-2019

About the Author:

Mona Kuhn (b. 1969) is a Brazilian photographer of German descent. She has lived and worked in Los Angeles since 1989 and is currently an independent scholar at the Getty Research Institute. Her previous series-based monographs include Mona Kuhn: Photographs, Mona Kuhn: Evidence and Mona Kuhn: Private. Rebecca Morse is the Curator of the Wallis Annenberg Photography Department at LACMA. Simon Baker is the Director of the Maison Européenne de la Photographie (MEP) in Paris. He was previously Curator of Photography and International Art at Tate. Elizabeth Avedon is a photography book and exhibition designer, independent curator and writer.