Искусство

This is the first volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 1 includes 799 photographs of sculptures on 224 pages with essays on specific topics of identitication and caring for bronze. It incorporates lists of the sculptors whose work is shown, the founders represented, 24 different founders' seals and an index to this volume. The photographs are remarkably clear enabeling small details in the sculptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today

This is the second volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 2 includes 1025 photographs of sculptures on 272 pages with a numbered list of the sculpture categories and an essay on early twentieth-century sculptural styles by Tom Tomc of Chicago. It incorporates lists of the sculptors whose work is shown, the founders represented, and 58 different founders' seals. The photographs are remarkably clear enabeling small details in the scuptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.

This is the third volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. Volume 3 includes 1315 photographs of sculptures on 320 pages with information on the Hirsch Foundry of Paris and Brooklyn, New York. It incorporates lists of the sculptors whose work is shown, the founders represented, and 21 different founders' seals. The photographs are remarkably clear enabeling small details in the sculptures to be visible. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today.

This is the fourth volume of the definitive reference series dealing with commercial bronze sculptures in the period 1800 to 1930. This period spans the rise and decline of commercial industrial foundries in Europe, especially in France, and a wide array of international sculptors. Together, they produced millions of fine statuettes for the general public. With this reference series, collectors will be able to identify many of the old commercial bronzes found on the market today

Whenever one watches the Us Secretary of State Madeleine Albright on TV, one cannot but notice her extravagant jewellery. Few people realise, however, that the restrained beauty of this jewellery is often invested with an unmistakable message: After the Iraqi press portrayed her as a she met with Iraqi officials. During the difficult Middle East peace talks, a dove of peace adorned her shoulder and watched over the proceedings. Mrs Albright employs her diplomacy, a weapon barred to men. 61 artists from 16 countries responded to the challenge suggested by Helen Drutt from Philadelphia, to create highly individual brooches themed with Albright's strategic use of adornment. The results are a glittering show of jewellery covering a wide spectrum of shapes, materials and meaning. Each artist interpreted the challenge in a different way. While some boldly emphasized thier political meassage, others choose a more oblique presentation.

Color and Clash: the Height of German Expressionism

The "Brucke" (established in Dresden in 1905) is, together with the Blauer Reiter in Munich, the most important movement in German expressionism. Meaning "the bridge" in German, "Die Brucke" refers to Nietzsche's belief that humanity has the potential to make a bridge to a perfect future; more concretely, the movement formed a bridge between neo-romantic and expressionist painting. This book covers the work of founding members Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, and Fritz Bleyl, as well as works by their friends, such as Emil Nolde and Otto Mueller. Divided into four main categories (self-portraits and portraits of friends, nudes in the studio and in nature, men in the cities, and war and apocalyptic themes) this volume provides a stimulating overview of the movement.

Each book in "Taschen's Basic Genre Series" features: a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period; and, a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations.

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

An affordable compact edition of the major monograph that offers new insights into the life and work of this astonishing creative genius.

Often Bruegels subjects are traditional: stories from the Bible and mythology, scenes of country life, and cycles of the seasons. But among the multitude of people within them are mysterious figures, enigmatic incidents, and demonic faces. The meaning of these remarkable paintings continues to intrigue us today, more than four centuries after the artist's death. An art historian and a painting conservator and restorer, each of the authors bring their special expertise to bear on the many questions that still remain about Bruegel's life and his intellectual outlook.

Richly illustrated, this important book reveals much new information about one of the most intriguing figures of Renaissance art. Extensive notes, a chronology, bibliography, and a list of Bruegel's exhibitions and catalogues complete the work. It will be an indispensable addition to the libraries of scholars, students, and the many lovers of Bruegel's paintings.

An eye on the everyday. Bruegel's account of his society and times

At a time when artists were still primarily occupied with religious or mythological subject matter, the great Flemish painter Pieter Bruegel (c. 1525-1569) turned his eye on the everyday.

Most of Bruegel’s 45 surviving works, which are all reproduced in this book, record the facts of 16th-century life in rural or small-town communities. In this title in the Basic Art Series, Rose-Marie and Rainer Hagen outline the Bruegel’s account of his society and times, and the relevance that account has for us today.

About the Series:

Each book in TASCHEN’s Basic Art Series features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The authors:
Rose-Marie Hagen was born in Switzerland and studied history, Romance languages and literature in Lausanne. After further studies in Paris and Florence, she lectured at the American University in Washington D.C.

Rainer Hagen was born in Hamburg and graduated in literature and theatre studies in Munich. He later worked for radio and TV, most recently as chief editor of a German public broadcasting service. Together they have produced 15 episodes of the TV series History In Pictures, and collaborated on several TASCHEN titles, including What Great Paintings Say I & II, and Francisco de Goya.

The sense of a scene. Pieter Bruegel's mastery of composition and community

The great Flemish painter Pieter Bruegel the Elder (c. 1526/31 - 1569)was an astoundingly inventive painter and draftsman, who made his art historical mark with beautiful, evocative landscapes as well as religious subjects, both notable for their vernacular language and attention to everyday, contemporary life.

Immersing himself in rural or small-town communities, Bruegel is particularly notable for his depiction of peasant experience and folk culture, earning the artist nickname Peasant Bruegel. Whether hunters shivering in the snow or a boisterous country fair, Bruegel raised the farming, festivals, gatherings, and games of peasant culture to the status of high art. Bruegel s imposing religious and moral subjects, meanwhile, such as The Triumph of Death and The Tower of Babel are as awestriking and influential today as they were in the 16th century, inspiring contemporary culture from The Lord of the Rings cinematic battle scenes to Don DeLillo s novel Underworld. 

From the corn harvest to the conversion of Saul, from quaint wedding processions to Christ s road to Calvary, this book brings together the rich range of Bruegel's subjects to introduce his powerful compositions of both biblical and earthly tableaux. 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The perfect companion for the Bruegel year of 2019: an introduction to the famous painter through stunning large close-up details in a beautiful coffee table book.

Flemish painter Pieter Bruegel the Elder (1525–1569), known for his beautiful landscapes and peasant scenes, is among the most popular artists in the history of Netherlandish painting. Reproducing all of Bruegel’s best-known paintings, drawings and prints, this book reveals them as never before, in stunning large close-up details that showcase his mastery. Organized by his major themes – landscapes, daily life, biblical subjects and festive celebrations – it offers astonishing views of popular works of art such as Hunters in the Snow, Peasant Wedding and The Tower of Babel. The printings and drawings section includes his series on Sins and Virtues. Bruegel expert Manfred Sellink reveals how the painter introduced new subject matter into fine art and examines his use of landscape, perhaps the artist’s greatest innovation.

Pieter Bruegel invites us to study and to admire his work down to the tiniest element. He was a trained and experienced miniaturist, draughtsman and print designer: skills that combined with his brilliant painting technique enable us to read every image and every detail. Bruegel created a world of unprecedented visual richness: it is impossible to take in everything at once, as there is so much to see. Even experts who have studied his work for years are continually surprised by new discoveries. Alongside this rich viewing experience, Bruegel always offers layers of visual and intellectual meaning, expressed most clearly in the details. Not to forget the equally characteristic dollop of humour we find in the subtle and ironic way he approaches his fellow human beings and their universal and timeless foibles. Bruegel in Detail homes in on the extraordinary visual, technical and intellectual wealth of this master’s work. Every detail in Bruegel is packed with significance and relevance.
 

A compact, affordable, portable edition of the perfect companion for the Bruegel year of 2019: an introduction to the famous painter through stunning close-up details.

Flemish painter Pieter Bruegel the Elder (1525–1569), known for his beautiful landscapes and peasant scenes, is among the most popular artists in the history of Netherlandish painting. Reproducing all of Bruegel’s best-known paintings, drawings and prints, this book reveals them as never before, in stunning large close-up details that showcase his mastery. Organized by his major themes – landscapes, daily life, biblical subjects and festive celebrations – it offers astonishing views of popular works of art such as Hunters in the Snow, Peasant Wedding, and The Tower of Babel. The printings and drawings section includes his series on Sins and Virtues. Bruegel expert Manfred Sellink reveals how the painter introduced new subject matter into fine art and examines his use of landscape, perhaps the artist’s greatest innovation.

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Pieter Bruegel invites us to study and to admire his work down to the tiniest element. He was a trained and experienced miniaturist, draughtsman and print designer: skills that combined with his brilliant painting technique enable us to read every image and every detail. Bruegel created a world of unprecedented visual richness: it is impossible to take in everything at once, as there is so much to see. Even experts who have studied his work for years are continually surprised by new discoveries. Alongside this rich viewing experience, Bruegel always offers layers of visual and intellectual meaning, expressed most clearly in the details. Not to forget the equally characteristic dollop of humour we find in the subtle and ironic way he approaches his fellow human beings and their universal and timeless foibles. Bruegel in Detail homes in on the extraordinary visual, technical and intellectual wealth of this master’s work. Every detail in Bruegel is packed with significance and relevance.

A presentation of highlights from the collection of Maida and George Abrams, a private collection of Dutch 17th-century drawings.

The works range from studies by renowned masters - including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius and Hendrick Avercamp - to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period. The volume features seven drawings by Rembrandt, a diverse group by his pupils, a comprehensive survey of Dutch landscape drawing, and figure studies and scenes of daily life by genre artists such as Willem Buytewech and Adriaen van Ostade.

The works are explicated in William Robinson's detailed catalogue entries and in two essays: George Abrams reflects on acquisitions for his collection; and Martin Royalton-Kisch examines the Abrams' holdings within the tradition of specialized collections of Dutch drawings in England, France and America.

A fascinating survey into Buccellati style: a blend of past with present, of form, function and design lie at the heart of the work of a family firm which has become synonymous with gold and silversmithing over the past century. The exhibition (October 2000 - February 2001), held at the prestigious Smithsonian Institution, National Museum of Natural History, in Washington D.C., showcases over fifty masterpieces (objets d’art, jewels and silver objects) characterized by their elegant design, extraordinary craftmanship and luxury materials (gems and precious metals). A blend of past with present, of form, function and design lie at the heart of the work of a family firm which has become synonymous with gold and silversmithing over the past century.

Illustrations :  1010 en couleur

L’Histoire naturelle des Oiseaux bénéficia des fabuleuses collections royales dont Buffon disposait et du réseau de scientifiques avec lesquels il correspondait dans le monde entier. Elle marque une étape décisive dans la naissance de la science ornithologique. Si les connaissances ont progressé depuis, elle demeure une référence
incontournable, longtemps sans équivalent par son caractère exhaustif et le fait qu’elle ajoute à la description l’étude du mode de vie des oiseaux. Les Planches enluminées que Buffon commande à François-Nicolas Martinet font intrinsèquement partie de cette entreprise. Elles sont conçues comme une source complémentaire d’informations sur la morphologie et les couleurs – un élément essentiel dans la reconnaissance –, mais aussi comme des œuvres à part entière par leur valeur visuelle.
Cet ensemble était cependant peu accessible : le tirage fut limité car la gravure et surtout la peinture à la main de chaque planche représentaient un énorme travail ; les planches furent mises en vente cahier après cahier pendant plusieurs années, indépendamment du texte, puis dispersée, avant de se perdre dans l’iconographie pléthorique auxquelles donnèrent lieu les nombreuses éditions de l’Histoire naturelle de Buffon.
Le lecteur découvre ou retrouve, ici, ce style inégalable propre l’auteur – loin du jargon scientifique–, plein de vivacité et d’échappées poétiques, qui marqua, bien au-delà de son époque, des générations d’écrivains (Rousseau, Chateaubriand, Balzac, Proust…).

Bulgari is a lavishly illustrated exploration of Italy's greatest jeweler. Since its beginnings in Rome in 1881 - and throughout its years of expansion throughout the world - the Bulgari firm has been at the forefront of jewelry design, launching many trends and revivals. Here, copious photographs and archival pictures trace the development of the Bulgari style, a distinctive look that has captivated royalty, movie stars and others for more than a century.

The book showcases a range of Bulgari's stunning innovations, such as its easy-to-wear everyday jewels made with precious gems, the powerful modular units combined in repeating patterns, its trademark watches and unique Vintage Collection, a private cache of Bulgari period jewels, watches and objets d'art. It also describes the creative inspiration that led the firm to its famous juxtaposition of unusual materials, from mixing colourful semiprecious stones with priceless diamonds and mounting ancient coins in gold jewelry to incorporating substances - such as steel and white porcelain - that had never before been used in couture jewelry. These and other fashions have sparked countless imitations by other jewelers, copies that can never rival the glamour and flair of the Bulgari originals.

This elegant volume will delight anyone in the field of fashion and jewelry design, as well as the many enthusiastic collectors of Bulgari jewels.