Мистецтво

Berlin is a concept album that represented a brave departure from the familiar sounds and themes of Lou Reed’s earlier solo work, a tragic tale about heartbreak and addiction meant to be played live as a rock opera, in the vein of The Who’s Tommy. But its poor reception meant that plans for a live performance were put on hold until 2007, when, with a renewed confidence in the material, Reed toured with a full orchestra and choir, giving some of the most personal and powerful performances of his career.

The tour was filmed by legendary artist Julian Schnabel, a longtime friend of Reed’s who also designed the spare and beautiful set, and whose daughter Lola contributed moving images projected behind the stage. This immeasurably powerful book draws on stills from Schnabel’s film, photographs of the set design, printed lyrics of Reed’s original verse, and images from Schnabel’s projections to tell the twin stories of Berlin as rock opera and as unique collaboration between two geniuses of contemporary art, music, words, and film.

The book also includes a rare conversation between Reed and Schnabel.

About the Author

Lou Reed is a founding member of the Velvet Underground and an accomplished solo artist, poet, writer, and photographer. He lives in New York. Julian Schnabel is a celebrated artist and filmmaker whose work is in the permanent collections of The Metropolitan Museum and MoMA in New York, and whose film The Diving Bell and the Butterfly was nominated for four Academy Awards. He lives in New York.

Bernini: Art as Theatre forges a new analysis of Baroque illusionism through a study of this artist’s sculptural ensembles.

Gian Lorenzo Bernini (1598–1680) was a sculptor, architect and painter, but also a court scenographer, playwright, actor and director. Bernini’s work in theatre served as a wellspring for his art’s visual effects. Theatre was the dominant cultural paradigm of the Baroque, manifest in the rise of opera and ballet, as well as increasingly magnificent scenographic technologies for the performed rituals of church and court. Bernini drew on a lexicon of theatrical effects, deploying light, movement and a fusion of fictive and physical space to render new forms of artistic illusion in both his sculptural mise-en-scènes and his stage sets. The force of his art’s illusionistic powers lay in a fiction of materials effected through medial exchanges between sculpture, painting and architecture.

This book opens up provocative new frameworks for the analysis of Baroque illusionism extending beyond Bernini to a reconsideration of seventeenth-century visual culture as a whole.

The 1970s: that magical era betwixt the swinging 60s and the decadent 80s, the epoch of leisure suits and Afros, the age of disco music and platform shoes. As war raged on in Vietnam and the cold war continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster. Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the US, more freely in Europe) most notably in Bertolucci's steamy, scandalous Last Tango in Paris. Amidst all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter), the rise of the anti-hero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation.

A-Z film entries include:
- Synopsis
- Film stills and production photos
- Cast/crew listings
- Box office figures
- Trivia
- Useful information on technical stuff
- Actor and director bios

Plus: a complete Academy Awards list for the decade

Odilon Redon (French, 1840-1916) transformed the natural world into dark visions and strange fantasies. He created a universe of mysterious hybrid creatures, offered his own interpretations of literary, biblical and mythological subjects, and presented flowers in a singular way. This book presents the full range of Redon’s achievements - mysterious charcoal "noirs," luminous pastels, richly textured canvases, dramatically shaded lithographs - through the Museum's unparalleled collection of the artist's work. The publication includes essays on the artist's aesthetic strategies, the meanings of his monsters, his accomplishments as a printmaker, and a comprehensive catalogue.

Includes 459 illustrations, 152 in color.

Близько 400 вишуканих картин, малюнків, меблів, декоративних предметів та одягу з коментарями провідних вчених у цій галузі. Бідермаєр описує вид фактичного мистецтва, який дуже точно відповідає чуттєвому сприйняттю. Його основні характеристики стали очевидними ще до 1800 року, і приблизно до 1830 року він продовжував розвиватися завдяки спрощенню, природній красі матеріалів та чіткості форми.

Biedermeier: The Invention of Simplicity – це елегантне видання, що зосереджується на основній групі художніх творів цього періоду, в яких переважали ці формальні елементи, а також вони сформували нове центральноєвропейське естетичне бачення. Представлено понад триста зразків з усіх жанрів мистецтва з Німеччини, Австрії, Богемії та Данії: картини, гравюри, меблі, скляні та порцелянові предмети, срібло, предмети інтер'єру та мода з модних, стильних мегаполісів. Це приваблива презентація новаторського характеру цього періоду, що дозволило йому відіграти піонерську роль у сучасну епоху.

A fully illustrated book featuring unique jewellery masterpieces, paying attention to the creators, designers and manufacturers

This book starts from those periods in history (18th and 19th centuries) when the concept of costume jewellery, which is considered to be something that puts the finishing touches on fashion, did not as yet exist. The custom in the past was to make copies of real jewels with precious or semi-precious materials; moreover, great effort was made to invent material to replace precious stones and gold (strass, marcasite, pinchbeck, pomponne, etc.)

The volume ends with an attempt to define the styles of the decades close to the contemporary period - as yet never examined - with particular interest in the '60s,'70s,'80s and '90s and in the names of creators, designers and manufacturers who are still unknown to us.

Contents:
The Different Types of Costume Jewellery: Definitions
Imitation Jewellery, Bijoux de Couture, Costume Jewellery, Fashion Jewellery.

Major Technological Innovations
Paste/Rhinestone, Gold Alloys and Similar, Steel Jewellery, The Brilliant Cut, Marcasite Stones, The Mechanised Production of Costume Jewellery, Berlin Iron Ornaments, Electro-galvanic Gold, Plating, Hair Jewellery, Daniel Swarovski and the Mechanised Finishing of Rhinestones, Ivory, Tortoiseshell, Amber, Coral, Mother-of-pearl, Rock Crystal, Horn.

Styles
Victorian Jewellery, Edwardian Costume Jewellery, The Costume Jewellery of Avant-garde Artistic Movements, Art Deco Costume Jewellery, Costume Jewellery of the 1930s, Costume Jewellery of the 1940s (Cocktail style), Costume Jewellery of the 1950s, Costume Jewellery of the 1960s, Costume Jewellery of the 1970s, Costume Jewellery of the 1980s, Costume Jewellery of the 1990s.

About the Author:

Deanna Farneti Cera, an international expert on European and American costume jewellery, lives and works in Milan. She is an author, a leading researcher in the history of jewellery in fashion, and has curated exhibitions for several museums worldwide. In 2006, she opened the gallery Ornamento d'Autore in Milan, whose programmes include historical exhibitions on the history of costume jewellery and others on international trends in the field

Bill Viola is recognized internationally for his work in video and sound installations. For thirty years he has used innovative multimedia technologies to explore the phenomena of sense perception, drawing on mysticism, poetry, shamanism, Taoism, Sufism and Zen Buddhism

This book brings together a selection of essays, notebook entries, interviews, drawings and descriptions of projects that map Viola’s personal course through the readings, observations, experiments and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist himself or by comments on the work’s origins from Viola’s personal notebooks.

Billy Wilder (1906-2002) was American cinema’s greatest import. Hailing from Austria, Wilder arrived in Hollywood in 1935 and, with his skilled eye and sharp wit, took the town by storm. Exploring nearly all of the silver screen’s genres (slapstick comedy, eerie suspense, film noir, courtroom drama, romantic comedy…) and sometimes creating unheard-of genre cocktails (comedy and war in a Nazi prison camp in Stalag 17) he graced every film he directed with the inimitable and magical “Wilder touch.” That films like Sunset Boulevard, Witness for the Prosecution, Some Like it Hot, The Apartment, and Love in the Afternoon all hail from the same director/co-writer is a remarkable thing. With 26 films to his name, Billy Wilder was not only one of the greatest and most prolific filmmakers of all time but also the most versatile.

The complete guide to Billy Wilder's masterpiece - made in collaboration with the great man himself and published just before his death. Find out everything you could ever want to know (and more) about the movie voted best comedy of the century by the American Film Institute. A daring tale of cross-dressing from a time when the subject was all but taboo, Some Like it Hot (1959) tells the story of two jazz musicians who are forced to go undercover in an all-girls' band to escape from the mob. With an ingenious screenplay by I.A.L. Diamond and Billy Wilder, and flawless performances by Tony Curtis, Jack Lemmon and the famously difficult Marilyn Monroe, Some Like it Hot is the embodiment of comic perfection.

This special edition includes
* Interviews with Billy Wilder, Tony Curtis, Jack Lemmon and others
* Complete facsimile of the screenplay with film stills from every scene
* Excerpts from the script's first draft
* Behind-the-scenes on-set color photos
* Original promotional materials and a wealth of supporting ephemera
* Annotated/illustrated Billy Wilder filmography
* And the DVD of the original version of this phenomenal movie

Пролистать книгу можно на сайте издательства.

This book tells the story of the beloved Impressionist movement, focusing on the tumultuous period of the 1860s and1870s and the emergence of the “New Painting” out of the Paris Salon.

Lavish reproductions of masterpieces of French painting - from the monumental canvases of Bouguereau to the landscapes and peasant scenes of Millet and Courbet - set the stage for a rich visual narrative that recounts the incubation and evolution of the Impressionist movement. The range of subject matter and techniques reflects the stylistic diversity of the artists who were part of this revolution. Drawn from the incomparable holdings of Paris’s Musée d’Orsay, the stunning publication includes paintings by Manet, Monet, Renoir, Pissarro, Cézanne, Morisot, and Degas, among others. The paintings have been selected and thematically grouped to prompt discussion of Impressionism’s many facets, including France’s turbulent social and political climate at the time, the state-run Salon system and the artistic rivalries it fostered, and aspects of daily life during the Belle Epoque. This companion volume to a major exhibition offers a quintessential collection of Impressionist jewels that will delight all lovers of art.

1,400 drawings in colour plus 100 illustrations in colour and black and white.

The Norwegian painter Bjørn Ransve (b. 1944) is one of the best-known contemporary Scandinavian artists. Very few painters indeed express themselves so brilliantly in two dimensions on a sheet of paper, thematically, technically and formally. His work is a dialogue that embraces art history enthusiastically, one that is deeply rooted in art history yet articulates something new and relevant to our times.

While still a student, he began to do figurative drawings, switching to abstraction before ultimately returning to the figurative although he never returns to precisely where he left off. Instead he is continually blending in new elements he has seen and recognised along the way. Consequently, his most recent work represents a sophisticated synthesis of elements from worlds which at first might seem virtually irreconcilable. This volume presents Bjørn Ransve’s drawings from all periods of his work. In themselves they provide a survey of his œuvre as a whole since drawings always accompany his paintings and prints – not merely as sketches or designs but as autonomous works of art in their own right, with both familiar and unfamiliar motifs and techniques. Moreover, the book provides a comprehensive text on Bjørn Ransve’s drawings, with the various groups of motifs studied in detail – when they appear and in what sequence and how they comment on each other – and fits them into the art historical context.

This groundbreaking book explores the visual representations of black culture throughout the twentieth century and into the twenty-first.

From blues to rap, from the paintings of Henry Ossawa Tanner to the video pieces of Keith Piper and Steve McQueen, it draws on the work of hundreds of artists, including Wifredo Lam, Jean-Michel Basquiat, Martin Puryear, Spike Lee, Adrian Piper, Faith Ringgold, Betye Saar, Chris Ofili and Yinka Shonibare.

This new edition provides expanded coverage of film and video, and an additional chapter on the work of artists who have risen to prominence in recent years. Over 180 biographical notes provide a unique reference source.

An expansive collection that introduces the short-lived and ruthlessly creative phenomenon that was Blacklips.

From June 1992 to March 1995, in the midst of the AIDS crisis in NYC, an extraordinary theatrical collective emerged from the queer underground. Blacklips Performance Cult, initiated by ANOHNI and joined by a cabal of fellow artists, drag queens, punks, nightlife veterans and students, performed a new play every Monday night at 1:00 a.m. at the Pyramid Club on 101 Avenue A. Blacklips never courted mainstream attention. However, the group left a sustaining impression within New York's late night subculture by melding hysterical drag, surreal horror, and disconcerting tenderness.

In Blacklips: Her Life and Her Many, Many Deaths, ANOHNI and coeditor Marti Wilkerson lay bare the collective's archives in photographs, scripts, and the assembled ephemera from more than one hundred and twenty original "plays." Featuring images from newly digitized film and video recordings, texts from participants and audience members, and an introduction by Lia Gangitano, this expansive collection introduces to the twenty-first century the short-lived and ruthlessly creative phenomenon that was Blacklips.

About the Author:

ANOHNI is a visual artist, musician, and playwright who spent her twenties performing music and staging plays in late-night clubs and experimental theatres in New York City. She formed her music group Antony and the Johnsons - named in memory of trans activist Marsha P. Johnson - in 1998. After releasing the group’s self-titled first record in 2000 and touring around the world with Lou Reed as a backup singer, her second album, I Am a Bird Now (2005), was awarded the Mercury Prize in the UK. ANOHNI has since released The Crying Light (2008), Swanlights (2009), the live album Cut the World (2012), and HOPELESSNESS (2016), a collaboration with Hudson Mohawke and Daniel Lopatin. She curated the 2012 Meltdown Festival at the Southbank in London, and has performed her music with symphonies in venues including the Royal Opera House in London, Teatro Royale in Madrid, Sydney Opera House, the Olympia in Paris and Radio City Music Hall. ANOHNI’s visual installations, performances, and plays have been presented by institutions including Kunsthal Nikolaj in Copenhagen, Bielefeld Kunsthalle in Germany, MoMA, the Whitney Museum, The Kitchen NYC, Aarhus 2017 Capital of Culture, and the Barbican. She scored Valentino’s Spring collection presentation “Anatomy of Couture” in Milan in February