Искусство

The Russian Avant-Garde, which brought about an artistic revolution between 1905 and 1934, represents one of the most fascinating chapters in the history of 20th-century art. 

Artists like Malevich, Kandinsky and Chagall are highly esteemed the world over. But this movement was much more diverse than is generally realised. For the first time this artistic wealth is being presented in a major sequence of pictures. 

140 masterpieces of painting demonstrate the parallel development of widely different styles, design principles and aesthetic ideas. 

The avant-garde artists influenced each other or were sometimes in conflict with each other. At the same time you could find advocates of representational Expressionism and supporters of pure abstraction; styles like Primitivism, Cubo-Futurism and Suprematism followed each other in succession. 

Surprising contrasts of works by different artists demonstrate the differences, so that the successive conflicting –isms are clearly demonstrated. 

Through this visual confrontation the picture of all the many different forms of Russian avant-garde come alive.

Marc Chagall (1887–1985) befreite auf seinen Bildern die Welt von den Fesseln der Schwerkraft und entrückte sie in die Freiheit der Poesie. Dabei inspirierten ihn Folklorismen seines weißrussischen Heimatorts Wizebsk ebenso wie seine jüdische Herkunft, die christliche Ikonografie und die Ausdrucksformen der internationalen Avantgarden, mit denen er sich ab 1911 in Berlin und Paris verstärkt auseinander setzt.

Eine exklusive Auswahl von über 100 kostbaren Arbeiten aus allen Schaffensperioden Chagalls stellt die vorliegende Sonderausgabe vor: Gemälde, Buchillustrationen und Gouachen, unter anderem aus dem Centre Georges Pompidou in Paris, dem Staatlichen Russischen Museum in St. Petersburg und der Tretjakow Galerie in Moskau.

In his images, Marc Chagall (1887-1985) liberated the world from the chains of gravity and allowed it to enjoy the enraptured freedom of poetry. In the process, he was inspired by the folklore of his White Russian homeland, Wizebsk, as well as his Jewish ancestry, Christian iconography, and the expressive forms of international avant-garde art, which he explored more intensively after 1911 in Berlin and Paris.

This special-price edition features an exclusive selection of over one hundred treasured works from all of Chagall’s creative phases: paintings, book illustrations, and gouaches, including works in the Centre Georges Pompidou in Paris, the Russian State Museum in St. Petersburg, and the Tretjakov Gallery in Moscow.

Chagall’s creative breakthrough came at a time when his life was torn between contrasting experiences.

Chagall lived in Paris from 1911 until 1914, creating paintings that combined his recollections of Russian provincial life with iconic fragments of the metropolis around him. Reminiscences of Russian folk art make an appearance in his works from the period, as do the most recent stylistic experiments he was exposed to through his life in the center of the artistic avant-garde and his acquaintance with many of the most progressive artists, including Picasso, Robert and Sonja Delaunay, and Jacques Lipchitz. Overtaken by the outbreak of World War I during a visit back home, Chagall was forced to spend the next eight years in Russia.

The unexpected change of circumstances initially prompted a phase of searching self-scrutiny that speaks from many paintings and works on paper created in and after 1914. The artist produced numerous self-portraits, depictions of Jewish life, and designs for the stage setting for the celebration of the first anniversary of the October Revolution 1918.

The catalogue contains a representative selection of works from what was for Chagall a period of rapid artistic evolution and personal as well as political upheaval.

Charlie Chaplin was one of Hollywood s most pivotal stars. He lived an interesting life both in his films and behind the camera. He is most recognized as the icon of the silent film era, mostly as the little tramp ; the man with the toothbrush moustache, bowler hat, bamboo cane, and a funny walk. He was born in London in 1889 to music hall-performing parents. After his parents split, he and his half brother spent time in and out of charity homes and workhouses between their mother's bouts of insanity. He started acting at 8, and began to tour with a vaudeville troupe that visited America. He never looked back. In 1913 in California, he signed on with Keystone Studios' popular comedy director Mack Sennett. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all. In November 1914 he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917 Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919 he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA). Chaplin was married four times and had a total of 11 children. He is considered one of the greatest filmmakers in the history of cinema.

Painting for Her Life. Charlotte Salomon’s artistic feat under the Third Reich

When German artist Charlotte Salomon (1917–1943) handed her gouache series Life? or Theater? over to a friend, she beseeched him to “take good care of it, it is my entire life.” A few months later, the five-months pregnant Charlotte was picked up by a Gestapo truck, deported to Drancy, and then on to Auschwitz, where she died upon arrival at the age 26.

The work Salomon left behind is, in a very real sense, her pièce de résistance – in her own words, “something wildly eccentric.” A cycle of nearly 1,300 autobiographical gouaches, it combines creative force with pioneering personal narrative into one shattering document of self-expression.

Divided into three sections, the gouaches unveil a vivid self-portrait spanning across all facets of Charlotte's existence: from a complicated family life, marked by the suicides of nearly all female relatives; growing up in Berlin; her close relation to singing teacher Alfred Wolfsohn; the rise of the Nazis; to her exile to France in 1939. Throughout, the artist challenges these destructive forces by deploying playful pseudonyms and fantastical elements alongside emotional candor, remarkable observation, and a meticulous visual memory. Her film strip-like sequences are interspersed not only with words but also musical suggestions, making Life? or Theater? the storybook for a whole musical, years before the heyday of that genre.

Without comparison, the gouaches are a triumph of personal truth and individual expression. Published here with a selection of the 450 most important pieces, Life? Or Theatre? is an unrivaled opus magnum from a great and ambitious artist, dark with her early death, but luminous with her precision, her lyricism, and her courage.

Here is the autobiography of Cheetah Chrome, lead guitarist of the Dead Boys, one of the greatest punk bands ever. It’s a tale of success - and excess: great music, drugs (he overdosed and was pronounced dead three times), and resurrection.

The Dead Boys, with roots in the band Rocket from the Tombs, came out of Cleveland to dominate the NYC punk scene in the mid-1970s. Their hit “Sonic Reducer” soon became a punk anthem. Now, for the first time, Cheetah dishes on the people he’s known onstage and off, including the Dead Boys’ legendary singer Stiv Bators, Johnny Thunders of the New York Dolls, the Ramones, the Clash, Pere Ubu, and the Ghetto Dogs, as well as life at CBGBs, a year with Nico, and more.

Straight from the man, these are the backstage stories that every punk fan will want to hear. Never mind the Sex Pistols, here’s Cheetah Chrome!

The cherry blossom is considered a national flower in Japan. It has been celebrated for many centuries and holds a very prominent position in Japanese culture.

The Chronicle of Japan, the second oldest book in classical Japanese history, records the tradition of cherry blossom viewing parties being held as early as the third century. The imperial households, poets, singers, and other aristocrats would gather and celebrate under the blossoms and it has been passed down through the generations. This tradition continues today as the Japanese Meteorological Agency and the public track the cherry blossom front as it moves northward up the country. The Japanese people pay close attention to these forecasts and turn out in large numbers at parks, shrines, and temples with family and friends to hold flower-viewing parties. In 1912, Japan gifted 3,020 cherry trees to the United States to celebrate their growing-friendship. These trees were planted in Manhattan and along the shore of the tidal basin in Washington, D.C. This gift was renewed with 3,800 more trees in 1965. A new title in the traditional patterns series, this book shows another Japanese traditional motif, the cherry blossom.

About 220 works are featured in the book dating from the eighth century through the twentieth century, including such artists as Hiroshige and Taikan Yokoyama.

The Visual Encyclopaedia series provide up to 300 beautiful photographic and artwork images, illustrating subjects of perennial cultural interest. Images are accompanied by narrative providing background, brief criticism, and details on relevant museums, brief biographies and time lines

This book brings together a vast selection of images by Chinese photographers since 1949, giving readers a visual journey across the great People's Republic; edited by esteemed photojournalist Liu Heung Shing, longtime Associated Press correspondent and Time magazine contributor.

In post-Mao China, late Chinese leader Deng Xiaoping urged his one billion countrymen to "seek truth from facts." Taking its cue from Deng's overture, China today is the leading economic story of the 21st century. The process by which China navigated the path from periphery to a central position in world affairs dominates the debate about Asia and China's relationship to the western world. Pulitzer-winning photojournalist Liu Heung Shing charts the visual history of sixty years of the People's Republic (1949 to 2008), and along the way aims to illustrate its humanistic course.

Via work by 88 Chinese photographers, this collection of images shows how the Chinese people have blossomed in spite of enduring previous decades of extraordinary hardship. When China opens the curtain at the summer Olympics in 2008 and the world’s focus falls upon Beijing, these photographs will serve to map out the remarkable road the Chinese have traveled to rejoin the rest of the world. To help place the images in context, also included is a chronology listing all the major political events in China.

The photographers:
Cai Shangxiong, Chen Changfen, Chen Ling, Ricky Chung, Cui Xinhua, Du Xiuxian, Feng Jianguo, Ge Xin , Gu Shoukang, Guo Gai, Guo Tieliu, Han Lei, He Yanguang, Hong Ke, Hou Bo, Hu Yang, Huang Yimin, Ji Lianbo, Jiang Jian, Jiang Shaowu, Jin Cheng, Kou Shanqin, Jason Lee, Lei Yu, Li Lang, Li Nan, Li Zhensheng, Liu Heung Shing, Liu Zheng, Lu Beifeng, Lu Guang, Lü Nan, Lü Xiangyou, Luo Xiaoyun, Meng Zhaorui, Peng Xiangjie, Qin Wen, Qiu Haiying, Qiu Yan, Ren Wen, Rong Rong & inri, Ru Suichu, Shi Xunfeng, Tang Desheng, Wang Fuchun, Wang Jie, Wang Jinsong, Wang Shilong, Wang Wenlan, Wang Jing, Wei Dezhong, Wei Ruoxun, Wen Jianping, Weng Naiqiang, Wu Jialin, Xiao Quan, Xiao Ye, Xiao Zhuang, Xie Guanghui, Xie Hailong, Xing Danwen, Xu Haifeng, Xu Xiaobing, Yang Shaoming, Yang Shizhong, Yang Yankang, Ying Fukan, Yong He, Yu Deshui, Yu Haibo, Yuan Kezhong, Zeng Nian, Zhang Dali, Zhang Peng, Zhang Xinmin, Zhang Yaxin, Zhao Qunying, Zheng Pingping, Zhou Cao, Zhou Chao, Zhou Yue, Zhu Yan and Zuo Jiazhong.

135 full-colour illustrations

This book is an encyclopaedia of Chinese classical art, giving an informative overview of all forms of Chinese art and providing the keys to understanding contemporary art in China. This book is a great way for beginners to better acquaint themselves with China, while specialists will appreciate the global perspective.
Dealing not only with architecture, sculpture, and painting, but also with bronze and ceramics, this text offers a complete panorama of Chinese arts and civilisation. In his text, the author Bushell stresses the importance of knowing the society to understand the arts.

This beautiful book tells the story of Chinese ceramics exported to Europe, the Middle East and South-east Asia through the V&A’s extensive and celebrated collection. Chinese Export Ceramics illustrates the extraordinary range of styles and decorative patterns of Chinese export porcelain, the integration of European and Middle-eastern shapes and designs, and the circulation and uses of exported objects in Europe, the Middle East and South-east Asia. Superb new photography reveals over 200 stunning pieces, dating from the fourteenth to the nineteenth centuries. This new book will appeal to both the academic and general reader.

The Communist superhero. Mao’s starring role in Chinese propaganda art

With his smooth, warm, red face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People’s Republic in 1949 and the early 1980s.

Chairman Mao, portrayed as a stoic superhero (a.k.a. the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and “masculinized” women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together.

This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk’s vast collection of Chinese propaganda posters, many of which are now extremely rare.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

One of the most important sculptors of the Art Deco era, Demétre Chiparus (1886-1947) was a Romanian sculptor who lived and worked in Paris, France. This book is a stunning monograph covering his work as both a sculptor and a painter.

Over 23 years ago the first publication of Chiparus: Master of Art Deco brought this artist into the public eye. His name, lost in records and catalogues, was rejuvenated by Alberto Shayo's rediscovery of his works, effectively bringing artist and oeuvre back to life.

This book dwells on the sources and inspiration of the Art Deco movement, with particular emphasis on sculptures created by Demétre Chiparus. However, Chiparus considered himself a painter above a sculptor. In this latest version of the book, many unpublished pictures come to light as well as newly discovered oils and 'sanguines', confirming his aptitude in both fields.

About the Author:

As one of the top consultants in the Art Deco field, Alberto Shayo has dedicated his life to travel, discovering new figures and determining the worthiness of private and public collections. Mr Shayo is the author of Camille Fauré: Limoges Art Deco Enamels - The Geometry of Joy, published by Antique Collectors' Club.

One of the most important sculptors of the Art Deco era, Demétre Chiparus (1886-1947) was a Romanian sculptor who lived and worked in Paris

This new and updated edition adds new figures as well as historic documents. Of particular interest is the discovery of the long-lost marble figure Polar Bear last seen over 75 years ago in Paris, where it was exhibited for the first and last time at the 1943 Salon des Artistes Français. Accompanying images of this important discovery are presented in this edition for the very first time. Over 26 years ago the first publication of Chiparus: Master of Art Deco brought this artist into the public eye. His name, lost in records and catalogues, was rejuvenated by Alberto Shayo’s rediscovery of his works, effectively bringing artist and oeuvre back to life.

The book dwells on the sources and inspiration of the Art Deco movement, with particular emphasis on sculptures created by Demétre Chiparus.

_This book is a stunning monograph covering the most iconic of the Art Deco sculptors
_Delves into his work both as a sculptor and a painter

About the Author:

As one of the top consultants in the Art Deco field, Alberto Shayo has dedicated his life to travel, discovering new figures and determining the worthiness of private and public collections. Mr Shayo is the author of Camille Fauré: Limoges Art Deco Enamels - The Geometry of Joy, published by Antique Collectors' Club.