Искусство

This is a reference guide to the equipment, materials and techniques that can be used when making jewellery. It is aimed at the beginner but it would also be suitable for the more experienced jeweller. It shows in step-by-step sequences how to accomplish various techniques. It also explains the pros and cons of different materials and finishes and how to achieve them.

In this manual, 15 young designers demonstrate today’s craft activities. With the right techniques and materials you can create practical and visually appealing objects for all sorts of contexts. The palette ranges from fashionable accessories such as felt handbags and jewellery by way of furniture ideas and table decorations to practical hints for daily life and little surprises that can be created at lightning speed. All the techniques are explained precisely, step by step, and where necessary accompanied by patterns, so that they can be easily executed even by beginners. And the results are truly impressive!

Highlights
• More than 140 trendy craft ideas by 15 young designers
• Introduction to all important techniques: sewing, crochet, felting, papier-mâché, glass and wood engraving, and much more
• Fashion and home accessories, lighting ideas, practical hints, table decorations, brainwaves
• With step-by-step instructions and patterns

Discover the exceptional artistry and rich traditions being kept alive by Japanese artisans in the 21st century.

In an era where global interest in handmade, small-batch products is heightening as a response to mass production, Handmade in Japan takes a look inside the workshops of the country’s artisans, revealing their endless pursuit of excellence, and what it means to dedicate one’s life to the stewardship of irreplaceable cultural heritage. Find inspiration in the exploration of handmade processes using sustainable materials and discover the lengths these makers go to in ensuring every product is perfect.

From hand-painted kimono dyeing to wooden trays carving, Handmade in Japan meets the craftspeople of Japan's diverse regions with unique insights into their traditions and how they work.

About the Author:

Irwin Wong is an editorial and commercial photographer based in Tokyo. Originally from Melbourne, Australia, he moved to Japan in 2005. He developed an interest in craftsmanship after photographing several artisans for work. His clients include Apple, The Washington Post, Forbes, and Nike.

Die Graue Passion gilt als ein Hauptwerk von Hans Holbein d. Ä. (um 1465–1524) und als eine der ungewöhnlichsten Passionsfolgen der altdeutschen Kunst. Schon der Name des zwischen 1494 und 1500 entstandenen Zyklus weist auf die farbliche Gestaltung der Bildfolge hin. Ihr kommt innerhalb der europäischen Malerei eine einzigartige Stellung zu. Der vermutlich in Augsburg geborene Künstler zählt neben Martin Schongauer und Albrecht Dürer zu den bedeutendsten deutschen Malern seiner Zeit. Mit seiner Kunst steht Hans Holbein d. Ä. zwischen den Epochen, am Übergang von der Spätgotik zur Renaissance. Die Publikation verdeutlicht die künstlerische Herkunft und Wirkung der Grauen Passion durch eine exemplarische Werkauswahl der Vorgänger und Zeitgenossen Holbeins. Eine eingehende Dokumentation gibt Einblicke in die aufwendigen Restaurierungsarbeiten, die an den zwölf Bildtafeln vorgenommen wurden.

The “Gray Passion” is one of Hans Holbein the Elder’s great masterpieces, as well as one of the most unusual passion cycles in German art. Painted between 1494 and 1500, the cycle’s title refers to its color scheme. This set of panels occupies a unique position within European painting. Holbein, who was probably born in Augsburg around 1465, was one of the most important painters of his time, in a class with Martin Schongauer and Albrecht Dürer. His art places him between eras, on the threshold between Late Gothic and the Renaissance. Thanks to the inclusion of an exemplary selection of works by Holbein’s predecessors and contemporaries, this publication sheds light on the artistic background and impact of the “Gray Passion.” Thorough documentation provides insight into the elaborate restoration of the cycle’s twelve panels.

120 illustrations

Born in Selingenstadt, Memling (1430/40-1494) left his native Germany to settle in Bruges in 1465, where the death of his supposed teacher, Rogier van der Weyden, left a near absence of competition.
Unlike one of his predecessors, Van Eyck, Memling, considered a minor artist for a long time, was not a painter of the court, but of the bourgeoisie. A man recognized and respected by the end of his life for his enormous talent, he amassed one of greatest fortunes in the city.
Forgotten during the 17th and the 18th centuries, Memling is nowadays regarded as one of the greatest painters of the United Provinces of the 15th century, thanks to the perfect balance between realism and idealization that permeates his portraits. His compositions, most often diptychs and triptychs for altarpieces, show a talent comparable to that of Van Eyck. His taste for detail and precision in drawing, his mastery of technique, and his sense of composition produced such magnificent works as The Last Judg ment (1466-1473), The Mystic Marriage of St. Catherine (1479), and Seven Joys of the Virgin (1480).
Through its rich collection of reproductions of Memling’s major paintings, which highlight the fine faces and modest poses prescribed by the artistic canons of the ime, this work examines the complex talent of this mportant artist.

Happy land. The cheerful art of street culture's most famous proponent

By the time of his death from AIDS at the age of 31, Keith Haring (1958-1990) was already a wildly successful and popular artist. Haring’s original and instantly recognizable style, full of thick black lines, bold colours, and graffiti-inspired cartoon-like figures won him the appreciation of both the art world and the general public; his work appeared simultaneously on T-shirts, gallery walls, and public murals. In 1986, Haring founded Pop Shop, a boutique in New York’s SoHo selling Haring-designed memorabilia, to benefit charities and help bring his work closer to the public and especially street kids, with whom he never lost contact.

About the Series:

Each book in TASCHEN’s Basic Art Series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance

- a concise biography

- approximately 100 colour illustrations with explanatory captions

The author:

Alexandra Kolossa studied art history, German literature, and business administration in Trier. She took her doctorate in 2003. Since 1998 she has been a freelance author and contemporary art exhibition curator. She lives and works in Düren, Germany.

Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing the young Paul McCartney in 1964, a pivotal year for the Beatles when they took America by storm, toured the world, and made their movie debut with A Hard Day’s Night—all documented by the affable Scotsman. And when the Fab Four called it quits, it was Benson who was afforded intimate access to Paul and wife Linda, as Paul forged a new path creatively and personally.

Through Benson’s lens, Paul traces the evolution of its namesake as an icon, performer, and a devoted family man. We follow the musician at the height of his fame with the Beatles; in the recording studio with Linda and their band, Wings; with the family; behind the scenes and on stage during the 1975–76 “Wings Over America” tour; dancing the night away at a star-studded party on the Queen Mary to celebrate the band’s newest album; and with Linda on the couple’s farm in the U.K. in the early 1990s—a fittingly soft landing after so many years of flying high.

Featuring more than 100 color and black-and-white images by the legendary photojournalist, many never seen before, this collection is a window onto a one-of-a-kind artist, one who has remained somewhat enigmatic despite nearly a lifetime of being in the limelight.

Collector’s Edition of 600 copies (No. 101–700), each numbered and signed by Harry Benson

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, Andy Warhol. Polaroids, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, and The David Bailey SUMO.

Maybe I’m Amazed. A personal portrait of Paul McCartney by Harry Benson

Harry Benson began photographing Paul McCartney in 1964, when the Beatles took America by storm, toured the world, and made their movie debut with A Hard Day’s Night. The legendary photojournalist was on hand to document it all. When the Fab Four came to an end, it was Benson who had intimate access to Paul and his wife Linda, as Paul forged a new path, creatively and personally.

Featuring more than 100 color and black-and-white images, this collection is a window into the life of one of the world’s best-known recording artists, one who has remained enigmatic despite a lifetime in the limelight.

Through Benson’s lens, Paul traces the evolution of its namesake from performer to icon, father and husband. We see the young musician at the height of his fame with the Beatles, in the recording studio with Linda and their band Wings, with the family, behind the scenes and on stage during the 1975–76 “Wings Over America” tour, partying with the stars, and at the couple’s quiet farm in the UK in the early 1990s.

On the occasion of Sir Paul's 80th birthday, Paul gives an all-access look at a life spent making the world’s most popular music. A must for any music fan.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

The editor:

Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids.

The Fab Five. Behind Beatlemania

“These photos convey a really happy period for them and for me. It all comes down to music, they were without a doubt the greatest band of the 20th century, and that’s why these photographs are so important.” – Harry Benson, 2012

In early 1964, Harry Benson was getting on a plane for a foreign assignment in Africa, when he got a call from the photo editor of London newspaper The Daily Express. He was now going with The Beatles to Paris to document French Beatlemania and what followed was the biggest (ticket to) ride of his life.

Benson was warmly welcomed into The Beatles’ inner sanctum, resulting in some of the most intimate photographs ever taken of the band, then on the cusp of world domination. In Paris, he took the famous photograph of the Fab Four having a pillow fight at the George V Hotel; he shot their groundbreaking first visit to the United States, the full impact of New York hysteria, their famous appearance on The Ed Sullivan show, the band in Florida, including their surprising encounter with Cassius Clay; as well as on the set of A Hard Day’s Night. The relationship continued in 1966, including George’s honeymoon in Barbados and their notorious US tour, under the shadow cast by Lennon’s comment that the Beatles were “bigger than Jesus Christ.”

Benson’s luminous black and white photographs show at close quarters The Beatles composing, performing, encountering their fans, relaxing, and engaging with each other, while trying to cope with their increasingly isolating fame. In addition to hundreds of photographs, many previously unseen, there is an introductory essay by Benson as well as quotes and newspaper clippings from the period.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

Behind Beatlemania. Privileged access to the Fab Four

The best of Harry Benson’s era-defining Beatles portfolio, capturing the Liverpudlian quartet on the road, performing, and coming to terms with skyrocketing fame. From a pillow fight in Paris to their first U.S. tour, shot in luminous black and white, Benson’s pictures show intimate glimpses of George, John, Paul, and Ringo composing, relaxing, and engaging with euphoric fans.

In early 1964, photographer Harry Benson received a call from the photo editor of London’s Daily Express, who asked him to cover the Beatles’ trip to Paris. It was the beginning of a career-defining relationship, which would both make Benson’s name and produce some of the most intimate photographs ever taken of the Beatles.

In Paris, Benson captured the Fab Four in the midst of a pillow fight at the George V Hotel, a spontaneous moment which came to epitomize the spirit of the band — Benson himself has called it the best shot of his career. Later that year, he followed the group on the road for their debut U.S. tour, documenting their appearance on The Ed Sullivan Show, their surprising encounter with Cassius Clay, and the hysteria of New York Beatlemania. Benson also photographed George Harrison’s honeymoon in Barbados, documented the Beatles on the set of their debut movie A Hard Day’s Night, and was present on the now infamous 1966 tour when John Lennon said that the Beatles were “more popular than Jesus.”

Previously out-of-print, this re-edition brings back the best of Benson’s luminous black-and-white Beatles portfolio. Complemented by quotes and newspaper clippings from the period, an introduction by the photographer himself adds exciting personal testimony to these iconic images of the greatest band in musical history.

The photographer:

Glasgow-born Harry Benson has photographed every US President since Eisenhower, the Civil Rights movement, and was next to Robert Kennedy when he was assassinated. As well as The Beatles, he has shot some of the biggest personalities of the last 50 years, including Michael Jackson, Elizabeth Taylor and Her Majesty The Queen. In 2009, he was made Commander of the British Empire (CBE).

A look through the sparkling history of Harry Winston, "King of Diamonds"

From the legacy of the Hope Diamond to "Diamonds are a Girl’s Best Friend", and from runways and red carpets to presidential inaugural balls, Harry Winston jewels are icons of international glamour. Harry Winston opened his doors in New York in 1932 and soon rose to the top of the international diamond industry. Winston revolutionized modern jewelry design by buying great collections of estate jewels and transforming precious stones into jewelry pieces that appealed to contemporary customers. This book showcases Winston’s most exquisite jewels and jewelry in captivating advertising campaigns, historic images, and celebrity photos, as well as showing the important stones with which the company has worked, including the Hope, Lesotho, and Vargas diamonds. Featuring archival and contemporary jewels and watches - displayed on beauties such as Elizabeth Taylor, Gwyneth Paltrow, Halle Berry and, of course, Marilyn Monroe - this book offers an incredible look at some of the most breathtaking jewel creations and timepieces in history.

About the Author:

Harry Winston is America’s premier diamond specialist. Founded by Harry Winston in 1932, the company is a favorite of royalty and celebrities, and its designs are frequently seen on red carpets all over the globe. Harry Winston has salons in international cosmopolitan locations, including New York, Los Angeles, London, and Hong Kong. André Leon Talley is a contributing editor to Vogue, where he writes the monthly column "Life with André."

Книга является данью культуре и образу жизни, утвержденным фанатами хард-рока и хэви-металл. Потому что, если бы не эти люди, то группы, перечисленные на этих страницах, не только не сделали бы свои легендарные музыкальные карьеры, но и не смогли бы избежать ответственности за свои выходки вне сцены. Она является данью соблазнительной силе электрогитары, которая, будучи объединенной с мощным вокалом бесподобного певца, нацелена на создание самого громкого, самого исключительного звука. Это – чествование индивидуальности и жизни в настоящем.

160 illustrations

The first book to focus on new gothic art, Hell Bound highlights a new generation of contemporary artists who are increasingly obsessed with the darker things in life. Illustrators, street artists, sculptors, photographers, film-makers, installation artists and painters are all reflecting this renewed interest in gothic imagery. This black vein of art is a perfect post-modern fusion of pop references and the feeling of discontent and disturbance underlying modern life. Here death metal, war, violence and throwaway culture meet. This work is often more carnival macabre than devil worship. Artists are merely reflecting the horror that permeates everyday life. With more than 150 works by 35 artists, this book is a must for anyone inspired and devoted to all things gothic. Among the art featured is the iconoclastic work of Ken Kagami, Terence Koh, Ricky Swallow, the photographic collages of Marnie Weber, the drawings of Chloe Piene and Wes Lang, the paintings of Matt Greene and Iris Van Dongen, the outsider punk art of Pure Evil, and the illustrations of French.

Francesca Gavin is a writer, critic and editor. She is currently Visual Arts Editor at Dazed & Confused. She has written features and reviews for many publications, including Another, Blueprint, i-D, Art Review, Contemporary, Intersection, Marmalade, RH Magazine, The Sunday Times and Wonderland. She also contributes to a large number of websites, including The Guardian online, the BBC collective and has guest edited Into the Storm. Her first book Street Renegades was published by Laurence King in 2007.

The jewellery firm Süddeutsche Gold- und Haar-Bijouterie, founded in 1907 by Heinrich Henkel and Florentin Grosse, experienced its first successes with costume jewellery made of bronze, aluminium, wood, bakelite and galalite. Renamed Henkel & Grosse, the firm soon established its first business contacts to the US. In the early 1930s it began working with the fashion labels Lanvin and Schiaparelli in Paris as well as with Harrods in London and Saks in New York. The company was awarded the diplome d’honneur for their designs in 1937 at the “Exposition Internationale des Arts et Techniques dans la vie Moderne” in Paris. Since 1955 Henkel & Grosse worked together with Christian Dior and for fifty years held a license to produce and distribute Dior jewellery worldwide.

With regard to Henkel & Grosse’s own jewellery lines, the firm always maintained its independence, thereby setting their own creations apart from Dior jewellery. For example, the line Grosse Bijoux, which was expanded in the 1960s to include the collections Grosse Sterling und Grosse Gold – with fashion always dictating their design. The enterprise, led by four generations of the Grosse family, had at its zenith over 600 employees and a worldwide distribution. Dior and Grosse costume jewellery was designed in Pforzheim. Produced in Pforzheim and in the US, later also in Asia, it stood for modern design and technical innovation. In 2005 the family withdrew from the business and the firm became part of the Dior group.

The first comprehensive monograph on Henkel & Grosse with numerous illustrations of jewellery from Grosse and Dior. Its exciting history is portrayed against the backdrop of the fashion created by the great couture designers of the twentieth century.

No one knows for sure when henna was first used for skin decorating, but traces of henna have been found on mummies in Egypt and on cave painting in India dating back thousands of years.

While this tradition is still widely used in India, Africa, the Middle East, and Asia, it is now gaining popularity throughout the Western world as well. Rooted in the belief that those whose skin is adorned with henna are blessed with good fortune, henna is often associated with rights of passage - coming of age, marriage, and childbirth.

Holidays and festivals are times when women and girls decorate their hands and feet, and henna patterns are sometimes unique to these occasions. In some cultures, a bridegroom may be decorated the night before a wedding as well. It is increasingly common for henna parties to be held in the United States, sometimes at weddings, birthday parties, and baby showers - and sometimes just for fun.

Henna patterns are seen adorning pop icons like Madonna, Demi Moore, and Prince, and henna artists are becoming an increasingly common sight at street fairs and shops as a temporary and painless alternative to tattoos.

Design motifs are included from many different cultures, with background information provided about the symbolism of the designs and motifs.