Искусство

A new wave of designers and artisans are creating earrings that push the boundaries of jewelry design. Drawing on unique sources of inspiration to incorporate symbol and meaning, they are redefining the earring as more than a mere ornamental piece.

This book showcases innovative work by jewelry designers from around the world, exploring new trends in design and craftsmanship through style, form and concept. The earrings range from the traditional to more complex, cutting-edge pieces.

All the jewelry featured is notable for its exuberance, the choice of materials or its boldness, whether in terms of dimension, colour or composition. Whatever the materials chosen, it is the imaginative design that shines through.

TASCHEN 25—Special edition!

The avant-garde in an age of digital communication

Artists have always been early adopters of emerging media technologies, from Albrecht Dürer and his use of the printing press in the 16th century to Nam June Paik's experiments with video in the 1960s. The advent of the internet as a popular medium catalyzed a global art movement that began to explore the cultural, social, and aesthetic possibilities of such new communication technologies - the web, CCTV surveillance cameras, cell phones, hand-held computers, and GPS devices. Focusing on New Media art as a specific art historical movement, this book explores its technologies, thematic content and conceptual strategies. New Media art often involves appropriation, collaboration, and the sharing of ideas and expressions, and frequently addresses issues of identity, commercialization, privacy, and the public domain. Many New Media artists are profoundly aware of their art historical antecedents, making reference to Dada, Pop Art, Conceptual art, Performance art, and Fluxus.

Featured artists: Cory Arcangel, Jonah Brucker-Cohen and Katherine Moriwaki, Young-Hae Chang Heavy Industries, Vuk Cosic, Mary Flanagan, Ken Goldberg, Paul Kaiser and Shelly Eshkar, Jennifer and Kevin McCoy, Mouchette, MTAA, Keith and Mendi Obadike, Radical Software Group, Raqs Media Collective, RTMark, John F. Simon Jr.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

This work is a loveletter to the birthplace of Jazz: New Orleans. It features highlights from William Claxton's "Jazzlife". New Orleans will never again appear as it does in these rare and stunning photographs by William Claxton taken for the book "Jazzlife" in 1960. While traveling around the United States with musicologist Joachim E. Berendt to record America's original art form, Claxton met and photographed the jazz personalities in every major and minor city, capturing these musicians in their natural environment. Among the most poignant and soulful photographs are these from the colorful melting pot of New Orleans, the city where jazz was born.

Rings symbolize many things. They can serve as personal statements, adornments, representations of a commitment, or a sentimental reminder. In the hands of the world’s most creative jewelers they transcend into works of art in endlessly intriguing ways.

This marvelously illustrated survey showcases 591 contemporary rings that have been created by nearly 300 international designers. It is divided into five sections — one for each finger. Aside from being purely decorative, the position of the ring on the hand and the way in which it is worn can denote love, promise, rebellion, compromise, or affiliation.

The rings range from more traditional decorative rings to conceptual and abstract pieces. The featured designers employ a wide variety of techniques, and the materials they use include gold, platinum, precious stones, plastic, bones, fiber, wood, shells, plants, and more.

New Worlds: German and Austrian Art 1890-1940 is the inaugural catalogue for Neue Galerie New York. A distinguished group of international scholars surveys the development of modern art complemented by biographies on the artists represented in the museum's collection. Emphasis is placed upon the American reception to their work, a previously little-explored area in this field. In this context, the role of museums, art dealers, patrons and critics are examined as well.

Gustav Klimt, Egon Schiele, Oskar Kokoschka, and artists of the Wiener Werkstätte are among the featured artists. Leading figures, such as Max Beckmann, Peter Behrens, Otto Dix, Vasily Kandinsky, Paul Klee, and Ludwig Mies van der Rohe are also examined in the context of key movements in Germany such as the Brücke, the Blaue Reiter, Neue Sachlichkeit, and the Bauhaus.

Nigel Henderson (1917–1985) has languished in relative obscurity since the mid-1950s. This is the first monograph on a pivotal artist, whose influence on British art in the 1950s and 1960s was immense.

This superbly illustrated volume provides an in-depth account of the artist’s extraordinary life and work, which included close friendships with a number of the Bloomsbury circle (he married Virginia Woolf’s niece) as well as such literary figures as Dylan Thomas, T. S. Eliot, Bertolt Brecht and W. H. Auden.

Adopted by Peggy Guggenheim in the mid-1930s, Henderson also benefited from friendships with a number of key French Surrealists, such as Marcel Duchamp, Max Ernst, Yves Tanguy, Hans Arp and, later, Fernand Léger, Alberto Giacometti and Jean Dubuffet. Following the war, these friendships and their impact on his work would mark Henderson out from the younger artists with whom he was mixing, among them Eduardo Paolozzi, Francis Bacon, William Turnbull, Richard Hamilton, and architects Colin St. John Wilson and Alison and Peter Smithson, all of whom felt stifled by the post-war British art establishment.

Nigel Henderson: Parallel of Life and Art presents a comprehensive selection of Henderson’s work, including his documentary photographs of the East End (which had a significant impact on contemporary urban planning and architecture), and his experimental work with the photographic medium, collage and design. Many of the images are published here for the first time.

A wider public discovery of the Georgian painter Niko Pirosmani (1862–1918) is long overdue. Today, the autodidact is known not only as one of the most significant representatives of naïve art, but the story of his special reception is remarkable, as he painted his pictures for inns and pubs. Hardly known outside of Georgia these days, his work was nevertheless displayed alongside works by Natalia Goncharova, Mikhail Larionov, Kazimir Malevich, and Marc Chagall in the legendary 1913 exhibition Mischén (Target) in Moscow, where he was known as the “Rousseau of the East.” Pirosmani’s unique visual vocabulary is based on consistently reduced formal elements: against an always black background, the elementary colors of red, blue, yellow, green, and white developed refined effects, immediately appealing to the viewer.

Now, the Albertina in Vienna is devoting a first large retrospective to Pirosmani in the heart of Europe since a long time ago, examining his paintings in the context of art history.

Exhibition: 26.10.2018–27.1.2019, Albertina, ViennaMarch–October 2019, Fondation Vincent van Gogh Arles

A wider public discovery of the Georgian painter Niko Pirosmani (1862–1918) is long overdue. Today, the autodidact is known not only as one of the most significant representatives of naïve art, but the story of his special reception is remarkable, as he painted his pictures for inns and pubs. Hardly known outside of Georgia these days, his work was nevertheless displayed alongside works by Natalia Goncharova, Mikhail Larionov, Kazimir Malevich, and Marc Chagall in the legendary 1913 exhibition Mischén (Target) in Moscow, where he was known as the “Rousseau of the East.” Pirosmani’s unique visual vocabulary is based on consistently reduced formal elements: against an always black background, the elementary colors of red, blue, yellow, green, and white developed refined effects, immediately appealing to the viewer.

Now, the Albertina in Vienna is devoting a first large retrospective to Pirosmani in the heart of Europe since a long time ago, examining his paintings in the context of art history.

Exhibition: 26.10.2018–27.1.2019, Albertina, ViennaMarch–October 2019, Fondation Vincent van Gogh Arles

Almost twenty years after the creation of the Musee d’Orsay, the 19th century seems more than ever to be the “Golden Age” of French art. It boasts names such as Ingres and Delacroix, Manet and Puvis de Chavannes, Gustave Eiffel and Charles Garnier. French art became a universally accepted benchmark, spreading the discoveries of Impressionism, the Haussmann models, and the daring of art nouveau far beyond its borders, and receiving in return, in the form of the countless artists who flocked to its hub, numerous influences from abroad. Other key movements associated with the19th century include Romanticism; Neo-Classicism, “orientalism,” and japonisme; Realism; the Barbizon School and plein-air painting; Neo-Impression, Cloissonism, and the Nabis; and Symbolism.This complete, chronological history is illustrated by more than 400 illustrations and covers painting, sculpture, and architecture, as well as the advent of photography, its impact on painting, and its emergence as an art form of its own.

Henri Loyrette, president director of the Louvre Museum, was previously director of the Musee d’Orsay (1994). Loyrette has published articles and books on 19-century art and has presided over many exhibitions focusing on the Impressionistst. Sebastien Allard is Heritage Curator in the Painting Department at the Louvre. Allard has also published a book on Paris in 1820. Laurence des Cars is curator at the Musee d’Orsay. A specialist in late 19-century painting, des Cars has published Discoveries: Preraphaelites: Romance and Realism.

Как изменился культурный ландшафт после появления глобального супермаркета? Что произошло с современным искусством после Энди Уорхола, с поп-музыкой – после Нирваны и MTV, с кино – после «Звездных войн»?
И так ли важны сегодня, когда лейбл на вашей майке ценнее ее фасона, старые понятия вкуса и стиля?

Ответы на эти вопросы предлагает в своей книге Джон Сибрук, колумнист журнала New Yorker, Harper’s Bazaar, GQ, Vanity Fair, Vogue, Village Voice. Его исследование – путеводитель по современной культуре, в которой информационный шум оказывается важнее самого события, качество равно актуальности, и уже никто не в состоянии отделить продукт от его позиционирования, а культурную ценность – от рыночной стоимости.

Добро пожаловать в мир Nobrow! Мир, в котором вы уже давно живете, хотя и боитесь себе в этом признаться!

Noovo is an aesthetic arbiter and a cultural mediator in the fields of fashion, photography and jewellery: a platform to show the highest level of creativity from around the world.

Contemporary Portraits of Fashion, Photography & Jewellery is a collection of designers and photographers profiles and their work. Contemporary fashion, photography and jewellery are brought together in this special edition, and each discipline is represented by emerging talents and established names who share a commitment to artistic integrity and an absolute devotion to their art. The profiles give us an insight into the work, thoughts and processes of some of the most celebrated artists and designers in their fields. Each of them speaks to us in his or her own highly distinctive voice.

Noovo is an æsthetic arbiter and a cultural mediator in the fields of fashion, photography and jewellery: a platform to show the highest level of creativity from around the world.

Jewellery has been a prominent means of artistic and cultural expression in every civilisation, and like all contemporary art, it has undergone a significant evolution in recent decades. Noovo 3: Unexpected Thoughts | Contemporary Jewellery contains a wonderful collection of pieces of jewellery as communicative and meditative objects. They are works of art that reveal the miracle of the unusual, providing a completely fresh artistic perspective.

Nora is the new girl in school and just wants to make friends. Then one day she spots something unusual out of the corner of her eye - a little blue bunny that only she can see. At last she has someone play with and talk to. When she discovers that a boy in class can also see the rabbit, she makes a real life friend who also has a secret of his own.

Nora's entire story ingeniously takes places on the walls in the photographs. Illustrated in a vibrant graffiti art style, this book comes with two stencils that allow kids and adults to recreate some of their favourite characters from the book.