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About Color. August Macke’s vivid shades still resonate a century after his death

August Macke is today considered a lead figure in Weimar-era art and a pioneer of Expressionist painting. With his color-led interpretations of beauty, Macke combined facets of Impressionism, Post-Impressionism, and Fauvism into a style at once kaleidoscopic and uniquely his own. From cheerful scenes of parks to his final major work Farewell, discover the life of “Mister Color.”

August Macke (1887–1914) quickly ascended to notoriety, only to be killed at the tender age of 27 at the start of World War I. Despite his brief career, the artist left a remarkable oeuvre in his wake, his obsessions with color reflecting aspects of Impressionism, Post-Impressionism, Fauvism, and Expressionism.

Through his engagement with these diverse schools of art, Macke assimilated disparate influences and approaches into a style entirely his own. Grouped with the Blaue Reiter movement, but eschewing the mysticism that often pervaded the works of its artists, Macke returned time and again to color-led interpretations of beauty, whether the kaleidoscopic watercolor Bright Women in front of the Hat Shop (1913), or the shimmering hues of Lady in a Green Jacket (1913). These colors reached their zenith in 1914 when Macke traveled with Klee and Moilliet to Tunis and became acquainted with North African light.

With leading examples from his vivid painterly world, this book introduces us to Macke’s short but influential career as a pioneering Expressionist. From cheerful scenes of parks, zoos, and promenades to his final major work, ominously titled Farewell (1914), we explore a remarkable talent for visual impact and an intense pursuit of the emotional possibilities of color.

The author:

Anna Meseure, born in Hamme, Belgium, studied interior design at the NHIBS of the University of Antwerp, as well as art history, history and German philology at the University of Stuttgart. She received her doctorate in 1982 for a work on the history of the Antwerp stock exchange and 19th-century European stock-exchange architecture. From 1982 to 1990 she was an assistant at the Museum Ostwall in Dortmund, then she worked at the Deutsche Architekturmuseum in Frankfurt am Main until 2002. Meseure has published numerous works on art and architecture. Today she lives and works as a freelance art historian in Frankfurt am Main.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Glasgow Style: The life and work of Glasgow School pioneer, Charles Rennie Mackintosh

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868 - 1928) was one of the earliest pioneers of modern architecture and design. While he never received major recognition in his hometown of Glasgow, his bold new blend of simplicity and poetic details inspired modernists across Europe.

Mackintosh s avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining a healthy dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.

Mackintosh's projects in Glasgow include the famous Willow Tearooms, the private residences Windyhill and The Hill House, and the Mackintosh Building at the Glasgow School of Art, widely considered his masterwork. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair.

On the continent, this Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography

"Mackintosh" is a celebration of the extraordinary career of one of the most intriguing and influential artists of his time, Charles Rennie Mackintosh. The book reveals a selection of some of his most important and popular works, from stained glass pieces and furniture through to architecture, at the same time giving an overview of his life and career. Secondary images draw on connections and echoes with each main entry to give depth and fuller understanding to create a beautifully rich and enjoyable tribute to the father of the 'Glasgow Style'.

For Madrid the Prado is without a doubt what the Louvre is for Paris and the Uffizi for Florence. A guidebook to this museum with a knowledgeable commentary is therefore essential for really getting to know Madrid. However this richly illustrated book not only portrays the dynamic relationship of the city and its art, it also relates a long and chequered history - from its beginnings and its charms as a residence, to the Civil War and modern times - expressed in countless churches, buildings, and squares. With this authoritative and visually striking book, simply browsing through its pages becomes a pleasant, culturally informed stroll through Madrid's streets.

The statue of libido

In terms of celebrity icons, few attained the highest levels of fame and controversy as rapidly as Mae West. Labeled a "pornographer" by censorship boards, she was also one of 1930s Hollywood’s most lucrative box-office draws (causing Variety in 1933 to label the star "as hot an issue as Hitler"). Nicknamed by critic George Jean Nathan "the Statue of Libido" and paid homage to in the title song of Cole Porter's musical Anything Goes, her voluptuous image and signature platinum blond air became recognizable worldwide and for decades beyond her prime years of fame in the 1930s. In fact, even by the 1960s when the Beatles wanted to use her image on the cover of their Sgt. Pepper’s Lonely Hearts Club Band album, those long-haired icons of a new generation were required to deliver a handwritten plea to the icon (which they dutifully did), since West herself always objected, as she said, to belonging to any "lonely hearts club."

The Movie Icon series: People talk about Hollywood glamour, about studios that had more stars than there are in heaven, about actors who weren't actors but were icons. Other people talk about these things, TASCHEN shows you. Movie Icons is a series of photo books that feature the most famous personalities in the history of cinema. These 192-page books are visual biographies of the stars. For each title, series editor Paul Duncan has painstaking selected approximately 150 high quality enigmatic and sumptuous portraits, colorful posters and lobby cards, rare film stills, and previously unpublished candid photos showing the stars as they really are. These images are accompanied by concise introductory essays by leading film writers; each book also includes a chronology, a filmography, and a bibliography, and is peppered with apposite quotes from the movies and from life.

The exhibition La Corte del Rey Arturo (The Court of King Arthur) presented in the Crystal Palace was a project that reflects Abakanowicz's childhood experience in the Polish forests and lakes where, according to her own words, there were strange powers with magical force of the local popular religious festivals. The exhibition catalog combines, in a retrospective way, a review of Abakanowicz' s previous work with the series that she completed for this occasion. This publication includes three essays of the specialists in her work: Mariusz Hermansdorfer, Karoline Hubner and Mary Jane Jacob.

Explore the planes of magic on a spellbinding journey of discovery

Magic: The Gathering is a fantastical Multiverse of mystical beings, fabled realms, and mythical creatures. Dominating all are the mighty magic users known as planeswalkers. To be a planeswalker is to be powerful beyond measure-a being who can bend magic to their will and step through the veil of reality itself. These fearsome mages cross between the planes of existence, battling to save others or to destroy them, to fight darkness or to create it.

Magic: The Gathering The Visual Guide illuminates the wondrous worlds they traverse, reveals their arcane lore, weapons, artefacts, and spells, and recounts their legendary exploits. Produced in close collaboration with Wizards of the Coast and featuring never before published profiles of new planes, such as Strixhaven and Kaldheim, this book is the first time MTG's key characters and locations are showcased in one sumptuous, indispensable, and up-to-date guide to its vast and expanding Multiverse.
© 2022 Wizards of the Coast LLC

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Пролистатть книгу Magic The Gathering The Visual Guide на Google Books

Illusion, enchantment, and wonder. The world’s greatest magicians from the Middle Ages through the 1950s

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility — whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games and the internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible.

This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 850 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Caravaggio among others, The Big Book of Magic traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magician’s craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s Golden Age of Magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians.

The authors:

Mike Caveney is a writer, collector, professional magician, and the publisher of over 50 books on the theory, practice, and history of magic. His biographical works include Kellar’s Wonders (2003) with Bill Miesel, and Carter the Great (1995). An avid collector and performer for over four decades, he has appeared onstage or on TV in more than 20 countries.

Jim Steinmeyer is the author of many books on magic history and practice, including Los Angeles Times bestseller Hiding the Elephant (2004) and The Glorious Deception (2006). He has created deceptions featured by magicians such as Doug Henning, David Copperfield, and Siegfried and Roy, and critically acclaimed illusions for Broadway hits Mary Poppins, Beauty and the Beast, and Into the Woods.

The grandeur of Imperial Russia is captured in this spectacular book featuring the dress and uniforms of Emperors and officials of the Russian court. Starting in the 1730s with lavishly embroidered coats and elaborately patterned silk banyans from the wardrobe of Tsar Peter II and spanning a period of almost two centuries, these garments document a unique dialogue between military uniform, court dress, European fashion and traditional Russian costume. Magnificence of the Tsars celebrates the majesty of masculine uniform in Russia at its finest.

About the Author:

Svetlana Amelekhina is Curator of Imperial Court Dress at the Kremlin. Dr Rosalind P. Blakesley is a Fellow of Pembroke College and Senior Lecturer in the History of Art at the University of Cambridge. A specialist in Russian art, she has worked extensively in Russia, and curated exhibitions in London, Moscow and Washington DC.

Large-format hardcover edition at a new low price

The works of René Magritte (1898 – 1967) and the ideas that underlie them are a special case both in the history of modern art and in surrealist painting. In the search for the "mystery" in which things and organisms are enveloped, Magritte created pictures which, taking everyday reality as their starting point, were to follow a different logic from that to which we are accustomed. Magritte depicts the world of reality in such unsecretive superficiality that the beholder of his pictures is forced to reflect that the mystery of it is not evoked by some sentimental transfiguration, but rather by the logic of his thoughts and associations. Magritte thus invented an inimitable pictorial language which he uses to question our usual comprehension of pictures. In this book, Jacques Meuris traces Magritte`s artistic development from its beginnings until the end of his life, and in doing so underlines the originality of this great Belgian Surrealist.

The author:

Jacques Meuris is a writer, photographer, and art critic; he is the author of numerous books, catalogue articles and commentaries on modern art, literature and photography. Meuris is Professor Emeritus of the Ecole Supérieure des Arts Visuels (La Cambre, Brussels), a member of the Libre Académie de Belgique, and a director of the Association Internationale des Critiques d’Art (AICA).

The word 'maharaja' - literally 'great king' - conjures up a vision of splendour and magnificence. This lavishly illustrated book examines the real and perceived worlds of the maharaja from the early eigheenth century to 1947 when the Indian Princes ceded their territories into the modern states of India and Pakistan.

Jackson and Jaffer explore the spectacular material culture of India's rulers, showcasing rich and varied objects that reflect different aspects of royal life. Indian and Western works from a wide range of media, including paintings, photographs, textiles and dress, jewellery and jewelled objects, metalwork and furniture, are considered within a broader historical context, exploring royal status and identity, court culture and patronage.

Making History features milestones in the discovery, recording, interpretation, and communication of Britain’s past.

It includes antiquities of international importance, detailed records of lost buildings and objects, paintings of ancient sites and landscapes by Turner Blake and other great artists commissioned by the Society and its Fellows, royal portraits from Henry VI to Mary Tudor, and rare historical manuscripts.

The first comprehensive compendium of contemporary photography and art on the male nude form. Distinguished by its wide-ranging scope and cutting-edge sensibility, this collection offers mainly unpublished work from more than 70 of today's most intriguing artists. An essential sourcebook for photography and art.

Kazimir Malevich (1878 - 1935) was a painter and a great art theorist but first and foremost he was the founder of Suprematism (pure abstraction), a style based on geometrical forms. “Suprematism,��? he wrote, “has led me to discover something that had not been understood until then… there is in human consciousness an imperious desire of space and the will to escape from Earth.��?
This new publication presents the brilliant works of Malevich, the original painter, who until the age of twentyseven had no professional background as a painter, and who learned to draw out of curiosity and out of his will to learn. Gerry Souter once more offers us the works of a brilliant artist as well as a new perspective on the artist’s personality.

The Author:
Gerry Souter earned his degree at The Art Institute of Chicago and then went on to do further studies in art at the University of Chicago. Himself an artist, Souter has exhibited his paintings and photographs at The Art Institute of Chicago, the Phoenix Art Museum and a number of other galleries. A professional author, he has written more than twenty books since 1997, with great success. His continuing studies in Art History and Architecture, the sharpness of his writing, and his visual experience add a dynamic aspect to the study of the lives of artists and the description of their works, keeping the reader captivated, page after page.

The supremacy of pure feeling

Dabbling in fauvism and cubism before founding the Suprematist movement, Russian painter and sculptor Kasimir Malevich (1879-1935) was a leading figure of the avant-garde and a pioneer of the non-objective style that he felt would "free viewers from the material world." In 1915, the same year he produced his most famous painting, "Black Square," he published the manifesto From Cubism to Suprematism. To critics who accused his work of being devoid of beauty and nature, he responded "art does not need us, and it never did." His 1918 painting "Suprematist Composition: White on White," one of the most radical artworks of its time, fetched $60 million at auction in 2008.
The supremacy of pure feeling

About the Series:
Each book in TASCHEN’s Basic Art Series  features:

• a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
• a concise biography
• approximately 100 colour illustrations with explanatory captions

The author:
Gilles Néret (1933–2005) was an art historian, journalist, writer and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Elie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

Посмотреть русскоязычное издание книги Malevich - Малевич