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An updated edition – with completely new chapters – of the most accessible and compelling history of the cinema yet published, and complements Mark Cousins’ fascinating 15-hour film documentary The Story of Film: An Odyssey.

Filmmaker and author Mark Cousins shows how filmmakers are influenced both by the historical events of their times, and by each other. He demonstrates, for example, how Douglas Sirk’s Hollywood melodramas of the 1950s influenced Rainer Werner Fassbinder’s despairing visions of 1970s Germany; and how George Lucas’ Star Wars epics grew out of Akira Kurosawa’s The Hidden Fortress.

The Story of Film is divided into three main epochs: Silent (1885–1928), Sound (1928–1990) and Digital (1990–Present). Films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time. This edition includes new text that encompasses the further-reaching scope of world cinema today, and the huge leaps in technology that have changed cinema screens forever.

Film is an international medium, so as well as covering the great American films and film-makers, The Story of Film explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries. Avoiding jargon and obscure critical theory, the author constantly places himself in the role of the moviegoer watching a film, and asks: ‘How does a scene or a story affect us, and why?’ In so doing he gets to the heart of cinematic technique, explaining how film-makers use lighting, framing, focal length and editing to create their effects. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and moviegoers alike.

About the Author:

Mark Cousins is an Irish-Scottish filmmaker and author. His films – including The Story of Film, The First Movie, The Eyes of Orson Welles, Atomic, I am Belfast, Stockholm My Love and Women Make Film: A New Road Movie Through Cinema – have won the Prix Italia, a Peabody and the Stanley Kubrick Award. They have premiered at the world’s major film festivals. Their themes are looking, cities, cinema, childhood, and recovery. 

His other books include Imagining Reality: The Faber Book of Documentary, and The Story of Looking. He loves walking across cities such as Los Angeles, Moscow, Paris, Beijing, Berlin, London and Mexico City with his camera. 

John Coltrane, Miles Davis, Charlie Mingus, Ornette Coleman – some of the names that brought jazz out of the age of bebop and into the present.

As the medium matured in the Forties, Fifties and Sixties, an intense flowering of new styles spawned almost as many forms as musicians – free jazz, West Coast cool, hard bop, modal jazz, fusion.

All these strains come together here to demonstrate that, with all the variety, one constant remains: jazz, the living art form, is alive and thriving.

Illustrated throughout in colour and black and white

An original and breathtakingly beautiful perspective on how art developed through the ages, this book reveals how new materials and techniques inspired artists to create their greatest works.

The Story of Painting will completely transform your understanding and enjoyment of art. Covering a comprehensive array of topics, from the first pigments and frescos to linear perspective in Renaissance paintings, the influence of photography, Impressionism, and the birth of modern art, it follows each step in the evolution of painting over the last 25,000 years, from the first cave paintings to the abstract works of the last 100 years. Packed with lavish colour reproductions of paintings and photographs of artists at work and the materials they used, it delves into the key paintings from each period to analyse the techniques and secrets of the great masters in detail.

Immerse yourself in the pages of this stunning book and find yourself dazzled by new colours; marvel at the magic of perspective; wonder at glowing depictions of fabric and flesh; understand cubism; and embrace abstraction. You will look at paintings in a whole new light.

About the Author:

Andrew Graham Dixon is one of the leading art critics and presenters of arts television programmes in the English-speaking world. He has presented numerous landmark series on art for the BBC, including the acclaimed A History of British Art, Renaissance, and Art of Eternity, as well as numerous individual documentaries on art and artists. For more than 20 years, he has published a weekly column on art, first in the Independent and, more recently, in the Sunday Telegraph. He has written a number of books on subjects ranging from medieval painting and sculpture to contemporary art.

On 3 July 1954 Elvis Presley entered a recording studio in Memphis Tennessee, and rock and roll was born. Springing from its roots in the gospel and blues of the American South, rock became a huge business, a global culture, and the stirring voice of a new younger generation.

The story leads through Sixties protest and Seventies punk to the indie groups and cult movements of today. Dazzling stars and pop legends appear in all their glory, reflecting not only their changing times but the whole spirit of an age.

Packed with stunning illustrations, this unique colouring book celebrates the art of the tattoo. The tattoo designs – all specially drawn for the book – range from traditional motifs – hearts, sailors, girls, skulls, roses – to more elaborate compositions with a contemporary edge, each a unique piece waiting to be inked by you.

A double gatefold in the centre of the book features two tear-out, full-colour artworks.

The Tattoo Colouring Book is the perfect gift that will appeal to anyone who loves tattoo imagery – or is looking for inspiration for their next piece of body art.

About the Author:

Somewhere in between the salted cracks of Brighton’s underbelly lives an elusive yet prolific mark-maker who goes by the moniker of MEGAMUNDEN. He leaves a trail of work on walls, billboards, magazines, figurines, products, paper and skin. From crafting for corporate giants to meticulous tattoo designs for private clients, ceiling murals in affluent New York apartments to local shop frontages – another surface is just another canvas. Vintage skate art, psychedelia, nature and an essence of the Far East are all combined to create his signature melting-pot style but nothing is more evident than tattoo art and culture, an area that Megamunden has explored extensively, leading to commissions from around the world and ultimately to the creation of this book.

Illustrated survey with expert on Tiffany glass as its guide. Topics include traditional and stained glass items; Tiffany revival; varieties of glass and tools; soldering; cutting glass; design; window ornaments; lead cane lampshades; copper foil techniques. For crafters at every level of experience. 252 black-and-white illustrations. 8 full-color illustrations. Bibliography. Index.
Unabridged republication of the edition published by B. T. Batsford Ltd., London, 1975.

A stunning visual guide to the guitar – with detailed profiles of everything from the legendary Martin flat-tops to Fender’s twelve-string electrics and everything in between.

The Ultimate Guitar Sourcebook tells the full story of every major type of guitar. With a chapter devoted to each branch of the guitar family, Tony Bacon casts his expert eye over some of the world’s greatest guitars and the stars who have played them. Combining the history of the world’s most popular instrument with a unique geographical focus, The Ultimate Guitar Sourcebook gives a global picture of guitar making from the United States to the Far East and from Europe to Australia. 

Artists breaking new ground, employing masterly techniques and creating work influenced by visual subcultures.

A new breed of contemporary artists is celebrating newfound international recognition for their style and approach to creating art that is sprouting from and largely influenced by visual subcultures. These young artists, many of whom are associated with the widespread movements of Lowbrow Art and Neo-Surrealism, share similarities with the popular art movements of the 1960s and 70s as well as urban art.

The term Lowbrow may sound self-deprecating; rather it represents a distinctive artistic composition and technical approach in which art is produced. The Upset documents this movement and the artists associated with it. Feeding off an array of popular subcultures, they often draw influences from anime, comic books, graffiti and street art as well as character design.

The often figurative and narrative artworks featured here employ classical techniques with great skills to create sculpture, illustration, design and painting with the use of spray cans, sharpies and elaborate colour palettes on canvas. With the evolution of new media, artists are also blending these elements with various disciplines in contemporary visual art.

Many of the artists in The Upset enjoy international fame and are represented in prestigious galleries and museums worldwide. The book also introduces a selection of promising talent who are breaking new ground, making it the perfect source book for those interested in fine art and discovering young artists.

Featured artists: Maike Abetz / Oliver Drescher, Alexone, Grant Barnhart, Gary Baseman, Tilo Baumgartel, Tim Biskup, Mark Bradford, Daniele Buetti, Cailan Burns, Ray Caesar, Miguel Calderon, John Casey, Paul Chatem, The Clayton Brothers, Joe Coleman, John Currin, Brendan Danielsson, Stephan Doitschinoff, Blaise Drummond, Dzine, Ala Ebtekar, Martin Eder, David Ellis, Ron English, Faile, Christian Farner, Rosemarie Fiore, FriendsWithYou, Camille Rose Garcia, Os Gemeos, Michael Genovese, Charles Glaubitz, Benjamin Güdel, Robert Hardgrave, Maya Hayuk, Ryan Heshka, Femke Hiemstra, Cody Hudson, Gisela Insuaste, Rich Jacobs, John John Jesse, Colin Johnson, Mel Kadel, David Kassan, Aya Kato, David Kinsey, Henning Kles, Kozyndan, Susanne Kuehn, Mia Mäkila, Mateo, Elizabeth McGrath, Casey McKee, Jason McLean, Philip Metten, Moki, Brendan Monroe, Heiko Müller, Muntean/Rosenblum, Yoshimoto Nara, Aaron Nather, Anne Faith Nicholls, Jose Parla, Nigel Peake, Raymond Pettibon, Danielle de Picciotto, Anthony Pontius, Pooch, Johan Potma, Jeremy Pruitt, Leopold Rabus, Scott Radke, Rex Ray, Scott Rench, Daniel Richter, Rostarr, Christoph Ruckhaberle, Mark Ryden, Christoph Schmidberger, David Schnell, Sebastian Schrader, Michael Sieben, Michael Slack, Jeff Soto, Fred Stonehouse, David Stoupakis, Swoon, Johannes Tiepelmann, Chris Uphues, Miss Van, Vania | Ivan Zouravliov, Matthias Weischer, Martin Wittfooth and Chet Zar.

Hardly anyone bought the Velvet Underground’s albums when they were released, but most everyone who did formed a band. This was the kind of influence the Velvets exerted, and it persists to this day in the sounds of groups as diverse as Patti Smith, Talking Heads, Sex Pistols, R.E.M., My Bloody Valentine, and Sonic Youth - all of whom claim the Velvets as their most important influence. And then there are such soundalikes as Yo La Tengo, Luna, and the Strokes, to name a few. Published on the forty-fifth anniversary of the Velvet Underground’s founding, this is the first illustrated history of the band that rocked rock - one of the most inspired and influential rock ’n’ roll bands of all time.

The book follows this icon of Sixties rock from its heady first days with Lou Reed, John Cale, German chanteuse Nico, drummer Moe Tucker, and guitarist Sterling Morrison; through its management by pop artist Andy Warhol, who made the band the siren of his Factory and part of his traveling multimedia show, the Exploding Plastic Inevitable; to its later incarnations in the early Seventies. “They opened wounds worth opening with brutal imagery, without apology,” Patti Smith said, upon the band’s 1996 induction into the Rock and Roll Hall of Fame. And this book offers a unique behind-the-scenes look at how the Velvet Underground did it.

The Master Magician. A fantastic voyage through Walt Disney’s animation works

One of the most expansive illustrated publications on Disney animation, finally available in a compact edition. The landmark volume includes behind-the-scenes photos, story sketches, and cel setups of famous film scenes. It covers each of the major animated features made during Walt’s lifetime, as well as lesser-known short films and episodic musical films.

One of the most creative minds of the 20th century, Walt Disney created a unique and unrivalled imaginative universe. Like scarcely any other classics of cinema, his astonishing collection of animated cartoons revolutionized storytelling on screen and enchant to this day across geographies and generations.

This expansively illustrated publication on Disney animation gathers hundreds of images as well as essays by Disney experts, taking us to the beating heart of the studio’s “Golden Age of Animation.” We trace Disney’s complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967).

With extensive research conducted through the historical collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation triumphs came to life. Masterful cel setups provide highly detailed illustrations of famous film scenes while rare pictures taken by Disney photographers bring a privileged insider’s view to the studio’s creative process.

Each of the major animated features that were made during Walt’s lifetime — including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, and One Hundred and One Dalmatians — is given its own focus chapter, without forgetting less-familiar gems such as the experimental short films of the Silly Symphonies series and under-appreciated episodic musical films such as Make Mine Music and Melody Time.

Realizing the Disney style was a collective project and, as much as the master himself, The Walt Disney Film Archives acknowledges the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Mary Blair, Sylvia Holland, Tyrus Wong, Ken Anderson, Eyvind Earle, and Walt Peregoy.

Copyright © 2020 Disney Enterprises, Inc.

The editor and author

Daniel Kothenschulte is an author, curator, and lecturer on film and art history, and a lover of animation since he first saw The Jungle Book at the age of three. As a film journalist, he is responsible for the film section in the German national daily newspaper Frankfurter Rundschau and a regular contributor to WDR Television. He has taught at various universities, including Städelschule in Frankfurt; the University of Applied Sciences and Arts, Dortmund; and the University of Television and Film Munich. He is the author of Hollywood in the ’30s and The Art of Pop Video, as well as books about Robert Redford, Fritz Lang’s Metropolis, and artist Mike Kelley. In addition, he provides accompanying music to silent films on the piano.

About the series:

TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program — now more compact, friendly in price, and still realized with the same commitment to impeccable production.

The Watch Book I and II in one volume: Expansive knowledge from renowned watch expert and historian Gisbert L. Brunner alongside almost 1,000 high-quality color photographs brings together the latest innovations and most important names in top-end timekeeping under one roof. Few objects combine function, elegance, and status as well as a wristwatch.

A blend of precise mechanics, craftsmanship, fine materials, and innovation distinguishes the truly superlative examples. With so-called smart watches playing a larger role, the world of watches is in transition. However, classic timepieces with mechanical movement will not disappear from people's wrists, because the ticking of a mechanical watch has been and will continue to be the heartbeat of human culture. After their individual success, the bestsellers The Watch Book I and The Watch Book II are finally available together in one comprehensive volume. Readers can feast their eyes and minds on a magnificently-illustrated and well-documented chronicle of the world's best timepieces.

Portraits of more than 40 watch brands, from premium manufacturers Patek Philippe, Rolex, and Cartier to watches from the "affordable luxury" segment, right up to timepieces from the chronometric creme de la creme. We explore their unique features and quirks and learn about the remarkable breakthroughs and exclusive technical developments that have contributed to the history of the watch. This volume also includes a helpful glossary of important terms, making it an absolute must for both timepiece experts and collectors and those new to the world of watch artistry.

The third volume in the New York Times bestselling Wes Anderson Collection series showcases the best artwork from “Bad Dads,” an annual exhibition of art inspired by the films of Wes Anderson.

Curated by Spoke Art Gallery in San Francisco, “Bad Dads” has continued to grow and progress as a dynamic group exhibition since its inaugural show in 2011, and has featured work from more than 400 artists from around the world. Those artworks range from paintings to sculptures to limited-edition screen prints and vary greatly in style, making for a diverse and lively show each year.

Though each piece is distinct in its own right, the artworks’ unifying element is the shared imagery and beloved characters from:

· Bottle Rocket
· Rushmore
· The Royal Tenenbaums
· The Life Aquatic with Steve Zissou
· The Darjeeling Limited
· Fantastic Mr. Fox
· Moonrise Kingdom
· The Grand Budapest Hotel

The book features an original cover by graphic artist Max Dalton, a foreword by writer and director Wes Anderson himself, and an introduction by TV and movie critic Matt Zoller Seitz, author of the bestselling Wes Anderson Collection books.

A visual treasure trove, Bad Dads grants fans of Wes Anderson another creative avenue to explore his inspired worlds and movies.

Also available from Matt Zoller Seitz: The Oliver Stone Experience, Mad Men Carousel, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.

About the Authors:

Spoke Art is a San Francisco–based gallery, run by Ken Harman, that specializes in new contemporary painting, sculpture, and illustration. They curate a series of rotating monthly exhibits that feature a wide variety of solo and group shows.

Max Dalton is a graphic artist living in Buenos Aires by way of Barcelona, New York, and Paris. He has published a few books and illustrated some others, including The Wes Anderson Collection (Abrams, 2013). Max started painting in 1977, and since 2008, he has been creating posters about music, movies, and pop culture, quickly becoming one of the top names in the industry.

Matt Zoller Seitz, a finalist for the Pulitzer Prize in criticism, is the TV critic for New York Magazine and Vulture.com, as well as the editor-in-chief of RogerEbert.com. A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited, or produced more than 100 hours’ worth of video essays about cinema history and style for the Museum of the Moving Image and The L Magazine, among other outlets. His five-part 2009 video essay, “Wes Anderson: The Substance of Style,” was later spun off into a New York Times bestselling hardcover book: The Wes Anderson Collection (Abrams, 2013). He is also the author of Abrams titles such as The Wes Anderson Collection: The Grand Budapest Hotel, The Oliver Stone Experience, and Mad Men Carousel.

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Пролистать книгу The Wes Anderson Collection: Bad Dads: Art Inspired by the Films of Wes Anderson на Google Books

“Ward's women reek of glamour and glitz. The opera-length gloves, the diamond earrings that dangle to the shoulders, the stiletto heels, the tight satin dresses, the pronounced cleavage... it's all there. It's the best eye candy money can buy.”  - Eric Krol

Bill Ward`s long, prolific pin-up career began during World War II when he created a curvy distraction named Torchy for his fellow soldiers. His taste for impossibly buxom blondes - teetering on stiletto heels, legs encased in black nylon, torsos packed into satin gowns - precisely suited America`s collective postwar sex fantasy, and the late 50s men`s magazine boom made him the most popular girlie artist in the country. Through the 1960s, 70s, 80s, and 90s, Ward broadened his range to embrace a variety of fetish subjects, but he never varied from his template of the Ultimate Woman - except to make her breasts a little bigger, her heels a little higher, or the satin and leather encasing her a little glossier.

The art of Bill Ward (1918-1998) has become so rare and collectible that photographer and veteran TASCHEN editor Eric Kroll has had to trawl through archives across America to assemble this broad selection of Ward`s very best work. Drawn from over 600 illustrations and interviews with family, friends, employers, and even some of the women who inspired him, this 344-page, meticulously researched book is the definitive tribute to the great Bill Ward and the perfect companion piece, in size and scope, to TASCHEN`s The Art Of Eric Stanton.

Lively and informative, The World Atlas of Tattoo is a superbly illustrated and compelling reference book that, through examining the meeting point between tattoo artists and their personal understanding of their environment, presents a well-informed and nuanced account of what has become a widespread art practice.

Organized geographically, each section is introduced by a short historical overview of the types of tattooing traditionally practised in that area of the world, enabling the reader to trace historical threads in the careers of some of the profiled tattooers, as well as marvel at how other artists have managed to create novel forms of tattooing that transcend any previous context.

The book also tracks the movement of styles from their indigenous settings to diasporic communities, where they have often been transformed into creative, multicultural, hybrid designs.

Written by an international team of scholars, historians and journalists, this comprehensive atlas will enlighten and excite anyone who is passionate about tattoo art in its many forms worldwide.

683 illustrations in colour with 1070 objects, 407 signatures reproduced.

Netsuke, the Japanese male belt ornaments of outstanding craftsmanship, aroused much interest in the Western world already in the late 19th century. They appeal by their variety of shapes and the sheer endless number of motifs and still continue to fascinate a wide audience; they have become coveted collectors’ items worldwide, as the most recent auction results emphatically show.

The attraction of netsuke lies in the expressive power achieved within a small space and the masterly execution in the most varied materials, such as wood, ivory and horn. The subjects illustrate almost all aspects of Japanese culture: Buddhist figures, gods of good luck, animals, plants, fruit and flowers, literary characters, foreigners, children, masks and occupations, down to the prosaic paraphernalia of everyday life. One of the world’s most comprehensive netsuke collections is the Werdelmann Collection at the museum kunst palast Düsseldorf with its almost 1100 objects, the result of more than thirty-five years of committed collecting. The exhibition presents a unique survey of this art form from the 17th to the 20th century.

 All 1070 objects are reproduced in brilliant colour photographs and described according to the most recent scholarly research. An extensive list of signatures with commentary rounds off the publication. Patrizia Jirka-Schmitz, an acknowledged authority on netsuke, has been responsible for the scholarly evaluation and interpretation of the collection. Highly knowledgeable about the stylistic history of netsuke and its artists and regional characteristics, she has produced an important work of reference.
Ideally supplementing our successful book on the Trumpf Collection of netsuke at the Lindenmuseum in Stuttgart, the present publication is bound to prove a sought-after new reference book for collectors, connoisseurs and aficionados of netsuke.