Искусство

Impressionism is feminine!

There is a widespread interest in Impressionist painting, and exhibitions on this accessible movement often draw a large and diverse audience. Unfortunately, most of these events display remarkable few works by the female contemporaries of Monet, Manet, Degas, Renoir, and Pissarro.

Yet there were quite a number of professional female artists in the second half of the nineteenth century, and the exceptional, attractive oil paintings, pastels, watercolors, drawings, and etchings in this volume are by four of the most significant. The works by these French and American artists — Berthe Morisot, a central figure in the Impressionist movement; Mary Cassatt, a very independent artist and a respected colleague of Degas’s; Eva Gonzalès, one of Manet’s most talented pupils; and Marie Bracquemond, whose small oeuvre is of the highest quality — reflect their various lives and experiences as women. Until now, they have never been exhibited together, and this publication contains many unfamiliar and surprising images, waiting to be discovered by both fans of and newcomers to Impressionism.

This book is an extraordinary pictorial dictionary of musical instruments from around the world, containing over 1500 drawings. Each instrument has been selected to provide a balanced historical overview of musical development: aerophones, idiophones, membranophones, chordophones, mechanical and electrical instruments are all equally represented.

All of the drawings have been created specifically for the details of features such as strings, frets and keys, together with characteristic decorative patterns, have been painstakingly reproduced.

World Musical Instruments will serve both as a source of information and as an object of fascination for: scholars, musicians, artists and designers. The accompanying CD-ROM with high-resolution jpeg illustrations of all the instruments provides the reader with an invaluable resource.

Agile Rabbit Editions contain stunning images for use as a graphic resource, or inspiration. All the illustrations are stored in high-resolution format on the enclosed free CD-ROM and are ready to use for professional quality printed media and web page design. The pictures can also be used to produce postcards, or to decorate your letters, flyers, etc. They can be imported directly from the CD into most design, image-manipulation, illustration, word-processing and e-mail programs; no installation is required. For most applications, single images can be used free of charge.

Blizzard Entertainment and Dark Horse Books are thrilled to present the next instalment of the wildly popular World of Warcraft Chronicle series. Volume 2 will reveal more sought-after details about the game universe's history and mythology. Showcasing lush, all-new artwork from fan favourites such as Peter Lee, Joseph Lacroix, and Alex Horley, this tome is sure to please all fanscasual and collector alike.

Blizzard Entertainment and Dark Horse Books are proud to present the third instalment of their bestselling World of Warcraft Chronicle series! Like its predecessors, Volume III features beautiful full-colour artwork by Peter Lee, Stanton Feng, and other fan-favourite artists, as well as intricately detailed maps and spot art by Joseph Lacroix. Bolster your knowledge of Warcraft lore with this striking third volume!

World of Warcraft: Chronicle Volume 1 is a journey through an age of myth and legend, a time long before the Horde and the Alliance came to be. This definitive tome of Warcraft history reveals untold stories about the birth of the cosmos, the rise of ancient empires, and the forces that shaped the world of Azeroth and its people.

This beautiful hardcover features twenty-five full-page paintings by World of Warcraft artist Peter Lee, as well as a cosmology chart, half a dozen maps charting changes through time, and other line art illustrations by Joseph Lacroix, and marks the first in a multipart series exploring the Warcraft universe; from the distant past to the modern era.

The definitive book for the collector of mechanical wristwatches, with complete information--including prices--on over 1,400 models made by more than 120 international brands.

Following the success of last year’s book, this fourteenth edition of what has become a watch industry classic features over 1,400 of the world’s most luxurious wristwatches and provides color photographs and complete specifications for each watch. With Wristwatch Annual, collectors have a wealth of information close at hand: the book is arranged alphabetically by producer, and within each producer’s section are specifications and materials for each watch, including price, movement, special features, complications, case, dial, band, and available variations of a particular model. A glossary and pronunciation guide help acclimate the reader to the world of fine timepieces, and, for prospective buyers, the addresses of all featured producers are listed together.

The elegant photography and layout will encourage people to peruse the year’s offerings for aesthetic appeal as well. The range of styles, from classic to modern, reflects the inclusive nature of this book, which watch collectors around the world will find both a handy reference and required reading.

Special Features
A glossary and pronunciation guide help acclimate the reader to the world of fine timepieces, and, for prospective buyers, the addresses of all featured producers are listed together.

The must-have guide for the collector of mechanical wristwatches. Complete information — including prices — on over 1,400 models made by more than 130 international brands.

The eighteenth edition of what has become a classic for aficionados of fine watchmaking once again looks at the developments in the watch industry. In addition to the A-to-Z section, which features many new entries, industry expert Elizabeth Doerr looks at news from the independent watchmakers. Watchmaker Bill Yao, owner of Mk II watches, contributes his expertise on crowns, and senior editor Marton Radkai explores the business side of the industry, the problem of counterfeiting, and profiles watchmaking’s mavericks. Also included are a glossary and a guide to watch maintenance.

Wristwatch Annual 2016 presents a broad range of wristwatches with exquisite colour photographs and complete specifications for each watch. Collectors have a wealth of information close at hand: the book is arranged alphabetically by producer, and within each producer’s section are a brief history of the brand (with contact information), and specifications and materials for each watch, including price, movement, special features, complications, case, dial, band, and variations.

The clear photography, structured layout, and lively writing make this book a pleasure to read or just browse. It is conceived as a handy reference for a broad readership from around the world, from the neophyte to the experienced collector.

"Wristwatches" presents illustrated portraits of all the popular watch brands - some of them long since unavailable - from America, Germany, Japan, France and, of course, from the world's major manufacturer of timepieces, Switzerland. In its technical chapters, it explains all the highly complex operations going on underneath the face and tells the fascinating story of the watch, of its design and its various forms and looks. Rounded off by a thorough glossary and a chronology of watchmaking that spans a hundred years, this book is a great read for everyone with a taste for luxury.

Dieser Band stellt alle bekannten, teilweise längst erloschenen Uhrenmarken aus Amerika, Deutschland, Japan, Frankreich und natürlich dem absoluten Uhr-Land Schweiz in illustrierten Porträts vor. Er erläutert in seinen technischen Kapiteln alle hochkomplizierten Schaltvorgänge unter dem Zifferblatt und erzählt die schillernde Geschichte der Armbanduhr, ihres Designs und ihrer verschiedenen Erscheinungsformen. Ein umfassendes Glossar sowie eine Chronologie runden dieses Lesevergnügen ab.

Wristwatches presents illustrated portraits of all the popular watch brands - some of them long since unavailable - from America, Germany, Japan, France, and, of course, from the world’s major manufacturer of timepieces, Switzerland. In its technical chapters, it explains all the highly complex operations going on underneath the face and tells the fascinating story of the watch, of its design and its various forms and looks. This book is a great read for everyone with a taste for luxury.

From the Impressionists to the present day; from the cut-up Cubist collages of Picasso to the monumental filmic narratives of Fiona Banner; from the subversive schoolboy script of Magritte to the demotic scrawl of Cy Twombly, Writing on the Wall shows how artists have responded to an environment increasingly saturated with words, and how the mass media have adopted and adapted artistic devices in typography, propaganda and advertising.

This groundbreaking study explores the strange, unsettling and often humorous results when words escape their traditional confines and begin to inhabit artworks: it ends with an analysis of current developments in the world of hypertext, where word and image have at last found a more essential unity.

HR Giger first received acclaim in the 1960s with his airbrushed fantasy landscapes. However, he scored his breakthrough in applied art, and particularly in his high-profile movie work on Ridley Scott's Alien. In 1980, he received an Oscar for "Best Achievement for Visual Effects" for his designs of the film's title creature and its otherworldly environment.

His other celebrated film projects include Poltergeist II, Alien 3 and Species, for which he designed a deadly but beautiful half-extraterrestrial female creature and a fantastic nightmare train. Giger's album covers for Debbie Harry and Emerson, Lake and Palmer were voted as being among the top hundred in music history by music journalists, while furniture designed by Giger graces a bar in Chur, Switzerland.

This book was designed by the artist himself, and features detailed commentaries in which Giger describes his work from the early 1960s to the late 1990s; the authentic voice of the master.

This is the first exhibition on Wyndham Lewis (Amherst, Nova Scotia, 1882 - London, 1957) presented in Spain and the most comprehensive show since the retrospective exhibition organised by the Tate Gallery in 1956, one year before his death. Over 150 artworks and 60 publications by himself offer a complete survey of the artistic and literary output of this multifaceted and controversial artist who was one of the key figures within international modernism of the first half of the 20th century. In 1914 Lewis founded Vorticism, the only British avant-garde art movement, and was also a pioneer of abstraction, a war painter, a great portraitist (whose sitters included celebrated contemporary authors such as Ezra Pound, T. S. Eliot, James Joyce, and Rebecca West, among others), a novelist, essayist, publisher and editor, and a literary and art critic. Lewis founded journals such as Blast and The Enemy and could aptly be described as a "single-handed avant-garde movement", as well as "the most fascinating personality of our times", as T. S. Eliot wrote in 1913. In short, a fascinating artist as yet undiscovered by the general public.The present exhibition has been organised by the Fundacion Juan March with the collaboration of Paul Edwards, the invited curator and leading international expert on Wyndham Lewis, with the assistance of other specialists on Lewis including Richard Humphreys, Alan Munton and Yolanda Morato, among others.

Although under-recognized in his lifetime, Wyndham Lewis was one of the most important figures in 20th century British art. He was best known for being a modernist activist, an avant-garde artist, an essayist and novelist. But he was also a remarkable portrait painter whose works bristle with the combined energy and charisma of maker and subject.

This catalogue to the British National Portrait Gallery exhibition of Lewis’s portraits presents a collection of work that has never before been exhibited (or published) together.

Whilst Lewis completed a number of commissioned portraits, his best works are those he created of his artistic peers: James Joyce, Edith Sitwell, Ezra Pound, Rebecca West, T. S. Eliot and Naomi Michison to name a few. The majority of these works are presented here and all demonstrate Lewis’s resolutely non-naturalistic, visually complex style.

The first monograph on Germany’s most popular street artist.

XOOOOX was the first German street artist to come to prominence on the international art market. His prints have been shown in numerous international exhibitions and sold at auction.

This book is XOOOOX’s first monograph. It focuses mainly on his portraits of female models that he prefers to stencil or wheat-paste onto surfaces of older buildings scarred by the passage of time. The contrast between the strikingly beautiful women and the crumbling walls is a fundamental aspect of his creative vision.

Other work featured in XOOOOX is a clever critique of consumer culture. For example, the artist reinterprets logos of brands such as Hermés or Chanel to make people aware of how easily dazzled they can be by the superficial promise of luxury. Or he morphs an H&M logo into the letters HIV as a statement against the leveling effect of global clothing brands that are spreading around the world like a virus.

The documentation of XOOOOX’s work on the street is complemented by photographs of select exhibitions and of the artist at work.

The book is edited by Benjamin Wolbergs, an author and photographer who specializes in subjects related to urban art.

Yayoi Kusama: Give Me Love documents the artist's most recent exhibition at David Zwirner, New York, which marked the US debut of The Obliteration Room, an all-white, domestic interior that viewers are invited to cover with dot stickers of various sizes and colors.

Widely recognized as one of the most popular artists in the world, Yayoi Kusama has shaped her own narrative of postwar and contemporary art. Minimalism and Pop art, abstraction and conceptualism coincide in her practice, which spans painting, sculpture, performance, room-sized and outdoor installation, the written word, films, fashion, design, and architectural interventions. Born in 1929 in Matsumoto, Japan, Yayoi Kusama briefly studied painting in Kyoto before moving to New York City in the late 1950s. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking happenings, events, and exhibitions. Now in her late 80s, Kusama is entering one of the richest creative periods of her life. Immersed in her studio six days a week, Kusama has spoken of her renewed dedication to creating art over the past years: “[N]ew ideas come welling up every day….Now I am more keenly aware of the time that remains and more in awe of the vast scope of art.”

Taking The Obliteration Room as its centerpiece, this catalogue reveals, in vivid large-scale plates, the transformation of the space from a clean white interior to a stunningly saturated room, with ceilings, walls, and furniture covered in myriad multicolored stickers put there by viewers over the course of the exhibition. The catalogue also includes beautiful reproductions of Kusama's new large-format paintings from My Eternal Soul series. Ranging from bright and densely pixelated forms, to umber figures with darker blues and muted oranges, these paintings demonstrate the artist's striking command of color, and her exceptional control over balance and contrast. Bold brushstrokes hover between figuration and abstraction; vibrant, animated, and intense, these paintings introduce their own powerful pictorial logic, at once contemporary and universal. The catalogue continues with a selection of new, large Pumpkin sculptures, a form that Kusama has been exploring since her studies in Japan in the 1950s, and which gained prominence in the 1980s, continuing to remain an essential part of her practice. Made of shiny stainless steel and featuring painted dots or dot-shaped perforations that recall The Obliteration Room, these immersive works seem created on human scale, with the tallest measuring 70 inches (178 cm). Vibrant plates capture how color, shape, size, and surface merge in these sculptures and mesmerize the viewer. Texts include a "Hymn to Yayoi Kusama" by art critic and poet Akira Tatehata and a poem by the artist herself.