Искусство

As well as being one of the leading figures in the American Pop Art movement, Andy Warhol was a painter, printmaker, occasional sculptor and filmmaker whose work carried on the tradition of Dadaism which questioned the very validity of art itself. He used images and objects, and the means of their production to draw draw parallels with cultural processes. Thus, by means of a variety of techniques, but principally the choice of images, their visual repetition and pictorial isolation, and the use of colour, Warhol makes us aware of contemporary materialism, political manipulation, economic exploitation, conspicuous consumption, media hero-worship, and the creation of artificially-induced needs and aspirations. Through manipulating images and the public persona of the artist, Warhol also confronts us with the contradictions and superficialities of contemporary culture and the art it has engendered, whilst incorporating in his paintings and sculptures the very techniques of mass production that are central to the modern world, emphasizing to the point of absurdity the complete detachment from social and artistic commitment that he saw in the world around him. Despite the unevenness and shallowness of much of his later work, Andy Warhol was one of the most brilliant, challenging and intentionally infuriating artists of the last half of the twentieth century.

Andy Warhol - A critical observer of American society

Andy Warhol is recognized today as the most important exponent of the Pop Art movement. He overturned the traditional understanding of art and placed in its stead a concept that retracts the individuality of the artist.

Warhol was a critical observer of American society, exposing his compatriots' consumerism in his paintings ('Campbell-' and 'Brillo' series), as well as their fascination for sensational journalism. In 1963 Warhol founded his 'Factory' in New York, literally a manufactory of ideas and work, which influenced film in the 1960s, published the influential magazine Interview in the late 1970s, and also produced Warhol's own artwork: Warhol conceived the idea, and a 'worker' in his factory carried it out.

The work remained (consciously) unsigned - a fact which nevertheless did nothing to diminish Warhol's reputation. He once complained that rich New Yorkers would willingly hang his "Electric Chain" in their living rooms - as long as its colours co-ordinated with the wallpaper and draperies.

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Pop star. Soap boxes and celebrities

Andy Warhol (1928–1987) is hailed as the most important proponent of the Pop Art movement. A critical and creative observer of American society, he explored key themes of consumerism, materialism, media, and celebrity.

Drawing on contemporary advertisements, comic strips, consumer products, and Hollywood s most famous faces, Warhol proposed a radical reevaluation of what constituted artistic subject matter. Through Warhol, a Campbell s soup can and Coca Cola bottle became as worthy of artistic status as any traditional still life. At the same time, Warhol reconfigured the role of the artist. Famously stating I want to be a machine, he systematically reduced the presence of his own authorship, working with mass-production methods and images, as well as dozens of assistants in a studio he dubbed The Factory.

This book introduces Warhol s multifaceted, prolific oeuvre, which revolutionized distinctions between high and low art and integrated ideas of living, producing, and consuming that remain central questions of modern experience.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Now in its tenth edition, Watches International has been setting the standard for up-to-date reference guides devoted to luxury timepieces. At more than 700 pages, this volume showcases the latest watches from around the world from every major watchmaker.

About the Author

Tourbillon International has published five consecutive volumes of Watches International and remains an expert in the field.

Watches International has been setting the standard for up-to-date reference guides devoted to luxury timepieces since 2000. Watches International, Volume XIII showcases the latest watches from around the world, from every major watchmaker. Hundreds of beautiful full-color photographs show not only the watches’ style and exquisiteness but also the details of their movements, functions, cases, and dials. The text gives an overview of each of the companies’ histories.

About the Author

Tourbillon International has published consecutive volumes of Watches International, Grand Complications, and Jewelry International and remains an expert in these fields.

Best known for his fêtes galantes such as the famous Pèlerinage à l'île de Cythère, Antoine Watteau (1684-1721) was a major proponent in the revival of the Baroque style and the formation of the Rococo movement. Watteau was inspired by the theater and in particular the commedia dell’arte, hence elaborately costumed actors, dancers, and musicians were recurrent subjects; he was also fond of bucolic scenes and portraiture. Infused with romance, drama, and joie de vivre, Watteau’s paintings depict a idyllic world of pleasure and entertainment.

About the Series:
Every book in TASCHEN's Basic Art Series features:

• a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
• approximately 100 color illustrations with explanatory captions
• a concise biography

Weapons of Warriors is a photographic study containing many of the most renowned, prestigious, and historical Arabic and Turkish swords from the 12th through the 19th century. Every sword is professionally photographed at the studio, in the highest resolution and correct color. Each weapon is presented in multiple angles, many at actual size across two pages to provide the reader with the most detailed appreciation of the skill, craftsmanship, and artistry involved in the hand crafting of these famous Shamshirs, Kilics, Nimchas, Yatagans, and Saifs. The Askeri Military Museum of Istanbul, Turkey, has set a new standard in international art and cultural exchange by opening its entire collection to the authors. The museum staff provided every assistance to be certain that their most magnificent and important weapons were photographed for this study. The museum director of edged weapons even took the time to pen an essay (included herein) on the Turkish Yatagan. Working with the authors was an international team of writers from Germany, India, and Egypt who provided additional information on the science behind these historically significant blades, traditional "koftgari" decoration, as well as the translation of ancient passages that adorn the edged weapons in this study. This beautiful book is produced for everyone who loves the lore and lure of edged weapons, whether they are beginning students, historians, collectors, or connoisseurs of these most artistic and deadly weapons of warriors.

The most comprehensive presentation to date of Wedgwood, English purveyor of fine china, porcelain, and luxury accessories known for its timeless, elegant, and classic designs.

This is the definitive book on Wedgwood, the preeminent luxury china brand in the world and the essence of English design and craftsmanship. Founded in 1759, Wedgwood has a deep heritage in pottery making that represents timeless design and enduring style. The eponymous founder, Josiah Wedgwood, was an entrepreneur and visionary who quickly became Britain’s most successful ceramics pioneer, elevating pottery from a cottage craft into a luxury good and an art form. He was the mastermind behind Wedgwood’s most enduring pieces, including Queen’s Ware, Black Basalt, and Jasperware. That tradition of master craftsmanship and innovation continues today as Wedgwood works with celebrated designers such as Vera Wang and Jasper Conran.

With historic photographs, drawings, and watercolors from Wedgwood’s extensive archive, which display the craftsmanship and technical innovation, this book is a visual celebration of English design. It offers a lavish look at some of the most timeless china creations in history with a focus on Wedgwood’s 100 icons, in-depth essays on the brand and its history, and pattern books and sketches from the Wedgwood archives. While paying homage to the pioneering spirit of Wedgwood, this volume documents the achievements of a brand that is a symbol of elegance and timelessness, infusing classic craftsmanship with fresh design, and promises to impress fans of Wedgwood, old and new.

About the Author:

Gaye Blake-Roberts is a design historian and the curator of the Museum at Wedgwood. Alice Rawsthorn, OBE, is a British design critic who writes for the international edition of the New York Times. Mariusz Skronski is the Creative Consultant at Fiskars Living Brands.

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Пролистать книгу Wedgwood: A Story of Creation and Innovation

America sees the cowboys of yesteryear as native heroes. Cowboys were seen to represent American character and to stand for freedom in rugged big sky lands. Cowboys were tough, self-reliant, courageous, modest, and only turned to violence when absolutely necessary. With a reputation like that, it is no wonder that since the very first reel was created, the Western has been the single most popular movie genre. In this comprehensive guide, readers will find over 2000 Western movie star’s photos and signatures from the 1920s to the 1970s. Also included are values for all those signed images and every star presented is identified. Among the cowboy heroes and heroines covered are the stars of the 1920s silent Westerns, the “A” and “B” movie stars of the 1930s through the 1960s, singing cowboys, sidekicks, heavies, Indians, women, veteran actors, supporting actors, and, of course, John Wayne. Enjoy this nostalgic ride through American cinema history.

Did the Greek gods play tennis? What is the ambassador from the land of Alchemy telling us? What secrets are being told on the shores of the Island of Venus? What is a monk doing on the Ship of Fools?

What Great Paintings Say has the answers to these and many other burning questions asked about the most important and famous paintings of all time. In two volumes, a selection of history`s greatest masterpieces is presented chronologically, including works by Botticelli, Breughel, Chagall, Courbet, Degas, Delacroix, Dürer, Goya, Monet, Raphael, Rembrandt, Renoir, Rubens, Tiepolo, Titian, and many others. Each chapter focuses on one painting, with enlarged details and in-depth texts describing their significance.

Taking apart each painting and then reassembling it again like a huge jigsaw puzzle, the authors reveal the history of art as a lively panorama of forgotten worlds.

Byzantine empresses, French revolutionaries, and Spanish generals: history’s most impressive figures stare boldly out of the canvases in this collection of formidable paintings. Each individual represented in these images radiates with strength and splendour; be they an aristocratic widow in mourning, a murdered politician, or a jovial group of Ukrainian rebels.

Authors Rose-Marie and Rainer Hagen tease out the stories and secrets of 13 masterpieces by artists including Goya, Titian, Velázquez, and Ilya Repin. Regal, holy, and wise, the men and women in these works will inspire you with their conquests and resilience.TASCHEN reproduces these masterworks in stunning quality, working in collaboration with esteemed art collections all over the world, including in Brussels, St. Petersburg, New York, and Naples. Combining astute analysis with magnified painting details, this book is a unique historical investigation in tribute to the movers and shakers of the past.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Surreptitious messages, concealed myths, and historical truths lie hidden in the great works of the Italian Renaissance, behind heavy gold leaf and religious symbology.

Although often obscured by the archaic language of historical painting, careful analysis and expert interpretation bring these images to life. Discover masterpieces of the most beloved creative epoch in this fascinating art historical inquiry. Images of war, romance, birth, and knowledge, works of the Italian Renaissance have much to say when given a voice. Rose-Marie and Rainer Hagen do just that-pulling apart each of the 12 featured paintings with all the talent of true detectives to offer an illuminating portal to the past.

From Michelangelo's The Creation of Adam to Ucello's The Battle of San Romano, from Antonello da Messina's St. Jerome in His Study to Pinturicchio's Penelope with the Suitors, the artworks under investigation are a diverse representation of the period's innovation and brilliance, sourced directly from some of the most impressive collections in the world, including the Uffizi, Prado, and National Gallery London.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

How long is it since you last went to an exhibition or an event of any sort? What information or amusement did you get from it? Did you enjoy it?

We present our latest title When Space Meets Art / When Art Meets Space which offers a comprehensive taste and feel of what goes on in all sorts of events.

The result of painstaking research by Lea Vergine, this volume explores the meaning of the trash phenomenon in contemporary art from the early 20th century (Boccioni, Carrà, Depero, Picabia, Schwitters), through the Sixties and Seventies (Burri, Kounellis, Fontana, Vautier, Rotella, César, Arman, Manzoni, Pistoletto, Beuys, Spoerri), and up to the present (Cragg, Parmiggiani, Boltanski, Sherman, Bourgeois, Serrano, Cattelan). It examines the challenge launched by these artists, who use waste as a material for creating art. In an era marked by great concern about the environment, the artistic use of the discarded object expresses the alienation and distress that appear to be eroding the wantonly consumeristic social model represented by the West. Recovering and preserving refuse is a means of trying to hold on to it, of making it survive by saving it from a void, from being nothing, from the dissolution to which it is destined; it is about the desire to leave a mark, a trace, a clue for those who remain, hence touching a dimension that is psychological as well as political.

More than two hundred spectacular photographs, sensual, luminous, frenzied, true, from 1955 to the present, that catch and define the energy, intoxication, rebellion, and magic of rock and roll; the first book to explore the photographs and the photographers who captured rock’s message of freedom and personal reinvention—and to examine the effect of their pictures on the musicians, the fans, and the culture itself.

The only music photographers whose names are well known are those who themselves have become celebrities. But many of the images that have shaped our consciousness and desire were made by photographers whose names are unfamiliar. Here are Elvis in 1956—not yet mythic but beautiful, tender, vulnerable, sexy, photographed by Alfred Wertheimer . . . Bob Dylan and his girlfriend on a snowy Greenwich Village street, by Don Hunstein . . . John Lennon in a sleeveless New York City T-shirt, by Bob Gruen . . . Jimi Hendrix, by Gered Mankowitz, a photograph that became a poster and was hung on the walls of millions of bedrooms and college dorms . . .

For the first time, the work of these talented men and women is brought into the pantheon; we see the musicians they photographed and how the images gave rock and roll its visual identity.

To bring together these images, Gail Buckland, acclaimed photographic editor, curator, and scholar, looked through the archives of one hundred photographers, selecting pictures not on the basis of the usual suspects, but on the power of the images themselves, often picking an image a photographer didn’t even remember he or she had taken.

Buckland writes about the photographers, their influences, their relationships with their subjects, how they took the images, how they saw what they saw and captured what they captured: the spirit and essence of rock.

A revelation of an art form whose iconic images changed the world as we knew it.