Книги з антології у мистецтві

The Wiener Werkstätte or Vienna Workshops were founded in 1903 by architect Josef Hoffmann and artist Koloman Moser. Beginning in 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately exceed 1,000. There were numerous cards designed to celebrate holidays, such as Easter, Christmas, New Year’s, and others. When the fashion department was founded in 1910, costume and accessories became another popular subject depicted in the postcards, along with illustrations of places in Vienna and elsewhere in the Austro-Hungarian Empire and Europe. All of the major designers who worked for the firm were contributors in this medium including Josef Hoffmann, Oskar Kokoschka, Egon Schiele, and Dagobert Peche. Other noteworthy artists who were active in this area include Moriz Jung, Rudolf Kalvach, Mela Koehler, and Maria Likarz, among others. This publication is the first fully illustrated catalogue raisonné on Wiener Werkstätte postcards to appear in English.

The book is lavishly illustrated with the most important Pre-Raphaelite drawings from public and private collections, including striking works by Rossetti, Millais, Holman Hunt and Burne-Jones that have never before been exhibited or reproduced.

Pre-Raphaelite Drawing explores the vital role played by drawing and design in the work of the Brotherhood and their associates. Alongside studies for paintings of religious, literary and medieval subjects are the group’s portraits, self-portraits and caricatures, often exchanged as gifts; meticulous depictions of nature by John Ruskin and his followers; captivating drawings of the iconic Pre-Raphaelite models Lizzie Siddal and Jane Morris; and designs for stained glass, textiles and ceramics.

The author explores the emergence of the Brotherhood’s graphic style, their theories of naturalism, their radical promotion of new subjects, and their highly original use of watercolour. He also demonstrates the impact that Pre-Raphaelite drawing had upon turn-of-the-century British art movements such as Aestheticism, Symbolism and Art Nouveau, and explores the role of drawing in the work of leading Arts and Crafts designers such as William Morris, William De Morgan and Florence Camm.

Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian barocco, the French created the term Rococo. Appearing at the beginning of the 18th century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the offhandedness of the aristocracy of the time. In many aspects, this art was linked to its Baroque predecessor, and is thus also referred to as late Baroque style. While artists such as Tiepolo, Boucher and Reynolds carried the style to its apogee, the movement was often condemned for its superficiality. In the second half of the 18th century, Rococo began its decline. At the end of the century, facing the advent of Neoclassicism, it was plunged into obscurity. It had to wait nearly a century before art historians could restore it to the radiance of its olden age, which is rediscovered in this work by Klaus H. Carl and Victoria Charles.

About the Authors:

Victoria Charles is a professor of art history. She has published many works and has regularly contributed to Art Information, an international guide to contemporary art. Writing frequently for specialised journals and magazines, Victoria Charles recently contributed to a collective work, 1000 Paintings of Genius.
Klaus H. Carl is the author of numerous works on the history of large cities, and is also a well-known photographer of nature. A teacher by profession, he also took part, alongside Victoria Charles, in the writing of 1000 Paintings of Genius.

Harmony Between Man and Nature. Discover the artists who sought to capture utopia

Around 1800, philosophers, writers, and artists revolted against rationalism, spreading a new “romantic” vision — one that believed in the goodness of humanity, the divine spirit of nature, and that saw the artist as an individual creator. This comprehensive introduction gathers an essay situating the genre across different regions, crisp reproductions, and detailed interpretations of 31 crucial pieces.

In a revolt against rationalism, Romanticism sought to return to nature and the belief in the goodness of humanity, with the artist considered to be a profoundly individual creator. Beginning in the early 19th century, Romantic ideals developed largely in opposition to the traditions of Greco-Roman antiquity, and advocated an open-ended and progressive — that is, modern — view of the age.

Yet Romantic artists, searching perhaps for unattainable ideals, also looked back to the late medieval and Renaissance periods for nostalgic themes of Judeo-Christian heritage; drawing from these, they believed that a politically and intellectually enlightened utopia could be achieved. Romantic styles and subjects varied widely throughout Europe and America, ranging from tranquil contemplative scenes to spectacularly staged events, and it is precisely this diversity that lends Romantic art its fascination and lasting influence.

This volume gathers an essay situating the genre across different regions, crisp painting reproductions, and detailed interpretations of 31 crucial pieces to offer a comprehensive introduction to Romanticism.

The author:

Norbert Wolf graduated in art history, linguistics, and medieval studies at the Universities of Regensburg and Munich, and earned his PhD in 1983. He held visiting professorships in Marburg, Frankfurt, Leipzig, Düsseldorf, Nuremberg-Erlangen, and Innsbruck. His extensive writings on art history include many TASCHEN titles, such as Diego Velázquez, Ernst Ludwig Kirchner, Caspar David Friedrich, Expressionism, Romanesque, Landscape Painting, and Symbolism.

About the series:

Each book in TASCHEN's Basic Genre series features:

- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
- a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of
the respective work, plus a portrait and brief biography of the artist

Shapka, Catherine the Great, Caviar, Maria Sharapova, Faberge, Erte, Kalashnikov, Pravda, Alexander Rodchenko, Yuri Gagarin, Baboushka, Leon Bakst, Leo Tolstoy, Kazimir Malevich, Anastasia, Tovarisch, Peter the Great, Lolita, Natalie Paley, Kokoshnik, Olga Kurilenko, Bistro... With short, witty texts and an unexpected, fresh selection of photographs, Russian Style is a visual collection of historic and contemporary icons. In a captivating curation by L'Officiel Russia editor-in-chief Evelina Khromtchenko, Russian Style unravels the elements of influence that compose Russia's DNA. From the obvious to the obscure, this intellectual and photographic gallivant defines a country of global influence through the patina of Russian culture.

This pocket-book for lovers of the romantic and erotic is illustrated with the most famous paintings and sculptures of amorous encounters through the ages. It provides commentaries on the art-works as well as biographies of the artists.

The development of Soviet realist painting over fifty years through a selection of works from Russias leading museums.

Socialist Realism was and remains an exceptional phenomenon in twentieth-century art. It bore the challenge of promoting realist figuration on a scale without parallel in the rest of the world, employing the talents of thousands of artists over decades and spreading over an immense and varied empire. By glorifying the social role of art, affirming the primary value of content as opposed to form and restoring the central role of traditional practices, socialist Realism was the declared opponent of the modern movement, and in fact represented the only completely alternative artistic system.

Created by the great Russian artists (Deineka, Malevic, Adlivankin, Laktionov, Plastov, Brodskij, Korzhev) the works present a multiplicity of questions, themes and formal approaches to art spanning from the last phases of the civil war to the beginnings of the Brezhnev era, stopping at the early 1970s when trends in official Soviet art took on varied and inconsistent directions such that the cultural supremacy of the socialist-realist current faded definitively.

A non-monolithic view emerges, in which the movement does not originate exclusively as the product of totalitarian control and political pressures but as an evolving organism that reflected internal issues and echoed the great historic events of the twentieth century.

The revised edition of "Soviet Impressionism," including fresh information as well as 140 additional colour plates.

This book is a completely revised and updated edition of "Soviet Impressionism," published in 2001 and quickly sold out. Vern Swanson has included a mass of new information as well as 140 additional colour plates. Soviet Art of the 1930s to the 1980s is now considered the twenieth century's major realist school of painting, although much of it had remained hidden during its heyday due to the politics of the Cold War. Now percipient and adventurous art historians are turning the balance and addressing the presence of Soviet Impressionist paintings. This is a vibrant and powerful school of art. Beautiful colour illustrations throughout and a highly perceptive text make this a reference book no art lover or historian would wish to be without.

The subject matter of these vibrant paintings is the intimate life of the Soviet man, woman and child: at work in field, factory, school and mine, and at home or at play. The policy-makers dictated the message: art should be readily understood and appreciated by the people, reflecting their hopes and aspirations for themselves and their efforts.

Together, the stunning illustrations and highly perceptive, fully up-to-date text serve to make Soviet Impressionist Painting a true testament to this powerful and vibrant school of art.

Vern G. Swanson, Ph. D. is the author of numerous books, catalogues and articles on Soviet painting, 19th century European classicist artists and American realist art. Swanson is the director of the Springville Museum of Art in Utah, USA, and is a graduate of the Brigham Young University and the Courtauld Institute of Art, University of London.

This is the premiere showcase for imaginative illustration, sculpture, and Fine Art. Challenging, controversial, educational, and irreverent, the award-winning "Spectrum" series reinforces both the importance and prevalence of fantastic art in today's culture.

With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital.

The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books.

Featured in "SPECTRUM 19" are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Seve.

With art from books, graphic novels, video games, films, galleries, and advertising, "Spectrum" is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else "Year In Review".

Contact information for each artist is included in a handy index. Often imitated, never equaled, "SPECTRUM 19" continues the freshness and excellence that was established seventeen years ago.

This is the premiere showcase for imaginative illustration, sculpture, and Fine Art. Challenging, controversial, educational, and irreverent, the award-winning "Spectrum" series reinforces both the importance and prevalence of fantastic art in today's culture.

With exceptional images by extraordinary creators, this elegant full-color collection showcases an international cadre of creators working in every style and medium, both traditional and digital.

The best artists from the United States, Europe, China, Australia, South America and beyond have gathered into the only annual devoted exclusively to works of fantasy, horror, science fiction, and the surreal, making Spectrum one of the year's highly most anticipated books.

Featured in "SPECTRUM 19" are 300 diverse visionaries, many of them world-renowned, including Michael Whelan, Sam Weber, Donato Giancola, Leo & Diane Dillon, Kinuko Craft, James Gurney, Peter de Seve. With art from books, graphic novels, video games, films, galleries, and advertising, "Spectrum" is both an electrifying art book for fans and an invaluable resource for clients looking for bright new talent. The entire field is discussed in an invaluable, found-nowhere-else "Year In Review".

Contact information for each artist is included in a handy index. Often imitated, never equaled, "SPECTRUM 19" continues the freshness and excellence that was established seventeen years ago.

Among the pictorial genres, still life, which depicts in detail the common objects of domestic life (fruit, vegetables, food, but also animals and tableware), holds an important place. It is an art form which gives us valuable insights into changes of mentality and philosophy. Each still life is emblematic of a specific time and place and of a certain metaphysical perspective. This condensed, well-priced overview of the genre features some sixty works from antiquity to the present and analyzes the history and significance of each.

The still life, the most primordial of painting subjects, had its peak between the late Middle Ages and the 17th century. In this book, Norbert Schneider explores the still life's insights into changes of mentality and philosophy as well as its role in the history of scientific discoveries and the gradual replacement of the medieval concept of the world.

Setting up a still life may take no more than gathering a few objects on a table, but infusing its depiction with depth, texture, feeling, and even beauty takes great skill. The origins of the still life can be traced back at least to classical antiquity (such wall paintings have been found in the ruins of Pompeii) but the genre's name wasn't coined until the 17th century in Holland, a few centuries after it was re-popularized during the Renaissance. This book explores a stimulating selection of still lifes from the 15th century to the modern day, revealing the historical importance and creative possibilities of this genre.

Featured artists:
Meister der Maria von Burgund, Ludger tom Ring the Younger, Annibale Carracci, Michelangelo Merisi da Caravaggio, Juan Sánchez Cotán, Jan Bruegel the Elder, Frans Snyders, Pieter Claesz Rembrandt, Sebastian Stoskopff, Jan Fyt, Evaristo Baschenis, Jan Davidsz de Heem, Willem Kalf, Otto Marseus van Schrieck, Giuseppe Maria Crespi, Jean-Siméon Chardin, Luis Eugenio Meléndez, Théodore Géricault, Eugène Delacroix, Adolph Menzel, Edouard Manet, Vincent van Gogh, John Haberle, Paul Cézanne, Pablo Picasso, Georges Braque, Henri Matisse, Umberto Boccioni, Giorgio De Chirico, Giorgio Morandi, Chaïm Soutine, Salvador Dalí, Daniel Spoerri, and Gerhard Richter

About the Series:
Each book in TASCHEN's Basic Genre Series features:

* a detailed introduction with approximately 35 photographs, plus a timeline of the most important events (political, cultural, scientific, etc.) that took place during the time period
* a selection of the most important works of the epoch; each is presented on a 2-page spread with a full-page image and, on the facing page, a description/interpretation of the work and brief biography of the artist as well as additional information such as a reference work, portrait of the artist, and/or citations

TASCHEN 25—Special edition!

Dreamlike, fantastic imagery

With Salvador Dalí as its figurehead, the great ship of Surrealism traversed the wild and turbulent sea of the Roaring Twenties, its sails full of winds blown by Sigmund Freud and André Breton. With their mysterious, dreamlike, fantastic imagery, the Surrealists made sensational waves in the art world. The influence of artists such as Dalí, Buñuel, Ernst, and Magritte on 20th century film, theatre, literature, art theory - even advertising - is inestimable. This book traces their legacy back to its origins.

Featured artists: Hans Arp, André Breton,Brassaï, Giorgio de Chirico, Salvador Dalí, Max Ernst, Alberto Giacometti, Paul Klee, René Magritte, André Masson, Matta, Joan Miró, Pablo Picasso, Meret Oppenheim, Yves Tanguy

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography