Книги з антології у мистецтві

This charming homage to the kiss features artistic depictions of love in iconic works of painting, sculpture, and photography.

The most eloquent silence; that of two mouths meeting in a kiss. Whether delicate and tender or passionate and intense, the kiss transcends time, cultures, moral boundaries, and sometimes even life itself.

Although undoubtedly the art worlds best known contributors, Rodin and Klimt are certainly not the only artists to have dedicated their work to this theme. A symbol of passion, but equally of transgression and death, the kiss has been widely depicted throughout the history of art.

Found in decorative patterns dating from the antiquities and in the most diverse forms of contemporary art alike, it represents one of the greatest legendary motifs. The kiss is hardly ever depicted without a subtext, and this work explains the ardent undertones of some 200 of the worlds greatest masterpieces: Hayez's medieval kissers clutched in a stormy embrace; Klimt's iconic symbolist painting; Picasso's ethereal cubist couple; Rodin's exquisite sculpture depicting Dante's infamous Paolo and Francesca; Brancusis abstract statue of two unidentified figures; or Andy Warhol's celebrated film of kisses shared by couples of all orientations.

This handsome volume, featuring stunning reproductions of the works explored, spans the ages, demonstrating how the concept of the kiss is common to all humanity. Renowned essayist Serge Bramlys erudite text is analytical and evocative, and is enriched with both scholarly descriptions and poetic anecdotes.

The Orient and the mystical images it evokes have always been a special source of inspiration in the history of European painting. From the Venetian portrayal of the Renaissance and the first examples of the Turkish Fashion to the heyday of the 19th century and the Tunis paintings by August Macke and Paul Klee, this volume with over 300 full-colour illustrations traces the development of the oriental motif in painting."The Orient in Western Art" presents the emergence and development of an artistic motif accompanied by explanations of social and cultural history.

Virtually every Pre-Raphaelite painting is discussed in detail and illustrated here, including works by the best known - Holman Hunt, Rossetti and Millais - and the movement’s many minor talents.

The rituals of Siberian shamans, the ancient funerary sculptures from the steppes seen as a crystallised presence of archaic and everlasting forms of worship, Chinese popular prints, Japanese engravings, Theosophic and Anthroposophic theories and Indian philosophy are but some of the elements that inspired the aesthetic and theoretical pursuits of the new Russian artists and writers just before the October 1917 Revolution.

Written to accompany the exhibition in Florence, this book is devoted to the complex relation between Russian art and the East – be it the Russian East or the Far East – with a special focus on the radical artists who shaped the development of modern art a century ago.

Figures such as Léon Bakst, Alexandre Benois, Pavel Filonov, Natal’ia Goncharova, Wassily Kandinsky, Mikhail Larionov and Kazimir Malevich were deeply aware of the significance of the East for their art, and contributed to launching a rich debate that left a deep and permanent mark on their artistic praxis. The catalogue and the exhibition also draw a connection between the chief representatives of the Russian avant-garde and other lesser-known but just as important artists of the period such as Nikolai Kalmakov, Sergei Konenkov and Vasilii Vatagin, some of whose works are being displayed for the first time in the West.

Whether inspired by Classical legend, traditional tales or simply their own imagination, countless artists have been captivated by these heavenly and mythological creatures. Angels and Fairies is a beautiful reference book which takes a look at some of the art inspired by these mysterious beings.

Follows the development of one of the Twentieth Century`s most glamorous styles. All aspects of 1920s and 1930s design and architecture were affected by its elegant sophistication, and this beautiful new book shows how its pervading influences transformed everyday objects into luxurious works of art.

This series aims to combine a compact, commercial approach with the breadth and clarity of larger format books. Covering art which both creates the foundation of modern culture and modern art itself, the books include International Arts and Crafts, Turner, Whistler, Monet, and the Art Deco movement.

Bauhaus examines a remarkable collection of works produced in this highly distinctive artistic style. Featuring art from all of the Bauhaus School`s most gifted advocates, it traces the rise and fall of a movement that, through its attempts to unite art and industry to produce a new aesthetic of beautiful functionalism, influenced twenty-first century art like no other.

A celebration of the Impressionists artists, including Monet, Renoir and Pissarro, whose paintings are inextricably linked to the birth of modern art. 

Today, our passion for these artists remains, and their paintings are amongst the best-loved works in the history of art. By choosing to paint extraordinary pictures of modernity that shocked the bourgeois elite, the Impressionists challenged the academic ideals of the French Salons, rejected the past and embracing colour to portray a sense of joie de vivre. Their revolutionary use of colour, free brushstrokes and modern subject matter, painted en plain air gave rise to one of the most important and influential art movements of the nineteenth century. 

Featuring many of the most famous and important pieces by the groups’ key figures, this beautifully illustrated reference book also includes a collection of less well-known but equally important works to show the diversity of this exceptional movement.

A celebration of the design movement that started in Britain and spread round the world at the end of the nineteenth century. Depicting both well-known and unusual art and artefacts from this most fascinating of eras, this book provides a wealth of information about the lives and times of the designers, architects and artists who created them.

The Pre-Raphaelite Brotherhood was a group of English painters, poets and critics, founded in 1848 by John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt. Their art’s romanticism, attention to detail and jewel-like colours have ensured their eternal popularity. This beautifully illustrated reference book is packed with exampes of work by the key proponent Millais, and that of his contemporaries, alongside illuminating information. Beginning with an overview of the movement it goes on to discuss the art in the context of society, place, influences, and styles and techniques. An ideal gift for art lovers or those new to the subject.

Modern Art gives a unique insight into the lives of some of the twentieth century`s most gifted artists, covering a diverse selection of works from the Expressionists and the Cubists to the Pop artists and the Post-Modernists. This superb new book provides the reader with an informative and richly illustrated overview od modern and contemporary art from countries across the world.

200 colour images

No other group of artists has had such an impact on art in the last 200 years nor had works that, in recent years, have reached figures into the upper tens of millions of dollars. "The Treasures of the Impressionists" looks at the journeys and the struggle that the Impressionists endured to establish themselves as creditable performers on the world stage and gain the acknowledgement from both critics and public alike. Containing major works by artists such as Monet, Manet, Renoir, Sisley, Degas, Pissarro and Cezanne, the books explains what influenced this band of painters, how they struggled against the establishment and how they changed the face of art forever.
Contents
A Gathering in Paris; The Establishment; Monet, Renoir & Bazille; The Dejeuner sur l'Herbe; Clashing with the Salon; Painting en Plein Air; The Impact of Industrialisation; Spreading their Wings; The First Impressionist Exhibition; The Female of the Species; Views around France; At the Seaside; Moving out of Paris; The Last Impressionist Exhibitions; Acknowledgement from Afar; Goodbye to Old Friends; Only Monet Remains; The Legacy.

Published to accompany the exhibition at the Groeninge Museum, Bruges, this volume celebrates and examines the tremendous influence the Flemish Primitives had on their eastern neighbours in Central Europe, from 1430 to 1530, focusing in particular on the pre-eminent Flemish and German masters of this period, Jan van Eyck and Albrecht Dürer.

In addition to well-known (and less well-known) works by Flemish Primitives, the book also reproduces a selection of artistic gems by less celebrated painters from Germany, Hungary, Austria, the Czech Republic, Poland and Estonia.

Discover Venice in a splendid volume of masterpieces by artists such as Canaletto, William Turner, Paul Signac, and Claude Monet.

Thanks to its unique qualities — the beguiling interplay of light, water, and atmosphere — Venice was elevated to a magical “laboratory of perception” in the nineteenth century. Like many other artists, Claude Monet also sojourned in the city with its lagoons and islands, where he was inspired to create his famous Venice cycle in the autumn of 1908. His Venetian paintings mark a turning point in his work as he adopted an increasingly abstract pictorial vocabulary, demonstrating that Venice made a considerable, albeit little noted, contribution to the emancipation of painting, just as it was poised on the threshold of modernity.

This splendid volume, filled with large-format color illustrations, is the first to provide a comprehensive examination of Venice’s image in European and American painting of the nineteenth and early twentieth centuries. At the center of this well-informed exploration is Monet’s Venice cycle, supplemented by masterpieces by his predecessors and contemporaries, ranging from Canaletto to Turner to Paul Signac.

Artists featured:

Canaletto, Francesco Guardi, J. M. William Turner, James McNeill Whistler, John Singer Sargent, Anders Zorn, Edouard Manet, Pierre-Auguste Renoir, Pietro Fragiacomo, Odilon Redon, Paul Signac, Claude Monet