Книги по антологии в искусстве

This book tells the story of the beloved Impressionist movement, focusing on the tumultuous period of the 1860s and1870s and the emergence of the “New Painting” out of the Paris Salon.

Lavish reproductions of masterpieces of French painting - from the monumental canvases of Bouguereau to the landscapes and peasant scenes of Millet and Courbet - set the stage for a rich visual narrative that recounts the incubation and evolution of the Impressionist movement. The range of subject matter and techniques reflects the stylistic diversity of the artists who were part of this revolution. Drawn from the incomparable holdings of Paris’s Musée d’Orsay, the stunning publication includes paintings by Manet, Monet, Renoir, Pissarro, Cézanne, Morisot, and Degas, among others. The paintings have been selected and thematically grouped to prompt discussion of Impressionism’s many facets, including France’s turbulent social and political climate at the time, the state-run Salon system and the artistic rivalries it fostered, and aspects of daily life during the Belle Epoque. This companion volume to a major exhibition offers a quintessential collection of Impressionist jewels that will delight all lovers of art.

A presentation of highlights from the collection of Maida and George Abrams, a private collection of Dutch 17th-century drawings.

The works range from studies by renowned masters - including Pieter Bruegel the Elder, Rembrandt van Rijn, Jacob van Ruisdael, Jacques de Gheyn II, Hendrick Goltzius and Hendrick Avercamp - to drawings by lesser-known draftsmen whose contributions are essential to understanding the art of the period. The volume features seven drawings by Rembrandt, a diverse group by his pupils, a comprehensive survey of Dutch landscape drawing, and figure studies and scenes of daily life by genre artists such as Willem Buytewech and Adriaen van Ostade.

The works are explicated in William Robinson's detailed catalogue entries and in two essays: George Abrams reflects on acquisitions for his collection; and Martin Royalton-Kisch examines the Abrams' holdings within the tradition of specialized collections of Dutch drawings in England, France and America.

The Visual Encyclopaedia series provide up to 300 beautiful photographic and artwork images, illustrating subjects of perennial cultural interest. Images are accompanied by narrative providing background, brief criticism, and details on relevant museums, brief biographies and time lines

On the occasion of the 260th anniversary of its foundation, Porzellan Manufaktur Nymphenburg issued a special collector’s edition of Franz Anton Bustelli’s masterpiece Commedia dell’Arte figurines first introduced 1759/60.

For the Couture Edition, each of the figurines have been redressed with new designs by contemporary fashion designers and Haute Couturiers including, Christian Lacroix, Viktor & Rolf, Gareth Pugh and Vivienne Westwood.

Taking this project as a launching point the Collector’s Book examines the Commedia dell’Arte as a whole, its significance and impact on fields as diverse as literature, painting, circus, fashion, all forms of theater, cinema and advertising over the centuries up until the present day.

With over 500 photographs, drawings, historical and contemporary references and multifaceted essays and texts, by a series of authors, the book takes the reader on a caleidoscopic ride through centuries and across disciplines, documenting and contexturalizing the project from a variety of angles.

A brief history of the Commedia dell’Arte, introduction of the main characters, Bustelli’s versions transformed into Porcelain and the designers new interpretations, the cultural significance of the Commedia dell’Arte, Bustelli’s figurines’ peculiar gestures juxtaposed to those in silent movies, pantomime, street gestures by urban tribes, masks from use in performance, art, fashion, religion, masquerades, film, comics and rock’n roll, the unique costumes of the Commedia dell’Arte as popular and reappearing motif in fashion over centuries.

Simultaneously the publication documents the design and production of the Couture Edition pieces in the studios of the designers and Nymphenburgs Master workshops revealing rare insights in process and alchemy of fashion and porcelain production. Each of the sixteen new designs is discussed in context of the respective protagonist, who are portrayed with an intimate photograph in their studios and a comprehensive profile text.

The book demonstrates the increasing relevance of handcraft in the age of mass production - century old techniques are the engine of both fashion and fine porcelaine. The elaborate production process of the figurines at the Nymphenburg’s master workshops is for the first time documented and revealed to the public. It illustrates the familiarities and essential bond between Haute Couture and Fine Porcelain making, the mutual devotion to technique and stupefying craft. Why Haute Couture and the Nymphenburg Manufactory are to be counted amongst a few guardians of a level of human achievement expressed as an untouchable form of beauty that would otherwise be lost within a generation or even less.

Over 500 striking color images display the artwork of 100 contemporary painters from around the world. Their works, in oils, acrylics, and watercolors, range from very traditional pieces representing their mother countries to emerging styles that are new on the world scene. Naïve style painters resurge with a new spark, while others ventured into a more futuristic direction, mixing styles and creating completely unique and innovative canvases. No matter in which direction the artists take their work, each painting is truly exceptional and comes straight from the heart. The painters, from child prodigies to experienced veterans, are arranged alphabetically, allowing readers to view all the work of each artist together. Through this book, readers will travel the world and discover amazing contemporary artists and their important works of art. This book is a must for serious art collectors, enthusiasts, gallery owners, and artists.

TASCHEN 25 - Special edition!

The history, theory and practice of Cubism, the 20th century's first avant-garde art movement

Pioneered by Picasso and Braque, Cubism was the first avant-garde art movement of the 20th century. Heavily influenced by the stark power of African and Native American art and sculpture, it deconstructed conventions of viewpoint and perspective, revolutionizing painting and western art in general. With its flattened, geometric shapes, overlapping, simplified forms and fragmented spatial planes, Cubism became one of the most influential and far-reaching movements in modern art. This book explains the history and theory behind Cubism, examining the work of its prime movers, and those whose work built upon it.

Featured artists: Pablo Picasso, Edmond Fortier, Paul Cézanne, George Braque, Henri Le Fauconnier, Jean Metzinger, Fernand Léger, Juan Gris, Albert Gleizes, Henri Laurens, Salvador Dalí, Brassaï, Robert Delaunay, Raymond Duchamp-Villon

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Pioneered by Picasso and Braque, Cubism has been described as the first avant-garde art movement of the 20th century. With inspiration from African and Native American art and sculpture, its practitioners deconstructed European conventions of viewpoint, form, perspective to create flattened, fragmented, and revolutionary images.

Picasso’s celebrated painting Les Demoiselles d’Avignon is typically regarded as the original cubist work, with its radical fracturing of objects and figures into distinct areas, corresponding to multiple different viewpoints. Cubism thereafter developed two distinct trends: Analytical Cubism, which continued to interweave perspectival planes in muted blacks, greys and ochre, and later Synthetic Cubism, characterised by simpler shapes, brighter colours, and collage elements such as newspaper.

This book presents the prime protagonists of Cubism, with work from artists including Pablo Picasso, Georges Braque, Fernand Léger, Juan Gris, Albert Gleizes, and Robert Delaunay.

About the series

Each book in TASCHEN's Basic Genre series features:

- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period
- a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of
the respective work, plus a portrait and brief biography of the artist

Les Demoiselles d’Avignon: five young women that changed modern art forever. Faces seen simultaneously from the front and in profile, angular bodies whose once voluptuous feminine forms disappear behind asymmetric lines—with this painting, Picasso revolutionised the entire history of art. Cubism was thus born in 1907. Transforming natural forms into cylinders and cubes, painters like Juan Gris and Robert Delaunay, driven by Braque and Picasso, imposed a new vision upon the world, in total opposition to the principles of the Impressionists. Spreading quickly in Europe, Cubism developed rapidly in successive phases that brought art history into the 20th century, which would be filled with dramatic movements, from the futurism of Boccioni to the abstraction of Kandinsky, from the suprematism of Malevich to the constructivism of Tatlin. Linking the core text of Guillaume Apollinaire with the studies of Dr. Dorothea Eimert, this work offers a new interpretation of modernity’s crucial moment, and permits the reader to rediscover, through their biographies, the principal representatives of the movement.

TASCHEN 25—Special edition!

Dadaism: the forerunner of conceptual art

A precursor to Surrealism, the Dada movement stressed the absurd and unpredictable, the illogical and chaotic, lashing out against traditional esthetics and upending artistic conventions. Emerging from the artistic and intellectual milieu of Zurich during World War I, it signaled a re-evaluation of art's cultural relevance in the shadow of industrialized war. Jean Arp, Tristan Tzara, Marcel Duchamp, and Man Ray were among the most famous proponents of Dada, creating works that dared viewers to expand their notions of what might be considered art. This book explains the impulses and theories that gave rise to Dada, the forerunner of conceptual art.

Featured artists: Max Ernst, George Grosz, John Heartfield, Johannes Baader, Hannah Höch, Raoul Hausmann, Kurt Schwitters, Johannes Theodor Baargeld, Hans Arp, Marcel Duchamp, Francis Picabia, Tristan Tzara, Man Ray

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

Following the overwhelming success of the first volume in the series, Dark Inspiration 2 charts new territory in the world of macabre aesthetics, showcasing the best new artworks in the genre that are sure to disturb and alarm.

From depictions of our most primal fears to scenes of death and injury, this new collection explores the demons that haunt us all. Some appear as nightmare visions dreamt and hopefully forgotten, others are unexplainable tableaus, sure to confuse and bewilder. All are fascinating. In a variety of media including digital and hand rendered illustration, sculpture, photography and more.

Artists include: Alex Garant, Anton Semenov, Dan Hillier, Daniel Martin Diaz, Elisa Ancori, Evelyn Bencicova, Fiona Roberts, Fuco Ueda, Hannes Hummel, Januz Miralles, Johnson Tsang, Katy Horan, Kim Simonsson, Leta Sobierajski, Lola Dupre, Nicoletta Ceccoli and many more.

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Fascination and fear for the unknown and uncontrollable in life has been a recurring theme in art. That mystical feeling often leads to a strong internal urge to explore the depths of human souls. To artists, the uncharted territories set no boundaries for imagination. What seems to be an eerie, apocalyptic world is only a truthful reflection of actuality in these artists’ mind.

Tapping into the uncanny domain of grotesqueries and the occult, Dark Inspiration II is a rich profusion of bone-chilling art created by more than 50 artists worldwide. Childhood reveries, aged folklore and mysteries, and morbid fascination with death and mental pain juxtapose to examine mortal sins, existence and human relationships with the universe. Encompassing illustrations, sculptures, installations, photography and set design, the sensuous collection carries forward the ritual of its first volume to amass a variety of dark and mournful expressions that are at once alluring, bewildering and inspirational to peruse.

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О книге Dark InspirationII: Grotesque illustrations, art and design

Dark InspirationII: Grotesque illustrations, art and design – это продолжение знаменитого первого тома серии, который имел ошеломляющий успех. Второй том представляет Вашему вниманию новую теорию о мире мрачной эстетики, демонстрируя новые лучшие произведения искусства в этом жанре, которые будоражат воображение и вызывают необъяснимое чувство тревоги.

В этой новой коллекции собраны изображения наших самых больших страхов: от сцен смерти и увечий, до наших внутренних демонов и не только. Некоторые из картин выглядят, как кошмарные видения, о которых Вы мечтали забыть, а другие - похожи на необъяснимые сцены, которые снова и снова сбивают с толку. Все подается в очень увлекательном формате,
 с помощью средств массовой информации, цифровых и ручных иллюстраций, скульптур, фотографий и многого другого.

Dark InspirationII: Grotesque illustrations, art and design включает в себя работы таких художников, как Алекс Гарант, Антон Семенов, Дэн Хиллиер, Даниэль Мартин Диас, ЭлизаАнкори, Эвелин Бенчикова, Фиона Робертс, Фуко Уэда, ХаннесХуммель, ЯнузМираллес, Джонсон Цанг, Кэти Хоран, Ким Симонссон, Лета Соберайски, Лола Дюплетре Нор, Лола Дюплетре Нор Чекколи и др.

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Очарование и страх перед неизвестным и тем, что не подвластно контролю, всегда было волнующей темой в искусстве. Это мистическое ощущение часто приводит к желанию исследовать глубины человеческой души. Для художников такие неизведанные территории - только повод для игры воображения. То, что кажется жутким или вовсе концом света, является всего лишь правдивым отражением действительности, в сознании этих художников.

Книга Dark InspirationII: Grotesque illustrations, art and design – собрание «ужасающего» искусства, созданное, более чем, 50 художниками по всему миру. Детские воспоминания, древний фольклор, а также увлечение смертью и болью, сопоставляются с существованием человека и его отношением со Вселенной. Чувственная коллекция, включающая иллюстрации, скульптуры, инсталляции, фотографии и сценографии, продолжает историю первого тома. Накапливая множество темных и печальных изображений, она манит, сбивает с толку, но вдохновляет к прочтению.

Disturbing, Macabre and Moving

Disturbing, macabre and moving: the images in this book examine our endu- ring desire to make peace with death. Chosen from the spectacular collection of a death-obsessed print dealer from Chicago, Richard Harris, they include art from an array of time periods, places and traditions. Works by Linda Connor, Robert Mapplethorpe, Andy Warhol, Otto Dix and Francisco Goya are shown alongside Renaissance vanitas paintings, Japanese Ukiyo-e woodcuts, photographs of Mexico’s Day of the Dead and eerie snapshots from the 1900s of anonymous sitters posing with skulls and skeletons.

The book is divided into five sections (Contemplating Death, The Dance of Death, Violent Death, Eros & Thanatos, and Commemoration), each accompanied by a short introductory text. In these pages we are presented with some of the many faces of death: violent and cruel, benign and playful; death the friend and death the enemy. The epitome of terrible beauty, this book is a reminder of the end awaiting us all.

This book accompanies the first major museum exhibition devoted to a reconstruction of the infamous Nazi display of modern art since the presentation originated by the Los Angeles County Museum of Art in 1991.

]During the Nazi regime in Germany, “degenerate art” was the official term for much of the most important modern art of the day. “Degenerate art” was defined by the Nazi regime as artwork that was not in line with the National Socialists’ ideas of beauty. Their condemnation extended to works in nearly every major art movement: Expressionism, Dada, New Objectivity, Surrealism, Cubism, and Fauvism. Banned artists included Max Beckmann, Paul Klee, and Oskar Kokoschka. Richly illustrated, Degenerate Art elucidates the historical and intellectual context of the notorious exhibition in Munich in 1937, which spurred the attack on modern art.

The book contains reflections on the genesis and evolution of the term “degenerate art” and details of the National Socialist policy on art. Art works from the exhibition Degenerate Art are compared to works of art from The Great German Art Exhibition, which was held at the same time and displayed the works of officially approved artists. The book also presents the after-effects of the attack on modernism that are felt even today.

About the Author:

Olaf Peters is Professor of Modern Art at Martin Luther University in Halle-Wittenberg and the author of Degenerate Art: The Attack on Modern Art in Nazi Germany 1937 and Berlin Metropolis: 1918-1933 (both by Prestel).

200 color illustrations, 60 color and b/w photographs 

A visual feast of outstanding paintings by British, European and American artists
Traces the development of pure-bred dogs and the social milieu in which they became fashionable
Filled with anecdotes about animal-loving patrons such as Queen Victoria

William Secord explores the presentation of the dog, from its origins in Greek, Roman and later European art, to the remarkable paintings of the eighteenth and nineteenth centuries up to modern times. In this splendid work, he traces the evolution of some fifty breeds, using carefully selected illustrations by outstanding nineteenth and twentieth-century artists, ranging from depictions of hounds and sporting dogs in the field to Victorian portraits of pampered pets and highly-bred favourites.

From the diminutive chihuahua to the massive St Bernard, this fascinating account of most of the popular breeds provides an original and penetrating artistic record of mankind's faithful companions. It is also an invaluable reference work about the many superb painters who specialised in dog painting, providing an essential index for art historians, dealers and galleries requiring a directory of names and examples of the exponents of this popular genre.

This lavishly illustrated book is an authoritative study of Dutch painting from 1600 to 1800 and covers all the major artists of the period -- including Hals, Rembrandt, and Vermeer -- setting them firmly in the wider context of Dutch art. It has immediately established itself as the new standard work in this great period of painting.

"Seymour Slive's text first appeared in 1966 in partnership with the late Jakob Rosenberg. It was wonderful then, and it is even more so now that Mr. Slive has revised and expanded his text, and the number of illustrations is now 432, about twice as many as before". -- John Russell, New York Times Book Review

"Slive is a great teacher and he knows how to impart his enthusiasm to his readers.... This volume is the useful instrument which every user will hope and expect to find". -- Lyckle De Vries, Burlington Magazine

"Like the original Pelican volume, this one is an essential reference and serves both the academic and the general reader". -- Choice