Книги з історії мистецтва

The exhibition constitutes an important milestone as the first show on kinetic art, means art with moving parts, to be held in Spain that features works created since the late 19th Century up to those produced in 2006. The museum received loans never before seen in Spain from the most important museums in the world, such as the MoMA/NY, the Centre Georges Pompidou/Paris, the Whitney Museum of American Art/NY, the Metropolitan Museum of Art of New York, the Tate Modern/London and the Galería Nazionale D'Arte Moderna di Roma. Important galleries also loaned pieces, such as the Denise René Gallery, which in 1955 organized the first exhibition dedicated to kinetic artists. The show brings together over 80 works by 45 Spanish and foreign artists. In this exhibition, visitors will be able to view paintings, objects, chronophotographs, calotypes, serigraphs, digital prints and films that all have one thing in common - the implicit concept of movement. Kinetic art is art that contains moving parts or depends on motion for its effect.The moving parts are generally powered by wind, a motor or the observer. The term kinetic sculpture refers to a class of art made primarily from the late 1950s through 1960s. Kinetic art was first recorded by the sculptors Naum Gabo and Antoine Pevsner in their Realist Manifesto issued as part of a manifesto of constructivism in 1920 in Moscow. Bicycle Wheel, of 1913, by Marcel Duchamp, is said to be the first kinetic

Glasgow Style: The life and work of Glasgow School pioneer, Charles Rennie Mackintosh

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868 - 1928) was one of the earliest pioneers of modern architecture and design. While he never received major recognition in his hometown of Glasgow, his bold new blend of simplicity and poetic details inspired modernists across Europe.

Mackintosh s avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining a healthy dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.

Mackintosh's projects in Glasgow include the famous Willow Tearooms, the private residences Windyhill and The Hill House, and the Mackintosh Building at the Glasgow School of Art, widely considered his masterwork. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair.

On the continent, this Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography

Illusion, enchantment, and wonder. The world’s greatest magicians from the Middle Ages through the 1950s

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility — whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games and the internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible.

This book celebrates more than 500 years of the stunning visual culture of the world’s greatest magicians. Featuring more than 850 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Caravaggio among others, The Big Book of Magic traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magician’s craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century’s Golden Age of Magic to groundbreaking daredevils like Houdini and the early 20th century’s vaudevillians.

The authors:

Mike Caveney is a writer, collector, professional magician, and the publisher of over 50 books on the theory, practice, and history of magic. His biographical works include Kellar’s Wonders (2003) with Bill Miesel, and Carter the Great (1995). An avid collector and performer for over four decades, he has appeared onstage or on TV in more than 20 countries.

Jim Steinmeyer is the author of many books on magic history and practice, including Los Angeles Times bestseller Hiding the Elephant (2004) and The Glorious Deception (2006). He has created deceptions featured by magicians such as Doug Henning, David Copperfield, and Siegfried and Roy, and critically acclaimed illusions for Broadway hits Mary Poppins, Beauty and the Beast, and Into the Woods.

The grandeur of Imperial Russia is captured in this spectacular book featuring the dress and uniforms of Emperors and officials of the Russian court. Starting in the 1730s with lavishly embroidered coats and elaborately patterned silk banyans from the wardrobe of Tsar Peter II and spanning a period of almost two centuries, these garments document a unique dialogue between military uniform, court dress, European fashion and traditional Russian costume. Magnificence of the Tsars celebrates the majesty of masculine uniform in Russia at its finest.

About the Author:

Svetlana Amelekhina is Curator of Imperial Court Dress at the Kremlin. Dr Rosalind P. Blakesley is a Fellow of Pembroke College and Senior Lecturer in the History of Art at the University of Cambridge. A specialist in Russian art, she has worked extensively in Russia, and curated exhibitions in London, Moscow and Washington DC.

Capturing Several Centuries of French Crusades. A faultless facsimile — accurate to the color of the medieval gold heightening

Completed circa 1474, Sébastien Mamerot's lavishly illustrated manuscript is the only contemporary document to capture several centuries of French crusades, when successive kings tried to capture the Holy Land. Jean Colombe, the medieval illuminator best known for his work on the Très Riches Heures du Duc de Berry, is the principal artist of its 66 exquisite miniatures.

Mamerot's manuscript was dedicated to his patron Louis de Laval, governor of Champagne, whose inspiration was the Christian equivalent of extremist jihad - a xenophobic holy war with its origins in a Papal appeal by Urban II. Les Passages d'Outremer (The Expeditions to Outremer) comprises 277 parchment folios, illustrated by Colombe and the finest caligraphers of the medieval era, and now resides in the French national library.

This manuscript is the source of TASCHEN's facsimile reprint, which is accurate down to the color of the medieval gold heightening. This two-volume hardcover edition in a slipcase – comprising a facsimile volume and a commentary volume with the complete translation of the manuscript text and explanations of Jean Colombe’s miniatures – is a particular testimony to that long, glorious and bloody historical epoch. The battles, burials, religious ceremonies, coronations and royal processions depicted in the 66 colourful miniatures come to life before our eyes and create a forceful image of those centuries-long wars.

Bringing together unique and rarely seen photographs, paintings, sculpture and drawings, this exquisite book tells the story of the tumultuous relationship between the artists Man Ray (1890–1976) and Lee Miller (1907–1977). From 1929 to 1932, the two lived together in Paris, first as teacher and student, and later as lovers. Historically, Miller has been described as Man Ray’s muse, but Partners in Surrealism reveals how their brief, mercurial love affair was a key source of mutual and sustained inspiration, resulting in some of the most powerful work of each artist’s career. Featuring a candid and poignant contribution from Antony Penrose, the son of Miller and the English painter Roland Penrose, on the relationship between Man Ray and his parents in later years, this is an extraordinary exploration of the love, lust and desire that drove the art of the Surrealists.

Famous Manuscripts - The fascinating world of medieval miniature painting and illumination. From "The Book of Kells" to Boccaccio's "Decameron" and from the "Vienna Genesis" to Dante's "Divine Comedy" - see the breathtaking originals of 167 of the greatest classics of all time. This lavishly produced book introduces the reader to the fascinating world of medieval miniature painting and illumination. 167 of the most beautiful and important medieval scripts from the 4th century to 1600 are presented in chronological order and described in full. Each sample of script is headed by a highly informative synopses which serves to orient the reader at a glance. These synopses - together with the abundance of brilliant, large-format reproductions - make this book unparalleled in its field. Although the focus is on European manuscripts (French, Dutch, German, Italian, English and Spanish), examples have also been selected to illustrate the refinement and intricacy of manuscript illumination from non-European cultures (Mexican, Persian, Indian, Ottoman etc.).

A 36-page appendix contains biographies of the artists as well as an extensive bibliography, an index and, most importantly, a glossary in which the technical terms used in the book can quickly be found. This is a rare opportunity to come face-to-face with incredibly precious treasures that one would otherwise never see-treasures once belonging to emperors and kings, and now worth many millions.

290 color ills

The history of Impressionism, including its forerunners, the great masters, and the representatives of Neo-Impressionism and Pointillism, is closely traced in this publication by exploring the Wallraf’s unparalleled collection.

The Wallraf-Richartz-Museum & Fondation Corboud—“Wallraf” for short—is Cologne’s oldest museum and one of Germany’s great picture galleries, boasting one of the most important accumulations of Western art—from the Middle Ages through to the early twentieth century—in Germany. In fact, the museum’s collection of Impressionist paintings is the largest in the country, not least because of the Fondation Corboud’s contributions, which in 2001 became part of the Wallraf when they were donated by the Swiss collector Gérard J. Corboud.

The Impressionist treasures among the Wallraf’s collection are presented here for the first time in a splendid, richly-illustrated volume. Monet, Renoir, Sisley, and the works of many other great masters are the focus of this book, providing a feast for the eyes on a tour of the history of art from 1874 through to 1926.

Kostbar veredelte Glasgefäße von Emile Gallé, Daum Frères und Louis Comfort Tiffany, subtil dekorierte Erzeugnisse der berühmten Porzellanmanufakturen Rozenburg, Kopenhagen, Nymphenburg und Meissen, neben reich mit Blütendekor geschmückten Haarkämmen und anderen extravaganten Schmuckstücken der Pariser Juweliere um René Lalique, bis zu individuell gestalteten Möbeln von August Endell, Richard Riemerschmid und Henry van de Velde: Wer sich als Besucher in die Sammlung des Bayerischen Nationalmuseums München begibt, der wandelt durch die faszinierend vielfältige Zeit des Jugendstils.

Diese Sammlung zählt zu den herausragenden deutschen Museumsbeständen mit Meisterwerken des Jugendstils. Den Kern bilden die über Jahrzehnte mit hoher Kennerschaft zusammengetragenen Sammlungen Professor Dr. Siegfried Wichmanns und Herzog Franz von Bayern, die seit 1983 für das Münchner Museum erworben wurden. Aus dem mehr als 500 Einzelobjekte umfassenden Bestand führt die reich bebilderte Publikation dem Leser rund 150 der schönsten und bedeutendsten Werke mit fundierten Texten und brillanten Abbildungen vor Augen.

Dem Charakter der Sammlung entsprechend, spiegelt die Publikation das breite Spektrum der internationalen Jugendstilbewegung mit Arbeiten erstrangiger Künstler und mit Beispielen aus nahezu allen Materialgattungen wider.

Bringing together two communities with a shared history of statelessness, Ukrainian Jewish Journey focuses on the cultural similarities of the two groups while delving into the complex and difficult histories of both populations over the last two hundred years. Despite their points of interconnectedness, the interactions between the two groups have been historically complex.

The book examines the history of Ukrainian-Jewish interactions by highlighting encounters in daily life, in cultural contexts, and in episodes of violence. It explores the ways in which the Jewish and non-Jewish peoples of present-day Ukraine have sought to define their identities while also remaining rooted in their own unique traditions. Featuring one hundred colour images and with new research, the book is a focused exploration of universal issues of cultural memory, national and individual identity, and the cultural implications of encounter.

Renaissance man in extremis. Michelangelo, in pursuit of the beautiful and sublime

Nicknamed “il divino,” Renaissance genius Michelangelo combined body, spirit, and God into visionary masterpieces across sculpture, painting, and architecture. From The Pietà to the extraordinary ceiling of the Sistine Chapel, this book provides the essential introduction to the artist’s revolutionary ideas and awe-inspiring artworks.

Italian-born Michelangelo di Lodovico Buonarroti Simoni (1475–1564) was a tormented, prodigiously talented, and God-fearing Renaissance man. His manifold achievements in painting, sculpture, architecture, poetry, and engineering combined body, spirit, and God into visionary masterpieces that changed art history forever. Famed biographer Giorgio Vasari considered him the pinnacle of Renaissance achievement. His peers called him simply “Il Divino” (“the divine one”).

This book provides the essential introduction to Michelangelo with all the awe-inspiring masterpieces and none of the queues and crowds. With vivid illustration and accessible texts, we explore the artist’s extraordinary figuration and celebrated style of terribilità (momentous grandeur), which allowed human and biblical drama to exist in compelling scale and fervor. Through the power hubs of Renaissance Italy, we take in his major commissions and phenomenal capacity for compositional schemes, whether the famous Medici library in Florence, or the extraordinary 500-square-meter ceiling (1508–1512) in the Vatican’s Sistine Chapel.

From the towering David to the aching grief and faith of The Pietà and the vivid drama of the Sistine Chapel’s Last Judgment, this is a succinct, dependable reference to a true giant of art history and to some of the most famous artworks in the world.

The author:

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

With its streamlined shapes and forward-looking approach, the Art Deco style still looks modern today. In the 1920s and 1930s, designers and craftsmen made innovative use of both natural and man-made materials to produce elegant pieces that broke with tradition and celebrated the future. In this beautifully illustrated guide, antiques expert Judith Miller explores the key makers and pieces of the movement, explaining what to look for as a collector.

The book explores all the key collecting areas, with chapters on furniture, glass, ceramics, sculpture, metalwork, silver and plastics, prints and posters, rugs and textiles. With clear price codes and biographies of key makers and designers, the book also contains "A Closer Look" and "Good, Better, Best, Masterpiece" features comparing ranges of items from makers and factories.

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.

TASCHEN 25—Special edition!

The bare minimum

Often regarded as a backlash against abstract expressionism, Minimalism was characterized by simplified, stripped-down forms and materials used to express ideas in a direct and impersonal manner. By presenting artworks as simple objects, minimalist artists sought to communicate esthetic ideals without reference to expressive or historical themes. This critical movement, which began in the 1960s and branched out into land art, performance art, and conceptual art, is still a major influence today. This book explains the how, why, where and when of Minimal Art, and the artists who helped define it.

Featured artists: Carl Andre, Stephen Antonakos, Jo Baer, Larry Bell, Ronald Bladen, Walter De Maria, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Gary Kuehn, Sol LeWitt, Robert Mangold, John McCracken, Robert Morris, Robert Ryman, Fred Sandback, Richard Serra, Tony Smith, Frank Stella, Robert Smithson, Anne Truitt

About the Series:
Every book in TASCHEN's Basic Art Series features:

* a detailed chronological summary of the artist's life and work, covering the cultural and historical importance of the artist
* approximately 100 color illustrations with explanatory captions
* a concise biography

• Charts the whole history of art from the earliest carved stone to the latest media
• Takes a truly global picture, connecting different cultures across time and space
• Hundreds of works are discussed and illustrated, showing how art uniquely reflects the world in which it was produced

Julian Bell has excitingly chosen a global perspective, setting up juxtapositions that will challenge and enlighten readers: dancing bronze figures from southern India, Romanesque sculptures, Baroque ceilings and Persian manuscripts are discussed side by side as extraordinary testaments to our universal creative instinct.

With an insider’s knowledge and an unerring touch, Bell draws these diverse strands into a beautifully written, lucid and compelling account.

Both a perfect introduction to wider art history and a glimpse inside the artistic mind, this groundbreaking narrative will become a touchstone for a new generation of readers.

Modern Matters. A blow-by-blow account of Modernism

This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards and broke down barriers. Featuring hundreds of paintings, sculptures, photographs, and conceptual pieces that trace the story of modern art’s innovation and adventure.

Most art historians agree that the modern art adventure first developed in the 1860s in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, loose brushwork. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the Salon by organizing their own independent exhibitions.

After this first assault on the artistic establishment, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, abstract art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and conceptual practice.

This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards and broke down barriers. Introductory essays outline the most significant and influential movements alongside explanatory texts for each major work and its artist.

The editor:

Hans Werner Holzwarth is a book designer and editor specializing in contemporary art and photography. His TASCHEN publications include Collector’s Editions like Jeff Koons, Christopher Wool, Albert Oehlen, Ai Weiwei, and the David Hockney SUMO A Bigger Book, as well as monographs like the XXL-sized Jean-Michel Basquiat and survey books such as Modern Art and Art Now! Vols 3 and 4.