Книги з історії мистецтва

“I paint what I see and not what it pleases others to see.” What other words than these of Édouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: “I remain sorry to have been the cause of the name given to a group the majority of which did not have anything
Impressionist.” In this work, Nathalia Brodskaïa examines the contradictions of this late 19th-century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals.

Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.

About the author:

Nathalia Brodskaïa is a curator at the State Hermitage Museum in St. Petersburg. She has published monographs on Rousseau, Renoir, Derain, Vlaminck, and Van Dongen, as well as many books on the Fauves and Naïve Art. She is currently working on a study of French painters at the end of the 19th and beginning of the 20th century

Reflecting the most recent research on this groundbreaking artistic movement, this lavishly illustrated and comprehensive book examines Impressionism on a global scale, from its iconic French masterpieces to less familiar works by Scandinavian, German, British, and North American artists.

One of the art world’s most recognizable and popular styles, Impressionism is also one of the most complexes. In this sumptuous overview Norbert Wolf lends his attention to all aspects of Impressionism: its historical precursors, contemporary rivals, and the movements it inspired. Over 200 large-format reproductions of entire works and highlighted details introduce readers to the Impressionists’ aesthetics and techniques. Wolf draws insightful parallels between these paintings and other contemporary works of music, photography, and literature. Tracing the movement’s expansion from France to the rest of Europe and North America, this volume shines a spotlight on the main protagonists who were key in the development of Impressionism. It highlights not only the French pioneers — Claude Monet, Gustave Caillebotte, Édouard Manet, Pierre-Auguste Renoir, Camille Pissarro, and others — but also Max Liebermann, Lovis Corinth, John Singer Sargent, Mary Cassatt, William Merritt Chase, and James McNeill Whistler, to name a few. As luxurious as it is authoritative, this wide-ranging investigation of a moment in art history reveals works and ideas that will surprise even the most seasoned aficionado.

About the Author:

Norbert Wolf is an art historian and author based in Munich. He has published several books with Prestel, including Art Nouveau, Art Deco, Impressionism, and "The Golden Age of Dutch and Flemish Painting", as well as monographs on Albrecht Dürer and Titian.

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Ця вражаюча добірка картин імпресіоністів та постімпресіоністів містить розкішні репродукції, жваві коментарі та чудовий футляр, який порадує любителів мистецтва.

Видано у співпраці з Національною галереєю мистецтв, Вашингтон.

Національна галерея мистецтв у Вашингтоні володіє майже 400 картинами французьких імпресіоністів та постімпресіоністів — однією з найкращих колекцій такого роду у світі. Ця книга відзначає цю колекцію, представляючи 50 найвідоміших робіт Галереї, які представляють щедрий перетин імпресіоністського та постімпресіоністського мистецтва в його найзахопливішому вигляді. Відтворені з приголомшливою якістю, повно- та двосторінкові ілюстрації дозволяють читачам насолодитися яскравою палітрою Ван Гога, пишністю садів Моне, текстурою натюрмортів Сезанна та ніжною красою жінок Ренуара.

Твори Гогена, Сера, Базіля та Тулуз-Лотрека демонструють широкий спектр стилів, охоплених імпресіоністським та постімпресіоністським періодами. Кожен шедевр супроводжується коротким та інформативним текстом, а есе розповідає про труднощі та захоплення, пов'язані зі створенням багатогранної колекції.

Ця книга, що є наступною найкращою альтернативою спогляданню такого чудового мистецтва наживо, дарує задоволення на кожній сторінці.

World’s fairs were the most important vehicles for debuting advancements in modern living. These renowned international expositions were showcases for design on a national and global level, and they democratized design, unlike any previous forum.

Inventing the Modern World is lavishly illustrated with two hundred examples of woodwork, metalwork, ceramics, glass, jewellery, and textiles from private and public collections, primarily in America and Europe, many never before published or seen outside of their respective collections. Incredibly diverse but all representing the pinnacle of scientific and artistic achievements of their time, these extraordinary creations range from a monumental 1850s Gothic Revival cabinet to a streamlined glass chair from 1939, to masterpieces of jewelry and objects in glass, silver, and porcelain by Baccarat, Tiffany, Gorham, Cartier, Sèvres, and Herman Miller.

This unprecedented volume, edited by Jason Busch and Catherine Futter, and with contributions by them and many other specialists and scholars, breaks new ground in the study of decorative arts.

The Visual Encyclopaedia series provide up to 300 beautiful photographic and artwork images, illustrating subjects of perennial cultural interest. Images are accompanied by narrative providing background, brief criticism, and details on relevant museums, brief biographies and time lines

An encounter with the artistic heritage of Islam is characterized by two factors that make it very special: the vast dimension of the areas involved, from Spain to Central Asia as far as China - without forgetting the expansion to sub-Saharan Africa - and the continuation of the phenomenon during fourteen centuries of history. Is it possible to treat such a complex and multifaceted phenomenon as a single subject? The images that follow are the answer.

Другие книги серии Visual Encyclopedia of Art:

20th Century Art. Искусство XX века

Art Nouveau. Арт Нуво

Baroque. Барокко

Renaissance. Ренессанс

The artists of the renaissance were the first to use the term "Gothic", clearly intended in a derogatory way in reference to the style initialy known as opus francigenum, meaning "made in French style": the term was used as a synonymum for "barbarian" by those who considered themselves to be the upholders of the aesthetic and technical perfection of the classical era.

Japan's impact on Western art was as immediate and almost as cataclysmic as the influence of the West on Japanese life. After Commodore Perry opened Japan's door to the outside world in 1858, a wealth of visual information from the Japanese traditions of ceramics, metalwork and architecture, as well as printmaking and painting, reached the West and brought electrifying new ideas on composition, colour and design. This is a study of how Japanese ideas have inspired artists such as Monet, Degas, Whistler and Van Gogh. Japanese conventions of symbolism underlie the use of decorative motifs in European symbolism and art nouveau, and the Zen idea of spontaneity is the ultimate source of both the apparently capricious shapes of art nouveau ware and the development of an abstract "calligraphy" in abstract expressionism.

This book provides the best study of Art and Crafts style jewelry and metalwork to date. Devised late in the 19th century as a reaction to industrialized manufacturing, the Arts and Crafts movement stressed naturalistic materials, designs and techniques. The book begins with the British movement and traces the roots of this "new art" including its characteristics, materials, motifs, influences and makers' marks. Biographical sketches are provided for over 240 of the most influential British designers/jewelers/metalworkers, with discussions of the guilds, schools and commercial firms. In over 700 photographs, nearly 400 in glorious color, the success of these designs to provide fascinating and beautiful objects is demonstrated.

The Boy King’s Journey through the Underworld. Tutankhamun’s royal voyage into paradise, as told by ancient Egyptian treasures

Buried in the 14th century BC but unearthed by Howard Carter in 1922, the objects entombed with Tutankhamun are an invaluable window into a long-extinct belief system. Seen today, they create an intricate picture of how the ancient Egyptian people viewed the perilous journey to paradise, a utopian Egypt that could only be entered following the final judgment.

When acclaimed photographer Sandro Vannini started his work in Egypt in the late ’90s, a technological revolution was about to unfold. Emerging technologies enabled him to document murals, tombs, and artifacts in unprecedented detail. Using the time-consuming and strenuous multi-shot technique, Vannini produced complete photographic reproductions that revealed colors in their original tones with vivid intensity. Through these extraordinary images, we discover the objects’ quintessential features alongside the sophisticated and cleverly hidden details.

In collaboration with a series of international exhibitions, starting with King Tut: Treasures of the Golden Pharaoh at the California Science Center in March 2018, this comprehensive guide marks the centenary of Carter’s first excavations in the Valley of the Kings. These inestimable works endure through Vannini's photographs in their full, timeless splendor.

From offerings and rituals to Osiris and eternal life, Vannini’s portfolio covers all facets of ancient Egyptian culture — but it is Tutankhamun’s unique legacy that dominates these images. With texts by the photographer, captions by specialist Mohamed Megahed, and chapter introductions from scholars in the field, King Tut. The Journey through the Underworld puts much-debated mysteries to rest. The learned yet accessible forewords come from distinguished Egyptologists including Salima Ikram and David P. Silverman. Insightful narratives, resplendent images, and a contemporary standpoint make this title a fitting tribute to the Boy King’s odyssey, illuminating an epoch that spanned an unimaginable 4,000 years.

The photographer:

Sandro Vannini started his career as a photographer in 1982, and today lives and works between Italy and Egypt. Active in the latter since 1997, and with special permission to access sites forbidden to the public, he has compiled an extensive visual archive of ancient Egyptian culture. Along the way, he first pioneered techniques that enable the use of leading digital photography in the extreme temperatures in the Valley of the Kings. Vannini’s photographs are among those assisting the work of the Egyptian Museum in Cairo in the restoration of artifacts. Since 2016, he has been directing and producing television programs and documentary series in collaboration with Zahi Hawass, and is also the author of several books.

Thinking eye. A unique language of symbols, literature, and light 

With careful theories and many thousands of paintings, drawings, and watercolours, Paul Klee (1879-1940) is considered one of the most cerebral and prolific leaders of 20th-century European art. Though typically small in scale, his works are remarkable for their sophisticated thought and meticulous nuances of line, colour, and tonality. Klee s stylistic formation was shaped by early affiliation with the German expressionist group Der Blaue Reiter and, in particular, by a 1914 trip to Tunisia which transformed his use of colour. 

After the war, he taught at the esteemed Bauhaus school, where his lectures, like his emerging practice, emphasized the symbolic potential of shades, lines, and geometries. Klee was also inspired by Cubism, poetry, music, literature, language, and the simplistic power of children s art. Famed for his simple stick figures, he often combined the appearance of untutored naivety with rigorous composition and intellectual significance.

This book provides a selection of key Klee works to introduce his style and influence. From sun-drenched landscapes to enigmatic wordplay, discover a world at once simplistic, symbolic, and dazzlingly colourful.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Enigmatic and ambiguous in its role as both setting and subject, the landscape has been one of the most important genres in painting for centuries. This dedicated survey spans the late Middle Ages to modern times to bring the evolution of the landscape genre to life through its most critical works, executed by groundbreaking artists as diverse as Titian and Warhol.

As a form, landscapes represent the topography of the natural world as much as our own; reflecting the diversity of earth’s vistas, but also keen indications of developments in representational aesthetics, religious and political history, notions of the sublime and the romantic, as well as the arrival of modernity and the vast changes wrought on the environment by industrialization and urbanization.

Opening this insightful volume is an introductory essay offering a meticulous overview of the genre and its most crucial developments. Luscious double-page spreads on each of the 34 featured artworks include a crisp painting reproduction and an extensive art historical analysis on the masters of the form — including such greats as Hieronymus Bosch, Pieter Bruegel, El Greco, John Constable, Claude Monet, and David Hockney.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

László Moholy-Nagy (1895–1946) was one of the most internationally influential teachers at the Bauhaus. It is essentially owing to his effective artistic and journalistic skills that photography became an integral part of modern art in the twenties. He “discovered” the aesthetic possibilities of photograms in 1922 and continued his inventive work with them until 1943, turning them into icons of the medium that are still waiting to be fully brought to light.

This catalogue raisonné, meticulously edited by photography expert Renate Heyne, is the first to feature all of the known works - close to 450 of them - in chronological order. Until now, most of them had only been published in history books and auction catalogues. This volume contains far more information than is usually found in a classic descriptive catalogue of works: it explains the artistic, technical, and biographical circumstances under which the photograms were created, examines them in relation to other areas of Moholy-Nagy’s work, and analyzes them at length on the basis of selected pieces. A biography and a bibliography of the photograms round off this catalogue raisonné.

Page après page, l’un des plus beaux manuscrits de la Bibliothèque Nationale de France illustre les exploits du meilleur des chevaliers, Lancelot du Lac, depuis le combat victorieux de Lancelot contre les automates de la Douloureuse Garde ou la délivrance des chevaliers du Val sans retour, jusqu’à la bataille de Salisbury, où Arthur, mortellement blessé, fait jeter son épée Excalibur avant d’être emporté par Morgane vers l’île des fées. UNE CO-ÉDITION BIBLIOTHÈQUE NATIONALE DE FRANCE - BIBLIOTHÈQUE DE L’IMAGE À L’OCCASION DE L’EXPOSITION À LA BNF DU 20 OCTOBRE 2009 AU 24 JANVIER 2010 SUR LA LÉGENDE DU ROI ARTHUR. La légende du roi Arthur et des chevaliers de la Table Ronde s’est constituée et développée durant des siècles et le mystère suprême du Saint Graal n’a jamais cessé d’inspirer les plus grands créateurs. Si le nom d’Arthur apparaît dès le VIIème siècle, il faut attendre le XIIème pour que fleurisse le mythe littéraire de ce roi des Bretons – dont rien n’atteste aujourd’hui l’existence réelle – capable de vaincre l’empereur de Rome et d’imposer la foi chrétienne à l’Angleterre. Thierry Delcourt, archiviste-paléographe et docteur ès lettres, conservateur général des bibliothèques, dirige depuis 2006 le département des Manuscrits de la Bibliothèque Nationale de France, après avoir notamment été à la tête de la médiathèque de Troyes – il en a conduit la construction de 1996 à 2006 et y a organisé plusieurs expositions : Splendeurs de la cour de Champagne au temps de Chrétien de Troyes (1998), Bestiaire du Moyen Âge (2004), Trésors enluminés de Troyes (2006)… Membre de la Société internationale arthurienne, Thierry Delcourt a publié de nombreux ouvrages et a participé à plusieurs volumes de l’édition du Roman de Tristan en prose dirigée par Philippe Ménard (Droz, t. II, 1990 et t. V, 1992 ; Champion, version du ms. français 757, t. II, 1999), ainsi qu’au volume VI de l’édition de la version française du Devisement du monde, de Marco Polo (Droz, 2009). Il est aussi l’auteur d’un Que sais-je ? consacré à la Littérature arthurienne (PUF, 2000) et il dirige la publication du catalogue de l’exposition La légende du roi Arthur (BNF / Seuil, 2009). On compte en outre parmi ses publications récentes Trésors enluminés de Troyes (CD Rom, Nouveau Monde éditions, 2005), Les Croisades, la plus grande aventure du Moyen Âge (Nouveau Monde éditions, 2007) et Sébastien Mamerot, Les Passages d’outremer, une chronique des croisades jusqu’en 1462 enluminée par Jean Colombe (Cologne, Taschen,2009).

Renaissance Man. The unstoppable curiosity and invention of the da Vinci genius

Filling notebook after notebook with sketches, inventions, and theories, Leonardo da Vinci (1452 - 1519) not only stands as one of the most exceptional draftsmen of art history but also as a mastermind and innovator who anticipated some of the greatest discoveries of human progress, sometimes centuries before their material realisation.

From the smallest arteries in the human heart to the far-flung constellations of the universe, Leonardo saw nature and science as being unequivocally connected. His points of enquiry and invention spanned philosophy, anatomy, geology, and mathematics, from the laws of optics, gravitation, heat and light to the building of a flying machine.

In his painting, Leonardo steered art out of the Middle Ages with works such as The Last Supper and the world-famous La Gioconda or Mona Lisa depicting not only physical appearances, but a compelling psychological intrigue and depth which continues to draw crowds of mesmerized visitors to masterpieces in Paris, Milan, Washington, London, and Rome.

This book collates some of Leonardo's most outstanding work to introduce a figure of infinite curiosity, feverish imagination and sublime artistic ability often described as having not enough worlds for to conquer, and not enough lives for to live (Alan Woods). 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Da Vinci in detail. Leonardo's life and work - the definitive edition

Leonardo da Vinci (1452-1519) possessed one of the greatest minds of all time; his importance and influence are inestimable. This two-volume, midsize format comprehensive survey is the most complete book ever made on the subject of this Italian painter, sculptor, architect, engineer, scientist and all-around genius. With huge, full-bleed details of Leonardo’s masterworks, this highly original publication allows the reader to inspect the subtlest facets of his brushstrokes.

 - Part I explores Leonardo’s life and work in ten chapters. All of his paintings are interpreted in depth, with The Annunciation and The Last Supper featured on large double-spreads.
 - Part II comprises a catalogue raisonné of Leonardo’s paintings, which covers all of his surviving and lost painted works and includes texts describing their states of preservation.
 - Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc).