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This book brings together a collection of photographs and commentary celebrating Elizabeth Taylor's timeless sense of style, both on-screen and off, which ran the gamut from her high glamour Hollywood gowns and jewelry to her extraordinary earthy beauty which transcended every embellishment of fashion.

She was a star who was both idolized as a screen goddess and viewed by her adoring public as someone who was approachable, relatable and fun. Her style was a synthesis of her on-screen persona and her private life, both often turbulent and thrilling. This luminous photographic retrospective of the great roles and public and private moments captures the style and essence of one of Hollywood's last great stars. In her unforgettable performances in films like A Place in the Sun, Cat on a Hot Tin Roof, and Butterfield 8, she sustained an on-screen image of smoldering passion and a dark, private toughness which was tempered by her overt, almost alarming, vulnerability. As one of the most photographed celebrities in the world, the public saw her personal style from 1940s starlet to sex kitten of the 50s and 60s to the perennial divorcée of the 70s to the compassionate activist of her later years.

Elizabeth Taylor: Her Life in Style is a visual celebration of the life and times of a Hollywood legend whose image will endure forever as a symbol of glamour and beauty.

Since the first kiss recorded on film in 1896, erotic moving images have stimulated viewers and outraged public bodies. This book explores the meaning of eroticism and gives an overview of sex on the big screen by exploring different forms of sexual behavior or taboo-breaking in film. Included are intimate looks at ten of the most erotic movies ever made: including Last Tango in Paris, Betty Blue, In the Realm of the Senses, Romance, Law of Desire, Kids, Basic Instinct, Crash, The Night Porter and Y Tu Mama Tambien. Coverage includes erotic films from the silent era, pre-Code Hollywood, film noir, cheesecake and beefcake, the international art cinema, softcore and hardcore X-rated films, gay, lesbian, and New Queer Cinema, and the latest trend toward real sex in independent and art films. Readers will be able to relive some of their favourite erotic movie moments, and discover new ones as well.

Following the highly successful Fantasy Workshop, the ImagineFX team is back with the ultimate guide for digital and fantasy artists who want to take their skills out of this world.

Referencing such programs as Photoshop, Illustrator, and Corel Painter, Fantasy Creatures explains how to go from basic “pencil” roughs to first-stage line art to finished color art.

Step-by-step instruction and screen grabs show artists how they can use the latest techniques to create a variety of mythical and futuristic creatures, fight scenes, habitats, and close-ups.

Nineties Screen. The best movies of the 1990s

The 1990s saw a golden era of bona fide cinema classics. With four to 10 pages per film, this two-volume tribute is an opulent factbook packed full of photos and film stills, as well as cast/crew credits, film summaries, actor and director biographies, and budget and box office vital statistics.

It was a delicate and complex task that required a fair bit of soul-searching, but we did it: we took a complete list of all movies released in the 1990s around the world and whittled it down to just 144 of our very favorites. These are the movies that define the ’90s — a decade when independent cinema went mainstream while big-budget special effects kept Hollywood strongly in the game.

With four to ten pages for each film, this two-volume tribute is an opulent factbook packed full of photos and film stills, as well as cast/crew credits, film summaries, actor and director biographies, and budget and box office vital statistics. Guaranteed to bring you right back to the ’90s, you’ll find a hearty celebration of all the films you saw and plenty of reasons to see the ones you missed.

The editor:

Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied art history at the universities of Bochum, Münster, Pisa, Paris and Amsterdam, and has worked as an art critic and curated numerous exhibitions. He is also the editor for TASCHEN’s movies by decade series.

Forever a circus ringleader at heart, Federico Fellini (1920-1993) is remembered as one of cinema’s greatest storytellers. From bittersweet, heart wrenching tales (La Strada and Nights of Cabiria) to semi-autobiographical classics (La Dolce Vita and the much-imitated 8 1/2) to ambitious period-pieces (Satyricon and Casanova) to dreamlike pseudo-documentaries (The Clowns, Roma, and Intervista), Fellini brought his inner world to the silver screen in a profoundly original and innovative way. Among his many gifts to the world of cinema are the roles he created for his wife, the unforgettable Giulietta Masina.

Federico Fellini is one of the most beloved and revered filmmakers of the twentieth century, having entertained audiences worldwide with his ability to breathe life into imagery normally confined to human memory and emotion. His insights into the world of dreams have contributed to his many famous cinematic creations, including La Dolce Vita, 8 1/2, and La Strada. A unique combination of memory, fantasy, and desire, this illustrated volume is a personal diary of Fellini’s private visions and nighttime fantasies. Fellini, winner of four Oscars for Best Foreign Language Film, kept notebooks filled with unique sketches and notes from his dreams from the 1960s onward. This collection delves into his cinematic genius as it is captured in widely detailed caricatures and personal writings. This dream diary exhibits Fellini’s deeply personal taste for the bizarre and the irrational. His sketches focus on the profound struggle of the soul and are tinged with humor, empathy, and insight. Fellini’s Book of Dreams is an intriguing source of never-before-published writings and drawings, which reveal the master filmmaker’s personal vision and his infinite imagination.

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Посмотреть новой издание книги Federico Fellini: The Book of Dreams

Along with Visconti and Rossellini, Fellini established the fame of Italian cinema. His subject is the life and dreams of ordinary folks, musicians, carnies, and clowns. Fellini biographer Tullio Kezich presents all 23 films, with texts, film stills, partly unpublished set photographs, and sketches by Fellini who was not only a master filmmaker but a gifted caricaturist.

This is a new edition of the diary kept by Federico Fellini, in which the great director faithfully recorded his dreams and nightmares.

A highly colourful journey into the boundless territory of a genius's imagination, this is a work that added a fundamental element to the study of Federico Fellini and his creative experience. From the late 1960s until 1990, the great director used this diary to represent his nocturnal visions in the form of drawings or, as he himself described them, "scribbles, rushed and ungrammatical notes."

Currently out of print, this new edition will include a critical introduction, as well as updated graphic design. It will be published in collaboration with the Municipality of Rimini as well as the Museo Nazionale del Cinema, the Centro Sperimentale di Cinematografia, and the Cineteca di Bologna (the three main Italian institutions in the field of cinema).

The volume will be released to coincide with the centenary of Federico Fellini's birth (January 2020), which will be celebrated in Italy with a travelling exhibition on the director that will start its journey from Milan in December 2019.

About the Authors:

Sergio Toffetti, born in Turin in 1951, is president of the Museo Nazionale del Cinema and has published essays on Italian and international cinema, and on the conservation and restoration of film. Felice Laudadio is president of the Fondazione Centro Sperimentale di Cinematografia in Rome. He has overseen numerous cinema events, such as MystFest, EuropaCinema, and RomaFictionFest. Gian Luca Farinelli has been director of the Cineteca of Bologna since 2000. In 1986 he created, together with Nicola Mazzanti, Il Cinema Ritrovato an event dedicated to the history of cinema and the activity of film libraries. Together with Martin Scorsese, Raffaele Donato, Thierry Frémaux, and Alberto Luna he founded the World Cinema Foundation, which brings together about twenty great international directors for the restoration of third-world films.

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Пролистать книгу Federico Fellini: The Book of Dreams

Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

Shadows and smoke

Classic noir flicks of the 1940s-50s, illustrated and examined

Beginning with a general overview of film noir and covering its most important themes chapter by chapter (lovers plan murder, corrupt police, doomed love, psychological noir, etc.), this copiously illustrated handbook provides instant and in-depth access to the film noir genre for amateurs and aficionados alike. Among the films covered are these "top ten": Double Indemnity, Kiss Me Deadly, Gun Crazy, Criss Cross, Detour, In A Lonely Place, T-Men, Out of the Past, The Reckless Moment, and Touch of Evil.

Into the shadows. From The Cabinet of Dr. Caligari to Drive, 100 all-time favorite film noirs and neo-noirs

Enter a world populated by private eyes, gangsters, psychopaths, and femmes fatales, where deception, lust, and betrayal run rampant. The first film-by-film photography book on film noir and neo-noir, this essential collection begins with the early genre influencers of German and French silent film, journeys through such seminal works such as Double Indemnity, The Postman Always Rings Twice, and Vertigo, and arrives at the present day via Chinatown, Pulp Fiction, Heat, and the recent cult favorite Drive.

Entries include posters, tons of rare stills, cast/crew details, quotes from the films and from critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver screenwriter Paul Schrader provides the introduction to this feast of noir worship. Populated by the genre’s most revered directors, like Hitchcock, Wilder, Welles, Polanski, Mann, and Scorsese, the book also pays homage to its iconic faces, including Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson, Pacino, and so many more.

The 70's gave the world "Star Wars, Grease", "The Godfather", "Mad Max", "Alien", "Taxi Driver", "Texas Chainsaw Massacure", "Halloween", "Rocky" and a very blood thirsty shark who changed human perception of sharks for decades to come named "Jaws". These films along with other greats fill this book. Roger Moore also took over from Connery as James Bond and Clint Eastwood made a heap of Westerns. Find them here as well.

The 1980s was a decade in which filmmakers pulled put all the stops to dazzle audiences and make them jump out of their seats. And just as they marked the development of the special effects technology that sparked a wave of blockbuster films, the Eighties also saw the advent of the cutting edge computer techniques used by graphic artists in the promotional posters for these unforgettable films. It was the decade when filmmakers finally had the technology to transfer their visions to the screen, challenging graphic artists and illustrators to catch up, and many of its most enduring images are represented in this volume: the glow behind the lenses of Arnold Schwarzenegger's gargoyle-framed sunglasses that characterized the monolithic menace of "The Terminator"; the sarcastically simple crossed-out cartoon ghost that enticed audiences into the theaters to see "Ghostbusters"; the silhouette of the mysterious, domino-clad stranger that haunts the unbalanced mind of "Mozart in Amadeus"; the wisp of cigarette smoke that bisects the image of Sean Young's stoic face on the poster for "Blade Runner"; and many more.

The poster art presented in this volume represents the work of a new generation of graphic artists and designers, equipped for the first time with a brand new technology, in collaboration with visionary filmmakers - from Spielberg to Kurosawa, from Cameron to Ramis, from Foreman to Attenborough - who continually managed to keep our eyes riveted to the screen.