Сборники работ по искусству

For one of the most important pioneers of Expressionism, the famous Norwegian painter Edvard Munch (1863–1944), the pulsating, modern city of Copenhagen was a bridge to Europe and an occasional refuge. In his lively exchanges with Danish artists and authors, Munch not only had intensive encounters with Paul Gauguin’s art, but also with Impressionism, Symbolism, and Synthetism. During a difficult existential crisis, which began around the turn of the century and lasted until 1908, Munch time and again returned to Denmark.

Rich in material, this book is the first to take a comprehensive look at Munch’s relationship to this Scandinavian country. It shows how much his Danish contacts influenced his reception of contemporary French painting as well as his early oeuvre. Generously illustrated, the volume presents some relatively unknown works created in and around Copenhagen and during Munch’s seven-month stay in a psychiatric clinic.

The long-awaited Edvard Munch Catalogue Raisonné has now been published, thanks to the collaboration between Faurschou, Kaare Berntsen and Munch-museet. The catalogue, that has taken five years to complete, offers for the first time ever, a complete survey of Edvard Munch’s paintings.

Edvard Munch is acknowledged globally as one of the greatest artists in the Twentieth Century. During his long artistic career, Edvard Munch created approximately 2000 paintings, more than 1100 of which belong to the Munch-museet. The remaining works are included in museums and private collections all over the world. The catalogue is divided into four volumes and contains a chronologic representation of Edvard Munch’s paintings in colour and with matching details.

The catalogue is based on the knowledge and research that has been gathered at the Munch-museet over the past 40 years and each volume contains essays by Munch experts. The author and editor is Gerd Woll who has previously written numerous articles and exhibition catalogue texts on Edvard Munch. Gerd Woll was the author of the comprehensive catalogue on Munch’s graphic works that was published in 2001.

The Catalogue Raisonné serves as an indispensable tool for international research on Edvard Munch's works at museums and universities globally for both art historians and students alike. The catalogue will simultaneously serve as a platform to expand the knowledge of Munch’s work with art interested people in general.

The early masterpieces of Norwegian artist Edvard Munch, pioneer of modern art, who developed a Nordic variant of modern painting.

274 ills., 247 in color

The prototypical Pre-Raphaelite artist, Edward Burne-Jones (1833–1898) embodied in his art the glamours of Victorian Romantic painting, harking back to an Arthurian Medieval England of chivalry, virtue, Arcadian delight and dreamy sensuality. “I mean by a picture a beautiful, romantic dream of something that never was, never will be,” he once wrote, “in a light better than any light that ever shone - in a land no one can define or remember, only desire.” Burne-Jones' fantasies of an ideal Albion offered solace against the onset of the Industrial Revolution, which had increasingly come to determine urban life in Victorian Britain, and which his close friend William Morris had also critiqued in his bestselling poetry book The Earthly Paradise (1868). This volume explores Burne-Jones' vision of an “Earthly Paradise” as expressed in painting cycles such as Perseus, Amor and Psyche, St George and Briar Rose, and his wonderful Arthurian tapestry sequences and book illustrations. It also opens up the artist's more practical efforts to secure this earthly paradise through the domestic crafts, rejuvenating the Victorian interior through Medieval precedents: carpets, textiles, stained glass windows, furniture and other Arts and Crafts objects. In emphasizing the conceptual unity of Burne-Jones' painting cycles and domestic designs, this monograph reveals his vision to be a coherent expression and longing for a finer world.Edward Burne-Jones was educated at Exeter College, Oxford, where he met his future collaborators, the artist-poets William Morris and Dante Gabriel Rossetti, under whose influence he left Oxford without graduating. From his first major exhibition in 1877, Burne-Jones was a hit with the English public; his 1884 painting “King Cophetua and the Beggar Maid” remains a classic expression of the Pre-Raphaelite Brotherhood sensibility. After his death in 1898, Burne-Jones' legacy became most apparent in the decorative arts.

Illustrated with over 150 oils, watercolours, etchings and drawings with comments on their formal and technical characteristics, this exhibition's catalogue offers an updated critical interpretation of Edward Hopper's work and an alternative view to the extensive literature that already exists on this artist. Perfect for casual perusing or serious study, it is certain to find a wide audience.

Egon Schiele (1890–1918) is considered to be one of the pioneers of Austrian modernism together with Gustav Klimt and Oskar Kokoschka. Coinciding with the start of the commemoration of the centenary of his death, this volume will approach Schiele’s fascinating works from a new perspective and will also introduce a paradigm change in the interpretation of his oeuvre.

Inspiration from Schiele’s private circumstances as well as from the art of antiquity, the Byzantine period and even the age of the Baroque will help to provide the key to understanding Schiele’s pictorial allegories, which have remained enigmatic to this day. In the light of the latest Schiele research the artist will no longer be presented as the disturbingly penetrating portraitist of existential loneliness, but at the same time also as a champion of lofty ethics and passionate spirituality.

 - New approaches to the interpretation of Schiele's allegorically encoded works
 -  A unique overview of Schiele's development as a graphic artist and watercolourist
 -  To mark the centenary of Schiele's death in 2018: with works from the Albertina, complited by prestigious loans

In this comprehensive and lavish volume, a renowned authority on Egon Schiele focuses on the artist’s images of women, offering new and revelatory perspectives.

During his brief yet prolific career, Egon Schiele created hundreds of drawings, watercolours, and oil paintings of the women in his life. His work is generally regarded as expressionistic, emotional, intense, autobiographical, and highly sexual. In this elegant and beautifully illustrated book, Jane Kallir examines Schiele’s depictions of women to argue that there is more to these images than we realize.

Drawing from the latest research as well as her own exhaustive familiarity with Schiele’s entire oeuvre, Kallir explores four distinct periods, each characterized by a single figure or series of women: the artist’s mother and sisters; the often anonymous models of the "breakthrough" years, 1910–11; his lover, Wally Neuzil; and his wife, Edith, and her sister, Adele.

Weaving together historical context, biographical information, and observations of the works, Kallir demonstrates how these women relate not only to Schiele’s development but to the larger issue of feminine representation.

Kallir offers a panoply of significant insights into a central aspect of the artist’s achievement, which has never before been the subject of a focused study. Schiele’s fans will treasure this beautiful and groundbreaking addition to the literature on this important artist.

Twisted Brilliance. The 1909–1918 catalogue of Egon Schiele, as never seen before

A century after his death, Egon Schiele continues to stun with his contorted lines, distorted bodies, and eroticism. This XXL-sized book features the complete catalogue of his paintings from 1909–1918. Nearly 600 illustrations are presented, many of them newly photographed, alongside expert insights and Schiele’s personal writings in this decisive monograph.

After Egon Schiele (1890-1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had just ten years to inscribe his signature style into the annals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn’t prove to be too big a challenge.

His haggard, overstretched figures, drastic depiction of sexuality, and self-portraits in which he staged himself with emaciated facial expressions bordering between brilliance and madness, had none of the decorative quality of Klimt's hymns of love, sexuality, and yearning devotion. Instead, Schiele’s work spoke of a brutal honesty, one that would upset and irreversibly change Viennese society.

Although his works were later defamed as “degenerate” and for a time were almost forgotten altogether, they influenced generations of artists – from Günter Brus and Francis Bacon to Tracey Emin. Today, his then-misunderstood oeuvre continues to fetch exorbitant prices on the international art market.

Presented in a voluminous format that captures all of the intensity and emotional truth of his work, Egon Schiele. All paintings from 1909-1918 feature 221 paintings and 146 drawings that retrace the fertile last decade of Schiele’s life. With many pieces newly photographed for this edition, these works are paired with excerpts from his countless writings and poems, as well as essays introducing his life and oeuvre, to situate the Austrian master in the context of European Expressionism and trace his extraordinary legacy.

About the author:

Tobias G. Natter is an internationally acknowledged expert on art in “Vienna around 1900.” For many years he worked at the Austrian Belvedere Gallery in Vienna, latterly as head curator. He also worked as guest curator at the Tate Liverpool, the Neue Galerie New York, the Hamburger Kunsthalle, the Schirn in Frankfurt am Main, and the Jewish Museum in Vienna. From 2006 to 2011, he directed the Vorarlberg Museum in Bregenz, and from 2011 to 2013 was director of the Leopold Museum in Vienna. In 2014 he founded Natter Fine Arts, which specializes in assessing works of art and developing exhibition concepts. He is the author of TASCHEN’s Gustav Klimt. Complete Paintings, Art for All. The Colour Woodcut in Vienna around 1900 and Egon Schiele. The Complete Paintings 1909–1918.

Featuring over 140 masterpieces, this new book draws on the unsurpassed Schiele collection of Vienna’s Leopold Museum

This book gathers some 140 paintings, watercolors and drawings by Egon Schiele from the Leopold Museum in Vienna, which famously possesses the world’s most comprehensive and eminent collection of works by this most beloved of modern artists. It covers all periods of Schiele’s oeuvre, with examples of his earliest creations, his renowned Expressionist period and the work created shortly before his untimely death. Among the classic Schiele paintings housed in the collection are the Seated Male Nude (a self-portrait) of 1910 and The Hermits of 1912 (probably depicting Schiele with Gustav Klimt). Cityscapes constitute another emphasis in Schiele’s oeuvre as well as landscapes including Houses by the Sea. Throughout the book, numerous full-page illustrations afford exceptional insight into Schiele’s genius for line and colour.

Essays by Elisabeth Leopold, Rudolf Leopold, Franz Smola and Birgit Summerauer outline the milieu and career of this provocative artist but also highlight Schiele’s place among the great masters of the 20th century.

Austrian painter Egon Schiele was a gifted artist, mentored by the great Gustav Klimt. 

Inspired by the human form, he is best known for his figurative works, particularly of women, with their defiantly confrontational air and their bold contortions. Schiele’s nudes are shockingly direct in the way they face us: frank, unabashed and defiant in their gaze. To be as resolutely transgressive as Schiele is an artistic achievement in itself. 

Egon Schiele Masterpieces of Art features a fascinating introduction to the life and art of this talented artist, as well as showcasing his key portraits, nudes, landscapes and still lifes in all their glory.

Catalogue on the sensational exhibition featuring about 40 of El Greco’s works

The sensational oeuvre of El Greco (1541-1614) was first introduced to a broader German audience in 1910 through Julius Meier-Graefe’s journal, The Spanish Journey. Numerous artists subsequently caught “Greco fever” when they first saw larger groups of his works in exhibitions in Munich in 1911 and Düsseldorf in 1912. Max Beckmann, Oskar Kokoschka, Max Oppenheimer, Ludwig Meidner, and especially members of the Blaue Reiter - August Macke, Franz Marc, Albert Bloch, and others - recognized in El Greco a father figure for the Modernist movement, mentioning him in the same breath as Paul Cézanne.

This volume presents a general selection of over forty paintings by El Greco from the most famous museums around the world. At the same time, the young artists’ exploration of the paintings and visual spheres of the exceptional Spanish painter are discussed, opening up a fascinating view of the battle for Modernism.

Although Emil Nolde is famous for his dramatic ocean views and colorful flower gardens, his love of the fantastical and grotesque has received less attention to date. Yet, it is clear from his autobiography and many letters that they had a significant impact on his artistic work. Besides his first oil painting, the Bergriesen (Mountain giants, 1895/96), his alpine postcards from before 1900 also display his fascination with the imaginary: here, the Swiss mountains appear as bizarre human physiognomies. His turning away from reality in favor of a grotesque, alternative world can be seen throughout his oeuvre, from its beginnings, to the Grotesken (1905) and watercolors from 1918/1919, to the years when he was forbidden to practice his profession under the Nazis.

The exhibition catalogue, which presents works of art never before shown, is also the first to discover a fascinating side of the great painter and water colorist.Exhibition: 30.4.-9.7.2017, Internationale Tage Ingelheim at Museum Wiesbaden; 23.7.-15.10.2017, Buchheim Museum der Phantasie, Bernried am Starnberger See

In the early 1990s Andy Goldsworthy was invited to propose a project for Cumbria, a region of outstanding natural beauty where the landscape has been moulded for centuries by agriculture and in particular by sheep-farming. His response was to repair or rebuild a swathe of Cumbrian sheepfolds – with the intention that, wherever possible the folds would still be accessible to sheep.

Among the sculptures are slate works and balanced stones embedded in walls and a series of sixteen folds each containing a massive boulder rolled down from the nearby hillside. By 2006 over forty structures had been completed: it is this extraordinary project that forms the core of Enclosure.

This impressive volume is testament to Goldsworthy's lifelong interest in the land, its history and its inhabitants.

Andy Goldsworthy, the internationally renowned sculptor, was born in Cheshire in 1956. There are regular exhibitions of his work in Britain, France, The United States and elsewhere. Although he travels all over the world to carry out his commissions, the landscape around his home in south-west Scotland, remains at the heart of his work.

Erwin Blumenfeld (1897–1969) was born into a Jewish family in Berlin. In 1941, he left Europe for the United States, where five years later he became a citizen. During the forties and fifties, he was one of the most sought-after fashion photographers in the world. However, most people are not familiar with the artist’s early work: the often bitingly humorous Dada montages he produced between 1916 and 1933.

This book by Helen Adkins, a renowned expert on the Berlin Dada movement, is the first to provide an extensive study of these early works. Blumenfeld did not intend for them to be shown publicly - they were personal gifts to his friends and acquaintances or enclosed in love letters to his fiancée. The approximately one hundred works - including many that have not previously been published and which the author discovered in the artist’s family archives and in other public and private collections - will be examined within the context of Blumenfeld’s life, photographs, drawings, and literary works.

M.C. Escher was born in 1898 in Leeuwarden (Netherlands). He received his first drawing lessons during secondary school from F.W. van der Haagen, who also taught him the block printing, thus fostering Escher's innate graphic talents.

From 1912 to 1922 he studied at the School of Architecture and Ornamental Design in Haarlem, where he was instructed in graphic techniques by S. Jessurun de Mesquita, who greatly influenced Escher's further artistic development. Between 1922 and 1934 the artist lived and worked in Italy. Afterwards, Escher spent two years in Switzerland and five in Brussels before finally moving back to Barn in Holland, where he died in 1972.

M.C. Escher is not a surrealist drawing us into his dream world, but an architect of perfectly impossible worlds who presents the structurally unthinkable as though it were a law of nature. The resulting dimensional and perspectival illusions bring us into confrontation with the limitations of our sensory perception.